The King of Pop Medley (Bad / Smooth Criminal / The Way You Make Me Feel (For Percussion Sextet with Optional Bass Guitar)). By Michael Jackson. Arranged by Jeff Moore. For Orchestra Bells, Xylophone, Marimbas 1 and 2, Vibraphone, Bass Guitar, and Drumset. Percussion - Ensemble. Alfred's Pop Percussion Ensemble Series. Pop. 28 pages. Published by Alfred Music Publishing (AP.34009). Snap your fingers to this rockin' Michael Jackson tribute for percussion ensemble from Alfred’s Pop Percussion Ensemble Series. Featuring the hit songs Bad, Smooth Criminal, and The Way You Make Me Feel, this arrangement can be used for a six-part percussion ensemble, with optional bass guitar for extra support. Includes parts for Orchestra Bells, Xylophone, Marimbas 1 and 2, Vibraphone, Bass Guitar, and Drumset.

of comfort and joy (Holiday). By Musella. Arranged by Santa Cruz. For String Orchestra with Percussion (violin 1, violin 2, viola, cello, double bass, piano, vibraphone, chimes, percussion 1 (Low tom, Sleigh bells), percussion 2 (bass drum, tambourine, suspended cymbal, triangle)). String Music. Grade 4. Score only. Duration 4:00. Published by C. Alan Publications (CN.16541). This work fuses two well known traditional carols, God Rest Ye Merry Gentlemen and Carol of the Bells, into an intriguing tapestry of textures and colors. It is meant to allow the listener to consider the reflective and sometimes hectic and even tense nature of the holiday season. This work fuses two well known traditional carols, God Rest Ye Merry Gentlemen and Carol of the Bells, into an intriguing tapestry of textures and colors. It is meant to allow the listener to consider the reflective and sometimes hectic and even tense nature of the holiday season. The brooding, restless introduction gives way to a more buoyant treatment of God Rest with fragments of Carol of the Bells. The mood becomes turbulent and eventually Carol of the Bells becomes the main theme and God Rest in augmentation serves as the accompaniment. The work concludes with a fughetto built on a variant of the opening bass line sprinkled with thematic fragments from the two carols and subsides into a calm, peaceful conclusion. It was commissioned by Director's Choice Tour and Travel for the Tejeda Middle School Orchestra, San Antonio, Texas to commemorate their selection to perform at the 63rd annual Midwest Clinic in Chicago.

Tango Suite - Movt. II by Astor Piazzolla (1921-1992). Arranged by Kevin Super. For marimba and vibraphone or two marimbas. Tango. Intermediate-advanced. Duet. Published by HoneyRock Publishing (HR.HRKD009). This is an excellent transcription of Argentine composer Piazzolla's widely performed work - originally scored for two guitars. Requires a high level of four-mallet technique. Vibraphone and marimba, or two marimbas.

Pour Elise by Ludwig van Beethoven (1770-1827). Arranged by Daniel Sauvage. Percussion duet. For vibraphone, marimba. Level 2. Published by Alfonce Production (AF.A67-006-P). Duo for vibraphone and 4 & 1/3 octave marimba.

Escher prelude by Luigi Morleo. Vibraphone solo. For vibraphone. Level 3. Published by Alfonce Production (AF.A10-002-P). A very seductive piece written especially or the vibraphone (4 sticks).

Per i profughi di guerra 8 by Luigi Morleo. Vibraphone solo. For vibraphone. Level 4. Published by Alfonce Production (AF.A10-004-P).

