Antonín Dvorák's Poetic Tone Pictures Op.85. Barenreiter H 338. Nocní cesta / Nächtlicher Weg / Twilight Way Zertem / Tändelei / Toying Na starem hrade / Auf der alten Burg / In the Old Castle Jarní / Frühlingslied / Spring Song Selská balada / Bauernballade / Peasants' Ballad Vzpomínání / Klagendes Gedenken / Reverie Furiant / Ein Tanz (Furiant) / Folk Dance (Furiant) Rej skrítku / Koboldstanz / Goblins' Dance Serenáda / Serenade Bakchanale / Bacchanale / Bacchanalia Na táckách / Plauderei / Title-tattle U mohyly / Am Heldengrabe / At a Hero's Grave Na Svate Hore / Auf dem Heiligen Berg / On the Holy Mount

Publication of the fourth and last book in the “Iberia” cycle in Henle Urtext coincides perfectly with the 150th anniversary Isaac Albeniz's birth. Albéniz had greatly struggled to complete the work because he was very ill. Yet he was able to hand over all of the twelve pieces he had promised to the pianist Joaquin with whom he was friends. Following the sensuous dance rhythms in “Málaga” and the cheerful and lively “Eritaña”, he succeeded in creating a striking musical portrait of the famous Spanish wine-growing region with “Jerez”. “Music has never achieved such a diverse and colourful form,” was the judgement passed on Albéniz’ late Romantic masterpiece by none other than Claude Debussy.

Nineteenth-century Europe's immersion into Romanticism fostered a "back to nature" movement in which artists turned toward folk music for inspiration. This collection spotlights the works of important Russian composers who drew upon and popularized folk melodies of their native country. Forty-four stirring pieces reflect the influence of Russia's peasant songs as well as the tonality and rhythms of music from the Russo-Greek Orthodox Church and Tartar culture. Suitable for intermediate-level pianists of all ages, this collection features contributions from Michael Glinka, hailed a century ago as "the father of Russian musical art." Additional contributors include Alexander Borodin, Modest Mussorgsky, Nikolas Rimsky-Korsakov, Alexander Scriabin, Sergei Rachmaninoff, and other composers. Reprint of the Carl Fischer, New York, 1915 edition.

Famous for his fiery, forceful, and passionate playing, Spanish violinist Pablo de Sarasate (1844–1908) was equally renowned for the sweetness and purity of his tone and his impeccable technique. His works are steeped in the colorful traditions of his native land, drawing upon Spanish airs and dances to display the depth and richness of the violin's capabilities. This practice and performance edition with a separate, removable violin part contains three of the composer's best and most challenging pieces for violin and piano: Zigeunerweisen (Gypsy Airs); Carmen Fantasy, Op. 25, based on the opera by George Bizet; and the exhilarating Introduction and Tarantella. Reproduced from authoritative editions, these works are essential to the repertoire of all serious violinists.

Consisting of three volumes, Repertoire Classics for Piano is a comprehensive and progressively graded collection of classic solos for piano. Volume 3 contains 42 recital pieces. Each book includes a data CD contains the following for each solo: performance tracks as well as master class lessons featuring performance and practice techniques by piano pedagogues Paul Sheftel and Phyllis Lehrer for each piece. Listen to performances from a real concert grand piano and get the benefit and insight of master instructors as they teach the finer points of performance, technique and even offer some historical context. These books contain a fine mix of easy to play, unabridged, original piano solos written by “the masters” for beginning pianists. There is a wide variety of music from all style periods and by some of the greatest composers of all time. Biographies of each composer are also included. These collections are a must for piano students and teachers.

Consisting of three volumes, Repertoire Classics for Piano is a comprehensive and progressively graded collection of classic solos for piano. Volume 2 contains 55 recital pieces. Each book includes a data CD contains the following for each solo: performance tracks as well as master class lessons featuring performance and practice techniques by piano pedagogues Paul Sheftel and Phyllis Lehrer for each piece. Listen to performances from a real concert grand piano and get the benefit and insight of master instructors as they teach the finer points of performance, technique and even offer some historical context. These books contain a fine mix of easy to play, unabridged, original piano solos written by “the masters” for beginning pianists. There is a wide variety of music from all style periods and by some of the greatest composers of all time. Biographies of each composer are also included. These collections are a must for piano students and teachers.

