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12 Rondels - Complete by Reynaldo Hahn (1874-1947). For vocal solo and piano. This edition: complete edition. Language: French. 31 pages. Published by Classical Vocal Reprint (CV.1378). With Language: French.
$20.00

Instruments: Voice, Vocal
Genres: 20th Century, Classical
Silete Venti (piano reduction) by George Frideric Handel (1685-1759). For soprano voice solo and piano reduction. Piano reduction. Language: Latin. Published by Classical Vocal Reprint (CV.2946). With Language: Latin.
$20.00

Instruments: Piano, Soprano Voice, Piano and Keyboard, Voice, Vocal
Genres: Baroque Period, Classical
Ossessione - Songs inspired by the "Arie Antiche" by Richard Pearson Thomas (1957-). For low voice solo and piano. This edition: revised edition. Language: Italian. 44 pages. Published by Classical Vocal Reprint (CV.3282). With Language: Italian.
$20.00

Instruments: Baritone Voice, Voice, Vocal
Genres: Classical
An Ark of Stars (from So Many Corners) (Full Score) by Elizabeth Alexander. For Soprano voice and Orchestra (Soprano voice solo, 2.2.3.2,2.2.0.0, timpani, percussion, piano, celeste, harp, strings). Moderately Advanced. Full Score. Duration 3 minutes. Published by Seafarer Press (SF.SEA-040-03). This 3-minute movement from "So Many Corners" is a showpiece for a dynamic soprano. The simple words of Rose Auslander, who spent the Second World War in the Czernowitz ghetto, speak volumes about hope and restoration: "In the ocean waits an ark of stars, for the surviving ashes after the flood of fire." Elizabeth Alexander's musical setting of Auslander's stark and compelling words pours forth with delicacy, ferocity and compassion.
$20.00

Instruments: Piano, Harp, Percussion, Timpani, Soprano Voice, Piano and Keyboard, Strings, Voice, Vocal
Genres: Classical
Three Rose Auslander Songs (full score) by Elizabeth Alexander. For Soprano voice and Orchestra (Soprano voice solo, percussion, piano/celeste, harp, strings). Advanced. Full Score. Duration 8 minutes. Published by Seafarer Press (SF.SEA-040-05). Three songs of longing, loss and love, based on poems by Rose Auslander, who spent the Second World War in the Czernowitz ghetto. Alexander sets Auslander's stark and compelling words to music with delicacy, ferocity and compassion. (These songs, scored for soprano, percussion, piano/celeste, harp and strings, are the central movements of a larger work for soprano and full orchestra, "So Many Corners.").
$20.00

Instruments: Piano, Harp, Percussion, Soprano Voice, Piano and Keyboard, Strings, Voice, Vocal
Genres: Classical
Wachet Auf, ruft uns die Stimme. (Cantata BWV 140). By Johann Sebastian Bach (1685-1750). For voice, flute and guitar. Score and parts. Published by Trillenium Music Company (TR.602). A fine transcription of great music, suitable for younger players.
$20.00