Michael Jackson Tribute Medley (Beat It / Billie Jean / Wanna Be Startin' Somethin' / Don't Stop 'Til You Get Enough (For Percussion Sextet with Optional Bass Guitar)). Arranged by Jeff Moore. For Orchestra Bells, Xylophone, Marimbas 1 and 2, Vibraphone, Bass Guitar, and Drumset. Percussion - Ensemble. Alfred's Pop Percussion Ensemble Series. Pop. 28 pages. Published by Alfred Music Publishing (AP.34003). Remember the late King of Pop with this clever percussion ensemble medley from Alfred's Pop Percussion Ensemble Series. Play the hit songs that changed the face of pop music in this unique arrangement for a six-part percussion ensemble, with optional bass guitar for extra support. Featuring: Beat It * Billie Jean * Wanna Be Startin' Somethin * Don't Stop 'Til You Get Enough. Includes parts for Orchestra Bells, Xylophone, Marimbas 1 and 2, Vibraphone, Bass Guitar, and Drumset.

Bee Et Lila by Emmanuel Sejourne. For vibraphone. Audition de Jean Geoffroy. Classical. Score. 6 pages. Published by Editions Henry Lemoine (LM.26410).

Solos for the Vibraphone Player edited by Ian Finkel. For vibraphone solo. Percussion Collection. Classical. Difficulty: medium to medium-difficult. Vibraphone solo book. Standard notation. 35 pages. G. Schirmer #ED2926. Published by G. Schirmer (HL.50332660). ISBN 0793539730. With standard notation. Classical. 9x12 inches. For unaccompanied vibraphone. Contents: Allegretto (Sor) • Allegro (Kuhlau) • Allegro in F Major (Mozart) • Allemande (Rameau) • Aria • Bourree (Bach) • Cantabile (Sor) • Caprice in C# (Legnani) • Caprice in D Flat (Legnani) • Caprice in G Flat (Legnani) • Dearest Emanuel, Lord of Faithful (Bach) • Divertimento (Haydn) • Divertissement (Sor) • Fantasia (Telemann) • Fugue (Campenhout) • Gavotte (Scarlatti) • Little Fugue (Handel) • Lord Christ (Bach) • Lord Jesus Christ, Prince of Peace (Bach) • Minuet • Minuet (Mozart) • Minuet in G Minor (Bach) • My Life is Hid in Jesus (Bach) • My Soul Doth Magnify Lord (Bach) • O Sacred Head, Now Wounded • Passacaille (Campenhout) • Pavana (Milan) • Pavana (Sanz) • Prelude (Visee) • Prelude (Weiss) • Prelude in C Minor (Corbetta) • Preludio (Roncalli) • Sarabande (Weiss) • Spanish Royal March (Handel) • Spinning Song • Spiritoso (Clementi) • To God Let All Human Race (Bach).

Sonata in F (for solo mallet percussion with piano accompaniment). By George Frideric Handel (1685-1759). Arranged by Brian Slawson. Mallet solo with piano accompaniment. For small marimba (4 octave), piano accompaniment. NOTE: The mallet part may also be played on xylophone or vibraphone (1 player). Percussion Solos. Medium. Score and parts on CD-ROM. 8 pages. Duration 3'30". Published by Tapspace Publications (TA.TSPCS-14). This popular Allegro from Handel's Sonata in F Major for violin has been performed for centuries on a variety of instruments. While playing it on marimba isn't a new concept, one of the biggest challenges performers face lies within the accompaniment. In addition to the mallet-customized solo part, Slawson has created a piano arrangement that is well stylized and isn't clumsy under the fingers which these figured bass transcriptions can be known for. Ideally played on marimba with two mallets, the solo can also be played on vibraphone or xylophone while showcasing intermediate performers ability to interpret Baroque phrasings and style. As an etude or recital piece, Sonata in F will be a mainstay in any developing mallet player's repertoire. This piece comes with a full, bound score and includes a CD-Rom containing an audio recording and both the solo and accompaniment parts available for printing.

Two Dickinson Settings by David J. Long. Chamber Ensemble. For SSAA Choir, Piano, Percussion & Harp (SSAA treble choir, piano, marimba/vibraphone, harp (or orchestra bells)). Medium. Score only. Published by C. Alan Publications (CN.08541). "Two Dickinson Settings" features two poems by Emily Dickinson: "Heart! We will forget him!" and "Will there really be morning?". The melodious vocal parts have a shimmering backdrop of struck or plucked intruments with piano, marimba, vibraphone, and harp. An optional bell part is included for those who do not have access to a harp player.Written for the Mary Washington College Chorus, Spring 2001, Dr. Jane Tavernier, director.

