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Sleep Song - High voice by Elizabeth Alexander. For Vocal Solo (High voice and piano). Art Song. Children. Moderately Easy. Text language: English. Duration 4 minutes. Published by Seafarer Press (SF.SEA-061-02). With Text language: English. Children. While watching a beloved child slumber, a parent contemplates those things that sleep brings: a release from the drama of the day, deep cycles of breath, and complete authenticity.Composer's Note: The small, disciplined form of "Sleep Song" - nine 9-syllable lines - is one which my friend and poet Ann Silsbee explored throughout her intimate book, "Naming the Disappeared." What captured my musical imagination was the rhythm of breathing reflected in this poem, a rhythm of which singers are viscerally aware. What captured my spirit was nearly the same thing: the beauty, power and vulnerability of breath itself, that most basic sign of life.Range: d'-g".
$5.00

Instruments: High Voice, Piano Accompaniment, Voice, Vocal, Piano, Piano and Keyboard
Genres: Children, Miscellaneous
The Gospel Isn't Written In the Bible Alone - Low voice by Elizabeth Alexander. For Vocal Solo (Low voice and piano). Art Song. Moderate. Text language: English. Duration 5 minutes. Published by Seafarer Press (SF.SEA-082-00). With Text language: English. A gospel hymn to the sacredness of all creation, inspired by this anonymous quote: "God writes the gospel not in the Bible alone, but on trees, and flowers, and clouds, and stars." This sweet and soulful song welcomes some rhythmic and melodic improvisation, within a basic gospel style.Composer's Note: The inspiration for this piece began with a quote from one of my favorite free thinkers, the provocative Protestant reformer Martin Luther, whose words I came across in an old anthology of religious writings: "God writes the gospel not in the Bible alone, but on trees, and flowers, and clouds, and stars." What a fabulous quote, I thought. Wouldn't that sentiment make for a wonderful song? However, after an afternoon of exhaustive research, Luther Seminary research librarian Bruce Eldevik reported to me that it was highly unlikely that Luther was the source of the quote. (Thanks anyway, Bruce!) I was a little disappointed, but that didn't keep me from using this anonymous quote as the inspiration for this song.Range: a-b'/d".
$5.00

Instruments: Low Voice, Piano Accompaniment, Voice, Vocal, Piano, Piano and Keyboard
The Gospel Isn't Written In the Bible Alone - High voice by Elizabeth Alexander. For Vocal Solo (High voice and piano). Art Song. Moderate. Text language: English. Duration 5 minutes. Published by Seafarer Press (SF.SEA-082-02). With Text language: English. A gospel hymn to the sacredness of all creation, inspired by this anonymous quote: "God writes the gospel not in the Bible alone, but on trees, and flowers, and clouds, and stars." This sweet and soulful song welcomes some rhythmic and melodic improvisation, within a basic gospel style.Composer's Note: The inspiration for this piece began with a quote from one of my favorite free thinkers, the provocative Protestant reformer Martin Luther, whose words I came across in an old anthology of religious writings: "God writes the gospel not in the Bible alone, but on trees, and flowers, and clouds, and stars." What a fabulous quote, I thought. Wouldn't that sentiment make for a wonderful song? However, after an afternoon of exhaustive research, Luther Seminary research librarian Bruce Eldevik reported to me that it was highly unlikely that Luther was the source of the quote. (Thanks anyway, Bruce!) I was a little disappointed, but that didn't keep me from using this anonymous quote as the inspiration for this song.Range: e-f"/a".
$5.00

Instruments: High Voice, Piano Accompaniment, Voice, Vocal, Piano, Piano and Keyboard
On the Edge of the Water by Elizabeth Alexander. For Vocal Solo (Low voice and piano). Art Song. Moderate. Text language: English. Duration 5 minutes. Published by Seafarer Press (SF.SEA-086-03). With Text language: English. An allegory about the excitement, pain and transience of life, told through the eyes of an individual drop of water flung up from a vast sea. With immediate and engaging vocal lines, and a piano accompaniment which ripples with fluid delight, this 5-minute song offers a sweet and timeless story of wisdom and compassion.
$5.00