Instruments: Guitar, Voice, Flute, Vocal, Woodwinds
Genres: Baroque Period, Christmas, Classical, Miscellaneous
With Heart and Voice by David Gillingham. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Bb Clarinet 1, 2, 3, Bass Clarinet, Contrabass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1/2, F Horn 3/4, Trombone 1/2, Bass Trombone, Euphonium, Tuba, Piano, Timpa). Band Music. Grade 4. Score only. Duration 9:00. Published by C. Alan Publications (CN.05321). With Heart & Voice was commissioned by Apple Valley High School Bands, Scott A. Jones, director (Apple Valley, Minnesota), to commemorate the 25th year of existence of this high school. Apple Valley High School's strong commitment to the arts was a major factor in my decision to take on this commission. After visiting the school in December of 2000 and meeting many of the students, faculty, and administrators, I became greatly inspired.Thematically, the work is based on the Apple Valley High School Alma Mater, an old Spanish hymn which has made its way into most church hymnals under the name of "Come, Christians, Join to Sing." It is perhaps fate that this hymn, a particular favorite of mine, happens to be the tune used for the Alma Mater. Christian Henry Bateman wrote the words for the hymn in 1843 and the first verse contains the line, "Let all, with heart and voice, before his throne rejoice." Hence, the title, With Heart and Voice. What better way to celebrate 25 years of this great high school than with our "hearts" and "voices." The "voice" in this case is the music and the "heart" is the emotion that the music renders in celebration. Although the work is largely celebratory in nature, it begins with a feeling of reticence and apprehension, much like the beginnings of Apple Valley High School. It was at one time only an idea or perhaps only a sketch in the mind of the architect. Small fragments of the Alma Mater are heard in the opening moments of the piece. The piece gains momentum, texture and volume in this opening section culminating in a dramatic statement of the first four notes of the theme. A calmness follows and a lyrical flute solo enters. This new material represents the uniqueness of the "mission" of a new school which will have roots in academic excellence and commitment to the visual and performing arts. The euphonium echoes the flute and soon more instruments join in and the section culminates with a dramatic fanfare. This is followed by a transitional section with much dissonance and rhythmic activity, equated to the challenge of bringing life to this new school. A glorious statement of the Alma Mater follows signifying the dedication of Apple Valley High School, twenty five years ago. The ensuing section begins as a fugue with underlying unsettling rhythmic activity in the percussion. The obvious reference of this section is the challenge-maintaining the goals and mission of the high school. The section becomes frantic and desperate, but soon subsides into peacefulness. The peacefulness is stated by the marriage of the "Alma Mater " theme and the "Mission" theme. . .after all, for the High School to survive, it must never forget its mission. An extended finale follows which celebrates both themes in playful, joyful, and dramatic exuberance.
$20.00

Instruments: Piano, Baritone Voice, Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, Double Bass, B-Flat Trumpet, Bass Trombone, Euphonium, Percussion, Tuba, Piano and Keyboard, Voice, Vocal, Woodwinds, Clarinet, Saxophone, Brass, Strings, Trumpet, Trombone
Paschal Dances by David Gillingham. For Percussion Ensemble (Percussion 1 (4 small concert toms, 4 congas, crash cymbals, voice), Percussion 2 (4 large concert toms, 4 bongos, voice), Percussion 3 (5 timpani, tambourine), Percussion 4 (crotales, snare drum, voice), Percussion 5 (bells, temple blocks, voice), Percus). Medium difficult. Score only. Duration 10:00. Published by C. Alan Publications (CN.01851). Dedicated to Robert Hohner and the Central Michigan University Percussion Ensemble, "Paschal Dances" is based on the first two lines of the famous Gregorian Easter sequence, "Victim paschali laudes" (Praises to the Paschal Victim). Motives and phrases of the chant are used to unify the work which comprises an Invocation, 4 Dances, 2 Interludes, and a Benediction.In the opening Invocation, the first phrase of the chant tune is played by the orchestra bells and consequently, the first five notes are harmonized by the marimba. The orchestra bells play both phrases of the first line of the chant at the close of the section. Dance I, in fast tempo, is dominated by membrane instruments with interjections of the second line of the chant tune being played by keyboard instruments. The section segues into the first Interlude, characterized by bowed vibraphone and a dirge-like presentation of the first five notes of the chant in the piano. Following, in the same slow tempo, is Dance II, which features chanting of male voices in canon on each of the three phrases comprising the second line of the chant. The first phrase of the chant undergoes metamorphosis in Dance III, becoming a whole-tone configuration. The dance is set in a lively 6/8 meter with periodic episodes of duplets against the triplet division. At midpoint, the dance breaks into quadruple meter with the first phrase of the chant played by the vibraphone moving in triplets. The dance returns to 6/8 meter and elides with the second Interlude, in slow tempo, where fragments of the chant are heard in the bells, chimes and marimba. Following a brief silence, Dance IV ensues with the marimbas elaborating on the whole-tone motive used in Dance III. In very fast tempo, the movement climaxes on a glorious G-flat major chord, which also articulates the beginning of the Benediction. Accompanied by all mallet instruments playing the motive of the first phrase of the chant in different rhythms, the piano, along with voices, state a haunting motive derived from the second line of the chant. The work ends with three tolls of a "questioning" chord, with each articulation followed by an arpeggiated version of the chord in the upper register of the piano.
$20.00

