The classic Schirmer edition of Telemann's four Flute sonatas is now available with CD backing tracks recorded by Jeannie Yu. Edited by Milton Wittgenstein with figured bass realised by Thomas Wilt.

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One of the most prolific and influential composers of the Baroque era, Vivaldi is especially noted for his compositions for violin, e.g., The Four Seasons. He was equally at home in composing for other instruments, however, including the flute, recorder, and bassoon. This volume comprises a selection of his finest compositions for wind instruments, including six concertos for flute and strings: Concerto No. 1 in F Major, "The Tempest" (RV 433); Concerto No. 2 in G Minor, "Night" (RV 439); Concerto No. 3 in D Major, "The Bullfinch" (RV 428); Concerto No. 4 in G Major (RV 435); Concerto No. 5 in F Major (RV 434); and Concerto No. 6 in G Major (RV 437). Also here are four "related" concertos: Concerto No. 1b, variant (RV 570) for Flute, Oboe, Bassoon, and Strings; Concerto No. 2c, variant (RV 501) for Bassoon and Strings; Concerto RV 422 for (Soprano) Recorder in F Minor; and Concerto RV 444 for Sopranino Recorder in C Major. Musicians and music lovers will appreciate this convenient compilation of rewarding works by the Italian master, edited and with an introduction by Italian Baroque music expert Eleanor Selfridge-Field Dover Original.

These short movements make great stylistic exercises in baroque music. Not an easy play and requiring some stamina, the oboe part soars up to top F while the Cor Anglais part reaches top C. Rhythmically complex and working through some extreme keys, these are a rewarding challenge for advanced players.

These short movements make great stylistic exercises in baroque music. Not an easy play and requiring some stamina, the oboe part soars up to top C while the Bassoon part reaches top C. Rhythmically complex and working through some extreme keys, these are a rewarding challenge for advanced players.

Samson, an oratorio for soloists, mixed chorus and orchestra by George Frideric Handel, libretto by Newburgh Hamilton after Milton’s Samson Agonistes. Edited by Donald Burrows.Includes parts for Flute 1 and 2.

Samson, an oratorio for soloists, mixed chorus and orchestra by George Frideric Handel, libretto by Newburgh Hamilton after Milton’s Samson Agonistes. Edited by Donald Burrows.

Samson, an oratorio for soloists, mixed chorus and orchestra by George Frideric Handel, libretto by Newburgh Hamilton after Milton’s Samson Agonistes. Edited by Donald Burrows.These are the parts for Oboe 1 and 2.

Flute Choir/Ensemble - 4 Flutes, alto flute, bass flute, optional contr'alto flute, contra-bass flute Three choruses from Handel's Messiah (Let us break their bonds asunder, For unto us a child is born and His yoke is easy) arranged for large flute choir. The contrapuntal nature of these pieces takes them out of the realm of a simple sightreading exercise and makes them really meaty pieces that need careful practice and rehearsal. All parts (even the lowest flutes) take part in the counterpoint, and flutes one and two need agile fingers and nimble tongues to negotiate the extended semiquaver passages. Something different for the Christmas concert!

Double Reed Ensemble