This spellbinding follow-up to Witches' Brew contains sixteen exciting tunes in a variety of rhythms and styles, blended with wonderfully jazzy CD backing tracks. Will inspire all cellists of Grades 1 and 2.Contains:Teaching pointsRhythm trainingSuggestions for practiceStunning graphicsFun and useful lyricsVaried and inspiring tunes.Includes a specially recorded CD of examples.

By Caroline Lumsden / Ben Attwood. Edited by A. Lumsden / B. Attwood. For Cello, Piano. Cello & Piano Albums. Grades 1-2. Sheet Music & backing CD. Published by Edition Peters

By Caroline Lumsden / Ben Attwood. Edited by Caroline Lumdsen / Ben Atwood. For violin and piano. Sheet Music & CD. Published by Edition Peters

A short, 3 minute piece d'occasion written in 1951 for Tadeusz Ochlewski, director of Polskie Wydawnictwo Muzyczne.

Witold Lutoslawski: Recitativo E Arioso For Violin And Piano by Witold Lutoslawski (1913-1994). For Violin, Piano Accompaniment (VIOLIN/PIANO). Music Sales America. 20th Century. Book only. 4 pages. Chester Music #CH60921. Published by Chester Music (HL.14019672). ISBN 0711935173. 20th Century. 9x12 inches. A short, 3 minute piece d'occasion written in 1951 for Tadeusz Ochlewski, director of Polskie Wydawnictwo Muzyczne.

First performed in April 1981 by Ronan Jablonski and Krystyna Brucinska in Warsaw.

For Cello, Piano (Cello). Music Sales America. 20th Century. 13 pages. Music Sales #CH55413. Published by Music Sales

Witold Lutoslawski: Chain 2 Dialogue For Violin And Orchestra (part) by Witold Lutoslawski (1913-1994). For Violin (Violin). Music Sales America. 20th Century. 16 pages. Chester Music #CH60932. Published by Chester Music (HL.14019647). ISBN 0711935904. 20th Century. 9x12 inches. Score. The title of the work relates to its form, which consists of two structurally independent strands. Sections within each strand begin and end at different times. Chain 2 is in 4 movements: AD LIBITUM; A BATTUTA; AD LIBITUM; A BATTUTA - AD LIBITUM - A BATTUTA In the AD LIBITUM movements the element of chance plays a part within fixed parameters.

Score. The title of the work relates to its form, which consists of two structurally independent strands. Sections within each strand begin and end at different times. Chain 2 is in 4 movements: AD LIBITUM; A BATTUTA; AD LIBITUM; A BATTUTA - AD LIBITUM - A BATTUTA In the AD LIBITUM movements the element of chance plays a part within fixed parameters.

For four violins. Edited by Irena Dubiska. Score and single parts.

witness to a snow miracle is a violin concerto in seven short movements, based around the life of Saint Eulalia, the virgin martyr. The movements are presented as if part of a painting in which we see the events of her life, and eventual martyrdom.Written for solo violin and orchestra.

With This Ring is a hammered dulcimer collection of tunes for weddings and special occasions. Common wedding processionals such as Pachelbel

By William Croft (1678-1727). Edited by Cedric Lee. Chamber ensemble. For bass voice, two violins, continuo. Vocal music. Cantatas, arias, motets. Sacred, Classical Baroque, Aria. Intermediate. Two scores, one with realised continuo, and parts. Standard notation. 28 pages. Duration 1:50. Published by Green Man Press

With Heart and Voice by David Gillingham. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Bb Clarinet 1, 2, 3, Bass Clarinet, Contrabass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1/2, F Horn 3/4, Trombone 1/2, Bass Trombone, Euphonium, Tuba, Piano, Timpa). Band Music. Grade 4. Score only. Duration 9:00. Published by C. Alan Publications (CN.05321). With Heart & Voice was commissioned by Apple Valley High School Bands, Scott A. Jones, director (Apple Valley, Minnesota), to commemorate the 25th year of existence of this high school. Apple Valley High School's strong commitment to the arts was a major factor in my decision to take on this commission. After visiting the school in December of 2000 and meeting many of the students, faculty, and administrators, I became greatly inspired.Thematically, the work is based on the Apple Valley High School Alma Mater, an old Spanish hymn which has made its way into most church hymnals under the name of "Come, Christians, Join to Sing." It is perhaps fate that this hymn, a particular favorite of mine, happens to be the tune used for the Alma Mater. Christian Henry Bateman wrote the words for the hymn in 1843 and the first verse contains the line, "Let all, with heart and voice, before his throne rejoice." Hence, the title, With Heart and Voice. What better way to celebrate 25 years of this great high school than with our "hearts" and "voices." The "voice" in this case is the music and the "heart" is the emotion that the music renders in celebration. Although the work is largely celebratory in nature, it begins with a feeling of reticence and apprehension, much like the beginnings of Apple Valley High School. It was at one time only an idea or perhaps only a sketch in the mind of the architect. Small fragments of the Alma Mater are heard in the opening moments of the piece. The piece gains momentum, texture and volume in this opening section culminating in a dramatic statement of the first four notes of the theme. A calmness follows and a lyrical flute solo enters. This new material represents the uniqueness of the "mission" of a new school which will have roots in academic excellence and commitment to the visual and performing arts. The euphonium echoes the flute and soon more instruments join in and the section culminates with a dramatic fanfare. This is followed by a transitional section with much dissonance and rhythmic activity, equated to the challenge of bringing life to this new school. A glorious statement of the Alma Mater follows signifying the dedication of Apple Valley High School, twenty five years ago. The ensuing section begins as a fugue with underlying unsettling rhythmic activity in the percussion. The obvious reference of this section is the challenge-maintaining the goals and mission of the high school. The section becomes frantic and desperate, but soon subsides into peacefulness. The peacefulness is stated by the marriage of the "Alma Mater " theme and the "Mission" theme. . .after all, for the High School to survive, it must never forget its mission. An extended finale follows which celebrates both themes in playful, joyful, and dramatic exuberance.

