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For the first time the series “Bärenreiter’s Concert Pieces” presents arrangements of concertos for viola and violoncello. The editions are an ideal continuation of the Sassmannshaus string methods but can of course also be used independently. Further volumes are planned.
Since concerto op. 35 only employs the first position, it is suitable for beginners and young students. The piece has been transposed to make it easier to play.
The concise foreword by renowned string pedagogues Christoph and Kurt Sassmannshaus introduces the work and points out its relevant technical requirements.
£8.50
Instruments: Cello, Strings
Genres: Romantic Period, Classical
For the first time the series "Bärenreiter’s Concert Pieces" presents arrangements of concertos for viola and violoncello. The editions are an ideal continuation of the Sassmannshaus string methods but can of course also be used independently.
Since concerto op. 35 only employs the first position, it is suitable for beginners and young students. The piece has been transposed to make it easier to play.
The concise foreword by renowned string pedagogues Christoph and Kurt Sassmannshaus introduces the work and points out its relevant technical requirements.
£8.50
Instruments: Viola, Strings
Genres: Romantic Period, Classical
The Swan from Saint-Saens's Carnival Of The Animals arranged for Violin and Piano by Jascha Heifetz.
£7.95
Instruments: Violin, Strings
Genres: Romantic Period, Classical
At the beginning of the 1870s, Camille Saint-Saëns showed a particular fondness for the Violoncello. He completed his first Cello Sonata in December 1872, immediately after finishing his first Cello Concerto. The sonata is strongly reminiscent of Beethoven, not only due to the key of c minor but also predominantly on account of its gripping dramatic art. The exceptional position of this demanding, in parts highly virtuosic sonata was quickly recognised by the public and critics and so the work soon found its way into concert repertoire. Henle's Urtext edition takes all surviving sources into account – for the first time ever. Pascal Rogé and David Geringas kindly provided the markings for the Piano and Cello parts.
£17.95
Instruments: Cello, Strings
Genres: Romantic Period, Classical
Dvorák wrote a total of four works for piano trio. The second Piano Trio in G minor op. 26 (1876) represents a conception of the form typical of the composer. At the same time, it documents the transition from his experimental phase to the emergence of his characteristic style which partly involved the return to definite form and thematic clarity. The main source for this present edition was the first printed edition (1880).
£21.00
Instruments: Violin, Strings
Genres: Romantic Period, Classical
String Festival Solos are economical collections of transcriptions by Samuel Applebaum. In two volumes for each instrument, the solos are in progressive order of difficulty. Each volume contains nine pieces -- all classic titles in the Applebaum teaching repertoire. Some of these have been hard to find. Volume I progresses from Level 1 to Level 2, Volume II progresses from Level 2 to Level 3. The solos are useful for teaching technique, dynamics, phrasing, and overall musicianship. String Festival Solos are excellent for recitals, auditions and performances for assemblies, concerts or festivals. Contains: Two Austrian Folk Tunes (Kohler) * Rigaudon (Lee) * First Sonatina (Drew) * Minuet (Pleyel) * March (Clarke) * Second Sonatina (Drew) * The Strange Man (Schumann) * Two Classical Pieces (Reinagle) * Adagio and Allegro (Galliard).
£4.50
Instruments: Double Bass, Strings
Genres: Romantic Period, Classical
Introducing the young violinist to the great symphonic repertoire.
£17.50
Instruments: Violin, Strings
Genres: Romantic Period, Classical
One of the most beloved concertos in the violin repertoire, this piece features important formal innovations that place it on a par with the most significant works in the genre. Mendelssohn created the concerto specifically for Ferdinand David, his close friend and concertmaster of the Leipzig Gewandhaus Orchestra, for which the composer served as conductor. An instant success upon its 1845 premiere, the concerto remains essential to the repertoire of every aspiring violin virtuoso.
Edited by the distinguished teacher and performer Leopold Auer, this authoritative practice and performance edition includes a 16-page insert of a separate, removable violin part. Professional and amateur musicians alike will appreciate this durable yet inexpensive edition, which features a sturdy binding that allows pages to remain open on music stands for years of use and enjoyment.
Reprint of the Carl Fischer, New York, 1917 edition.
£8.95
Instruments: Violin, Strings
Genres: Romantic Period, Classical
No description available. Contact info@musicroom.com for more information.
£15.95
Instruments: Violin, Strings
Genres: Romantic Period, Classical
Brahms composed just three sonatas for violin and piano, all of them staples of the repertoire—studied, practised, and performed by chamber music players everywhere. Musicians and students of music will be delighted to own all three works in this single-volume compilation, reprinted from authoritative editions.
Both Sonata No. 1 in G Major, Op. 78, and Sonata No. 2 in A Major, Op. 100, are intensely lyrical in nature, containing some of Brahms' most beautiful and expressive melodies. Sonata No. 3 in D Minor, Op. 108, a tempestuous work full of fire and passion, is a particular favorite with audiences around the world. The violin part, edited by famed performer and teacher Leopold Auer, appears both within the book and as a separate, removable score.
Reprint of the Carl Fisher, New York, 1916-17 editions.
£14.95
Instruments: Violin, Strings
Genres: Romantic Period, Classical
A new, corrected edition of an important and substantial work which has been constructed from the existing set of parts by Russell Denwood.
