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From majestically triumphant to quietly worshipful, Gloria Deo weaves rich carol arrangements with scripture lessons for a moving Christmas worship experience. This appealing and accessible work will heighten your church and community's celebration of the Incarnation with a blend of classic Christmas favorites and new textsAvailable separately: SATB, Instrumental Pak-Full Orchestra (score and parts for Flute, Oboe, Trumpet 1 & 2, Horn, Trombone, Tuba, Violin 1 & 2, Viola, Cello, String Bass and Percussion), Instrumental Pak-Chamber Orchestra (score and parts for Flute, Oboe, Violin 1 & 2, Viola, Cello, String Bass and Percussion), Preview CD, ChoirTrax CD, CD 10-Pak and Preview Pak. Performance Length: Approx. 40 minutes
$150.00

Instruments: Choir, Flute, Oboe, Horn, Violin, Cello, Viola, Trumpet, Trombone, Bass Guitar, Percussion, Tuba, Vocal, Woodwinds, Brass, Strings, Guitar
Three distinctive sections (Preparation, Prayer and Promise) are woven together with compelling narrative to create a moving work for SATB choir, congregation and narrators. Beloved Easter hymns, masterworks and timeless new songs are included, all arranged with Benjamin Harlan's artful touch, making this a cantata which will focus and heighten your church's Easter worship celebration. Instrumental Pak (Full Orch.) contains score and parts for: Flute; Oboe; Horn; Trumpet 1,2; Trombone; Tuba; Percussion; Timpani; Violin 1,2; Viola; Cello; and String Bass.
$150.00

Instruments: Choir, Flute, Oboe, Horn, Violin, Cello, Viola, Trumpet, Trombone, Bass Guitar, Percussion, Timpani, Tuba, Vocal, Woodwinds, Brass, Strings, Guitar
(Score and Parts). By Philip Sparke (1951-). Anglo Music Concert Band. Grade 5. Anglo Music Press #AMP173. Published by Anglo Music Press
$149.00

Instruments: Tuba, Brass
Genres: Classical
A wonderful, dynamic, stylistically eclectic Christmas musical for choir, solo, praise team and congregation. Exciting new tunes combined with the treasured and loved traditional carols. Great representation of the styled and crafted orchestration that we've come to expect from David Williamson. Trumpet I, II, III, Rhythm, French Horn I, II, Alto Sax I, II (Doubles Horns), Trombone I, II, (Optional Bb Tenor Sax for Trombone I), (Optional Bb Baritone for Trombone II, Bass Trombone/Tuba, Percussion 1 & 2, Timpani.
$149.00

Instruments: Choir, Horn, Trumpet, Trombone, Bass Guitar, Percussion, Timpani, Tuba, Vocal, Brass, Guitar
$149.00

Instruments: Tuba, Brass
Sinfonie in F ("Florentiner Sinfonie"). By Josef Gabriel Rheinberger. Edited by Werner Aderhold. For Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 4 Horn, 2 Trumpets, 3 Trombones, Tuba, Timpani, 2 Violins, Viola, Cello, Contrabass. Complete edition available separately - see item CA.5022400. Complete editions. Set of instrumental parts (except strings). Language: all languages. Composed 1875. 87. 212 pages. Duration 53 min. Published by Carus Verlag (CA.5008709). ISBN M-007-07937-6. With Language: all languages. Complete editions.
$145.95

Pages: 212
Instruments: Piccolo, Clarinet, Oboe, Bassoon, Horn, Violin, Cello, Viola, Double Bass, B-Flat Trumpet, Trombone, Percussion, Timpani, Tuba, Flute, Woodwinds, Brass, Strings, Trumpet
with brightness round about it by Nancy Galbraith (1951-). For Concert Band (2 flutes, piccolo, 2 oboes, Eb clarinet, 3 clarinets, bass clarinet, 2 bassoons; 2 alto saxophones, tenor saxophone, baritone saxophone; 4 horns, 4 trumpets, 3 trombones, euphonium, 2 tubas; timpani, 4 percussion, piano/synthesizer, string-bass). Set of Parts. Composed 1993. Duration 11'. Published by Subito Music Corporation (SU.90810101). "...shows her ability to use minimalism with skill and subtlety. --American Record Guide (1997) "Ms. Galbraith has a real flair for band writing: this should become an important part of the college wind ensemble repertory." --American Record Guide (1996). Study Score: available for sale (#90810100).
$145.00