Instruments: Voice, Percussion, Timpani, Vocal
Sea of Mercy arranged by Thomas Fettke. Choir Sacred. For InstruPax. This edition: InstruPax. Choral (Sacred); Choral Octavo; Worship Resources. With One Voice. Sacred. Instrumental Accompaniment. 28 pages. Published by Alfred Music Publishing (AP.29293). Using the timeless hymn, There’s a Wideness in God’s Mercy, Tom Fettke creates a “feel good” instant gospel classic! Healing and soulful, this anthem sings of the inexhaustible love of our Lord. Rhythm parts and a stirring accompaniment CD are available.Inst. Parts Available (choral); Recorded Acc. Available.
$20.00

Pages: 28
Instruments: Choir, Voice, Vocal
Ten Songs from Mother Goose by Barton Cummings. For soprano voice and piano. Published by Wiltshire Music/Cor Publishing Co. (WS.ST185).
$20.00

Instruments: Piano Accompaniment, Soprano Voice, Piano, Piano and Keyboard, Voice, Vocal
Tu vittime non vuoi Verses from Psalm 50:16-17 (score in Italian) by Marianna Martines (1744-1812). Edited by Shirley Bean. SATB choir, strings, basso continuo. For SATB voices, strings, and organ (SATB strings and organ (can be performed with solo quartet or with chorus)). This edition: `. Psalm verse setting. Psalm verse setting for SATB, strings, and organ. Classic. Medium. Score. Sheet music. 26 pages. Published by ClarNan Editions (C1.CN62S). With sheet music. Classic. May be performed by soloists or choir & string quartet or orchestra, & organ.
$20.00

Pages: 26
Instruments: Choir, Medium Voice, Organ, Vocal, Voice, Piano and Keyboard
Songs of Abelard by Norman Dello Joio (1913-). For low voice (baritone) / concert band. Songs; Original Works. Concert Band. 20th Century. Grade 5. Full score. Composed 1969. Published by Edwin F. Kalmus (MT.B3979-FSC).
$20.00

Instruments: Baritone Voice, Low Voice, Voice, Vocal
Genres: 20th Century, Classical
Earth Voices by Jackson Berkey (1942-). For Clarinet, Violin, Cello, Piano. Original Works. Score and set of parts. Duration 13 minutes. Published by SDG Press (MT.J00944-SET).
$20.00

Instruments: Piano, Voice, Clarinet, Violin, Cello, Piano and Keyboard, Vocal, Woodwinds, Strings
Genres: New Age, Miscellaneous
Open the Window, Aunt Minnie, Here She Comes! by Jackson Berkey (1942-). For voice / piano. Original Works; Songs. Score. Duration 12 minutes. Published by SDG Press (MT.J20001-SC).
$20.00

Instruments: Piano, Voice, Piano and Keyboard, Vocal
Genres: New Age, Miscellaneous
The Penguin Concise Guide to Opera edited by Amanda Holden. For Voice. Masterworks; Reference Textbooks; Textbook - Choral / Vocal. Masterwork. Book. Published by Alfred Music Publishing (AP.74-0141016825). ISBN 0141016825. Masterwork. Covering the most popular and most performed operas from the earliest classics to the present day, this concise edition of The New Penguin Opera Guide is an ideal reference for anyone who is entranced by opera, whether aficionado or novice.
$20.00