It was written in 1895 when the composer was still a student at the Royal College of Music. His composition teacher, Charles Villiers Stanford, was so impressed by the piece that he took it with him on a visit to Berlin in 1897, where he arranged for the Joachim Quartet to play it. It was published in 1902, but no score appears to exist and the parts required corrections to be made.
For Clarinet in A, 2 Violins, Viola and Cello. A reduction for clarinet and piano is also available (EME651).
£25.00
Instruments: Violin, Strings
Genres: Romantic Period, Classical
Two of Bruch's most enduring compositions, revealing the German composer's romanticism, fluent scoring, colourful orchestrations, and exuberant melody. The First Violin Concerto in G Minor stands as one of the most performed and recorded concertos in the violin repertoire while Scottish Fantasy reflects his lifelong interest in folk music.
Reprint of Concert, Op.26, C. F. W. Siegel's Musikalienhandlung, Leipzig, n.d., and Fantasie, Op.46, N. Simrock, Berlin, 1880.
£19.95
Instruments: Violin, Strings
Genres: Romantic Period, Classical
Introducing the young violinist to the great symphonic repertoire.
£12.99
Instruments: Violin, Strings
Genres: Romantic Period, Classical
Claude Debussy: Prelude A L'Apres-Midi D'Un Faune (Prelude To The Afternoon Of A Faun) - Urtext - Vi
No description available. Contact info@musicroom.com for more information.
£3.50
Instruments: Viola, Strings
Genres: Romantic Period, Classical
Claude Debussy: Prelude A L'Apres-Midi D'Un Faune (Prelude To The Afternoon Of A Faun) - Urtext - Vi
No description available. Contact info@musicroom.com for more information.
£3.50
Instruments: Violin, Strings
Genres: Romantic Period, Classical
Claude Debussy: Prelude A L'Apres-Midi D'Un Faune (Prelude To The Afternoon Of A Faun) - Urtext - Vi
No description available. Contact info@musicroom.com for more information.
£3.50
Instruments: Violin, Strings
Genres: Romantic Period, Classical
No description available. Contact info@musicroom.com for more information.
£11.00
Instruments: Violin, Strings
Genres: Romantic Period, Classical
Claude Debussy: Prelude A L'Apres-Midi D'Un Faune (Prelude To The Afternoon Of A Faun) - Urtext - Ce
No description available. Contact info@musicroom.com for more information.
£3.50
Instruments: Cello, Strings
Genres: Romantic Period, Classical
Claude Debussy: Prelude A L'Apres-Midi D'Un Faune (Prelude To The Afternoon Of A Faun) - Urtext - Do
No description available. Contact info@musicroom.com for more information.
£3.50
Instruments: Double Bass, Strings
Genres: Romantic Period, Classical
With two CDs of performances and accompaniments. Baroque, Classical, and Romantic violin solos suitable for the intermediate student violinist. The two enhanced CDs include performances and accompaniments of each piece and can also be used in computers to adjust the tempo.
Content
- Bach, J.S.: Allegro from Sonata in B minor
- Beethoven: Andante Scherzoso from Sonata, op. 23
- Beethoven: Scherzo from Sonata op. 30 no. 2
- Corelli: Preludio and Allemanda from Sonata in E minor op. 5, no. 8
- Dancla: Air varie on a theme by Donizetti op. 89 no. 4
- Mozart: Adagio and Allegro from Sonata K.379
- Sarasate: Playera from Spanish Dances op. 23
- Schubert: Finale from Sonatina op. 137 no. 3
- Schumann, R: Phantasiestück op. 73
- Vivaldi: Largo from Winter (The Four Seasons)
£16.99
Instruments: Violin, Strings
Genres: Romantic Period, Classical
As with all of his mature chamber music works Ravel also emerges as an innovator of traditional forms and techniques in his piano trio, composed in 1914. Thus the “Passacaglia” movement corresponds to the underlying form of the Baroque Period. The music on the other hand was, according to Ravel, “like that of Saint-Saëns”, which was surely meant ironically. For the historicizing template only served as a framework for experiments with musical idiom: from a constant oscillation between major and minor to combinations and overlaying of the most diverse metres. The fingering for our edition of this technically extremely demanding work was provided by the renowned French pianist Pascal Rogé.
£20.95
Instruments: Violin, Strings
Genres: Romantic Period, Classical
The middle work in the three late chamber music sonatas was composed in spring 1915, directly after the cello sonata (HN 633). The innovative combination of sounds – a wind instrument, a stringed instrument, and a plucked instrument – greatly contributes to the impression of restrained melancholy. Debussy himself confirmed it, saying: “It is terribly sad. And I do not know whether one should laugh or cry about it? Perhaps both at the same time?” On another occasion he emphasised the similarities with his own compositional style of the 1890s, remarking of the sonata: “It reminds me of a very old Claude Debussy – the one of the Nocturnes”.
£23.95
Instruments: Viola, Strings
Genres: Romantic Period, Classical
This short work for Oboe and String trio was written c.1878, probably for performance at Worcester Glee Club. It has never previously been published.
£12.00
Instruments: Violin, Strings
Genres: Romantic Period, Classical
Both books of these popular duets are combined into one convenient, value-priced edition.
£8.95
Instruments: Violin, Strings
Genres: Romantic Period, Classical