Instruments: Piano, Flute, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Euphonium, Percussion, Timpani, Tuba, Piano and Keyboard, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Prior to his death, Johnnie Carl was the orchestra conductor, arranger, and orchestrator for the Crystal Cathedral Television Ministries of Robert Schuller. "A Song of Peace" is one of Carl's most triumphant achievements. Based on Jean Sibelius's symphonic poem "Finlandia," "A Song of Peace" speaks of the glory of God's creation and the hope that God's work may abound throughout the nation. Written for SATB choir with organ accompaniment, brass and percussion, or full orchestra, this piece will be an outstanding addition to church services, festival choirs, school concerts, or patriotic events. Instrumentation: 3 Fl, 2 Ob, 3 Cl, 2 Bsn, 3 Tpt, 4 Hn, 3 Tbn, Tuba, Harp, Organ or Pno, Timp, Perc, Strings.
$141.08

Instruments: Choir, Organ, Harp, Percussion, Tuba, Strings, Organ Accompaniment, Brass, Vocal, Piano and Keyboard
Divertimento for 11 Wind Instruments by Gary Ziek. Arranged by David Farnon. Chamber Ensemble. For Chamber Winds (flute, oboe, clarinet in Bb, alto saxophone, bassoon, trumpet 1 in Bb, trumpet 2 in Bb, horn in F, trombone, euphonium, tuba). Grade 4. Score and parts. Duration 19:30. Published by C. Alan Publications (CN.09150). The Harvard Dictionary of Music defines a divertimento as "an instrumental composition written primarily for entertainment, and hence in a rather light vein. These works are generally written for small ensembles, and consist of a number (three to ten) of relatively short movements." The Divertimento for Eleven Wind Instruments (flute, oboe, clarinet, alto saxophone, bassoon, 2 trumpets, horn, trombone, euphonium, and tuba) consists of six movements in varying styles. The suite begins with a stately Intrada, written in a festive, march-like style. The cantilena is a lyrical work, tinged with a sense of melancholy. The Capriccio is light-hearted in nature and is played at a fast tempo throughout. Prelude & Tarantella begins with a plaintive chant-like melody, which transforms into a furious "dance of the spider." The Siciliano is in a flowing, lyrical style. The finale utilizes a five-part rondo form. It is virtuosic in nature and is brimming with high energy and good spirits.
$140.00

Instruments: Flute, B-Flat Clarinet, Oboe, Alto Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Euphonium, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Waking Angels by David Gillingham. For Concert Band (Piccolo, Flute, Oboe, Bassoon, Bb Clarinet, Harp, Bb Trumpet 1, Bb Trumpet 2, Horn 1, Horn 2, Trombone, Tuba, Piano, Timpani (5 drums), Percussion 1 (bells, xylophone), Percussion 2 (vibraphone, large suspended cymbal, crash cymbals, metal police whistle,). Grade 6. Score and parts. Duration 11:10. Published by C. Alan Publications (CN.02860). Waking Angels was inspired by the poem, "Mercy," by Olga Broumas which is among a collection of poems on the subject of AIDS by various poets called Poems of Life. Broumas' poem makes reference to the "sea-smoke" rising from the ocean and how it is often referred to as the "breath of souls." The last stanza of the poem alludes to these lost souls that Broumas has been grieving for:they leave, like waking angels risingon a hint of wind, visible or unseen, a print,a wrinkle of the water.Whether we choose to acknowledge it or not, AIDS has profoundly affected the world in which we live. Countless numbers of people have lost their lives to this merciless disease and a cure is not yet within reach. Through the imagery of the music, Waking Angels emanates the mysteriousness, the pain and the ruthlessness of the disease. But, it also provides us with the warmth and comfort of hope and the peace of eternity. One may recognize fragments of the old hymn, "Softly and Tenderly, Jesus is Calling," by Will Thompson which serves to unify the work. This, to me, is nostalgic, having grown up among the ambience of the old Gospel Hymns.I have found the melody and text comforting over the years. The hymn motive goes through a degenerative process in the work paralleling the nature of the disease. My purpose in using the hymn tune is not necessarily religious. It simply provides a source of reflection - to personally draw the listener into the music and toward a closer understanding of the pain and suffering of mankind.- David R. Gillingham.
$138.00

