Forty exceptional pieces for organ, carefully chosen from across Europe and perfect for special occasions, services or purely for pleasure. Adagio from Sonata no. 1 Felix Mendelssohn Adagio no. 2 Christian Heinrich Rinck Adagio no. 3 Christian Heinrich Rinck Adagio no. 4 Christian Heinrich Rinck Adagio no. 10 Christian Heinrich Rinck Allegro from ‘Magnificat’ Alexandre Guilmant Andante no. 1 Albert Lister Peace Andante tranquillo Edward John Hopkins Andante tranquillo from Sonata no. 3 Felix Mendelssohn Ave Maria Alexandre Guilmant Bénédiction nuptiale Camille Saint-Saëns Chorale prelude on ‘Herr Jesu Christ, dich zu uns wend’ Johann Sebastian Bach Chorale prelude on ‘Herzlich tut mich verlangen’ Johann Sebastian Bach Chorale prelude on ‘Herzlich tut mich verlangen’ Johannes Brahms Chorale prelude on ‘Liebster Jesu, wir sind hier’ Johann Sebastian Bach Chorale prelude on ‘O Welt, ich muss dich lassen’ Johannes Brahms Chorale prelude on ‘O wie selig seid ihr doch, ihr Frommen’ Johannes Brahms Communion in Ab Alexandre Guilmant Elegy Charles Harford Lloyd Elegy Charles Hubert Hastings Parry Festive prelude Sigfrid Karg-Elert Grand Choeur in G Théodore Salomé Ich dank dir, lieber Herr Sigfrid Karg-Elert Interlude in F Herbert Brewer March in G Henry Smart March-Sortie Théodore Dubois Melody in G Alexandre Guilmant Noël Ecossais Alexandre Guilmant Pastorale in F Johann Sebastian Bach Postlude Alexandre Guilmant Postlude in D minor Anton Bruckner Prayer in Bb Alexandre Guilmant Prelude César Franck Prelude in C Anton Bruckner Prière à Notre-Dame from ‘Suite Gothique’ Léon Boëllmann Vesper voluntary no. 1 Edward Elgar Vesper voluntary no. 2 Edward Elgar Vesper voluntary no. 3 Edward Elgar Vesper voluntary no. 5 Edward Elgar Voluntary John Ebenezer West

A broad and varied selection of music which will prove useful for many occasions, offering something different from the standard repertoire. A solis ortus - Nicolas de Grigny Ad coenam Agni providi - Jehan Titelouze Adagio - John Bennett Allegro in A minor - Anon. Canzon - Christian Erbach Canzon on ‘Christ lag in Todes Banden’ - Christian Herbig Canzon on ‘Nun komm, der Heiden Heiland’ - Christian Herbig Canzon on ‘Vater unser im Himmelreich’ - Christian Herbig Canzon on ‘Wir glauben all an einen Gott’ - Christian Herbig Caprice - François Roberday Choral - Johann Heinrich Buttstett Cornet voluntary - William Walond Diapason movement - Maurice Greene Et exultavit from ‘Magnificat octavi toni’ - Samuel Scheidt Ex more docti mistico - Thomas Tallis Fantasy on ‘On freudt verzer’ - Paulus Hofhaymner Fuga a due voci - John Christopher Pepusch Fugue - François Roberday Fugue - Georg Caspar Wecker Gavotte - Matthew Camidge Gelobet seist du, Jesu Christ - Johann Heinrich Buttstett Gloria tibi Trinitas - Thomas Tallis Iam lucis orto sidere - Thomas Tallis Iste confessor - Thomas Tallis Quia respexit - Anon. Ricercar - Nicolaus Adam Strungk Siciliano - John Alcock Trumpet voluntary - Thomas Sanders Dupuis Veni, Creator Spiritus - Jehan Titelouze Veni, Redemptor - Thomas Tallis Voluntary in C - John Stanley Voluntary in D - John Alcock Voluntary in D - John Stanley Voluntary in D minor - John Stanley Voluntary in G - John Stanley Voluntary in G minor - John Stanley

Ace arranger David Pearl presents 20 contemporary pop classics as if they had been composed by the classical masters. This fun yet challenging collection includes solo arrangements of hits such as Overjoyed by Stevie Wonder presented as if Bach had composed it; Somebody to Love by Queen in the style of Beethoven; Meat Loaf's Two Out of Three Ain't Bad presented in Mozart's inimitable style; The Beatles' Michelle a la Ravel; and many more! We hope this unique songbook will bring a smile to your face and a touch of laughter to your day!

Learn to play your favourite Taylor Swift hits with this exciting new songbook featuring big-note arrangements of a dozen megahits from Ms. Swift. Songs include: Back to December • Begin Again • Enchanted • I Almost Do • I Knew You Were Trouble • Mean • Mine • and more!