With Grateful Praise. For string quartet. Recordings. Listening CD. Published by SoundForth (S2.216341). In this string quartet recording featuring Ryan and Bevan Elliott and Joanna Lebo and Sharon Gerber, you will enjoy beautiful arrangements of both meditative and spirited pieces to fill your heart with praise to the Lord.

Witches' Brew (16 Spooky Pieces to Play and Sing). By Caroline Lumsden / Ben Attwood. Edited by A. Lumsden / B. Attwood. For Cello. Cello & Piano Albums. Grades 2-3. PDF, Audio. Published by Edition Peters (PE.P7677A). Each book and CD contain: * teaching points * rhythm training * suggestions for practice * stunning graphics * fun and useful lyrics * varied and inspiring tunesVioloncello with CD (piano accompaniment sold separately - see EP7677B).

(16 Spooky Songs to play and sing). By Caroline Lumsden. For violin solo and piano accompaniment. Beginner-Preliminary Grade. Accompaniments by Ben Attwood. Includes CD backing track. Children's. Set of performance parts. Bowings and fingerings. 46 pages. Published by Edition Peters

Wishes, Wonders, Portents, Charms by William Bergsma. For SATB Choir, Flute, Harp, Piano, Harmonium, percussion (Mixed Voices). Secular. Choral. 68 pages. Published by Galaxy Music Corporation (EC.1.2825).

Wir sind die Musikanten. (Eine kleine Instrumentenschau). By Gerhard Maasz (1906-1984). For orchestra; children's choir (2 unison voices) and speaker ad lib. (2 violin I/II, viola, cello, double bass). This edition: CON 184-60. Choral Music. Concertino (Chamber Orchestra). Grade 3-4. Set of supplemental string parts. Text language: German. 30 pages. Duration 15 minutes. Published by Schott Music (SD.49001883). ISBN 9790001024693. With Text language: German. Gerhard Maasz studierte Komposition bei Paul Graener und stand der Jugendmusikbewegung um Fritz Jode nahe. In der 1977 entstandenen "kleinen Instrumentenschau" verwendet er das bekannte Volkslied "Wir sind die Musikanten" (das von einem einstimmigen Chor mitgesungen werden kann) und stellt die einzelnen Orchesterinstrumente systematisch vor. Ein Werk fur Kinder- und Schulkonzerte, das Spielern und Horern auf heitere Weise Einblick in den Aufbau des Orchesters gibt.

Through bitter tribulation we enter into God's kingdom (Cantata for the Sunday Jubilate). By Johann Sebastian Bach (1685-1750). Edited by Anja Morgenstern. Arranged by Paul Horn. For SATB vocal soli, SATB choir, flute, 2 oboes/2 oboe d'amore, taille (english horn), 2 violins, viola, basso continuo, organ obligato. This edition: Paperbound. D-Moll (D minor). Stuttgart Urtext editions. Score available separately - see item CA.3114600. Cantatas, Easter and Eastertide. Study score. Language: German/English. Composed circa 1728?. BWV 146. 80 pages. Duration 40 min. Published by Carus Verlag (CA.3114607). With Language: German/English. Cantatas, Easter and Eastertide. It is evident from the sources that the cantata was written for the 3rd Sunday after Easter. The text, the identity of whose author is unknown, is based on the comparison between sadness and joy prescribed in the Gospel for that Sunday. This cantata has survived only in copies made after 1750, but undoubtedly the cantata dates from Bachs's years in Leipzig.

Wir glauben all an einen Gott (We all believe in one true God) (Choralkantate). By Felix Mendelssohn Bartholdy / Martin Luther. Edited by Gunter Graulich. For SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, 2 cellos, double bass, [organ]. This edition: paperbound. Cantatas; Stuttgart Urtext Editions. Level 3. Score. Language: German/English. Composed 1831. 40 pages. Duration 8 min. Published by Carus Verlag (CA.4018700). ISBN M-007-06444-0. With Language: German/English. Cantatas; Stuttgart Urtext Editions.

Wir glauben all an einen Gott (We all believe in one true God) (Choralkantate). By Felix Mendelssohn Bartholdy / Martin Luther. Edited by Gunter Graulich. For SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, 2 cellos, double bass, [organ]. This edition: paperbound. Score available separately - see item CA.4018700. Cantatas; Stuttgart Urtext Editions. Level 3. Organ reduction. Language: German/English. Composed 1831. 16 pages. Duration 8 min. Published by Carus Verlag (CA.4018703). ISBN M-007-09058-6. With Language: German/English. Cantatas; Stuttgart Urtext Editions.

Wir geigen zu Zweit by Willy Schneider. For violin. Published by Hug Musikverlage (HG.GH-9164). ISBN M-2028-1648-6.

Wir beten Dich unendlich Wesen by Michael Haydn (1737-1806). Edited by Muenster. Voices (Solo) in Ensemble. For SA Voice Soli, 2 Violins, Viola, Organ (Cello ad lib). (Text Language: German). Sheet Music. Text Language: German. Published by Edition Kunzelmann (PE.GM0207). With Text Language: German.