Instruments: Piano, Flute, B-Flat Clarinet, Oboe, Bassoon, Horn, Harp, B-Flat Trumpet, Trombone, Percussion, Timpani, Drums, Vibraphone, Xylophone, Tuba, Piano and Keyboard, Woodwinds, Clarinet, Brass, Strings, Trumpet
Heritage of Faith. (with SATB Choir). By David Gillingham. For Choir with Concert Band (Piccolo, Flute 1/2, Oboe, Bassoon 1/2, Clarinet 1, Clarinet 2/3, Bass Clarinet, Eb Contrabass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet 1, Trumpet 2/3, Horn 1/2, Horn 3/4, Trombone 1/2, Bass Trombone, Euphonium, Tuba, SATB). Grade 4. Score and parts. Duration 9:05. Published by C. Alan Publications (CN.06500). Quoting three hymns from the Heritage of Faith:When in Our Music God is Glorified(Engleberg)All Creatures of Our God and King(Lasst Uns Erfreuen)Lift High the Cross(Crucifer)Commissioned byMeyer MusicTo Honor the Grand Rapids Christian School AssociationAt the Dedication of the Center for Arts and WorshipFebruary 23, 2003Grand Rapids Christian High School Combined Choirs and Wind EnsembleJohn K. Blakemore, ConductorGrand Rapids, Michigan.
$138.00

Instruments: Choir, Flute, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, Double Bass, B-Flat Trumpet, Bass Trombone, Euphonium, Tuba, Vocal, Woodwinds, Clarinet, Saxophone, Brass, Strings, Trumpet, Trombone
Double Star. (Clarinet & Piano Feature). By David Gillingham. For Soloist(s) with Concert Band (Flute 1/Piccolo, Flutes 2, Oboe, Bassoon, Solo Bb Clarinet, Bb Clarinets 1/2, Bass Clarinet, Alto Saxophone, Horn in F 1/2, Horn in F 3/4, Bb Trumpets 1/2, Trombone, Bass Trombone, Euphonium, Tuba, String Bass, Solo Piano, Timpani, Percussion 1 (crotales,). Grade 6. Score and parts. Duration 18:50. Published by C. Alan Publications (CN.06520). Double Star was commissioned by Gary Green and the University of Miami Wind Ensemble to celebrate his friendship with Ellen Rowe (pianist), Maggie Donaghue and myself. The work, therefore, celebrates humanity, especially in the goodness we achieve and the friendship we acquire through the art of music. The title of the work comes from the astronomical phenomenon by the same name, "two stars that are gravitationally bound and hence move in an elliptical orbit around the common center of mass." www.skywatch.com Certainly we can count Ellen Rowe and Maggie Donaghue as two "stars" who are gravitationally bound to the world of music.Each movement paints a musical picture of the type of light that I have imagined would be radiated by these stars. The first movement, Bright Light, is cast in sonata form preceded by a slow introduction. Two moods are fluctuated in the movement corresponding to two interpretations of "bright, " one being somewhat inhibiting, and the other being joyful. The first theme group represents the former and second theme group represents the latter. The second movement, Warm Light, is set in simple song form featuring the alto saxophone. All that is good with the world and humanity is reflected in this movement through lyrical line and rich harmony. The final movement, Heavenly Light, is the most celebratory in that it radiates joy and elation. I imagine the light in this movement to be akin to what those with near-death experiences have seen and felt. The movement is cast in a sonata-rondo design with the first theme group featuring modal and chromatic mediant progressions. Motivic material from the second movement is used in the second theme group and makes a dramatic reprise in the coda.- DRG.
$138.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Bassoon, Horn, Double Bass, B-Flat Trumpet, Bass Trombone, Euphonium, Percussion, Timpani, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Strings, Trumpet, Trombone
Dance Toccata by Frederick Speck. Arranged by Geoffrey Brand. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Contrabass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1/2, F Horn 3/4, Trombone 1/2, Trombone 3, Euphonium, Tuba, Timpani,). Grade 5. Score and parts. Duration 10:10. Published by C. Alan Publications (CN.07940). Commissioned by, and dedicated to, Garwood Whaley and the Bishop Ireton Wind Ensemble, Dance Toccata combines continuous rhythmic motion, varied textures and colors, and motives imbued with strong dance-like features in a work that is energetic and bold. Though the underlying current of pulsation is hardly ever interrupted, there are also layers of relaxed, undulating melodic materials suspended above the pulsation to create a contrasting lyricism in the work. The first example of such lyricism is heard in a series of canonic entries featuring solo statements by the oboe, clarinet and alto saxophones.The structure of the work resembles a broad arch with a coda. Just past the midpoint of the work, the lyrical statement returns in the woodwind and brass instruments, providing a brief sense of relaxation, as if the music is winding down from the rhythmic persistence with which it so strongly identifies. Throughout the course of the work, there is a dialogue and an intentional ambiguity between major and minor sonorities, which ultimately becomes more strongly major near the conclusion. As the music presses forward into the coda, layers that remind the listener of all the prominent materials of the work are present. Past this point, the music becomes increasingly extroverted, spirited and joyful as it surges toward release.- Frederick Speck.
$138.00

