The Book 2 Teacher's Manual from New Directions for Strings is designed to complement the separate instrumental books. In it, all the exercises and pieces are presented in full score, with most having piano accompaniment. Throughout the Teacher's Manual are pieces designated as ensemble pieces that foster independant ensemble skills and are also suitable for concert sitiations. The text is presented in 18 units where new skills, concepts and music fundamentals are: prepared in advance; introduced in the student books for focused classroom instruction; applied to already known elements in a review section. The Teacher's Manual comes complete with two play-along CDs. New Directions for Strings represents the first method ever written by a team of pedagogues representing each of the four stringed instruments. With more than 100 years of combined teaching experience, the authors of New Directions® for Strings explore many new directions, including equal integration of all the instruments, a tetrachord-based approach to support proper development of the left hand, and ensemble opportunities that occur throughout the book. Based on more than 100 years of combined teaching experience Written by a team of pedagogues representing each of the four stringed instruments Supplemental music by Soon Hee Newbold and Elliot Del Borgo Includes 2 Play-Along CDs with each student book and the Teacher's Manual

Helen Grime's Oboe Quartet. First performance at Follen Community Church, Lexington, MA, March 2012. Scoring: Oboe Violin Viola Cello Duration: c. 11 minutes Score is in C.

Orchestra: 2 Flutes 2 Oboes 3 Clarinets in B (3rd is Bass Cl. in B ) 2 Bassoons (2nd is Contra Bassoon) 4 Horns in F 2 Trumpets in Bb 3 Trombones 1 Tuba Timpani 2 Percussion (2 players) 1 Celesta 1 Harp 2 Violoncello Soli Strings The score is notated in C Parts are for hire: hire@ewh.dk

The initial and prevailing theme is from the song "Det Fagreste Træ" with lyrics by Ursula Andkjær Olsen and music by me. To this song I also owe the title of the piece. The melody in bar 187-217 is quoted from a pearl diver song from Bahrain, recorded by the composer and music ethnologist Poul Rovsing-Olsen. Peter Bruun

For violin, viola and piano

Vagn Holmboe CONCERTO NO.9 OP.39 Solo parts violin and viola; player's scoreParts are for hire: hire@ewh.dkPocket score = VI00410BScore = VI00410ProgramnoteVærket er komponeret og uropført af Else Marie Bruun og Julius Koppel den 26/7/1947 med Tivolis Koncertsals Orkester under ledelse af Thomas Jensen.Else Marie Bruun og Julius Koppel var på dette tidspunkt netop kommet tilbage efter deres eksil i Sverige under krigen.Midtersatsen er skrevet for de to soloinstrumenter alene uden orkesterakkompagnement.

Vagn Holmboe CONCERTO NO.9 OP.39 Score Parts are for hire: hire@ewh.dkPocket score = VI00410BSolo parts (Player's score) = VI00410CProgramnoteVærket er komponeret og uropført af Else Marie Bruun og Julius Koppel den 26/7/1947 med Tivolis Koncertsals Orkester under ledelse af Thomas Jensen.Else Marie Bruun og Julius Koppel var på dette tidspunkt netop kommet tilbage efter deres eksil i Sverige under krigen.Midtersatsen er skrevet for de to soloinstrumenter alene uden orkesterakkompagnement.

Violin/Piano reduction for Hugh Wood's Violin Concerto No.2 Op.50, which was commissioned by the Milton Keynes City Orchestra. First performed on 23rd January 2009 at Milton Keynes Theatre by Alexandra Wood (Violin) and Milton Keynes City Orchestra conducted by Sian Edwards.

Hugh Wood's Violin Concerto No.2 Op.50 was commissioned by the Milton Keynes City Orchestra. First performed on 23rd January 2009 at Milton Keynes Theatre by Alexandra Wood (Violin) and Milton Keynes City Orchestra conducted by Sian Edwards.

Fazıl Say’s “Four Cities” Sonata can be considered as a journey through four cities of Anatolia. This work has taken its inspiration from Fazıl Say’s memories and events of his life. Bodrum is well known as a city greatly frequented by tourists which sets it apart from the other three locations. These four very different cities with their individual cultures have been selected from the nearly 2000-km wide expanse of Anatolia.