Instruments: Low Voice, Piano Accompaniment, Voice, Vocal, Piano, Piano and Keyboard
Die Gedanken Sind Frei (Vocal duet version) (16th c. German protest song). Arranged by Elizabeth Alexander. For Vocal Duet (vocal duet: alto voice, baritone voice and piano). Art Song. Freedom. Moderately Easy. Text language: English. Duration 3 minutes. Published by Seafarer Press (SF.SEA-087-01). With Text language: English. Freedom. "Die Gedanken sind frei" - "My thoughts are free" - was the rallying cry and protest song of the German Peasant Wars, class uprisings which predated the French Revolution by two centuries. The song reappeared in the 1960s, popularized by Pete Seeger. Here, this timeless demand for free thought is given a feisty new English singing translation and an arrangement full of wit, color, surprises, and some healthy defiance. (Fie!).
$5.00

Instruments: Piano, Baritone Voice, Alto Voice, Piano and Keyboard, Voice, Vocal
The Eternal One - Low voice by Elizabeth Alexander. For Vocal Solo (Low voice and piano). Art Song. Moderate. Text language: English. Duration 4 minutes. Published by Seafarer Press (SF.SEA-093-00). With Text language: English. Ralph Waldo Emerson's seminal essay, "The Oversoul," extols a supreme being endowed with infinite benevolence, beauty, omnipresence, and, above all, unity with all beings. The lyric of this warm and tender ballad is comprised of some of the most poetic images from this essay, creating a portrait of God that is both powerful and intimate.Range: a-c#".
$5.00

Instruments: Low Voice, Piano Accompaniment, Voice, Vocal, Piano, Piano and Keyboard
The Eternal One - Medium voice by Elizabeth Alexander. For Vocal Solo (Medium voice and piano). Art Song. Moderate. Text language: English. Duration 4 minutes. Published by Seafarer Press (SF.SEA-093-01). With Text language: English. Ralph Waldo Emerson's seminal essay, "The Oversoul," extols a supreme being endowed with infinite benevolence, beauty, omnipresence, and, above all, unity with all beings. The lyric of this warm and tender ballad is comprised of some of the most poetic images from this essay, creating a portrait of God that is both powerful and intimate.Range: c'-e".
$5.00

Instruments: Medium Voice, Piano Accompaniment, Voice, Vocal, Piano, Piano and Keyboard
The Eternal One - High voice by Elizabeth Alexander. For Vocal Solo (High voice and piano). Art Song. Moderate. Text language: English. Duration 4 minutes. Published by Seafarer Press (SF.SEA-093-02). With Text language: English. Ralph Waldo Emerson's seminal essay, "The Oversoul," extols a supreme being endowed with infinite benevolence, beauty, omnipresence, and, above all, unity with all beings. The lyric of this warm and tender ballad is comprised of some of the most poetic images from this essay, creating a portrait of God that is both powerful and intimate.Range: e'-g".
$5.00

Instruments: High Voice, Piano Accompaniment, Voice, Vocal, Piano, Piano and Keyboard
A Love Like That - Low Voice by Elizabeth Alexander. For Vocal Solo (Low voice and piano). Art Song. Love. Moderate. Text language: English. Duration 4 minutes. Published by Seafarer Press (SF.SEA-094-00). With Text language: English. Love. Daniel Ladinsky's elegant modern renderings of the works of Hafiz have introduced countless readers to this ancient Sufi poet's powerful philosophy of gratitude, openness and joy. This generosity of spirit is captured in Elizabeth Alexander's warm musical setting of one such rendering: "Even after all this time, the sun never says to the earth: You owe me. Look what happens with a love like that: it lights the whole sky."Composer's Note: As a scholar, I am inclined to carefully scrutinize the texts I set to music, making sure they are authentic, accurate and properly attributed. Years of university training lead me to research sources, question assertions, and take great care with my facts. However, as a composer and musician, my behavior is more apt to lean towards that of a eager lover or bright-eyed magpie. I say this with neither pride nor shame, but instead with self-knowledge, for artists are well known to love shiny things: beauty, delight, patterns, color, intoxicating sounds, musical turns of phrase, and ideas which open the mind and heart. It was with both minds that I approached the lyrical and engaging work of poet Daniel Ladinsky. Neither a purist nor an academic, Ladinsky's popular Hafiz-inspired renderings have inspired passionate debate among poetry lovers, Sufi scholars, and Farsi speakers, all trying to ascertain to what extent these poems are translations, as opposed to original poems. For this reason, I waited a long time before setting a Hafiz/Ladinsky poem to music, but in the end, the magpie in me won out. Spontaneous gratitude knows no restraint: I composed this song as a simple offering to the power of limitless generosity, in honor of my parents' 50th wedding anniversary.Range: f#-b".
$5.00

