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Zeus en Hermes by Gilbert Schyvens. For Treble Recorder And Piano. Instrumental collection. Grade 3. Published by Digital Music Print (DM.DMP-9763).
$23.95

Instruments: Piano Accompaniment, Alto Recorder, Piano, Piano and Keyboard, Recorder, Woodwinds
Zeugma by Bernard Carlosema. Duet. For Saxophone, Percussion. This edition: Instrumental. Small ensemble music. Grade 3. 2 pages. Duration 3 minutes 10 seconds. Published by Anne Fuzeau Productions - France (FZ.3703). ISBN M230637039. 27 x 37.5 cm inches. Alto or tenor saxophone and percussionsManuscript.
$24.95

Pages: 2
Instruments: Saxophone, Percussion, Woodwinds
Zephyr by Gregory Danner. For Concert Band (flute, oboe, clarinet 1/2, bass clarinet, bassoon, Eb alto saxophone, tenor saxophone, baritone saxophone, Bb trumpet 1/2, horn in F, trombone, baritone tuba, timpani, percussion 1 (bells) percussion 2 (suspended cymbal) percussion 3 (wind chimes)). Grade 2. Score and parts. Duration 1:10. Published by C. Alan Publications (CN.08900). Zephyr is a poetic term for a gentle breeze. Nature offers few pleasures that are more calm and peaceful than the mood we feel with a refreshing breeze. It is this thought that is the stimulus for this ballad for band.
$55.20

Instruments: Flute, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Percussion, Timpani, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Zenith by Jo Van Der Booren. For Bass Clarinet, Piano. Standard notation. Published by Donemus (PR.524051360). With Standard notation.
$29.50

Instruments: Piano, Bass Clarinet, Piano and Keyboard, Clarinet, Woodwinds
Zehn (Elf) Madchen und (k)ein Mann (Free operetta by Franz von Suppe for singers and piano (ad libitum flute and violin on the stage)). By Franz von Suppe (1819-1895). Edited by Matthias Hammerschmitt. Piano reduction (for Rental Equipment). Score. Duration 70'00. Published by Edition 49 (E4.E49-06042-10). Eine Komodie fur alle Buhnen, die unter Mannermangel leiden, erfolgreiche Auffuhrung durch die Opernschule der Musikhochschule Karlsruhe und durch die Kunst und Musikschule Bruchsal.
$48.95

Instruments: Piano, Voice, Flute, Violin, Piano and Keyboard, Vocal, Woodwinds, Strings
Zefiro Torna by Carlo Galante. For Flute, Clarinet and Piano. Chamber Music with Piano. Score. Composed 1981. 16 pages. Duration 6 minutes. Published by Edizioni Suvini Zerboni (M7.ESZ-8960).
$46.95

Pages: 16
Instruments: Piano Accompaniment, Flute, Clarinet, Piano, Piano and Keyboard, Woodwinds
Zauberspruche by Hans Urs Zurcher. For Recorder (div.), percussion. 44 pages. Published by Breitkopf and Haertel (BR.MN-9255). ISBN 979-0-004-79035-9.
$30.95

