(Authentic Guitar TAB). By The Grateful Dead. For guitar and voice. This edition: Authentic Guitar TAB. Artist/Personality; Authentic Guitar TAB; Guitar Personality; Guitar TAB. Classic Album Editions. Psychedelic Rock and Folk Rock. Difficulty: medium-difficult. Guitar tablature songbook. Guitar tablature, standard guitar notation, vocal melody, lyrics, chord names, guitar chord diagrams and guitar tab glossary. 112 pages. Published by Alfred Music Publishing

Working with Male Voices - VHS. (Developing Vocal Techniques in teh Choral Rehearsal). By Jerry Blackstone. Video. Published by Santa Barbara Music Publishing (SB.SBMP-226). Topics include: * Tone and the singing male * Consistency throughout the range * Communicative choral singing * Intonation issues * Effective rehearsal procedures * Voice classification * Live performances.

Working - Vocal Selections. (Piano/Vocal/Chords). By Stephen Schwartz, Craig Carnelia, Micki Grant, James Taylor, Mary Rodgers, and Susan Birkenhead. For voice and piano. This edition: Piano/Vocal/Chords. Piano/Vocal/Chords; Shows & Movies. Broadway. Difficulty: medium. Songbook. Vocal melody, piano accompaniment, lyrics and chord names. 113 pages. Published by Alfred Music Publishing (AP.VAL2010A). ISBN 076921715X. With vocal melody, piano accompaniment, lyrics and chord names. Broadway. 9x12 inches. Titles include: All the Livelong Day * Brother Trucker * Cleanin' Women * Fathers and Sons * If I Could've Been * It's an Art * Joe * Just a Housewife * Lovin' All * The Mason * Millwork * Neat to Be a Newsboy * Something to Point Out, and others.

Woodstock Sheet Music Anthology. (Piano/Vocal/Chords). For Keyboard; Piano; Voice. This edition: Piano/Vocal/Chords. P/V/C Mixed Folio; Piano/Vocal/Chords. Pop/Rock. Book. 172 pages. Published by Alfred Music Publishing (AP.34066). ISBN 0739065327. Pop/Rock. Woodstock Sheet Music Anthology contains 24 songs performed at the original 1969 Woodstock festival, plus four bonus songs that helped define the peace and love generation. Woodstock proved to be a touchstone for baby boomers. Whether you were there or not, you can now relive the festival through the music of Canned Heat; Country Joe McDonald; The Who; Janis Joplin; Jimi Hendrix; Crosby, Stills, Nash, and Young; and many others with this piano/vocal songbook. Also included is an historical essay putting each song in perspective of the three-day event. Titles: Bad Moon Rising * Everyday People * Feelin' Alright * Going Up the Country * Hey Joe * My Generation * Piece of My Heart * St. Stephen * The Weight * White Rabbit * and more.

Wondrous Love Has Called Us by Herman Stuempfle. For Unison Voices. Hymn Collection. Sacred. Easy. Text language: English. 172 pages. Published by GIA Publications (GI.G-6619). ISBN 9781579996123. With Text language: English. Sacred.

Wonderful Town. (Vocal Score). By Adolph Green, Betty Comden, and Leonard Bernstein (1918-1990). Vocal Score. 206 pages. Published by Hal Leonard (HL.450091). ISBN 0634073974. 9x12 inches. Music from Wonderful Town has been out of print for more than 40 years, so we are very proud to present this new edition of the brilliant musical comedy currently running in an acclaimed Broadway revival! The music by Leonard Bernstein and lyrics by Betty Comden and Adolph Green tell the story of two sisters who move from Ohio to Greenwich Village. After many hardships of adjustment, they find New York to be a “Wonderful Town.” The original run of the show opened in 1953 and starred Rosalind Russell, and the Broadway revival, which opened on November 23, 2003, stars Donna Murphy. The cast recording is being released by DRG Records. Our Vocal Score includes all of the music from the musical.