Instruments: Low Voice, Piano Accompaniment, Voice, Vocal, Piano, Piano and Keyboard
Genres: Valentine's Day, Celebrations
A Love Like That - Medium Voice by Elizabeth Alexander. For Vocal Solo (Medium voice and piano). Art Song. Love. Moderate. Text language: English. Duration 4 minutes. Published by Seafarer Press (SF.SEA-094-01). With Text language: English. Love. Daniel Ladinsky's elegant modern renderings of the works of Hafiz have introduced countless readers to this ancient Sufi poet's powerful philosophy of gratitude, openness and joy. This generosity of spirit is captured in Elizabeth Alexander's warm musical setting of one such rendering: "Even after all this time, the sun never says to the earth: You owe me. Look what happens with a love like that: it lights the whole sky."Composer's Note: As a scholar, I am inclined to carefully scrutinize the texts I set to music, making sure they are authentic, accurate and properly attributed. Years of university training lead me to research sources, question assertions, and take great care with my facts. However, as a composer and musician, my behavior is more apt to lean towards that of a eager lover or bright-eyed magpie. I say this with neither pride nor shame, but instead with self-knowledge, for artists are well known to love shiny things: beauty, delight, patterns, color, intoxicating sounds, musical turns of phrase, and ideas which open the mind and heart. It was with both minds that I approached the lyrical and engaging work of poet Daniel Ladinsky. Neither a purist nor an academic, Ladinsky's popular Hafiz-inspired renderings have inspired passionate debate among poetry lovers, Sufi scholars, and Farsi speakers, all trying to ascertain to what extent these poems are translations, as opposed to original poems. For this reason, I waited a long time before setting a Hafiz/Ladinsky poem to music, but in the end, the magpie in me won out. Spontaneous gratitude knows no restraint: I composed this song as a simple offering to the power of limitless generosity, in honor of my parents' 50th wedding anniversary.Range: a-d".
$5.00

Instruments: Medium Voice, Piano Accompaniment, Voice, Vocal, Piano, Piano and Keyboard
Genres: Valentine's Day, Celebrations
A Love Like That - High Voice by Elizabeth Alexander. For Vocal Solo (High voice and piano). Art Song. Love. Moderate. Text language: English. Duration 4 minutes. Published by Seafarer Press (SF.SEA-094-02). With Text language: English. Love. Daniel Ladinsky's elegant modern renderings of the works of Hafiz have introduced countless readers to this ancient Sufi poet's powerful philosophy of gratitude, openness and joy. This generosity of spirit is captured in Elizabeth Alexander's warm musical setting of one such rendering: "Even after all this time, the sun never says to the earth: You owe me. Look what happens with a love like that: it lights the whole sky."Composer's Note: As a scholar, I am inclined to carefully scrutinize the texts I set to music, making sure they are authentic, accurate and properly attributed. Years of university training lead me to research sources, question assertions, and take great care with my facts. However, as a composer and musician, my behavior is more apt to lean towards that of a eager lover or bright-eyed magpie. I say this with neither pride nor shame, but instead with self-knowledge, for artists are well known to love shiny things: beauty, delight, patterns, color, intoxicating sounds, musical turns of phrase, and ideas which open the mind and heart. It was with both minds that I approached the lyrical and engaging work of poet Daniel Ladinsky. Neither a purist nor an academic, Ladinsky's popular Hafiz-inspired renderings have inspired passionate debate among poetry lovers, Sufi scholars, and Farsi speakers, all trying to ascertain to what extent these poems are translations, as opposed to original poems. For this reason, I waited a long time before setting a Hafiz/Ladinsky poem to music, but in the end, the magpie in me won out. Spontaneous gratitude knows no restraint: I composed this song as a simple offering to the power of limitless generosity, in honor of my parents' 50th wedding anniversaryRange: d'-g".
$5.00

Instruments: High Voice, Piano Accompaniment, Voice, Vocal, Piano, Piano and Keyboard
Genres: Valentine's Day, Celebrations
No One Gets A Program (Vocal Duet) by Elizabeth Alexander. For vocal duet: high voice, medium voice and piano. Moderate. Text language: English. Duration 6 minutes. Published by Seafarer Press (SF.SEA-095-07). With Text language: English. "In the concert hall of life, no one gets a program." - Dutch proverb. This song might start out as a simple blues riff tune, but it soon gleefully elaborates on the proverb's wry sentiment, taking the singers and audience through a "concert hall" of wildly unexpected possibilities. Funny and sassy and poignant, this song overflows with whimsy, philosophy, and joie de vivre.Composer's Note: This proverb burned a hole in my pocket for over 10 years before I found the opportunity to bring its musical possibilities to fruition. What a blast it was to write! (Sometimes being a composer is so fun I have to pinch myself to make sure I'm awake.).
$5.00

