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Classical Guitar Pedagogy
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Classical Guitar Pedagogy. (A Handbook for Teachers). By Anthony Glise (1956-). For Guitar (Classical). Reference. Anthony Glise Urtext. Classic. Multiple Levels. Book. 282 pages. Published by Mel Bay Publications, Inc (MB.95638).
ISBN 9780786613809. Classic. 8.75x11.75 inches.
This comprehensive, illustrated text offers an in-depth look at the mechanics and musical thought process of teaching the classical guitar the "why" rather than the "how" the classical guitarist does things a certain way. In the author's words, "Classical Guitar Pedagogy is the study of how to teach guitarists to teach." This university-level text will be of enormous assistance to the teacher in explaining the musical, anatomical, technical, and psychological underpinning of guitar performance. It contains ideas and techniques to help organize your teaching more efficiently, plus tips on career development as a classical guitar teacher and performer. If you make your living as a classical guitar teacher/performer you owe it to yourself and your students to get this book.
Song(s) in this release:
  • Accuracy in Fast Passages
  • Additional Exercises
  • Advanced Bar Techniques (Hinge Bar and Split Bar)
  • Afterword to Book I
  • Alternation
  • Appagado
  • Appendix I: Troubleshooting Checklist for Teachers
  • Appendix II: Sample 16-Week Lesson Outline
  • Appendix III: Suggested Methods, Studies and Pieces
  • Appendix IV: Suggested Magazines
  • Appendix V: Selected Research Source Materials
  • Arpeggiating Chords
  • Arpeggios (Individual Full Plant, Full Plant, Sequential Plant and Free Arpeggio techniques)
  • Articulation
  • Author's Biography
  • Bars
  • BOOK I: PRINCIPLES OF TECHNIQUE
  • BOOK II: PRINCIPLES OF PEDAGOGY
  • BOOK III: MUSICIANSHIP
  • Cadential Arpeggiation
  • Chapter Eight - The Teacher
  • Chapter Eighteen - Mental Control Over the Sound
  • Chapter Eleven - Additional Subjects for Advanced Students
  • Chapter Fifteen - Arranging a Private Studio
  • Chapter Five - The Right Hand
  • Chapter Four - The Left Hand
  • Chapter Fourteen - Teaching Children
  • Chapter Nine - Practicing
  • Chapter Nineteen - Phrasing: "The Strong-Weak Maxim"
  • Chapter One - Sitting
  • Chapter Seven - The Right and Left Hands
  • Chapter Seventeen - Physical Control Over the Sound
  • Chapter Six - The Left Hand
  • Chapter Sixteen - The Middle-Man - An Introduction to Aesthetics
  • Chapter Ten - Additional Subjects for Intermediate Students
  • Chapter Thirteen - On Stage
  • Chapter Three - The Right Hand
  • Chapter Twelve - Performing
  • Chapter Twenty - Schenker Analysis for Interpretation
  • Chapter Twenty-One - Temporal Modes in Music
  • Chapter Two - Anatomical Function of the Hands
  • Coaching
  • Developing Speed (Right and Left Hand Speed Development)
  • Dynamics
  • Epilogue
  • Exercises - "The Basic Seven"
  • Finger Movement
  • General Anatomical Terms
  • General Warning About Injuries
  • Guitar-related Injuries
  • Harmonics (Natural and Artificial)
  • Introduction
  • Introduction to Book I
  • Introduction to Book II
  • Introduction to Book III
  • Left Hand Fingering - "The Fourth-Finger Approach"
  • Left Hand Split Trills
  • Media
  • Mental Dynamics
  • Mental Orchestration
  • Mental Practicing
  • Movement of the Left Hand Fingers
  • Moving Exercise
  • Nails vs. Flesh
  • Phrasing
  • Playing with the Flesh
  • Position and Movement of the Right Hand (Closed and Open Techniques)
  • Position and Movement of the Thumb
  • Position of the Arms
  • Position of the Instrument
  • Position of the Left Hand (Turned Hand and Flat Hand Positions)
  • Position of the Legs
  • Position of the Wrist
  • Practicing
  • Practicing for Performances
  • Preface
  • Publishing Credits
  • Pulsing
  • Releasing Exercise
  • Rest Stroke Melodies in Arpeggios
  • Rhythmic Variants of "The Basic Seven"
  • Right Hand Cross Alternation
  • Right Hand Fingering
  • Right Hand String Crossing with P
  • Scales
  • Scratching Exercise
  • Shape of the Nails
  • Singing
  • Stage Etiquette
  • Stage Fright
  • Stage Presence
  • Subito Piano Slurs
  • Tamboura
  • Teaching (Research, Reading, and Memorization)
  • The Art
  • The Artist
  • The Left Hand
  • The Thumb
  • Timbre
  • Timbre Changes (Opposition and Complementary Movements)
  • Tremolo
  • Vibrato (Arm, Wrist, and Finger Vibrato)
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