The Swan from Saint-Saens's Carnival Of The Animals arranged for Violin and Piano by Jascha Heifetz.

Nine songs from the Andrew Lloyd Webber musical masterpiece, The Phantom of the Opera arranged for solo Cello: All I Ask of You · Angel of Music · Masquerade · The Music of the Night · The Phantom of the Opera · The Point of No Return · Prima Donna · Think of Me · Wishing You Were Somehow Here Again

The Phantom Of The Opera Medley for Violin and Piano has been arranged by Lindsey Stirling, who came to fame after her appearance on America's Got Talent for her unique and hip violin playing.

Hal Leonard Luka Sulic/Stjepan Hauser, Luka Sulic/Stjepan Hauser, 2 Cellos, 11 Original Arrangements for 1.and 2. Cello, Songs: Where The Streets Have No Name, Misirlou, Use Somebody, Smooth Criminal, Fragile, Resistance, Hurt (Quie), Welcome To The Jungle, Human Nature, Viva La Vida, Smells Like Teen Spirit, With Or Without You, Intermediate level

Hal Leonard Woman of Pop for Cello, Instrumental Play-Along, Songs: Chasing Pavements (Adele), Rolling In The Deep (Adele), King Of Anything (Sara Bareilles), Single Ladies -Put A Ring On It (Beyonce), Fallin For You (Colbie Caillat), My Life Would Suck Without You (Kelly Clarkson), Bad Romance (Lady GaGa), The Edge Of Glory (Lady GaGa), What The Hell (Avril Lavigne), Jar Of Hearts (Christina Perri), Last Friday Night -T.G.I.F. (Katy Perri), Teenage Dream (Katy Perri), Raise Your Glass (Pink), Mean (Taylor Swift), Our Song (Taylor Swift), Songbook arranged for cello, with play along CD, Intermediate level

Henle Verlag H

At the beginning of the 1870s, Camille Saint-Saëns showed a particular fondness for the Violoncello. He completed his first Cello Sonata in December 1872, immediately after finishing his first Cello Concerto. The sonata is strongly reminiscent of Beethoven, not only due to the key of c minor but also predominantly on account of its gripping dramatic art. The exceptional position of this demanding, in parts highly virtuosic sonata was quickly recognised by the public and critics and so the work soon found its way into concert repertoire. Henle's Urtext edition takes all surviving sources into account – for the first time ever. Pascal Rogé and David Geringas kindly provided the markings for the Piano and Cello parts.

String Basics: Steps to Success for String Orchestra is a comprehensive method for beginning string classes. Utilizing technical exercises, music from around the world, classical themes by the masters, and original compositions, students will learn to play their string instruments in an orchestra. Step-by-step sequences of instruction will prove invaluable as students learn to hold their instrument and bow, finger new notes, count different rhythms, read music notation, and more. Clear, full-colour photographs and fingering chart diagrams introduce playing positions, bow hold and bowing, and left hand finger patterns. Duets, rounds, trios, and orchestra arrangements develop student's ability to play in an ensemble setting right away. Duets are designed to strengthen ear training and establishing good information. Interactive Practice Studio is a unique and trendsetting downloadable resource containing a wealth of supporting biographical, historical, and cultural information; photos, maps, artwork, audio samples, video and more. It's designed with your students in mind. Fun - Inspiring - Motivating! Video Lessons offer students and teachers a comprehensive, step-by-step look at concepts taught throughout String Basics. Lessons are taught in a middle school classroom setting by authors Shade and Wolstenhulme. Lessons show special consideration for each instrument and one lesson is specially devoted to shifting for the bass. Theory & Composition offers students hands-on experiences to better understand what they see and hear by actually learning to notate music and compose simple melodic lines. The Teacher's Edition provides successful teaching strategies as they pertain to the material introduced throughout String Basics. The Strategies are divided into two categories: Performance and Musical Understanding. Through them, guidelines and guide- posts assist towards giving students a comprehensive experience in orchestra. Also available to teachers is the Interactive Teacher's studio, offering even more helpful tips and strategies.

From An English Folk Song by Simon Bainbridge for Soprano, 2 Clarinets, Viola and Cello. Full score and parts.