Instruments: Flute, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, Double Bass, B-Flat Trumpet, Trombone, Euphonium, Percussion, Timpani, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Strings, Trumpet
Zarabanda. (Xylophone/Marimba Feature). By Joseph Turrin (1947-). For Soloist(s) with Concert Band (Solo Percussion, Piccolo, Flute 1-2, Oboe 1-2, Bassoon 1-2, Clarinet in Eb, Clarinet in Bb 1-3, Bass Clarinet, Alto Saxophone 1-2, Tenor Saxophone, Baritone Saxophone, Horn in F 1-4, Trumpet in Bb 1-5, Trombone 1-3, Euphonium, Tuba, Contrabass, Percussion). Grade 4. Score and parts. Duration 5:00. Published by C. Alan Publications (CN.16430). I composed Zarabanda for a Latin American recording project with RCA Records and percussionist Evelyn Glennie. Although the recording project was never realized by RCA, I decided that the work would make a wonderful vehicle for Ms. Glennie along with wind ensemble accompaniment.The piece is in several sections with a Latin style rhythm that occasionally gets interrupted by accented outbursts from the ensemble. The soloist alternates between the xylophone, for the more accented staccato passages and scales, and the marimba, for the more melodic material. As the piece develops and moves from section to section, new rhythmic and melodic ideas are introduced. The piece culminates with a bravura cadenza - the soloist performing rapid-fire staccatos and scales on the xylophone. There is also an optional cadenza, which calls for the additional skills of playing the timbales, bongos, tom-toms, and conga drum. The piece concludes with a quick coda as the solo xylophone and ensemble build a fiery rhythmic syncopation. There are more rapidly accented staccatos, a quick scale, and the final bar.The zarabanda is a late 16th and 17th century Spanish dance in a lively alternating 6/8 and 3/4 time. Some evidence suggests that the zarabanda originated in the Spanish colonies in America, making it the first popular Latin American dance. Other evidence seems to suggest an African origin. A possible scenario might be that the zarabanda was brought to Spain by the Moors during the 12th Century, but was heavily modified by American influences during the early 16th Century.The zarabanda and its French descendant, the sarabande, were very different dances. While the French dance was a slow dance in 3/4 time, the Spanish original was very lively, alternating between 6/8 and 3/4 time. In the beginning, the zarabanda was considered very indecent. Cervantes writes about the "diabolic zarabanda" in one of his short stories, and in 1583, a law was passed against singing the zarabanda. The penalties for breaking it were banishment for women and 200 whiplashes and 6 years of galley service for men.
$138.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, Double Bass, B-Flat Trumpet, Trombone, Euphonium, Percussion, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Strings, Trumpet
Illuminations. (Trombone Feature). By Joseph Turrin (1947-). For Soloist(s) with Concert Band (Solo Trombone, Piccolo, Flute 1-2, Oboe 1-2, English Horn, Eb Clarinet, Bb Clarinet 1-3, Bass Clarinet, Contrabass Clarinet, Bassoon 1-2, Alto Saxophone 1-2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1-5, F Horn 1-4, Trombone 1-2, Euphonium, Tuba, D). Grade 5. Score and parts. Duration 17:00. Published by C. Alan Publications (CN.17010). Illuminations was written for trombonist Joseph Alessi and commissioned by the following consortium:University of New Mexico Wind Symphony: Eric Rombach-Kendall, ConductorArizona State University Bands: Gary W. Hill, ConductorHope College Wind Symphony: Steven Ward, ConductorMichigan State University: John Whitwell, Director of BandsUniversity of Missouri-Kansas City: Dr. Sarah McKoin, ConductorUniversity of Oregon Wind Ensemble & the Robert Vagner Memorial Fund: Robert Ponto, Director of BandsUniversity of Toledo Wind Ensemble: Brant Karrick, ConductorYale Concert Band: Thomas C. Duffy, Music Director.
$138.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, English Horn, Double Bass, B-Flat Trumpet, Trombone, Euphonium, Tuba, Woodwinds, Clarinet, Saxophone, Strings, Trumpet, Brass
Concerto by Alexander Arutiunian (1920-). Arranged by Johan De Meij. For tuba and wind band. Contemporary. 4-5. Parts. Composed 1992/2000. Duration 15'. Published by Editions BIM (ET.TU27E).
$137.50

