Antonio Vivaldi wrote this work for two natural trumpets and strings and it has become the most popular double concerto for trumpets. The music is simple and elegant, utilizing the non-chromatic capabilities of the natural trumpet. Falling arpeggios, half a scale and fanfare figures throughout the work show Vivaldi's skill at taking short simple melodic material and using it throughout a three-movement concerto. The original string accompaniment has been given to a brass quartet with the remaining trumpet part being performed on flugel horn. Another suggestion is the trombone part be played on euphonium for an even more consistent accompaniment texture.

Originally for 2 horns and strings, this arrangement now features the 2 trumpets with the remainder of the ensemble performing the string parts. The first trumpet part works best when played on E-flat trumpet to keep the lightness and grace in the writing and an agile trombone player is required to perform the arpeggiated string lines. The stately maestoso is an often performed work especially by period instrument ensembles and the fanfare-type figures lend themselves well to the brass quintet. At less than 3 minutes in length, this work is not too strenuous but is an interesting addition to the quintet repertoire.

Originally from a Suite in A for solo harpsichord, this Air makes an ideal opener for a concert or recital. Written ornaments and flourishing trumpet lines help make this a great showpiece for the trumpets in a brass quintet. The key has been altered into a more friendly key for performance on b-flat trumpets as opposed to D or piccolo trumpets. It is a short piece that will be a favorite with audiences and start your concerts off on the right note!

Brenda Stubbert

What a perfect match! Bach's famous "Air on the G String" combines with the familiar text from I Corinthians 13 to create a fresh look at those age-old words. This absolutely gorgeous setting has been made popular by recording artist Jim Brickman.

What a perfect match! Bach's famous "Air on the G String" combines with the familiar text from I Corinthians 13 to create a fresh look at those age-old words. This absolutely gorgeous setting has been made popular by recording artist Jim Brickman.

An energetic piece in familiar ABA form. The first section is vigorous with a rhythmic pulse at its core. The middle section is a contrast with a melodic statement carried by the first violins. A reprise of the first section and a strong ending completes this interesting work.

You will, of course, recognize this elegant Engelbert Humperdinck melody. As arranged for very young strings, it is easy to prepare and a musical treat for any aspiring musician.

This theme from the last movement of Beethoven's Symphony No. 9 has been heard in all musical mediums. Now Elliot DelBorgo has scored this famous melody for strings. Its well-known nature guarantees a positive and successful performance.

A cherished Gustav Holst melody for your beginning strings begins with the traditional flourish from The Planets. The warm melody is thickly scored for the entire ensemble. A solid choice for your beginners. A classic theme great for all occasions. (1:46)

Feature those bass players in Bass in Space and don't worry, the cellos have the cues. This is an outstanding opportunity to feature your beginning bassists and recruit new students for next year. It's fun to play and great for your program. (1:34)

Antonio Lauro is one of the most famous composers to come from Venezuela. He has written many works for orchestra, piano, choir, harpsichord, and guitar. He is most well-known for his guitar works, this being his main instrument. The pieces represented in these guitar works are for players at a beginner-intermediate level, and in standard notation only. The Pavane is a courtly dance which comes originally from the north of Italy. It was widely played throughout Europe from the 16th Century and acquired a solemn character in Spain where it became very popular.

This beautiful and lyrical Chinese folksong features the talents of a flute player from within the ensemble. There is a harp part that could easily be performed on keyboard (set to harp sound) or piano. The melody flows throughout the ensemble with many sections playing the melody line. Wonderful warm colors are brought forth with the arranger's clever use of orchestration. (5:10)

This charming arrangement of the popular African American spiritual tells the story of David tending his sheep, slaying Goliath, and serving as king while remaining "God's faithful child and shepherd boy." The lighthearted piano accompaniment imitates sounds of a harp playing and a giant falling before the anthem concludes with a playful partner-song. An optional scripture-based narrative provides a creative introduction to the piece, highlighting David's anointment as king and verses of praise from the Psalms.