This songbook gathers 12 hit songs from today's top artists, all arranged for easy piano. Includes songs by James Arthur, Emeli Sandé, Bruno Mars, Adele and many more.

This new and modern book by Hans-Günter Heumann is the following edition to successful BOE7624. It combines 50 up to date chart and film hits from Bruno Mars to Skyfall. All songs are set in easy arrangements for piano.

This volume contains all of Beethoven’s surviving cadenzas and lead-ins for Piano concertos: both for his own concertos nos. 1–4, for his Piano arrangement of the Violin Concerto op. 61 as well as for Mozart’s Concerto in d minor K. 466. They were in all probability not intended for his own use, as Beethoven’s improvisatory skills were legendary. His pupil and patron Archduke Rudolph of Austria, in whose library the unpublished autographs were kept for decades during the composer’s lifetime, might well have prompted him to do so. This Henle edition contains the musical text of the Beethoven Complete Edition that has been put into a new order and updated.Piano Concerto no. 1 in C major op. 15: first cadenza 1st movement Piano Concerto no. 2 in B flat major op. 19: cadenza 1st movement Piano Concerto no. 3 in C minor op. 37: cadenza 1st movement Piano Concerto no. 4 G major op. 58: first cadenza 1st movement Piano Transcription of the Violin concerto in D major op. 61a: cadenza 1st movement Piano Transcription of the Violin concerto D major op. 61a: Transition: 2nd to 3rd movement Piano Transcription of the Violin concerto in D major op. 61a: first cadenza 3rd movement Piano Concerto in d minor K. 466 by W.A. Mozart: Cadenza 1st movement WoO 58,1 Piano Concerto in d minor K. 466 by W. A. Mozart: Cadenza 3rd movement WoO 58,2

The Six Sonatas for Piano K. 26–31 that can also have a violin accompaniment were composed in The Hague. They were published in 1766 and were dedicated to Princess Caroline von Nassau-Weilburg. These jewels by the “Wunderkind” Mozart have only been known in the form of Violin sonatas up to now (also see Henle Urtext edition HN 1079). Henle's edition for solo Piano, the first time it has ever been printed in this form, is now available for Piano teachers to make use of in their lessons, as well as for all lovers of Mozart.

In 1764 the eight-year-old Mozart wrote the Sonatas K. 10–15 in London. Leopold Mozart was only able to understand his son’s musical genius in terms of it being a God-given wonder: “That my boy […] knows all of this with his 8 years that could be expected of a man of forty years. In short: whoever has not seen or heard it, cannot believe it”. According to the title page the six sonatas can either be played as piano trios, violin sonatas or simply piano solo. As Henle have already published them in the form of Piano trios and Violin sonatas (HN 1078), they are now presenting them in an Urtext Edition for Piano solo.

As astonishing as it might sound, Mozart was already composing piano sonatas (K. 6–9) at the age of seven. It is wonderfully fresh and varied music. Henle have already published Urtext editions of these four sonatas in the version for piano and violin (HN 1077). According to Henle, to their knowledge they have never been published solely as piano sonatas, even though Mozart described them thus in the title and they were assuredly played as such. Whilst the added violin provides tonal enrichment, it can be omitted without loss. A true treasure trove of easier, unknown original music by Mozart.

Frédéric Chopin composed his piano trio when he was an 18-year-old student. About the performance of the trio on 31 August 1830 he wrote: “On Sunday we rehearsed the trio. Perhaps because I haven’t heard it for a while, I was very happy with myself (fortunate man!).” Incidentally, Robert Schumann also shared this opinion, writing in a review: “Is it not as noble as possible, more full of enthusiasm than any song ever written by a poet, original in the smallest detail as in the whole, every note music and life?” We agree with this verdict and recommend this trio in our new Urtext edition to all lovers of highly romantic chamber music.

The 2012 debut album by the Las Vegas indie rockers, Imagine Dragons, peaked atop the Billboard Alternative Albums chart and was named one of that magazine's “125 Essential Fall Albums.” This album matching songbook contains Piano, Vocal and Guitar arrangements of all 11 tracks. Songs include: Amsterdam • Bleeding Out • Demons • Every Night • Hear Me • It's Time • and more!