La Dansa by Gioachino Rossini (1792-1868). Arranged by Yannick Guillot. Percussion sextet. For glockenspiel, xylophone, vibraphone, 2 marimbas, bass marimba or contrabass. Level 2. Published by Alfonce Production (AF.A17-008-P).

Concerto for Vibraphone & Percussion Ensemble. (Vibraphone Feature). By Nathan Daughtrey. Solo with Percussion Ensemble. For Solo with Percussion Ensemble (Solo Vibraphone (3-octave), Percussion 1 (bells, crotales), Percussion 2 (xylophone, chimes), Percussion 3 (3-octave vibraphone), Percussion 4 (4-octave marimba), Percussion 5 (4.3-octave marimba), Percussion 6 (5-octave marimba), Percussion 7 (4 Timpani,). Medium difficult. Score only. Duration 15:00. Published by C. Alan Publications (CN.17221). Commissioned by Dr. Lisa Rogers of Texas Tech University, the two-movement "Concerto for Vibraphone" was inspired by two opposing poems by Pablo Neruda - one depicting a rainy night (Night's Song) and the other a bright & sunshining day (Enchanted Light). The showy solo solo part may be performed with piano, percussion ensemble, wind ensemble or full orchestra.Concerto for Vibraphone was commissioned by Dr. Lisa Rogers, Professor of Percussion at Texas Tech University. The two-movement work draws inspiration from two opposing poems by Pablo Neruda that depict night and day. The poems are full of rich & vivid imagery that I tried to capture in the music. Ode to Nighttime by Pablo Neruda I. Night's Song - 'El Canto de la Noche' For the first movement, Night's Song, I tried to depict this mysterious, starry night that gradually turns dark and rainy. The phrases that really spoke to me and shaped the music were 'behind daylight,' 'you thrash around the sky,' 'you run wild over the savage flow of rivers,' and rain and darkness are the blade of a singing sword while stars, or jasmine petals, gaze from blackened heights.' I love how Neruda describes daylight as being born nighttime, so I decided to make the movements attacca so that the second movement, Enchanted Light, bursts forth out of the first movement. Ode to Enchanted Light by Pablo Neruda II. Enchanted Light - 'La Luz Encantada' The second movement is much more sparkly and bright, depicting the 'light dropping from the top of the sky.' The 'cicada sending its sawing song high into the empty air' even makes an appearance when the ensemble vibraphone player places pennies on the bars and then bows those bars with optional help from a sizzle cymbal. Motives and themes from the first movement return in several spots throughout the second movement helping to unify the work. The soloist gets a workout as well in the tour-de-force second movement, unlike the much more introspective first movement.

Musik fur Mallets. (14 Duos und Soli). By Klaus Hinrich Stahmer (1941-). For 2 mallet instruments (Vibraphone, Marimba, xylophone). This edition: BAT 23. Drums/Percussion. A battere. Playing score. 34 pages. Published by Schott Music (SD.49000663). ISBN 9790001004831. 14 Duos und Soli fur Mallettinstrumente (Vibraphon, Marimbaphon, Xylophon, Stabspiele).

Encounters IV. (Duel for Trombone and Percussion (and Optional Tape)). By William Kraft. For Tenor, Percussion, Crotales, Stainless Steel Bowls, Vibraphone, Tuned Gongs, Timpani, Graduated Drums, Graduated Tam-Tam, Galvanized Trash Can Lid. New Music West. Classical. Full score (large). Standard notation. 11 pages. Published by Theodore Presser Company (PR.114409760). With Standard notation. classical.