Instruments: Choir, Voice, Vocal
Genres: Opera, Miscellaneous
Sacred Solos by Robert J. Powell, Book 2 by Robert J Powell. For solo voice with keyboard (medium to high range). Collection of 7 solos. 28 pages. Published by Darcey Press (DP.PW2). ISBN 9781889079387. A new, fresh sound for 7 well-loved poems by Mary Baker Eddy. Includes two books: a saddle stitched book is for the soloist to hold, and a plastic comb book is for the accompanist to play from. FOLD-OUT pages mean no page turns for the accompanist during a solo.
$20.00

Pages: 28
Instruments: Piano, Medium Voice, Organ, Piano and Keyboard, Voice, Vocal
Genres: Christian, Religious
America The Beautiful by Samuel Ward. Arranged by Helmut C. Calabrese. For Orchestra. Voice Range: D4 to G5. Contemporary arrangement using the original melody - Engraved by Peter Jarvis. Score. Published by Calabrese Brothers Music, LLC (CE.CBM-04-00022).
$20.00

Instruments: Voice, Vocal
Genres: Classical, 4th of July, Memorial Day, Patriotic, Celebrations, Folk
The Most Beautiful Lady in the World by Helmut C. Calabrese. For Piano and Chorus (SSATBB choir). Voice Range A4 to G5. Engraved by Peter Jarvis. Score. 35 pages. Published by Calabrese Brothers Music, LLC (CE.CBM-04-00079).
$20.00

Pages: 35
Instruments: Choir, Voice, Piano Accompaniment, Vocal, Piano, Piano and Keyboard
Oh, That I Had a Thousand Voices by Paul W. Hofreiter. For organ. Collection. Sacred. Moderate. 68 pages. Published by Augsburg Fortress (AU.9780800621643). A generous collection of hymn and chorale voluntaries designed to serve as inspiration for congregational hymn singing. Each could be used for brief voluntaries as well. The organ is used creatively and each is a little gem, with varying styles from bold to dance, introspective to spirited.
$20.00

Pages: 68
Instruments: Voice, Organ, Vocal, Piano and Keyboard
Genres: Christian, Religious
Munus (Parts) by Steven Sametz (1954-). For SATB choir, harp, organ, percussion, string orchestra (3-3-2-2-1) (Mixed Voices). General. Published by E.C. Schirmer Publishing (EC.6677).
$20.00

Instruments: Choir, Voice, Organ, Harp, Percussion, Vocal, Piano and Keyboard, Strings
Genres: Classical
Vocalise by Sergei Rachmaninoff (1873-1943). Arranged by Gearhart. For String set. Print on demand - publisher prints this title after order is received. Published by Shawnee Press (S5.JC0134).
$20.00

Instruments: Voice, Vocal
Genres: 20th Century, Classical
Seven Songs "After the Ice" by R.L. Selig. For Soprano voice and piano set. Print on demand - publisher prints this title after order is received. Published by Margun Music (S5.MP7121).
$20.00

Instruments: Piano Accompaniment, Soprano Voice, Piano, Piano and Keyboard, Voice, Vocal
Because by d'Hardelot. Arranged by Steven Mercurio. For Solo Voice & Orchestra. Study Score. Composed Arr. 1997. Published by Subito Music Corporation (SU.91510030).
$20.00

Instruments: Voice, Vocal
Genres: Classical
Ave Maria by Caccini. Arranged by Steven Mercurio. For Solo Voice & Orchestra (voice, 2.2.2.2 - 4.2.3.0 - 2 percussion; strings). Study Score. Composed This edition made in in 1999. Duration 4'. Published by Subito Music Corporation (SU.91510020). Available in keys of F minor or G minor. As heard on Andrea Bocelli's "Sacred Arias" CD (Philips).
$20.00

Instruments: Voice, Percussion, Vocal
Genres: Classical