Written for David Heyes as part of his "Fizz at 50" project. "Gerty Goat Scuffer" (in case you wondered) is one of many nick-names we had for a much loved family dog - officially named "Heavy Hetty" from a character in an imaginative children's book of that name. In my youth as a composition student at the RAM, I discovered that walking a dog for an hour a day is the anti-dote to the long hours required as a composer, "sat you yer bum" writing at a desk, and (in those pre-computer years) writing endless parts out by hand. First of these 'best friends' was a glorious Gordon Setter called "Sophie", (my first love), who accompanied Pat and I on our honeymoon across Scotland. Thirty years later, we were privileged to enjoy the company of three therapeutic beasts; "Merlin" (a prize winning Pyrenean Mountain Dog), "Gael" (an over energetic Scottish Border Collie) and "Hetty" (a unique cross between a Pyrenean Mountain Dog and a St. Bernard - something of a "kennel-maid's Accident"). Hetty (see picture) is unfortunately no longer with us now. She had an extraordinary puppy-hood that left her with titanium plates holding her back legs together. Hetty was surprisingly active though, right through to the age of nearly 10 - speciality: chasing Pheasants in the grounds at Strathmashie - but she became progressively hampered by arthritis, and 'scuffed along' on her vast hairy pads with a swagger. She also used to remind our children of a mountain goat. Songs have been written about her, but this is the first instrumental work that she has inspired! The pervading thematic motive of the piece (heard from the outset), cheekily alludes to an (over) famous Saint-Saëns work for double bass (but no insult is intended to Hetty!). The increasingly roving tonality and unusually sudden shifts of key, combined with the use of jazz chords, combines to present a short but heartfelt tribute to a unique animal that provided untold pleasure to all she came into contact with, simply by just being "herself".

Traceries by Sadie Harrison, Published 1997. First performance: Peter Sheppard Skaerved and Aaron Storr, Purcell Room, London, May 1997. Recorded by Premier Records MSV CD92053. 8'; for violin and piano

Arcosolia by Sadie Harrison. Published 1999. Finalist in UK and Eire Composition Platform 2000. First performance: Adam Summerhayes and Alan Brown, Purcell Room, 12th December 2000. Recorded on Metier Records MSV CD92053 and Sargasso SCD 28036. 8'; for violin and piano

Does the thought of sight-reading make you groan? The ability to sight-read fluently is a vital skill, enabling you to learn new pieces more quickly and play with other musicians. The best-selling Improve Your Sight-reading! for Viola by renowned educationalist Paul Harris, is designed to help you overcome all your sight-reading problems, especially in the context of graded exams. Step by step you build up a complete picture of each piece, firstly through rhythmic and melodic exercises related to specific technical issues, then by studying prepared pieces with associated questions, and finally ‘going solo’ with a series of meticulously graded sight-reading pieces. New edition, devised to support the revised sight-reading criteria from the ABRSM from 2012.

The hits that made Michael Jackson the "King of Pop" are now available as a part of this instrumental series! The arrangements in this edition for Viola are completely compatible with the other books and can be played together or as solos. Each book contains a carefully edited part as well as a fully orchestrated accompaniment CD. Titles: Beat It * Billie Jean * Black or White * Don't Stop * Human Nature * I Just Can't Stop Loving You * The Way You Make Me Feel * She's Out of My Life * Will You Be There (Theme from Free Willy) * Man in the Mirror * Thriller * You Are Not Alone.

Instantly downloadable sheet music by Franz Wohlfahrt for violin solo of MEDIUM skill level. Contents: exercises,studies,[no.1-30], op. 45, op.45, opus 45

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Henle Verlag Mozart "Wunderkind" Sonatas 1, W.A.Mozart, "Wunderkind" Sonatas Volume I for Piano and Violin K. 6-9: Contents: Violinsonate (Wunderkind) C-Dur KV 6, Violinsonate (Wunderkind) D-Dur KV 7, Violinsonate (Wunderkind) B-Dur KV 8, Violinsonate (Wunderkind) G-Dur KV 9, Edited by Wolf-Dieter Seiffert, Fingering and bowing for Violin by Benjamin Schmid, Fingering Piano by Ariane Haering, With marked and unmarked string parts, Urtext, Intermediate level

Voggenreiter Das Gro

Mel Bay Gypsy Violin Classics: A Gypsy-inspired collection of classics gems for violin with piano accompaniment: Seven Hungarian Dances No.1,No.17,No.2,No.3,No.5,No.6 und No.7 (Brahms), (Brahms), Second Hungarian Rhapsodie (Liszt), Csardas (Monti), Carmen Fantasy (Sarasate), Zigeunerweisen (Sarasate), Songs My Mother Taught Me, Gipsey Dance, Spanish Dance, Bonus traditional Gypsy number Lavotta Szerenad, Intermediate level, Incl. CD with demo tracks

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The initial and prevailing theme is from the song "Det Fagreste Træ" with lyrics by Ursula Andkjær Olsen and music by me. To this song I also owe the title of the piece. The melody in bar 187-217 is quoted from a pearl diver song from Bahrain, recorded by the composer and music ethnologist Poul Rovsing-Olsen. Peter Bruun

The initial and prevailing theme is from the song "Det Fagreste Træ" with lyrics by Ursula Andkjær Olsen and music by me. To this song I also owe the title of the piece. The melody in bar 187-217 is quoted from a pearl diver song from Bahrain, recorded by the composer and music ethnologist Poul Rovsing-Olsen. Peter Bruun

For violin, viola and piano