Paulus by Felix Bartholdy Mendelssohn (1809-1847). Edited by John Michael Cooper. For soprano voice solo/alto voice solo/2 tenor voice solos/bass voice solo/SATB choir/orchestra. This edition: Urtext edition. Level 4. Score (Hardback). Opus 36. Published by Baerenreiter Verlag (BA.BA9071). ISBN 9790006527588. 33.0 x 26.0 cm inches.

Der Musikalische Nachlass (Gesamtausgabe in einem Band. Teil I 1861-1887 (Nr. 1-42)/ Teil II 1854-1861 und undatierte Fragmente (Nr. 43-74). Kritischer Bericht). By Friedrich Nietzsche (1844-1900). Edited by Curt P Janz. For voice/choir/instrument. This edition: Urtext edition. Score (cloth bound). Published by Baerenreiter Verlag (BA.BA5771). ISBN 9790006473458. 33.0 x 25.7 cm inches.

Gurre-Lieder by Arnold Schoenberg (1874-1951). Edited by Ulrich Kramer. For solo voices, choir and orchestra (Complete edition). This edition: AS 1016-10. Complete Editions. Arnold Schonberg - Samtliche Werke. Score. 260 pages. Published by Schott Music (SD.49042538). ISBN 9790001128391. Schoenberg was still working entirely within the traditions of late Romanticism with his "Gurre-Liedera!!. The orchestral forces required are correspondingly vast, making it necessary to introduce a larger format for the score for this edition. The volume is completed with facsimile illustrations, some of them in colour. Ausgezeichnet mit dem Deutschen Musikeditionspreis 2004.

Kantaten zum 5. und 6. Sonntag nach Trinitatis by Johann Sebastian Bach (1685-1750). Edited by Reinmar Emans. For voice, mixed choir, orchestra. This edition: Faux-leather bound, Complete edition, Urtext edition. Neue Bach-Ausgabe. Serie I, Band 17/2. Urtext der Neuen Mozart-Ausgabe. Score. Published by Baerenreiter Verlag (BA.BA5081-02). ISBN 9790006463930. 33.1 x 25.8 cm inches.

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Kantaten zum 4. Sonntag nach Trinitatis by Johann Sebastian Bach (1685-1750). Edited by Kirsten Beisswenger; Yoshitake Kobayashi. For voice, mixed choir, orchestra. This edition: Faux-leather bound, Complete edition, Urtext edition. Neue Bach-Ausgabe. Serie I, Band 17/1. Urtext der Neuen Mozart-Ausgabe. Score. Published by Baerenreiter Verlag (BA.BA5080-02). ISBN 9790006463886. 33.3 x 26.0 cm inches.

Messen, Band 6 (Einzelsatze und Fragmente). By Wolfgang Amadeus Mozart (1756-1791). Edited by Monika Holl. For voice soli/mixed choir/orchestra. This edition: Complete edition, Urtext edition. Neue Mozart-Ausgabe. Serie I, Werkgruppe 1/1, 6. Messen (Masses). Score, Anthology (half-leather binding). Published by Baerenreiter Verlag (BA.BA4605-02). ISBN 9790006451852. Messen (Masses). 33.0 x 26.0 cm inches.

Kantaten zum Sonntag nach Weihnachten (Urtext der Neuen Mozart-Ausgabe). By Johann Sebastian Bach (1685-1750). Edited by Klaus Hofmann. For voice soli/mixed choir/orchestra. This edition: Complete edition, Urtext edition. Neue Bach-Ausgabe. Serie I, Band 3/2. Score (half-leather binding). Published by Baerenreiter Verlag (BA.BA5094-02). ISBN 9790006494859. 33.1 x 25.8 cm inches.

La Traviata - Act 3rd (Selection: Preludio - Addio del passato - Baccanale ''Largo al quadrupede'' - Parigi, o cara - Ah! Gran Dio, morir si giovane - Frammenti musicali dal finale dell'atto). By Giuseppe Verdi (1813-1901). Arranged by Lorenzo Pusceddu. Concert band. For All inclusive package including: score vocal version + score instrumental version, parts for all instruments, vocal solo parts: Violetta (sop), Alfredo (ten), Germont (bar), optional instrumental solos: clarinet, trumpet, euphonium.. Classical, Transcription, Vocal. Grade 3.5. Score and set of parts. Duration 20:00. Published by Scomegna Edizioni Musical srl (S4.ESB1010).

Der Tod Jesu - Betrachtung der neunten Stunde am Todestage Jesu (Oratorien). By Georg Philipp Telemann (1681-1767). Edited by Wolf Hobohm. For Soprano voice solo, Alto voice solo 1, Alto voice solo 2, Tenor voice solo, Bass voice solo 1, Bass voice solo 2, Mixed Choir-SATB, Flute 1, Flute 2, Oboe 1, Oboe 2, Horn, Horn (2), Trumpet (3), Kettledrum, Strings, Basso Continuo. This edition: Urtext edition. Telemann Musikalische Werke, Band 31. Edition of selected works, Score (cloth bound). Language: German. TVWV 5:5, TVWV 5:6. Published by Baerenreiter Verlag (BA.BA5853). ISBN 9790006497928. With Language: German. 33.0 x 25.8 cm inches.

