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Strings
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String Festival Solos are economical collections of transcriptions by Samuel Applebaum. In two volumes for each instrument, the solos are in progressive order of difficulty. Each volume contains nine pieces -- all classic titles in the Applebaum teaching repertoire. Some of these have been hard to find. Volume I progresses from Level 1 to Level 2, Volume II progresses from Level 2 to Level 3. The solos are useful for teaching technique, dynamics, phrasing, and overall musicianship. String Festival Solos are excellent for recitals, auditions and performances for assemblies, concerts or festivals. Contains: Two Austrian Folk Tunes (Kohler) * Rigaudon (Lee) * First Sonatina (Drew) * Minuet (Pleyel) * March (Clarke) * Second Sonatina (Drew) * The Strange Man (Schumann) * Two Classical Pieces (Reinagle) * Adagio and Allegro (Galliard).
£4.50
Instruments: Double Bass, Strings
Genres: Romantic Period, Classical
Ludwig Van Beethoven: Concerto For Piano, Violin And Violoncello In C, Op.56 "Triple Concerto" (Urte
No description available. Contact info@musicroom.com for more information.
£4.00
Instruments: Violin, Strings
Genres: Classical
Ludwig Van Beethoven: Concerto For Piano, Violin And Violoncello In C, Op.56 "Triple Concerto" (Urte
No description available. Contact info@musicroom.com for more information.
£4.00
Instruments: Violin, Strings
Genres: Classical
Ludwig Van Beethoven: Concerto For Piano, Violin And Violoncello In C, Op.56 "Triple Concerto" (Urte
No description available. Contact info@musicroom.com for more information.
£4.00
Instruments: Cello, Strings
Genres: Classical
Ludwig Van Beethoven: Concerto For Piano, Violin And Violoncello In C, Op.56 "Triple Concerto" (Urte
No description available. Contact info@musicroom.com for more information.
£4.00
Instruments: Viola, Strings
Genres: Classical
Claude Debussy: Prelude A L'Apres-Midi D'Un Faune (Prelude To The Afternoon Of A Faun) - Urtext - Vi
No description available. Contact info@musicroom.com for more information.
£3.50
Instruments: Viola, Strings
Genres: Romantic Period, Classical
Claude Debussy: Prelude A L'Apres-Midi D'Un Faune (Prelude To The Afternoon Of A Faun) - Urtext - Vi
No description available. Contact info@musicroom.com for more information.
£3.50
Instruments: Violin, Strings
Genres: Romantic Period, Classical
Claude Debussy: Prelude A L'Apres-Midi D'Un Faune (Prelude To The Afternoon Of A Faun) - Urtext - Vi
No description available. Contact info@musicroom.com for more information.
£3.50
Instruments: Violin, Strings
Genres: Romantic Period, Classical
Claude Debussy: Prelude A L'Apres-Midi D'Un Faune (Prelude To The Afternoon Of A Faun) - Urtext - Ce
No description available. Contact info@musicroom.com for more information.
£3.50
Instruments: Cello, Strings
Genres: Romantic Period, Classical
Claude Debussy: Prelude A L'Apres-Midi D'Un Faune (Prelude To The Afternoon Of A Faun) - Urtext - Do
No description available. Contact info@musicroom.com for more information.
£3.50
Instruments: Double Bass, Strings
Genres: Romantic Period, Classical
No description available. Contact info@musicroom.com for more information.
£3.50
Instruments: Cello, Strings
Genres: Baroque Period, Classical
No description available. Contact info@musicroom.com for more information.
£3.50
Instruments: Viola, Strings
Genres: Baroque Period, Classical
No description available. Contact info@musicroom.com for more information.
£3.50
Instruments: Violin, Strings
Genres: Baroque Period, Classical
No description available. Contact info@musicroom.com for more information.
£3.50
Instruments: Violin, Strings
Genres: Baroque Period, Classical
Bags of Classics for Cello is filled with favourite melodies from famous works of classical music, arranged for the grade 3-4 player who is developing position work and perhaps trying vibrato.