The World Beneath the Sea No. 1 (Op. 133, No. 1) by Alan Hovhaness (1911-2000). Contemporary Medium Ensemble. For Alto saxophone, harp, vibraphone, timpani and gong. Modern. Full score. Composed (c)1965. Duration 10 minutes. Published by Edition Peters (PE.P6517A). Alan Hovhaness, an American composer of Armenian and Scottish ancestry, was born in Somerville, Massachusetts, on March 8th, 1911. He died on June 21st, 2000, in Seattle, Washington. Seattle, Washington.Alto Saxophone, Harp, Vibraphone, Timpani, Gong; full score* // * This score is printed on demand.

Voce by Gabriel-Pierre Berlioz. For vibraphone and piano. Classical. Score. Published by Editions Combre (LM.C05635).

Inventions. (For Bb Clarinet and Percussion). By Ralph Shapey. Chamber ensemble. For Clarinet, Percussion, Glockenspiel, Vibraphone, Low-C Marimba, Timpani or Roto-Toms, Tom-Tom, Xylophone. Classical. Score and part(s). Standard notation. 16 pages. Duration 11 minutes, 30 seconds. Published by Theodore Presser Company (PR.114407080). With Standard notation. classical.

Sweet Dreams, Elizabeth Lee by Gabe Musella. For Full Orchestra (Flute 1 & 2, Oboe, Clarinet in Bb 1 & 2, Bass Clarinet, Bassoon, Alto Saxophone (optional), Horn in F, Trumpet in C 1 & 2, Trombone 1 & 2, Tuba, Glockenspiel, Vibraphone, Percussion (Suspended Cymbal, 2 Triangles), Piano, Violin I, Violin II, Viola, Violo). Orchestra Music. Score only. Duration 4:20. Published by C. Alan Publications (CN.15461). A tender and lovely work that will showcase your ensemble while giving each section a chance to shine. The main theme is represented in all instruments as secondary themes float around using syncopation and pizzacato to add interest.

Sambalafon by Nicolas Gahery. Percussion sextet. For vibraphone, xylophone, marimba, orchestra bells, chimes. Level 2. Published by Alfonce Production (AF.A20-003-P). 7 short pieces.

Concerto for Piano and Percussion Orchestra. (Piano Feature). By David Gillingham. For Solo with Percussion Ensemble (Solo Piano, Timpani (5 drums), Percussion 1 (crotales, bells, xylophone), Percussion 2 (3-octave vibraphone), Percussion 3 (4-octave marimba), Percussion 4 (4-octave marimba), Percussion 5 (4-octave marimba), Percussion 6 (5-octave marimba), Percussion 7 ). Medium difficult. Score only. Duration 17:00. Published by C. Alan Publications (CN.06531). Commissioned by: Central Michigan University: Andrew Spencer; Kutztown University: Frank Kumor, Will Rapp; Lancaster High School Percussion Ensemble: Bruce Gerken, Lancaster, OH; University of North Carolina at Greensboro, Cort McClaren Written with the virtuoso in mind, this piano concerto is perfect for the modern ensemble. The first movement exudes an urgency scored in the rhythms and harmonies throughout, while the second movement, Elegy, reflects on the memory of a friend. The final movement barrels along with spirit and drive, utilizing mixed meter and a full compliment of percussion to bring you to the breathtaking conclusion.

Dialogues (5) by Michel Meynaud. For recorder and vibraphone, harpsichord, guitar or piano. La flute a bec contemporaine. Classical. Grade 1. Score. Published by Editions Combre (LM.C05747).

L'eau qui dort by Emmanuel Sejourne. For vibraphone and piano. Classical. Score. Published by Editions Combre (LM.C05829).

Vociferation by Jack Stamp. For Percussion Ensemble (Bells/Crotales, Xylophone, Chimes, Vibraphone 1, Vibraphone 2, Marimba 1 (4.3-octave), Marimba 2 (4.3-octave), Marimba 3 (5-octave), Percussion 1 (small cowbell, mark tree, suspended cymbal, small woodblock, snare drum), Percussion 2 (small brake drum, la). Medium. Score only. Duration 6:00. Published by C. Alan Publications (CN.08271).