Pages: 44
Instruments: Recorder, Percussion, Woodwinds
Zarabanda. (Xylophone/Marimba Feature). By Joseph Turrin (1947-). For Soloist(s) with Concert Band (Solo Percussion, Piccolo, Flute 1-2, Oboe 1-2, Bassoon 1-2, Clarinet in Eb, Clarinet in Bb 1-3, Bass Clarinet, Alto Saxophone 1-2, Tenor Saxophone, Baritone Saxophone, Horn in F 1-4, Trumpet in Bb 1-5, Trombone 1-3, Euphonium, Tuba, Contrabass, Percussion). Grade 4. Score and parts. Duration 5:00. Published by C. Alan Publications (CN.16430). I composed Zarabanda for a Latin American recording project with RCA Records and percussionist Evelyn Glennie. Although the recording project was never realized by RCA, I decided that the work would make a wonderful vehicle for Ms. Glennie along with wind ensemble accompaniment.The piece is in several sections with a Latin style rhythm that occasionally gets interrupted by accented outbursts from the ensemble. The soloist alternates between the xylophone, for the more accented staccato passages and scales, and the marimba, for the more melodic material. As the piece develops and moves from section to section, new rhythmic and melodic ideas are introduced. The piece culminates with a bravura cadenza - the soloist performing rapid-fire staccatos and scales on the xylophone. There is also an optional cadenza, which calls for the additional skills of playing the timbales, bongos, tom-toms, and conga drum. The piece concludes with a quick coda as the solo xylophone and ensemble build a fiery rhythmic syncopation. There are more rapidly accented staccatos, a quick scale, and the final bar.The zarabanda is a late 16th and 17th century Spanish dance in a lively alternating 6/8 and 3/4 time. Some evidence suggests that the zarabanda originated in the Spanish colonies in America, making it the first popular Latin American dance. Other evidence seems to suggest an African origin. A possible scenario might be that the zarabanda was brought to Spain by the Moors during the 12th Century, but was heavily modified by American influences during the early 16th Century.The zarabanda and its French descendant, the sarabande, were very different dances. While the French dance was a slow dance in 3/4 time, the Spanish original was very lively, alternating between 6/8 and 3/4 time. In the beginning, the zarabanda was considered very indecent. Cervantes writes about the "diabolic zarabanda" in one of his short stories, and in 1583, a law was passed against singing the zarabanda. The penalties for breaking it were banishment for women and 200 whiplashes and 6 years of galley service for men.
$138.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, Double Bass, B-Flat Trumpet, Trombone, Euphonium, Percussion, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Strings, Trumpet
Zarabanda. (Xylophone/Marimba Feature). By Joseph Turrin (1947-). For Soloist(s) with Concert Band (Solo Percussion, Piccolo, Flute 1-2, Oboe 1-2, Bassoon 1-2, Clarinet in Eb, Clarinet in Bb 1-3, Bass Clarinet, Alto Saxophone 1-2, Tenor Saxophone, Baritone Saxophone, Horn in F 1-4, Trumpet in Bb 1-5, Trombone 1-3, Euphonium, Tuba, Contrabass, Percussion). Grade 4. Score only. Duration 5:00. Published by C. Alan Publications (CN.16431). The piece is in several sections with a Latin style rhythm that occasionally gets interrupted by accented outbursts from the ensemble. As the piece develops and moves from section to section, new rhythmic and melodic ideas are introduced. The piece culminates with a bravura mallet cadenza and an optional cadenza, which calls for the additional skills of playing the timbales, bongos, tom-toms, and conga drum. I composed Zarabanda for a Latin American recording project with RCA Records and percussionist Evelyn Glennie. Although the recording project was never realized by RCA, I decided that the work would make a wonderful vehicle for Ms. Glennie along with wind ensemble accompaniment. The piece is in several sections with a Latin style rhythm that occasionally gets interrupted by accented outbursts from the ensemble. The soloist alternates between the xylophone, for the more accented staccato passages and scales, and the marimba, for the more melodic material. As the piece develops and moves from section to section, new rhythmic and melodic ideas are introduced. The piece culminates with a bravura cadenza - the soloist performing rapid-fire staccatos and scales on the xylophone. There is also an optional cadenza, which calls for the additional skills of playing the timbales, bongos, tom-toms, and conga drum. The piece concludes with a quick coda as the solo xylophone and ensemble build a fiery rhythmic syncopation. There are more rapidly accented staccatos, a quick scale, and the final bar. The zarabanda is a late 16th and 17th century Spanish dance in a lively alternating 6/8 and 3/4 time. Some evidence suggests that the zarabanda originated in the Spanish colonies in America, making it the first popular Latin American dance. Other evidence seems to suggest an African origin. A possible scenario might be that the zarabanda was brought to Spain by the Moors during the 12th Century, but was heavily modified by American influences during the early 16th Century. The zarabanda and its French descendant, the sarabande, were very different dances. While the French dance was a slow dance in 3/4 time, the Spanish original was very lively, alternating between 6/8 and 3/4 time. In the beginning, the zarabanda was considered very indecent. Cervantes writes about the "diabolic zarabanda" in one of his short stories, and in 1583, a law was passed against singing the zarabanda. The penalties for breaking it were banishment for women and 200 whiplashes and 6 years of galley service for men.
$30.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, Double Bass, B-Flat Trumpet, Trombone, Euphonium, Percussion, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Strings, Trumpet
Zapotaxi II: License Revoked by Gerhard Guter. For big band (5 Saxes, 5 Trumpets, 5 Trombones, Guitar, Piano, Bass, Drums/Percussion). Difficult. Score and set of parts. Published by Walrus Music Publishing (WA.51967). In the words of its moniker, baritone saxophonist David Zapotocky, This piece was penned [as a tribute to my] creative driving skills…at the Reno Jazz Festival. The following year – curiously enough – I wasn't asked for my services. Too bad! I really wanted to go off-roading! This chart is a fun piece of funk that features a raucous baritone sax line. The piece was written in 2003 and features a twisted melody and alternates between common and 6/8 time. The trumpets are entrusted with quick mute changes and are colored with the soprano saxophone during melodic statements. The flexatone makes an optional, rare big band appearance during the introduction. Soloists tenor sax 1. Doubles: Soprano1 (alto 1). Tpt. range A6.
$55.00