Selected and arranged by leading string pedagogue Mary Cohen to lie well under the hand, it introduces a wide variety of styles and sound worlds, from Vivaldi and Purcell to Saint-Saens and Holst. A great selection for consolidation work, sight-reading practice, or just for sheer musical enjoyment
Contents:
Allegro from Brandenburg Concerto No.3 (Bach)
Dance Of The Comedians (Smetana)
Dance Macabre (Saint-Saens)
Dido’s Lament (Purcell)
Dragons (Bizet)
Farandole (Bizet)
In The Hall Of The Mountain King (Grieg)
Jupiter from The Planets (Holst)
Minuet (Gluck)
Musette from Anna Magdalene’s Notebook (Anon)
Papageno’s Song (Mozart)
Pavane (Fauré)
Ritornello from Brandenburg Concerto No.5 (Bach)
Rondo from Eine Kleine Nachtmusik (Mozart)
Sleigh Ride (L. Mozart)
Winter from The Four Seasons (Vivaldi)
The Elephant from Carnival Of The Animals (Saint-Saens)
Theme from String Quartet in A minor (Schubert)
Theme from ‘The Bird’ String Quartet (Haydn)
Theme from Caprice No.24 (Paganini)
Fur Elise (Beethoven)
Theme from The Italian Symphony (Mendelssohn)
Theme from Serenade (Mozart)
Theme from Symphopny No.40 (Mozart)
Theme from Trumpet Concerto (Haydn)
Theme from William Tell Overture (Rossini)
£4.50
Instruments: Cello, Strings
Genres: Classical
Cantata for the Feast of St. Michael.
£3.50
Instruments: Cello, Strings
Genres: Baroque Period, Classical
Complementing Bärenreiter's editions of the works for violin and piano based on the Urtext of the "New Schubert Edition", comes Schubert's utterly charming Rondo in A major for Solo Violin and Strings. The Rondo, dated 1816 is a one movement work containing lyrical as well as virtuoso solo passages and can equally be performed with single strings or with a larger string ensemble.
Our new edition contains an informative introduction (Ger/Eng) by Schubert scholar Michael Kube who is also the arranger of the piano reduction.
- A new edition of Schubert's perhaps most charming work for violin
- Urtext of the "New Schubert Edition"
£3.50
Instruments: Cello, Strings
Genres: Romantic Period, Classical
Complementing Bärenreiter's editions of the works for violin and piano based on the Urtext of the "New Schubert Edition", comes Schubert's utterly charming Rondo in A major for Solo Violin and Strings. The Rondo, dated 1816 is a one movement work containing lyrical as well as virtuoso solo passages and can equally be performed with single strings or with a larger string ensemble.
Our new edition contains an informative introduction (Ger/Eng) by Schubert scholar Michael Kube who is also the arranger of the piano reduction.
- A new edition of Schubert's perhaps most charming work for violin
- Urtext of the "New Schubert Edition"
£3.50
Instruments: Viola, Strings
Genres: Romantic Period, Classical
Complementing Bärenreiter's editions of the works for violin and piano based on the Urtext of the "New Schubert Edition", comes Schubert's utterly charming Rondo in A major for Solo Violin and Strings. The Rondo, dated 1816 is a one movement work containing lyrical as well as virtuoso solo passages and can equally be performed with single strings or with a larger string ensemble.
Our new edition contains an informative introduction (Ger/Eng) by Schubert scholar Michael Kube who is also the arranger of the piano reduction.
- A new edition of Schubert's perhaps most charming work for violin
- Urtext of the "New Schubert Edition"
£3.50
Instruments: Violin, Strings
Genres: Romantic Period, Classical
Complementing Bärenreiter's editions of the works for violin and piano based on the Urtext of the "New Schubert Edition", comes Schubert's utterly charming Rondo in A major for Solo Violin and Strings. The Rondo, dated 1816 is a one movement work containing lyrical as well as virtuoso solo passages and can equally be performed with single strings or with a larger string ensemble.
Our new edition contains an informative introduction (Ger/Eng) by Schubert scholar Michael Kube who is also the arranger of the piano reduction.
- A new edition of Schubert's perhaps most charming work for violin
- Urtext of the "New Schubert Edition"
£3.50
Instruments: Violin, Strings
Genres: Romantic Period, Classical
Like every other great 19th-century solo concerto, Dvorák's famous Cello Concerto was a collaboration between composer and virtuoso. It has long been known that certain solo passages in Dvorák’s autograph score were actually written by the cellist Hanuš Wihan; but Bärenreiter's edition now reveals that some details in the orchestral parts are also in his writing, showing just how closely the two musicians were working together.
