Medieval and Renaissance Music for Recorder is a unique assortment of 40 short pieces written for soprano/Descant recorder with suggested guitar chords. Selection include: Trouvere (Or la Truix); Estampie; La Rotta; Saltarello; Der Neve Villancico; Basse Dance (La Volunte'); Hoboeckentanz; Der Heiligen Drei Konige Aufzug; Polnischer Tanz; and more. A glossary and brief performance notes are provided.

Saxophone Choir/Ensemble - 12-15 part. Optional Soprillo, Sopranino, 2 Soprano, 3 Alto, 3 Tenor, 2 Baritone, Bass, optional Contrabass, optional Subcontrabass. A complete, unabridged arrangement of Dvorak's Serenade for Strings Op.22. In five movements, the first four are generally straightforward in form, exploring just one or two themes. The first is melodic and soaring, the second is an elegant waltz, the third is a blistering scherzo, while the fourth is a tranquil and wistful slow movement. The finale is more complex, starting out as a Bohemian peasant dance full off off-beat accents. Two other themes are developed in the course of the movement before a recap of the opening theme of the very first movement leads into a frenetic coda section. All parts take their share of the melodic interest right through this arrangement, which requires careful work to bring out the artistic shading in the work. A great addition to any concert situation.

Twelve beautiful 19th Century songs, arranged for bassoon and piano by Martin Gatt.

The classic Schirmer edition of Telemann's four Flute sonatas is now available with CD backing tracks recorded by Jeannie Yu. Edited by Milton Wittgenstein with figured bass realised by Thomas Wilt.

With a CD of Piano Accompaniments. For practical reasons this Piano reduction has been written in B Flat Major instead of the original key of A Major.

This Collection of works for alto sax and piano represents a fine collection of elegant classical masterpieces by such renowned composers as Gluck, Rachmaninov, and Schubert, combined with compositions by their living counterparts Morgan, Raman and Taylor. A "musical marriage" has been created on this album, combining works by some of history's greatest musical masters with contemporary prolific composers writing for the saxophone. These timeless works highlight the tonal beauty, sonority, color, and expressive qualities inherent in the saxophone, which has the ability to sound at times like a mezzo-soprano, violinist, cellist, or flutist. Listen to and study the complete versions performed by Mr. Banaszak accompanied by virtuoso pianist Stuart Raleigh, then you take center stage and play the solo part with Mr. Raleigh! This album also includes complimentary downloads of the piano accompaniment score for your performance needs.

No description available. Contact info@musicroom.com for more information.

One of the most prolific and influential composers of the Baroque era, Vivaldi is especially noted for his compositions for violin, e.g., The Four Seasons. He was equally at home in composing for other instruments, however, including the flute, recorder, and bassoon. This volume comprises a selection of his finest compositions for wind instruments, including six concertos for flute and strings: Concerto No. 1 in F Major, "The Tempest" (RV 433); Concerto No. 2 in G Minor, "Night" (RV 439); Concerto No. 3 in D Major, "The Bullfinch" (RV 428); Concerto No. 4 in G Major (RV 435); Concerto No. 5 in F Major (RV 434); and Concerto No. 6 in G Major (RV 437). Also here are four "related" concertos: Concerto No. 1b, variant (RV 570) for Flute, Oboe, Bassoon, and Strings; Concerto No. 2c, variant (RV 501) for Bassoon and Strings; Concerto RV 422 for (Soprano) Recorder in F Minor; and Concerto RV 444 for Sopranino Recorder in C Major. Musicians and music lovers will appreciate this convenient compilation of rewarding works by the Italian master, edited and with an introduction by Italian Baroque music expert Eleanor Selfridge-Field Dover Original.

This is the piano reduction of an important and substantial work for clarinet and strings (which has also been published in a new, corrected edition - E643). It was written in 1895 when the composer was still a student at the Royal College of Music. His composition teacher, Charles Villiers Stanford, was so impressed by the piece that he took it with him on a visit to Berlin in 1897, where he arranged for the Joachim Quartet to play it.

A charming trio for two oboes and a bassoon by the composer better known for his famous Tambourin. In three movements, ending with a minuet and trio. All three parts share the melodic interest with some delightful interplay between them. The second movement is the longest at 99 bars, the others are somewhat shorter. The oboe parts never go higher than top D, but do both include low B flats; the bassoon part reaches top F.