Instruments: Piano, Guitar, Saxophone, B-Flat Trumpet, Trombone, Percussion, Drums, Piano and Keyboard, Woodwinds, Trumpet, Brass
Zake's Witness by Rob Lockhart. For Little Big Band (ATB Saxophones, 2 Trumpets, 1 Trombone, & Rhythm). Concept Music Series. Medium - Difficult. Score and parts. Published by Walrus Music Publishing (WA.60018). Fresh, modem sound, lots of action for Drummer. Includes optional 2nd Trombone part.
$32.00

Instruments: Saxophone, B-Flat Trumpet, Trombone, Woodwinds, Trumpet, Brass
Zais - Symphonies. Instrumental extracts from the ballet heroique in a prologue and four acts by Jean-Philippe Rameau (1683-1764). Edited by Graham Sadler. For orchestra (2 piccolos/2 flutes/2 oboes/2 bassoons/tambourine/strings/basso continuo). This edition: Paperback, Urtext edition. Instrumental extracts from the ballet heroique in a prologue and four acts. Score. Text language: French/English. 64 pages. Published by Baerenreiter Verlag (BA.BA7564). ISBN 9790006542000. With Text language: French/English. 33.0 x 24.0 cm inches. Premiered at the Paris Opera on 29 February 1748, Zais was much praised for the strength, elegance and diversity of its music and for the grace of its ballets. This edition is the first in a series that brings together the symphonies (orchestral pieces and dances) from operas published in Opera Omnia Rameau.
$49.95

Pages: 64
Instruments: Flute, Oboe, Bassoon, Piano and Keyboard, Woodwinds
Genres: Classical, Baroque Period, Opera, Miscellaneous
Zaide (Das Serail) (Deutsches Singspiel in 2 Akten. In dem Klavierauszug nach der Neuen Mozart-Ausgabe sind die verschollenen, ursprunglichen Dialogtexte ersetzt durch Texte aus dem "Bozener Textbuch" zu dem Singspiel "Das Serail"). By Wolfgang Amadeus Mozart (1756-1791). Edited by Friedrich-Heinrich Neumann. Arranged by Heinz Moehn. For Soprano voice solo, Tenor voice solo (2), Bass voice solo (2), Men's choir-TTTT, Flute (2), Oboe (2), Bassoon (2), Horn (2), Trumpet (2), Kettledrum, Strings. Singspiele (singing Games). Piano reduction (cloth bound). KV 344 (336b). Duration 90'. Published by Baerenreiter Verlag (BA.BA4510-90). ISBN 9790006449385. Singspiele (singing Games). 27.0 x 19.0 cm inches.
$38.95