Allen Pote has written an absolutely gorgeous setting of the traditional Mass to be used with choirs of treble voices, whether it be children or women. The texts and melodies used are sophisticated and stunning and can be sung as a whole Mass or as individual movements. "A Mass for Treble Voices" has been printed as five separate octavos to allow the greatest amount of flexibility within your choir program needs. Movements include: "A Prayer for Mercy," "Glory to God," "We Believe in God," "Sanctus and Benedictus," and "Lamb of God.".

Allen Pote has written an absolutely gorgeous setting of the traditional Mass to be used with choirs of treble voices, whether it be children or women. The texts and melodies used are sophisticated and stunning and can be sung as a whole Mass or as individual movements. "A Mass for Treble Voices" has been printed as five separate octavos to allow the greatest amount of flexibility within your choir program needs. Movements include: "A Prayer for Mercy," "Glory to God," "We Believe in God," "Sanctus and Benedictus," and "Lamb of God.".

This work, from the Easter cantata, "Denn du wirst meine Seele" was written by J.L. Bach, a distant cousin of J.S. Bach. Originally scored for soprano solo, strings, and continuo, this edition provides an opportunity for unison voices to sing the original aria with any of the three instrumental options listed above. In addition to the original text, 2 English texts are provided. The first provides the Easter message and sentiment of the original German text while the second celebrates creation and the dawning of a new day. The three texts make for a scholarly and practical appropriate for use with children's choirs in both sacred and secular contexts. An IPA Pronunciation Guide and a Teaching Guide for Directors are provided in the Full Score.

This work, from the Easter cantata, "Denn du wirst meine Seele" was written by J.L. Bach, a distant cousin of J.S. Bach. Originally scored for soprano solo, strings, and continuo, this edition provides an opportunity for unison voices to sing the original aria with any of the three instrumental options listed above. In addition to the original text, 2English texts are provided. The first provides the Easter message and sentiment of the original German text while the second celebrates creation and the dawning of a new day. The three texts make for a scholarly and practical appropriate for use with children's choirs in both sacred and secular contexts. An IPA Pronunciation Guide and a Teaching Guide for Directors are provided in the Full Score.

Here is a stunning arrangement combining the "Dies Irae" and "Stabat Mater" chants layered with the melancholy PASSION CHORALE ("O Sacred Head, Now Wounded"). The singing bell technique adds intensity to this memorable selection for Maundy Thursday, Good Friday, or any time during Lent and Holy Week. The optional cello adds great sophistication to the piece, whether in worship, festivals, or concerts.

This work, from the Easter cantata, "Denn du wirst meine Seele" was written by J.L. Bach. Originally scored for soprano solo, strings, and continuo, this edition provides an opportunity for unison voices to sing the original aria with any of the three instrumental options listed above. In addition to the original text, 2 English texts are provided. The first provides the Easter message and sentiment of the original German text while the second celebrates creation and the dawning of a new day. The three texts make for a scholarly and practical appropriate for use with children's choirs in both sacred and secular contexts. An IPA Pronunciation Guide and a Teaching Guide for Directors are provided in the Full Score.

Sierra Hull started her first year of college in 2009, and is already one of the most celebrated mandolinists in and around bluegrass music. While still in high school she released her debut CD, Secrets, on Rounder Records. On this 2-DVD set Sierra teaches the mandolin solos she plays on Secrets, plus a number of instrumentals she recorded as a pre teen. The material taught in this 2-DVD set will be within the reach of any intermediate to advanced mandolin player/student, and most new players will profit from working through these songs as well. Each is demonstrated in great detail at a slow speed, making it easy to understand. To get things started, AcuTab's John Lawless leads Sierra through a discussion about how she came to be a stunning virtuoso at such a young age, including her early influences and inspirations. The bulk of the video, however, is all music with 10 complete songs and tunes demonstrated, taken from her critically-acclaimed debut album Secrets, from Rounder Records (CDROUN0601). Sierra teaches these songs carefully and in great detail. She and John discuss each solo before it is demonstrated by an all-star band, and then she breaks it down, piece-by-piece. Even though a few of the solos are fairly difficult, the way she teaches puts them within the reach of most pickers. She goes slowly, breaking each solo into easily-digestible bits, stringing them all together in a format accessible to beginning and intermediate students. Now Available:. Return Policy Exception: This product can not be returned. But it can be exchanged if defective, for the exact same title.