Instruments: Tuba, Brass
Genres: Classical
Tubafolia - Concerto by Michel Chebrou. For tuba and wind orchestra. Contemporary. 4. Parts. Composed 1999. Duration 20'. Published by Editions BIM (ET.TU82C).
$137.50

Instruments: Tuba, Brass
Genres: Classical
Concertissimo by Corrado Maria Saglietti. For tuba and wind band. Contemporary. 4-5. Parts. Duration 17'. Published by Editions BIM (ET.TU52C).
$137.50

Instruments: Tuba, Brass
Concerto by Roland Szentpali. For tuba and wind band (piccolo, 2 flutes, 2 oboes, Eb clarinet, 3 Bb clarinets, bass clarinet, 2 bassoons, soprano saxophone, alto saxophone, tenor saxophone, baritone saxophone, 3 trumpets, 4 horns, 2 trombones, bass trombone, euphonium, tuba, contrabass, timpani, percussion). Contemporary. 5-6. Parts. Composed 2002/2006. Duration 17'. Published by Editions BIM (ET.TU96F).
$137.50

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Soprano Saxophone, Tenor Saxophone, Bassoon, Horn, Double Bass, B-Flat Trumpet, Bass Trombone, Euphonium, Percussion, Timpani, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Strings, Trumpet, Trombone
Genres: Classical
Passacaglia & Fugue, BWV 582. Set of parts (includes strings 4/4/3/2/2) by Johann Sebastian Bach (1685-1750). Arranged by L. Stokowski. For 4, Piccolo, alto flute, 3, English Horn, 3, Bass Clarinet, 3, Cembalo; 8441, tenor tuba; timpani; strings. Duration 13:00. Published by Broude Brothers (BB.BB91P).
$135.00

Instruments: Piccolo, Bass Clarinet, English Horn, Percussion, Timpani, Tuba, Flute, Woodwinds, Clarinet, Brass
Genres: Baroque Period, Classical
Tubantella. (Solo For Basstuba And Band). By Thomas Legrady. For Fanfare Band. Little Solo concerts / Euphonium/Basse Solo and Wind Band. Solo and Band Series. Grade 3. Score and Parts. Published by Molenaar Edition (ML.021794050).
$134.95

Instruments: Euphonium, Tuba, Brass
Ein Deutsches Requiem. (nach Worten der Heiligen Schrift). By Johannes Brahms (1833-1897). For Soli SB, SATB Choir, Piccolo, 2 Flute, 2 Oboe, 2 Clarinet, 2 Bassoon, 4 Horn, 2 Trumpet, 3 Trombone, Tuba, 3 Timpani, Harp, 2 Violin, Viola, Cello, Contrabass, [Organ]. Score available separately - see item CA.2705500. Requiem; Use / Occasion: Mourning, Death; Use during the church year: End of the church year. Set of instrumental parts (except strings). Language: German. 45. 232 pages. Duration 70 min. Published by Carus Verlag (CA.2705509). With Language: German. Requiem; Use / Occasion: Mourning, Death; Use during the church year: End of the church year.
$134.95

Pages: 232
Instruments: Choir, Organ, Piccolo, Clarinet, Oboe, Bassoon, Horn, Violin, Cello, Viola, Double Bass, Harp, B-Flat Trumpet, Trombone, Percussion, Timpani, Tuba, Vocal, Piano and Keyboard, Flute, Woodwinds, Brass, Strings, Trumpet
Tubantella. (Solo For Basstuba And Band). By Thomas Legrady. For Concert Band. Little Solo concerts / Euphonium/Basse Solo and Wind Band. Solo and Band Series. Grade 3. Score and Parts. Published by Molenaar Edition (ML.011794050).
$133.95

Instruments: Euphonium, Tuba, Brass
Annapolis Suite. (Brass Quintet/Harp/Score/Parts (Ption/Pties) Mfb902). By Robert Starer (1924-2001). For brass quintet/harp. This edition: MFB902. Music for Brass. Score and parts. Published by Alphonse Leduc (AH.AL28590). ISBN 9790046285905.
$133.10

Instruments: Horn, Harp, B-Flat Trumpet, Trombone, Tuba, Brass, Strings, Trumpet