(Authentic Guitar TAB). By Chevelle. Edited by J. Stang and Aaron Stang. For guitar and voice. This edition: Authentic Guitar TAB. Artist/Personality; Authentic Guitar TAB; Guitar Personality; Guitar TAB. Guitar songbook (Guitar tablature). Alternative Rock and New Metal. Guitar tablature songbook. Guitar tablature, standard notation, vocal melody, lyrics, chord names, guitar chord diagrams and guitar tab glossary. 64 pages. Published by Alfred Music Publishing

Wo die schonen Trompeten blasen (from Des Knaben Wunderhorn (d-minor)). By Gustav Mahler (1860-1911). Arranged by Jos van de Braak. For Higher Voice and Concert Band. Grade 3. Full score and set of parts. Duration 8:00. Published by Baton Music (BF.BM043-SET). Wo die schonen Trompeten blasen' belongs to the military 'Wunderhornlieder' and was composed in 1895. The beauty of truth and not the beauty of romantic make-believe, so evident for Mahler's songs, is very outstanding in this beautiful piece.

Wo die schonen Trompeten blasen (from Des Knaben Wunderhorn (c-minor)). By Gustav Mahler (1860-1911). Arranged by Jos van de Braak. For Lower Voice and Concert Band. Grade 3. Full score and set of parts. Duration 8:00. Published by Baton Music (BF.BM044-SET). Wo die schonen Trompeten blasen' belongs to the military 'Wunderhornlieder' and was composed in 1895. The beauty of truth and not the beauty of romantic make-believe, so evident for Mahler's songs, is very outstanding in this beautiful piece.

Wo die schonen Trompeten blasen (from Des Knaben Wunderhorn (d-minor)). By Gustav Mahler (1860-1911). Arranged by Jos van de Braak. For Higher Voice and Concert Band. Grade 3. Score. Duration 8:00. Published by Baton Music (BF.BM043-SCORE). Wo die schonen Trompeten blasen' belongs to the military 'Wunderhornlieder' and was composed in 1895. The beauty of truth and not the beauty of romantic make-believe, so evident for Mahler's songs, is very outstanding in this beautiful piece.

Wo die schonen Trompeten blasen (from Des Knaben Wunderhorn (c-minor)). By Gustav Mahler (1860-1911). Arranged by Jos van de Braak. For Lower Voice and Concert Band. Grade 3. Score. Duration 8:00. Published by Baton Music (BF.BM044-SCORE). Wo die schonen Trompeten blasen' belongs to the military 'Wunderhornlieder' and was composed in 1895. The beauty of truth and not the beauty of romantic make-believe, so evident for Mahler's songs, is very outstanding in this beautiful piece.

Includes lyric booklet. Childrens. Karaoke CDG. Published by Pocket Songs

Includes lyric booklet. Broadway. Karaoke CDG. Published by Pocket Songs

Without a Trail to Lace by Alan Chan. For vibrphone and voice. Intermediate-advanced. Duet. Published by HoneyRock Publishing (HR.HRPV009).

Alfred Reed - With Trumpets and Drums Music Book, scoring: Band, instruments: Voice;Trumpet;Drums

With Love, From Motown by The Supremes. Arranged by Mark A. Brymer. VoiceTrax CD. Discovery Choral. CD only. Published by Hal Leonard (HL.8551930). A great feature for younger SSA choirs, this XX-minute medley combines three top Motown hits: Baby Love, Stop! In The Name Of Love and Where Did Our Love Go.Available separately: SSA and VoiceTrax CD. Performance Time: Approx. 3:20.