Universal Edition Wiener Urtext-Album, Easy Piano Pieces From Bach To Sch

C.F. Peters Haydn The Creation Hob.XXI:2, J.Haydn, The Creation, Hob.XXI:2: Oratorio for 3 solo voices,choir and orchestra, Vocal Score, Urtext, Lyrics in English/German

Universal Edition Piano Repertoire Level 1, By Mike Cornick: For piano, Favourite Pieces- Baroque,Classical,Romantic,Latin,Ragtime,Jazz,Folk, Complement to the tutor "Piano Coach Band 1", Arrangements of favourite pieces in a variety of musical styles, Easy level, In English,French and German language

Chester Music Ludovico Einaudi: In A Time, Ludovico Einaudi: In A Time Lapse, Songs: Corale, Time Lapse, Life, Walk, Discovery At Night, Run, Brothers, Orbits, Two Trees, Newton's Cradle, Waterways, Experience, Underwood, Burning, Bonus Tracks: The Dark Bank Of Clouds, Sarabande, Ronald's Dream, Corale Solo, Songbook arranged for piano, Intermediate level

Schell Music Russische Melodien f

Henle Verlag Mozart "Wunderkind" 1 Piano, W.A.Mozart, "Wunderkind" Sonatas Volume I for Piano K.6-9: Edition for Piano solo, Four Sonatas: Sonata (Wunderkind) C major KV 6, Sonata (Wunderkind) D major KV 7, Sonata (Wunderkind) B major KV 8, Sonata (Wunderkind) G major KV 9, Edited by Wolf-Dieter Seiffert, Fingering by Ariane Haering, Easy to intermediate level, Urtext

C.F. Peters Bach Matthew Passion BWV244, J.S.Bach, Matth

C.F. Peters Bach Matthew Passion BWV244, J.S.Bach, St. John Passion BWV244: For solo voices,choir and orchestra, Vocal Score, Urtext

The Language of Folk Book 1 offers 20 elementary to intermediate folk songs from around the British Isles and further afield, carefully selected and arranged to develop the key skills and vocal styles integral to folk song. Produced in association with The Sage Gateshead and its nationally renowned folk music programme, these books provide a wealth of material both for established folk singers and those new to the world of folk. 20 varied folk songs, progressing from beginner level to around grade 4 Includes both unaccompanied songs and songs arranged with piano accompaniment Informative contextual notes and practice tips for every song Chord names provided for all songs, offering performers the freedom to add their own accompaniment Helpful introduction to the folk song genre, including a beginner’s guide to ornamentation CD with authentic performances of every song by young folk singers, along with backing tracks for the accompanied pieces Complete lyric sheets available as PDFs to print on the CD All unaccompanied songs feature on the current Trinity singing syllabus (‘Technical Work’ section)

The Czech composer Antonin Rejcha (also Anton Reicha, 1770–1836) was famous as both an experimental composer and as a teacher and theorist. His 36 Fugues for Piano testify to this experimentalism; they can be seen as a type of “Well-Tempered Piano of the new ages”, basing the traditional Baroque fugue on radical new fundaments. The first edition of this unusual collection was produced in 1803 in Vienna by Reicha’s own publishing company “Au Magasin de l’Imprimerie chimique”. It included both a dedication poem to Joseph Haydn and a comprehensive foreword in which Reicha identifies the characteristics of his compositional style. The second edition (Vienna 1805) included a short theoretical text “Über das neue Fugensystem” (“On the new fugal system”) in the form of a polemic, reacting to his critics, one of whom was Beethoven. Six fugues are based on the themes of other composers (Haydn, Bach, Mozart, Scarlatti, Frescobaldi, Handel). The musical text is a corrected reprint of the edition by Václav Jan Sýkora from 1973, which itself was based on the referred to edition from 1805 as well as on the later edition by Tobias Haslinger (Vienna, c. 1828). Works historically important to the development of the fugue New foreword by Roman Dykast (Cz/Eng/Ger)

The Oxford Book of Lent and Easter Organ Music brings together a superb array of repertoire for use from Ash Wednesday through to Pentecost, providing a comprehensive volume for this extended liturgical period. The pieces—largely based on well-known hymn tunes—vary in style and length, suiting a range of purposes, from processionals and interludes to voluntaries and recital works. A range of technical difficulty makes the book useful for players of differing abilities, and clean and uncluttered scores leave interpretative decisions to the performer. An invaluable resource for a major part of the church year. 34 pieces for manuals and pedals, suitable for use from Lent through to Pentecost Seven brand-new commissions by important names such as David Briggs, Naji Hakim, and Francis Jackson A variety of musical forms, including preludes, toccatas, fanfares, and variations Covers 17th to 21st centuries, from major historic organ composers including Scheidt, Mendelssohn, and Reger, through 20th-century luminaries Harris and Leighton, to contemporary figures such as Malcolm Riley, David Bednall, and Christopher Tambling Original organ compositions plus new arrangements of favourites from Handel's Messiah and J. S. Bach's St Matthew Passion An index of hymn tunes, and pieces arranged in liturgical order

17 colourful pieces including "Night train to Transylvania", "Black night, white cat" and "Arctic Nocturne". The music itself draws from a broad range of styles and is targeted to stimulate that most important region of the head - the ears.