Instruments: Choir, Piano, Flute, Oboe, Bassoon, Horn, B-Flat Trumpet, Percussion, Soprano Voice, Bass Voice, Tenor Voice, Vocal, Piano and Keyboard, Woodwinds, Brass, Trumpet, Voice
Genres: Classical, Classical Period, Opera, Miscellaneous
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$29.88

Instruments: Flute, Woodwinds
In Chinese, the syllable yuan encompasses a multitude of meanings, including the three words that inspired this composition: injustice, grievance or lamentation, and pledge or prayer.
$29.99

Instruments: Saxophone, Woodwinds
Yu Ko by Wen-chung Chou. Mixed Ensemble, Contemporary Small Ensemble. For Alto Flute, English Horn, Bass Clarinet, 2 Trombone, 2 Percussion, Piano, Violin. Modern. Score. Duration 5 minutes. Published by Edition Peters (PE.P66098). ISBN M-3007-1710-4. Modern.
$27.00

Instruments: Piano, Flute, Bass Clarinet, English Horn, Violin, Trombone, Percussion, Piano and Keyboard, Woodwinds, Clarinet, Strings, Brass
Your Rockaby by Mark-Anthony Turnage (1960-). For soprano saxophone and orchestra. This edition: ED 12448. Scores. Study score. Composed 1992-1993. 83 pages. Duration 24 minutes. Published by Schott Music (SD.49003203). ISBN 9790220117275.
$37.95

Pages: 83
Instruments: Soprano Saxophone, Saxophone, Woodwinds
Genres: Classical, 20th Century
(Rothenberg) New release
$25.00

Instruments: Saxophone, Woodwinds
Young Wizards by Bruce Fraser. For Concert Band (1st Flute, 2nd Flute, Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Bb Bass Clarinet*, Bassoon*, 1st Eb Alto Saxophone*, 2nd Eb Alto Saxophone*, Bb Tenor Saxophone*, Eb Baritone Saxophone*, 1st Bb Trumpet, 2nd Bb Trumpet, 3rd Bb Trumpet, 1st F). Band Music. Grade 3. Score and parts. Duration 8:00. Published by C. Alan Publications (CN.R10244). This three movement suite was inspired by the composer's reading of Harry Potter and The Philosopher's Stone.The work is based on a tone row taken from the musical letters contained within the title. "Black Pointed Hats" in D minor sets the scene, with the bass instruments playing an accented form of the tone row. Note clusters and chromatic movement help to create the mysterious sound palette for listeners to let their imagination run riot. The contrary motion in the upper woodwinds at the beginning of "Spells" gives a mesmerizing effect. The third movement, "Flying Broomsticks," evokes the image of young wizards flying around, using chromatic runs and various accented sections where the flying is not so smooth. Both themes used in this movement combine to form a grand flypast!
$64.40

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, B-Flat Trumpet, Woodwinds, Clarinet, Saxophone, Trumpet, Brass
Young Pop Suite (Score) by Nicolas Jarrige. For Flute Oboe Clarinet 1 Bb Clarinet 2 Bb Alto Saxophone Trumpet 1 Bb Trumpet 2 Bb French horn in F Trombone Bass Electronic keyboard Drum set Percussion Timpani. Intermediate. Conductor's Score. Duration 9 mins 45 sec. Published by Editions Francois Dhalmann (FD.FD0143).
$38.95