With Heart and Voice by David Gillingham. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Bb Clarinet 1, 2, 3, Bass Clarinet, Contrabass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1/2, F Horn 3/4, Trombone 1/2, Bass Trombone, Euphonium, Tuba, Piano, Timpa). Grade 4. Score and parts. Duration 9:00. Published by C. Alan Publications (CN.05320). With Heart & Voice was commissioned by Apple Valley High School Bands, Scott A. Jones, director (Apple Valley, Minnesota), to commemorate the 25th year of existence of this high school. Apple Valley High School's strong commitment to the arts was a major factor in my decision to take on this commission. After visiting the school in December of 2000 and meeting many of the students, faculty, and administrators, I became greatly inspired.Thematically, the work is based on the Apple Valley High School Alma Mater, an old Spanish hymn which has made its way into most church hymnals under the name of "Come, Christians, Join to Sing." It is perhaps fate that this hymn, a particular favorite of mine, happens to be the tune used for the Alma Mater. Christian Henry Bateman wrote the words for the hymn in 1843 and the first verse contains the line, "Let all, with heart and voice, before his throne rejoice." Hence, the title, With Heart and Voice. What better way to celebrate 25 years of this great high school than with our "hearts" and "voices." The "voice" in this case is the music and the "heart" is the emotion that the music renders in celebration. Although the work is largely celebratory in nature, it begins with a feeling of reticence and apprehension, much like the beginnings of Apple Valley High School. It was at one time only an idea or perhaps only a sketch in the mind of the architect. Small fragments of the Alma Mater are heard in the opening moments of the piece. The piece gains momentum, texture and volume in this opening section culminating in a dramatic statement of the first four notes of the theme. A calmness follows and a lyrical flute solo enters. This new material represents the uniqueness of the "mission" of a new school which will have roots in academic excellence and commitment to the visual and performing arts. The euphonium echoes the flute and soon more instruments join in and the section culminates with a dramatic fanfare. This is followed by a transitional section with much dissonance and rhythmic activity, equated to the challenge of bringing life to this new school. A glorious statement of the Alma Mater follows signifying the dedication of Apple Valley High School, twenty five years ago. The ensuing section begins as a fugue with underlying unsettling rhythmic activity in the percussion. The obvious reference of this section is the challenge-maintaining the goals and mission of the high school. The section becomes frantic and desperate, but soon subsides into peacefulness. The peacefulness is stated by the marriage of the "Alma Mater " theme and the "Mission" theme. . .after all, for the High School to survive, it must never forget its mission. An extended finale follows which celebrates both themes in playful, joyful, and dramatic exuberance.

With Heart and Voice by David Gillingham. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Bb Clarinet 1, 2, 3, Bass Clarinet, Contrabass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1/2, F Horn 3/4, Trombone 1/2, Bass Trombone, Euphonium, Tuba, Piano, Timpa). Band Music. Grade 4. Score only. Duration 9:00. Published by C. Alan Publications (CN.05321). With Heart & Voice was commissioned by Apple Valley High School Bands, Scott A. Jones, director (Apple Valley, Minnesota), to commemorate the 25th year of existence of this high school. Apple Valley High School's strong commitment to the arts was a major factor in my decision to take on this commission. After visiting the school in December of 2000 and meeting many of the students, faculty, and administrators, I became greatly inspired.Thematically, the work is based on the Apple Valley High School Alma Mater, an old Spanish hymn which has made its way into most church hymnals under the name of "Come, Christians, Join to Sing." It is perhaps fate that this hymn, a particular favorite of mine, happens to be the tune used for the Alma Mater. Christian Henry Bateman wrote the words for the hymn in 1843 and the first verse contains the line, "Let all, with heart and voice, before his throne rejoice." Hence, the title, With Heart and Voice. What better way to celebrate 25 years of this great high school than with our "hearts" and "voices." The "voice" in this case is the music and the "heart" is the emotion that the music renders in celebration. Although the work is largely celebratory in nature, it begins with a feeling of reticence and apprehension, much like the beginnings of Apple Valley High School. It was at one time only an idea or perhaps only a sketch in the mind of the architect. Small fragments of the Alma Mater are heard in the opening moments of the piece. The piece gains momentum, texture and volume in this opening section culminating in a dramatic statement of the first four notes of the theme. A calmness follows and a lyrical flute solo enters. This new material represents the uniqueness of the "mission" of a new school which will have roots in academic excellence and commitment to the visual and performing arts. The euphonium echoes the flute and soon more instruments join in and the section culminates with a dramatic fanfare. This is followed by a transitional section with much dissonance and rhythmic activity, equated to the challenge of bringing life to this new school. A glorious statement of the Alma Mater follows signifying the dedication of Apple Valley High School, twenty five years ago. The ensuing section begins as a fugue with underlying unsettling rhythmic activity in the percussion. The obvious reference of this section is the challenge-maintaining the goals and mission of the high school. The section becomes frantic and desperate, but soon subsides into peacefulness. The peacefulness is stated by the marriage of the "Alma Mater " theme and the "Mission" theme. . .after all, for the High School to survive, it must never forget its mission. An extended finale follows which celebrates both themes in playful, joyful, and dramatic exuberance.