Opera Omnia. Vol. I: Concert Arias G 544-559 by Luigi Boccherini (1743-1805). 384 pages. Published by Ut Orpheus (UT.BCE-01). ISBN ISBN: 978-88-8109-454-7, ISMN: 979-0-2153-1004-9.

Kantaten zu den Sonntagen Oculi und Palmarum (For critial review see BA 5078 41). By Johann Sebastian Bach (1685-1750). Edited by Christoph Wolff. For voice, mixed choir, orchestra. This edition: Faux-leather bound, Complete edition, Urtext edition. Neue Bach-Ausgabe. Serie I. Band 8/2. Urtext der Neuen Bach-Ausgabe. Kritischer Bericht siehe BA 5078 41. Kantaten (Cantatas). Score. Published by Baerenreiter Verlag (BA.BA5079-02). ISBN 9790006494163. Kantaten (Cantatas). 33.1 x 26.0 cm inches.

Le nozze di Figaro - Die Hochzeit des Figaro (Opera buffa in 4 Akten (italienisch), Anhange). By Wolfgang Amadeus Mozart (1756-1791). Edited by Ludwig Finscher; Ulrich Leisinger. For Soprano voice solo (5), Tenor voice solo (2), Bass voice solo (4), Mixed Choir, Flute (2), Oboe (2), Clarinet (B Flat) (2), Bassoon (2), Horn (2), Trumpet (2), Kettledrum, Strings, Basso Continuo. This edition: Urtext edition. Neue Mozart-Ausgabe. Serie II, Werkgruppe 5/16. Urtext Language: German. Critical report (paperbound). Language: Italian. KV 492. 419 pages. Duration 180'. Published by Baerenreiter Verlag (BA.BA4565-40). ISBN 9790006546640. With Language: Italian. 24.0 x 17.0 cm inches.

Lauretanische Litanei (Litaniae Lauretanae B.M.V. in der Bearbeitung von Wolfgang Amadeus Mozart). By Leopold Mozart (1719-1787). Edited by Ernst Hintermaier. For Soprano voice solo, Alto voice solo, Tenor voice solo, Bass voice solo, Mixed Choir-SATB, 3 oboes, 2 horns, 3 trombones, Strings, Basso Continuo. This edition: Complete edition, Urtext edition. Neue Mozart-Ausgabe. Serie X, Werkgruppe 28/3-5,1a. Score, Critical report (half-leather binding). Published by Baerenreiter Verlag (BA.BA4609-02). ISBN 9790006451999. 33.1 x 25.9 cm inches.

Manon Lescaut : dramma lirico in quattro atti : opera completa (Edizione canto/piano) by Giacomo Puccini (1858-1924). Edited by Carlo Carignani. For voice and piano. Vocal music. Piano/vocal score. Language: Italian. Published by Noten Roehr (NR.5383). With Language: Italian.

Jocasta by Ruth Schonthal (1924-). For A post modern Opera in 2 acts. Work premiere: Spring 1998 in the Connally Theatre New York, directed by M. Mazor. Incidental Music. Advanced. Piano/vocal score. Composed 1997/98. Published by Furore Verlag (FV.FUE-2525). ISBN M-50012-438-2. Incidental Music. A neo-Freudian, contemporary Feminist slant on the Oedipus legend. The principal characters: Jocasta and Oedipus are each represented by an actor (with music), an opera singer and dancer. In addition there is the speaking character of Tiresias and a Greek Chorus. Score for piano or synthesizer. Some electronic sounds and tape added. Only piano-vocal score available. Commissioned by Voice and Vision, a theatre group, directed by Marya Mazor.