The editor Jonathan Del Mar has painstakingly examined all the surviving sources, including two that have hitherto been either ignored or crucially undervalued, in order to produce an authoritative edition which restores – for the first time since the original edition was published in 1896 - Dvorák's final and definitive version of the solo cello part. This differs, in details, in almost every bar from the version found in all other modern editions, while hundreds of corrections have also been made to the orchestral parts.
• With Dvorák's final and definitive version of the solo cello part
• With hundreds of corrections in the solo cello part as well as the orchestral parts
• With hitherto unknown details regarding the collaboration between Dvorák and Wihan
• With Feuermann's and Casals' alternatives to a passage in the first movement
£5.00
Instruments: Cello, Strings
Genres: Romantic Period, Classical
Like every other great 19th-century solo concerto, Dvorák's famous Cello Concerto was a collaboration between composer and virtuoso. It has long been known that certain solo passages in Dvorák’s autograph score were actually written by the cellist Hanuš Wihan; but Bärenreiter's edition now reveals that some details in the orchestral parts are also in his writing, showing just how closely the two musicians were working together.
The editor Jonathan Del Mar has painstakingly examined all the surviving sources, including two that have hitherto been either ignored or crucially undervalued, in order to produce an authoritative edition which restores – for the first time since the original edition was published in 1896 - Dvorák's final and definitive version of the solo cello part. This differs, in details, in almost every bar from the version found in all other modern editions, while hundreds of corrections have also been made to the orchestral parts.
• With Dvorák’s final and definitive version of the solo cello part
• With hundreds of corrections in the solo cello part as well as the orchestral parts
• With hitherto unknown details regarding the collaboration between Dvorák and Wihan
• With Feuermann's and Casals' alternatives to a passage in the first movement
£5.00
Instruments: Double Bass, Strings
Genres: Romantic Period, Classical
Like every other great 19th-century solo concerto, Dvorák's famous Cello Concerto was a collaboration between composer and virtuoso. It has long been known that certain solo passages in Dvorák’s autograph score were actually written by the cellist Hanuš Wihan; but Bärenreiter's edition now reveals that some details in the orchestral parts are also in his writing, showing just how closely the two musicians were working together.
The editor Jonathan Del Mar has painstakingly examined all the surviving sources, including two that have hitherto been either ignored or crucially undervalued, in order to produce an authoritative edition which restores – for the first time since the original edition was published in 1896 - Dvorák's final and definitive version of the solo cello part. This differs, in details, in almost every bar from the version found in all other modern editions, while hundreds of corrections have also been made to the orchestral parts.
• With Dvorák’s final and definitive version of the solo cello part
• With hundreds of corrections in the solo cello part as well as the orchestral parts
• With hitherto unknown details regarding the collaboration between Dvorák and Wihan
• With Feuermann's and Casals' alternatives to a passage in the first movement
£5.00
Instruments: Viola, Strings
Genres: Romantic Period, Classical
Like every other great 19th-century solo concerto, Dvorák's famous Cello Concerto was a collaboration between composer and virtuoso. It has long been known that certain solo passages in Dvorák’s autograph score were actually written by the cellist Hanuš Wihan; but Bärenreiter's edition now reveals that some details in the orchestral parts are also in his writing, showing just how closely the two musicians were working together.
The editor Jonathan Del Mar has painstakingly examined all the surviving sources, including two that have hitherto been either ignored or crucially undervalued, in order to produce an authoritative edition which restores – for the first time since the original edition was published in 1896 - Dvorák's final and definitive version of the solo cello part. This differs, in details, in almost every bar from the version found in all other modern editions, while hundreds of corrections have also been made to the orchestral parts.
• With Dvorák's final and definitive version of the solo cello part
• With hundreds of corrections in the solo cello part as well as the orchestral parts
• With hitherto unknown details regarding the collaboration between Dvorák and Wihan
• With Feuermann's and Casals' alternatives to a passage in the first movement
£5.00
Instruments: Violin, Strings
Genres: Romantic Period, Classical