Witching Hour (Electronic Media) by Daniel Pinkham (1923-2006). For SSAA Choir electric guitar or piano, electronic media (Women's Voices). Secular. Choral, Electronic Media. Published by E.C. Schirmer Publishing (EC.2836A).

By Pink Floyd. For voice, piano and guitar chords. Music Sales America. Psychedelic Rock, Progressive Rock and Hard Rock. Difficulty: medium. Songbook. Vocal melody, piano accompaniment, lyrics, chord names, guitar chord diagrams, color photos and introductory text. 88 pages. Music Sales #AM64189. Published by Music Sales

Wish You Were Here by Pink Floyd. For guitar and voice. Music Sales America. Psychedelic Rock, Progressive Rock and Hard Rock. Difficulty: medium. Guitar tablature songbook. Guitar tablature, standard notation, vocal melody, lyrics, chord names, guitar chord diagrams, introductory text and color photos. 128 pages. Amsco Publications #AM80011. Published by Amsco Publications (HL.14025582). ISBN 082561287X. With guitar tablature, standard notation, vocal melody, lyrics, chord names, guitar chord diagrams, introductory text and color photos. Psychedelic Rock, Progressive Rock and Hard Rock. 9x12 inches. Piano/vocal arrangements with chord symbols. Features: Wish You Were Here, Shine On You Crazy Diamond (Parts I-IX), Have A Cigar, and Welcome To The Machine and more.

Wir sind die Musikanten. (Eine kleine Instrumentenschau). By Gerhard Maasz (1906-1984). For orchestra; children's choir (2 unison voices) and speaker ad lib.. This edition: CON 184. Choral Music. Concertino (Chamber Orchestra). Grade 3-4. Score. Text language: German. 36 pages. Duration 15 minutes. Published by Schott Music (SD.49001881). ISBN 9790001024679. With Text language: German. Gerhard Maasz studierte Komposition bei Paul Graener und stand der Jugendmusikbewegung um Fritz Jode nahe. In der 1977 entstandenen "kleinen Instrumentenschau" verwendet er das bekannte Volkslied "Wir sind die Musikanten" (das von einem einstimmigen Chor mitgesungen werden kann) und stellt die einzelnen Orchesterinstrumente systematisch vor. Ein Werk fur Kinder- und Schulkonzerte, das Spielern und Horern auf heitere Weise Einblick in den Aufbau des Orchesters gibt.

Wir sind die Musikanten. (Eine kleine Instrumentenschau). By Gerhard Maasz (1906-1984). For orchestra; children's choir (2 unison voices) and speaker ad lib. (flute I/II (piccolo), oboe I/II, English horn, clarinet I/II, bassoon I/II (contrabassoon), horn I/II, trumpet-c I/II, trombone, tuba ad lib., timpani, 4 percussion, harp, celesta (piano), 4 violin I/II, 2 violas, 2 cellos, 2 double basses). This edition: CON 184-50. Choral Music. Concertino (Chamber Orchestra). Grade 3-4. Set of parts. Text language: German. 142 pages. Duration 15 minutes. Published by Schott Music (SD.49001882). ISBN 9790001024686. With Text language: German. Gerhard Maasz studierte Komposition bei Paul Graener und stand der Jugendmusikbewegung um Fritz Jode nahe. In der 1977 entstandenen "kleinen Instrumentenschau" verwendet er das bekannte Volkslied "Wir sind die Musikanten" (das von einem einstimmigen Chor mitgesungen werden kann) und stellt die einzelnen Orchesterinstrumente systematisch vor. Ein Werk fur Kinder- und Schulkonzerte, das Spielern und Horern auf heitere Weise Einblick in den Aufbau des Orchesters gibt.

Winterreise; Schone Mullerin; Schwanengesang by Franz Schubert (1797-1828). For High Voice and Piano. Play Along. CD. Published by Music Partner CD (PE.MP8303-1). For the corresponding print music edition, see EP 8303a. (3 CD set) Music Partner backing CD.