In response to a continued interest in a scholarly facsimile of the Mass in B minor, a new cloth-bound facsimile edition (BVK 2194) has now been published. This replaces the original BÄRENREITER FACSIMILE edition (BVK 1911). Johann Sebastian Bach completed the Mass in B minor in 1748/49 shortly after the Art of Fugue and shortly before his death. This late work is as concentrated and rich in compositional technique as scarcely any other work. As early as 1818, Hans-Georg Nägeli enthusiastically described the Mass as the "greatest musical artwork of all time and all nations”. Since then it has been ranked as an icon of music history. One of the primary functions of a facsimile is the preservation of such a cultural heritage, particularly when the manuscript (as is the case with the Mass in B minor) is endangered and damaged by iron gall ink erosion. Furthermore, it is moving for Bach admirers to see how in some passages Bach’s handwriting reflects the effort which this last work demanded of him. The facsimile documents and records the present condition of the complete autograph score. Older reproductions have substituted a few individual folios where the content has become difficult to read in recent years. The renowned Bach scholar Christoph Wolff describes the work’s significance in his introduction, gives an overview of the history of composition and draws attention to particular distinguishing features of the manuscript. "This facsimile edition is a model for the presentation of musical sources, both in appearance and in documentation. […] Wolff's facsimile will serve as foundational tools" (Notes, December 2008) "Once, Bach came up against the boundaries of his art, on blotchy, 260-year-old paper. ‘Et expecto…’ is this point in the B minor mass, ‘And I look for the resurrection of the dead.’ Bach wrote modulations which were extraordinary. He had to strive for these. He crossed out – although this is a fair copy – hatched and scratched until the paper tore. He was already an old man, his script leans to the left. The handwriting here isn’t nearly as lively as in the ‘Cum sancto Spirito’, written earlier. Everywhere, one is moved by the closeness to the manuscript which the facsimile conveys – one of the most sumptuous ever published." (DIE ZEIT Literatur, December 2007)

Geistliche Chormusik II (Die sech- und siebenstimmigen Motetten (Nr. 13-29)). By Heinrich Schutz (1585-1672). Edited by Werner Breig. For mixed choir/basso continuo ad lib.. This edition: Complete edition, Urtext edition. Neue Schutz-Ausgabe, Band 5/2. Sacred, Motetten (Motets). Vocal score, Anthology (cloth bound). Composed 1648. SWV 381-397. Published by Baerenreiter Verlag (BA.BA5960). ISBN 9790006497744. Sacred, Motetten (Motets). 27.5 x 19.5 cm inches.

Arien by Johann Pachelbel (1653-1706). Edited by Wolfgang Hirschmann. For voice soli/choir/instrument. This edition: Urtext edition. Samtliche Vokalwerke, Band 11. Edition of selected works, Score, Anthology (cloth bound). Published by Baerenreiter Verlag (BA.BA10561). ISBN 9790006553105. 33.0 x 25.8 cm inches.

Die beiden Schutzen : komische Oper in 3 Akten (Klavierauszug) by Gustav Albert Lortzing (1801-1851). For piano reduction. Vocal music. Piano reduction. Language: German. Published by Noten Roehr (NR.84781). With Language: German.

La Traviata - Act 1st (Selection: Preludio - N. 2 Introduzione - Brindisi - Un di felice, eterea - Ah, fors'e lui - Sempre libera). By Giuseppe Verdi (1813-1901). Arranged by Lorenzo Pusceddu. Concert band. For All inclusive package including: score vocal version + score instrumental version, parts for all instruments, vocal solo parts: Violetta (sop), Alfredo (ten), optional instrumental solos: clarinet, trumpet, euphonium.. Classical, Transcription, Vocal. Grade 3.5. Score and set of parts. Duration 22:00. Published by Scomegna Edizioni Musical srl (S4.ESB1008).

Missa St. Bernardi von Offida (Messen Nr. 5-8). By Franz Joseph Haydn (1732-1809). Edited by Howard Chandler Robbins Landon; Christa Landon; Karl Heinz Fussl. Vocal soli, mixed choir, orchestra. For Soprano voice solo, Alto voice solo, Tenor voice solo, Bass voice solo, Mixed Choir-SATB, Oboe (2), Clarinet (B Flat) (2), Bassoon (2), Horn (2), Kettledrum, Strings, Basso Continuo. This edition: Urtext edition. Level 3. Score (cloth bound). Hob.XXII:10. Published by Baerenreiter Verlag (BA.BA4651). ISBN 9790006452125. 33.0 x 26.0 cm inches.

Missa Cellensis (Messen Nr. 5-8). By Franz Joseph Haydn (1732-1809). Edited by Howard Chandler Robbins Landon; Christa Landon; Karl Heinz Fussl. Vocal soli, mixed choir, orchestra. For Soprano voice solo, Alto voice solo, Tenor voice solo, Bass voice solo, Mixed Choir, Oboe (2), Bassoon (2), Horn (2), Kettledrum, Strings, Basso Continuo. This edition: Urtext edition. Level 3. Score (cloth bound). Hob.XXII:8. Published by Baerenreiter Verlag (BA.BA4654). ISBN 9790006452231. 33.0 x 25.8 cm inches.

Tre intermezzi Facsimile Edition Full Score, Hardbound with critical commentary. (Subscriber price within a subscription to the series: $205.00). By Antonio Vivaldi (1678-1741). Score. CRITICAL EDITIONS. Hardcover. 279 pages. Ricordi #RNR140026. Published by Ricordi (HL.50486872). Hardcover book in a protective cardboard sleeve. Facsimile scores of three 18th-century intermezzi: Le rovine di Troia • Melissa contenta • Cuoco e Madama. Includes historical notes and libretti.