The Miraculous Mandarin by Bela Bartok (1881-1945). Arranged by James Ancona. Percussion Ensemble. For Glockenspiel, 3 marimbas (low A), xylophone, crotales, 3 vibraphones, 5 timpani, large tam tam, chimes, 2 china cymbals, 18" suspended cymbal, 4 toms, wind gong, medium gong, 2 small gongs of different sizes, dark sus. cym., bright sus. cym., sizzle cym., (8 players). Percussion Feature. Marching Band. Advanced. Score and parts. 36 pages. Duration 4'00". Published by Tapspace Publications (TA.TSPCE-04). This percussion ensemble arrangement of "The Miraculous Mandarin" is based upon three movements of Bartok's original work. The Beginning - A challenging display of technique, timbral variety, and creative orchestration. The Second Seduction - Featuring the vibraphones, this movement creates a rubato, tense beauty. The Chase - A relentless conclusion which drives to the ultimate point of release. This arrangement will challenge performers, and offers a programmatic piece which will showcase the versatility of the percussion ensemble's timbral range. It was first performed by the Santa Clara Vanguard Percussion Ensemble in 2000.

The King of Pop Medley (Bad / Smooth Criminal / The Way You Make Me Feel (For Percussion Sextet with Optional Bass Guitar)). By Michael Jackson. Arranged by Jeff Moore. For Orchestra Bells, Xylophone, Marimbas 1 and 2, Vibraphone, Bass Guitar, and Drumset. Percussion - Ensemble. Alfred's Pop Percussion Ensemble Series. Pop. 28 pages. Published by Alfred Music Publishing (AP.34009). Snap your fingers to this rockin' Michael Jackson tribute for percussion ensemble from Alfred’s Pop Percussion Ensemble Series. Featuring the hit songs Bad, Smooth Criminal, and The Way You Make Me Feel, this arrangement can be used for a six-part percussion ensemble, with optional bass guitar for extra support. Includes parts for Orchestra Bells, Xylophone, Marimbas 1 and 2, Vibraphone, Bass Guitar, and Drumset.

Yorkshire Ballad by James Barnes and James Barnes. Arranged by Linda Maxey. For Marimba. Percussion Music - Mallet/Marimba/Vibraphone. Grade 3. Published by Southern Music Company (SO.ST644). Approved contest/festival piece for the University Interscholastic League (UIL 03-06).

Fuga y Misterio by Astor Piazzolla (1921-1992). For Flute, Bandoneon, Piano, Guitar, Vibraphone, Percussion, Strings. Tango, Orchestra. Set of Parts. Published by Tonos Music (TO.20032-2). ISBN M-2015-5217-0. Tango, Orchestra.

Medi-tango by Astor Piazzolla (1921-1992). Arranged by Jean-Louis Maton. Percussion duet. For marimba, vibraphone. Tango. Level 3. Published by Alfonce Production (AF.A26-003-P). Arrangement of the piece by Astor Piazzola for 4 & 1/3 Octave Marimba and Vibraphone.

Alborada del Gracioso by Maurice Ravel (1875-1937). Arranged by James Ancona. Percussion Ensemble. For Glockenspiel, 3 marimbas (low A), xylophone, crotales, 3 vibraphones, 5 timpani, sizzle cymbal, snare drum, castanets, crotales, triangle, hi-hat crash cymbals, suspended cymbal, tambourine, Zildjian crash of doom, bass drum, tam tam (9 players). Percussion Feature. Marching Band. Advanced. Full score and CD-Rom (containing printable parts). 28 pages. Duration 4'00". Published by Tapspace Publications (TA.TSPCE-08). This percussion ensemble arrangement of "Alborada del Gracioso" recreates the colorful and vibrant work of Ravel's original. Originally written in 2001 and premiered by the Santa Clara Vanguard percussion ensemble, this arrangement will challenge performers and engage audiences with its accessible Spanish flair. The middle section features a soloistic marimba cadenza which utilizes advanced 4-mallet rotations and is answered by colorfully scored ensemble interjections.

By Astor Piazzolla (1921-1992). For Flute, Bandoneon, Piano, Guitar, Vibraphone, Percussion, Strings. Tango, Orchestra. Score. Published by Tonos Music

A Little Night Music - Vibes by Wolfgang Amadeus Mozart (1756-1791). Arranged by Mark Taylor. Jazz band. For Vibes. Broadway; Jazz. Individual instrument part. 2 pages. Published by Hal Leonard - Digital Sheet Music (HX.118485). This item is the replacement part to the jazz band set. It is not recommended to purchase this as a solo piece. About Digital Print Sheet Music Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play! View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application. Learn more

The Devil's Dance (from Histoire du Soldat). By Igor Stravinsky (1882-1971). Arranged by James Ancona. Percussion Ensemble. For Glockenspiel, xylophone, 2 vibraphones, 2 marimbas (low A), 5 timpani, and multi-percussion (bass drum, snare drum, field drum, tambourine) (8 players). Concert Percussion Ensembles. Advanced. Score and parts. 16 pages. Duration 1'20". Published by Tapspace Publications (TA.TSPCE-02). "The Devil's Dance" is a short animated movement from Stravinsky's famous theatrical work Histoire du Soldat. Originally written by Stravinsky for a small instrumental theater ensemble of two woodwinds, two brass, two strings, and one solo percussionist, Ancona has preserved the original intent of this piece in a concert percussion setting of eight players. Meter changes occur frequently while constantly shifting accents and dissonant harmonies give it a sinister and sarcastic tone.