Instruments: Piano, High Voice, Medium Voice, Piano and Keyboard, Voice, Vocal
Dormeuse (1947) by Hanna Beekhuis. For Voice, Piano. Standard notation. Published by Donemus (PR.511016850). With Standard notation.
$5.00

Instruments: Piano, Voice, Piano and Keyboard, Vocal
Two Songs From the Japanese by Deena Grossman. Arranged by Ruth Friedberg. For Vocal. Vocal Music - Vocal Collection. Published by Southern Music Company (SO.V101).
$5.00

Instruments: Voice, Vocal
Texas, Our Texas. For voice and piano accompaniment. Vocal Music - Voice And Piano/Organ. Official state song of Texas. Americana. Grade 2. Performance part. 2 pages. Published by Southern Music Company (SO.V19).
$5.00

Pages: 2
Instruments: Voice, Vocal
Genres: Americana, Folk
I'm a Soldier in the Army of the Lord by Lena Johnson McLin (1929-). Choral. For solo voice and piano. Choral. Choral octavo. Published by Neil A. Kjos Music Company (KJ.GV3).
$5.00

Instruments: Voice, Vocal
Minuet, Aria and Minuet - String Set by Thor Johnson. Orchestra. For string orchestra. Grade 3. String Set. Published by Neil A. Kjos Music Company (KJ.SO21S).
$5.00

Instruments: Voice, Vocal
Genres: Classical
Le Nozze di Figaro, K. 492; No. 20: Act III, Duettino: Sull'aria; che soave (Letter duet - 2 sopranos) by Wolfgang Amadeus Mozart (1756-1791). For 1, 0, 0, 1 - 0, 0, 0, 0, strings, soli SS. : Classical. Full score. Composed 1786. Published by Edwin F. Kalmus (KM.A2958-FSC).
$5.00

Instruments: Voice, Vocal
Genres: Classical, Classical Period, Opera, Miscellaneous
By Giacomo Puccini (1858-1924). For Vocal solo. Italian: Post-Romantic. Full score. Composed 1900. Published by Edwin F. Kalmus
$5.00

Instruments: Voice, Vocal
Genres: Italian, Romantic Period, Opera, World, Classical, Miscellaneous
By Sergei Rachmaninoff (1873-1943). Arranged by Braden, Daniel, Orchestrator. For string orchestra, [solo soprano]. Russian: Romantic. Full score. Duration 4 minutes. Published by Edwin F. Kalmus
$5.00

Instruments: Voice, Vocal
Genres: 20th Century, Romantic Period, Russian, Classical, World
Wien, du Stadt Meiner Traume [arrangement] Vienna, City of My Dreams by Rudolf Sieczynski (1879-1952). Arranged by Kennedy, Tom. For strings, solo voice. Pops Viennese. Full score. Composed 1914. Duration 3 minutes. Published by Edwin F. Kalmus (KM.A3439-FSC).
$5.00

Instruments: Voice, Vocal
Genres: Pop
By Richard Strauss (1864-1949). For 4 horn, harp, strings, solo violin, [voice] in set. German: Post-Romantic. Full score. Composed 1894/97. Published by Edwin F. Kalmus
$5.00

Instruments: Voice, Horn, Violin, Harp, Vocal, Brass, Strings
Genres: 20th Century, German, Romantic Period, Classical, World
(New York Voices Series). By Paul Simon. Arranged by Darmon Meader. For SATB Choir with Bass/Drums accompaniment (INSTRUMENTAL ACCOMP PARTS). Shawnee Press. Choral, General Repertory-Secular, Vocal Jazz. Shawnee Press #LB0380. Published by Shawnee Press
$5.00

Instruments: Choir, Voice, Percussion, Drums, Vocal
Genres: Jazz & Blues
A Wedding Blessing - High Voice by Dale Wood. For solo, high voice. Sacred Vocal. Medium. Choral score. Published by Sacred Music Press (LO.80-1020S). A melodic and memorable vocal benediction for the marriage service - published in an attractive presentation format. The outer folio contains a separate vocal score and frontispiece which can be inscribed by the soloist and presented as a souvenir gift to the couple. The inside pages contain the complete vocal/accompaniment score, and they can be retained for performance use. Alternate words are provided for use at any general occasion.
$5.00

Instruments: Choir, High Voice, Vocal, Voice
Genres: Christian, Wedding, Religious, Celebrations