There has been increased general interest in the Bohemian composer Johann Baptist Georg Neruda (c. 1711–1776) over the past few years, especially due to his frequently played trumpet concerto. A respected violinist and longstanding member of the Dresden Court Orchestra, he did, however, mainly compose for the Violin. The substantial and technically quite demanding Violin Sonata in a minor was published for the first time ever in 1982 as part of Henle's edition “Bohemian Violin Sonatas” (HN 334). Henle are now proud to present it in a practical single edition with a new preface as well as an additional unmarked part.

For the first time the series “Bärenreiter’s Concert Pieces” presents arrangements of concertos for viola and violoncello. The editions are an ideal continuation of the Sassmannshaus string methods but can of course also be used independently. Further volumes are planned. Since concerto op. 35 only employs the first position, it is suitable for beginners and young students. The piece has been transposed to make it easier to play. The concise foreword by renowned string pedagogues Christoph and Kurt Sassmannshaus introduces the work and points out its relevant technical requirements.

For the first time the series "Bärenreiter’s Concert Pieces" presents arrangements of concertos for viola and violoncello. The editions are an ideal continuation of the Sassmannshaus string methods but can of course also be used independently. Since concerto op. 35 only employs the first position, it is suitable for beginners and young students. The piece has been transposed to make it easier to play. The concise foreword by renowned string pedagogues Christoph and Kurt Sassmannshaus introduces the work and points out its relevant technical requirements.

At the age of 19, Mozart wrote a series of violin concertos that marked his coming of age as a composer of orchestral music. Now a part of the standard repertoire, these works convey the composer's uniquely sensual brand of melody. This volume comprises all five works: Violin Concerto No. 1 in B-flat major Violin Concerto No. 2 in D major Violin Concerto No. 3 in G major Violin Concerto No. 4 in D major Violin Concerto No. 5 in A major This practice and performance edition is the first to combine all of these pieces in a single, low-cost Piano reduction version with a separate and removable 64-page solo violin score. Reproduced from early authoritative editions, this volume is an essential addition to the collections of intermediate and advanced musicians. Reprint of early authoritative editions.

The Swan from Saint-Saens's Carnival Of The Animals arranged for Violin and Piano by Jascha Heifetz.

At the beginning of the 1870s, Camille Saint-Saëns showed a particular fondness for the Violoncello. He completed his first Cello Sonata in December 1872, immediately after finishing his first Cello Concerto. The sonata is strongly reminiscent of Beethoven, not only due to the key of c minor but also predominantly on account of its gripping dramatic art. The exceptional position of this demanding, in parts highly virtuosic sonata was quickly recognised by the public and critics and so the work soon found its way into concert repertoire. Henle's Urtext edition takes all surviving sources into account – for the first time ever. Pascal Rogé and David Geringas kindly provided the markings for the Piano and Cello parts.

Instantly downloadable sheet music by Franz Wohlfahrt for violin solo of MEDIUM skill level. Contents: exercises,studies,[no.1-30], op. 45, op.45, opus 45

For violin, viola and piano

Dvorák wrote a total of four works for piano trio. The second Piano Trio in G minor op. 26 (1876) represents a conception of the form typical of the composer. At the same time, it documents the transition from his experimental phase to the emergence of his characteristic style which partly involved the return to definite form and thematic clarity. The main source for this present edition was the first printed edition (1880).

Leopold Mozart was only able to understand his son’s musical genius in terms of it being a God-given wonder: “That my boy [...] knows all of this with his 8 years that could be expected of a man of forty years. In short: whoever has not seen or heard it, cannot believe it”. In 1764 Wolfgang composed six sonatas in London – possibly after the model of Johann Christian Bach’s “Opus 2” – that can either be played as piano trios, as violin sonatas or simply on the piano. “Royal” sources were consulted for the edition: the copy in the British Library bears the handwritten note: “This Volume belongs to the Queen 1788”. With marked and unmarked string parts.