Ave Maria by Giulio Caccini (1545-1618). For Vibraphone & Strings. Swiss import. Grade 3. Score and parts. Published by Editions Marc Reift (MA.EMR-14335).

of comfort and joy (Holiday). By Musella. Arranged by Santa Cruz. For String Orchestra with Percussion (violin 1, violin 2, viola, cello, double bass, piano, vibraphone, chimes, percussion 1 (Low tom, Sleigh bells), percussion 2 (bass drum, tambourine, suspended cymbal, triangle)). String Music. Grade 4. Score and parts. Duration 4:00. Published by C. Alan Publications (CN.16540). This work fuses two well known traditional carols, God Rest Ye Merry Gentlemen and Carol of the Bells, into an intriguing tapestry of textures and colors. It is meant to allow the listener to consider the reflective and sometimes hectic and even tense nature of the holiday season. This work fuses two well known traditional carols, God Rest Ye Merry Gentlemen and Carol of the Bells, into an intriguing tapestry of textures and colors. It is meant to allow the listener to consider the reflective and sometimes hectic and even tense nature of the holiday season. The brooding, restless introduction gives way to a more buoyant treatment of God Rest with fragments of Carol of the Bells. The mood becomes turbulent and eventually Carol of the Bells becomes the main theme and God Rest in augmentation serves as the accompaniment. The work concludes with a fughetto built on a variant of the opening bass line sprinkled with thematic fragments from the two carols and subsides into a calm, peaceful conclusion. It was commissioned by Director's Choice Tour and Travel for the Tejeda Middle School Orchestra, San Antonio, Texas to commemorate their selection to perform at the 63rd annual Midwest Clinic in Chicago.

Solfeggio in C Minor by Carl Philipp Emanuel Bach (1714-1788). Arranged by Sharda Brody. For Marimba Unaccompanied. Percussion Music - Mallet/Marimba/Vibraphone. Grade 4. Published by Southern Music Company (SO.ST454). Approved contest/festival piece for the University Interscholastic League (UIL 03-06).

of comfort and joy (Holiday). By Musella. Arranged by Santa Cruz. For String Orchestra with Percussion (violin 1, violin 2, viola, cello, double bass, piano, vibraphone, chimes, percussion 1 (Low tom, Sleigh bells), percussion 2 (bass drum, tambourine, suspended cymbal, triangle)). String Music. Grade 4. Score only. Duration 4:00. Published by C. Alan Publications (CN.16541). This work fuses two well known traditional carols, God Rest Ye Merry Gentlemen and Carol of the Bells, into an intriguing tapestry of textures and colors. It is meant to allow the listener to consider the reflective and sometimes hectic and even tense nature of the holiday season. This work fuses two well known traditional carols, God Rest Ye Merry Gentlemen and Carol of the Bells, into an intriguing tapestry of textures and colors. It is meant to allow the listener to consider the reflective and sometimes hectic and even tense nature of the holiday season. The brooding, restless introduction gives way to a more buoyant treatment of God Rest with fragments of Carol of the Bells. The mood becomes turbulent and eventually Carol of the Bells becomes the main theme and God Rest in augmentation serves as the accompaniment. The work concludes with a fughetto built on a variant of the opening bass line sprinkled with thematic fragments from the two carols and subsides into a calm, peaceful conclusion. It was commissioned by Director's Choice Tour and Travel for the Tejeda Middle School Orchestra, San Antonio, Texas to commemorate their selection to perform at the 63rd annual Midwest Clinic in Chicago.

Madrigals, Book I by George Crumb (1929-). Contemporary Small Ensemble. For Soprano Voice, Double Bass, Vibraphone. Modern. Sheet Music. Text Language: Spanish. Composed Composed: 1965. Duration 9 minutes. Published by Edition Peters (PE.P66458). ISBN M-3007-2271-9. With Text Language: Spanish. Modern. 3 scores needed for performance.

Pour Elise by Ludwig van Beethoven (1770-1827). Arranged by Daniel Sauvage. Percussion duet. For vibraphone, marimba. Level 2. Published by Alfonce Production (AF.A67-006-P). Duo for vibraphone and 4 & 1/3 octave marimba.