Instruments: Piano, Flute, B-Flat Clarinet, Oboe, Alto Saxophone, Horn, B-Flat Trumpet, Trombone, Percussion, Timpani, Drum Set, Electronic Keyboard, Piano and Keyboard, Woodwinds, Clarinet, Saxophone, Brass, Trumpet, Drums
Twelve outstanding arrangements for the young jazz ensemble written by experienced educational arrangers and composers. A variety of styles and tempos is included: swing, ballad, Latin, holiday, rock, and the classic "Take Five" with a 5/4 time signature. This collection of charts is written for full instrumentation -- five saxophones, four trumpets, four trombones and four rhythm -- but designed to sound full and complete with reduced instrumentation of just twelve players -- four saxes, five brass, piano, bass and drums. Optional parts are available for flute, clarinet, horn, baritone horn and tuba. Rhythm section parts offer suggestions for rhythms and piano voicings, and guitar chords are included to assist young guitarists. Solos are written out for improvised sections, and there is plenty of full-sounding ensemble. The conductor's book includes full-length CD recordings. Titles are: Blues in the Night * Burritos to Go * Have Yourself a Merry Little Christmas * Jumpin' at the Woodside * Jungle Boogie * Misty * Night and Day * On Green Dolphin Street * Sax to the Max * Summertime * Take Five * Tastes Like Chicken.
$130.88

Instruments: Piano, Guitar, Flute, Clarinet, Horn, Trumpet, Trombone, Bass Guitar, Drums, Tuba, Brass, Piano and Keyboard, Woodwinds, Percussion
13 of John Edmondson s best Concert Marches for Young Band (Grades 2 - 21/2) packaged together in an affordable collection. Great concert material for younger bands! Great reading material for more experienced bands! Titles Include: - American Heritage March - Belleau Wood - The Double Eagle - El Alamein - The Flying Tigers - The Invincibles - Juno Beach - Kentucky Pride - Melbourne March - Omaha Beach - Tipperary March - Rio Bravo - Utah Beach   Starter Set Instrumentation: 1 - Piccolo 5 - Flute 1 - Oboe 3 - 1st Bb Clarinet 3 - 2nd Bb Clarinet 3 - 3rd Bb Clarinet 1 - Eb Alto Clarinet 1 - Bb Bass Clarinet 1 - Bassoon 2 - 1st Eb Alto Saxophone 2 - 2nd Eb Alto Saxophone 1 - Bb Tenor Saxophone 1 - Eb Baritone Saxophone 2 - 1st Bb Cornet/Trumpet 2 - 2nd Bb Cornet/Trumpet 2 - 3rd Bb Cornet/Trumpet 2 - 1st & 2nd F horns 2 - 1st Trombone 2 - 2nd Trombone 2 - 3rd Trombone 1 - Baritone B.C. 1 - Baritone T.C. 3 - Tuba 1 - String Bass 1 - Bells 1 - Timpani 2 - Percussion 1 1 - Percussion 2.
$192.33

Instruments: Flute, Clarinet, Oboe, Bassoon, Horn, Trumpet, Trombone, Bass Guitar, Percussion, Timpani, Tuba, Bells, Woodwinds, Brass, Guitar
Available again, here is Frank Mantooth's classic chart from 1987 as performed by the Ashley Alexander Big Band on Seems Like Old Times. Let your piano player show off with this stunning ballad arrangement by the recognized master of keyboard voicings and harmonic substitutions. The woodwind doubles on flute and clarinet are optional, and the piano part is completed voiced out.
$60.00

Instruments: Piano, Flute, Clarinet, Piano and Keyboard, Woodwinds
Jazz Band, Sheet Music Package Download, Level 5. Available again, here is Frank Mantooth's classic chart from 1987 as performed by the Ashley Alexander Big Band on "Seems Like Old Times." Let your piano player show off with this stunning ballad arrangement by the recognized master of keyboard voicings and harmonic substitutions. The woodwind doubles on flute and clarinet are optional, and the piano part is completed voiced out. Arranger: Frank Mantooth. Composer: Albert Hague; Arnold B. Horwitt. Writer: Albert Hague; Arnold B. Horwitt; Frank Mantooth.
$60.00

Instruments: Piano, Flute, Clarinet, Piano and Keyboard, Woodwinds