Consisting of three volumes, Repertoire Classics for Piano is a comprehensive and progressively graded collection of classic solos for piano. Volume 1 contains 75 pieces. Each book includes a data CD contains the following for each solo: performance tracks as well as master class lessons featuring performance and practice techniques by piano pedagogues Paul Sheftel and Phyllis Lehrer for each piece. Listen to performances from a real concert grand piano and get the benefit and insight of master instructors as they teach the finer points of performance, technique and even offer some historical context. These books contain a fine mix of easy to play, unabridged, original piano solos written by “the masters” for beginning pianists. There is a wide variety of music from all style periods and by some of the greatest composers of all time. Biographies of each composer are also included. These collections are a must for piano students and teachers.

Forty exceptional pieces for organ, carefully chosen from across Europe and perfect for special occasions, services or purely for pleasure. Adagio from Sonata no. 1 Felix Mendelssohn Adagio no. 2 Christian Heinrich Rinck Adagio no. 3 Christian Heinrich Rinck Adagio no. 4 Christian Heinrich Rinck Adagio no. 10 Christian Heinrich Rinck Allegro from ‘Magnificat’ Alexandre Guilmant Andante no. 1 Albert Lister Peace Andante tranquillo Edward John Hopkins Andante tranquillo from Sonata no. 3 Felix Mendelssohn Ave Maria Alexandre Guilmant Bénédiction nuptiale Camille Saint-Saëns Chorale prelude on ‘Herr Jesu Christ, dich zu uns wend’ Johann Sebastian Bach Chorale prelude on ‘Herzlich tut mich verlangen’ Johann Sebastian Bach Chorale prelude on ‘Herzlich tut mich verlangen’ Johannes Brahms Chorale prelude on ‘Liebster Jesu, wir sind hier’ Johann Sebastian Bach Chorale prelude on ‘O Welt, ich muss dich lassen’ Johannes Brahms Chorale prelude on ‘O wie selig seid ihr doch, ihr Frommen’ Johannes Brahms Communion in Ab Alexandre Guilmant Elegy Charles Harford Lloyd Elegy Charles Hubert Hastings Parry Festive prelude Sigfrid Karg-Elert Grand Choeur in G Théodore Salomé Ich dank dir, lieber Herr Sigfrid Karg-Elert Interlude in F Herbert Brewer March in G Henry Smart March-Sortie Théodore Dubois Melody in G Alexandre Guilmant Noël Ecossais Alexandre Guilmant Pastorale in F Johann Sebastian Bach Postlude Alexandre Guilmant Postlude in D minor Anton Bruckner Prayer in Bb Alexandre Guilmant Prelude César Franck Prelude in C Anton Bruckner Prière à Notre-Dame from ‘Suite Gothique’ Léon Boëllmann Vesper voluntary no. 1 Edward Elgar Vesper voluntary no. 2 Edward Elgar Vesper voluntary no. 3 Edward Elgar Vesper voluntary no. 5 Edward Elgar Voluntary John Ebenezer West

This volume contains all of Beethoven’s surviving cadenzas and lead-ins for Piano concertos: both for his own concertos nos. 1–4, for his Piano arrangement of the Violin Concerto op. 61 as well as for Mozart’s Concerto in d minor K. 466. They were in all probability not intended for his own use, as Beethoven’s improvisatory skills were legendary. His pupil and patron Archduke Rudolph of Austria, in whose library the unpublished autographs were kept for decades during the composer’s lifetime, might well have prompted him to do so. This Henle edition contains the musical text of the Beethoven Complete Edition that has been put into a new order and updated.Piano Concerto no. 1 in C major op. 15: first cadenza 1st movement Piano Concerto no. 2 in B flat major op. 19: cadenza 1st movement Piano Concerto no. 3 in C minor op. 37: cadenza 1st movement Piano Concerto no. 4 G major op. 58: first cadenza 1st movement Piano Transcription of the Violin concerto in D major op. 61a: cadenza 1st movement Piano Transcription of the Violin concerto D major op. 61a: Transition: 2nd to 3rd movement Piano Transcription of the Violin concerto in D major op. 61a: first cadenza 3rd movement Piano Concerto in d minor K. 466 by W.A. Mozart: Cadenza 1st movement WoO 58,1 Piano Concerto in d minor K. 466 by W. A. Mozart: Cadenza 3rd movement WoO 58,2

The Six Sonatas for Piano K. 26–31 that can also have a violin accompaniment were composed in The Hague. They were published in 1766 and were dedicated to Princess Caroline von Nassau-Weilburg. These jewels by the “Wunderkind” Mozart have only been known in the form of Violin sonatas up to now (also see Henle Urtext edition HN 1079). Henle's edition for solo Piano, the first time it has ever been printed in this form, is now available for Piano teachers to make use of in their lessons, as well as for all lovers of Mozart.