Suite No. 1 by Johann Sebastian Bach (1685-1750). Arranged by Todd Ukena. For Marimba Unaccompanied. Percussion Music - Mallet/Marimba/Vibraphone. Grade 5. Published by Southern Music Company (SO.ST585). Approved contest/festival piece for the University Interscholastic League (UIL 03-06).

Concerto for Percussion Solo & Percussion Ensemble. (Solo Percussion feature). By Gary Ziek. For Solo with Percussion Ensemble (Percussion Solo, Player 1 - Bells. Crotales, Player 2 - Xylophone, Chimes (shared with Player 4), Player 3 - Vibraphone 1, Player 4 - Vibraphone 2, Chimes (shared with Player 2), Player 5 - Marimba 1 (4 oct.), Player 6 - Marimba 2 (4 oct.), Player 7 - Mar). Medium difficult. Score and parts. Duration 14:20. Published by C. Alan Publications (CN.05383). Concerto for Percussion Solo was composed in January of 2001 as a showcase for the talents of percussionist Scott Herring. The concerto is in three connected movements and features the soloist on a variety of instruments, including marimba, vibraphone, bells, and crotales. A large percussion battery with two snare drums, multiple toms, brake drums, and bass drum is also used. The first movement, March, utilizes a quasi five-part rondo form. The movement starts with a solo snare drum, with the ensemble providing melodic interjections. The introduction builds to the first solo marimba entrance. A left hand ostinato leads to a melodic figure which alternates between six-eight and common time. A short snare drum solo sets up the middle section, in which the soloist and ensemble trade musical ideas. The multi-meter passage returns, with the soloist embellishing ensemble melodic figures. An abrupt modulation leads to the final section, which echoes the opening ideas of the movement. March ends with the soloist back on the snare drum, as it comes quietly to its conclusion. The concerto immediately segues into the second movement, Meditation, which begins with the ethereal sound of multiple sets of wind chimes. As the movement progresses, the soloist plays long, reflective lines over a simple accompaniment, on various combinations of keyboard percussion instruments. The movement builds to a moment of triumph, before returning to its initial contemplative state. Fantasia (a free flight of fantasy) immediately shatters the previous mood. A loud, cacophonous accompaniment provides a charged atmosphere for the soloist to utilize the percussion battery. A short melodic section, noble in character, leads to the initial climax of the final movement. The atmosphere abruptly changes again, as the ensemble and soloist embark upon a fast, violent new section. Musical lines are furiously exchanged, leading up to a thunderous percussive display. The mood is suddenly tinged with blues and jazz influences, letting the soloist function in a manner reminiscent of a drum set player. The final section of Fantasia begins with a unaccompanied marimba solo, played at breakneck speed. The ensemble begins to gradually join the soloist, as the movement builds to a final, fortissimo climax.

Musique Pour L'Ange by Alexandre Voustine. For Bb saxophone, cello and vibraphone. Delangle Claude. Classical: 20th Century (Contemporary). Grade 4. Score. 11 + 6 + 6 + 7 pages. Published by Editions Henry Lemoine (LM.26531).

Tango Suite - Movt. II by Astor Piazzolla (1921-1992). Arranged by Kevin Super. For marimba and vibraphone or two marimbas. Tango. Intermediate-advanced. Duet. Published by HoneyRock Publishing (HR.HRKD009). This is an excellent transcription of Argentine composer Piazzolla's widely performed work - originally scored for two guitars. Requires a high level of four-mallet technique. Vibraphone and marimba, or two marimbas.

15 Mallet Duets by Franz Joseph Haydn (1732-1809). Arranged by Frank L. McCarty. For marimba, xylophone or vibraphone. Duet text for mallet instruments. Duets. Medium/Medium-Difficult. Book. 24 pages. Published by HaMaR Percussion Publications (HA.TB-2).

Golliwogg's Cakewalk by Claude Debussy (1862-1918). Arranged by Daniel Sauvage. For Xylophone/orchestra bells, vibraphone and marimba. Intermediate. Duration 1-3 minutes. Published by Editions Francois Dhalmann (FD.FD0057). From 'Children's Corner'.

Durations IV by Morton Feldman (1926-1987). Contemporary Small Ensemble. For Violin, Cello, Vibraphone. Modern. Performing score. Composed Composed: 1961. Published by Edition Peters (PE.P06904). ISBN M-3007-5174-0. Modern. Three copies.

Escher prelude by Luigi Morleo. Vibraphone solo. For vibraphone. Level 3. Published by Alfonce Production (AF.A10-002-P). A very seductive piece written especially or the vibraphone (4 sticks).

Per i profughi di guerra 8 by Luigi Morleo. Vibraphone solo. For vibraphone. Level 4. Published by Alfonce Production (AF.A10-004-P).