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Earth Voices by Jackson Berkey (1942-). For Clarinet, Violin, Cello, Piano. Original Works. Score and set of parts. Duration 13 minutes. Published by SDG Press (MT.J00944-SET).
$20.00

Instruments: Piano, Voice, Clarinet, Violin, Cello, Piano and Keyboard, Vocal, Woodwinds, Strings
Genres: New Age, Miscellaneous
Open the Window, Aunt Minnie, Here She Comes! by Jackson Berkey (1942-). For voice / piano. Original Works; Songs. Score. Duration 12 minutes. Published by SDG Press (MT.J20001-SC).
$20.00

Instruments: Piano, Voice, Piano and Keyboard, Vocal
Genres: New Age, Miscellaneous
Vocalise by Sergei Rachmaninoff (1873-1943). Arranged by Gearhart. For String set. Print on demand - publisher prints this title after order is received. Published by Shawnee Press (S5.JC0134).
$20.00

Instruments: Voice, Vocal
Genres: 20th Century, Classical
Seven Songs "After the Ice" by R.L. Selig. For Soprano voice and piano set. Print on demand - publisher prints this title after order is received. Published by Margun Music (S5.MP7121).
$20.00

Instruments: Piano Accompaniment, Soprano Voice, Piano, Piano and Keyboard, Voice, Vocal
Because by d'Hardelot. Arranged by Steven Mercurio. For Solo Voice & Orchestra. Study Score. Composed Arr. 1997. Published by Subito Music Corporation (SU.91510030).
$20.00

Instruments: Voice, Vocal
Genres: Classical
Ave Maria by Caccini. Arranged by Steven Mercurio. For Solo Voice & Orchestra (voice, 2.2.2.2 - 4.2.3.0 - 2 percussion; strings). Study Score. Composed This edition made in in 1999. Duration 4'. Published by Subito Music Corporation (SU.91510020). Available in keys of F minor or G minor. As heard on Andrea Bocelli's "Sacred Arias" CD (Philips).
$20.00

Instruments: Voice, Percussion, Vocal
Genres: Classical
Amapola by Helen O'Connell. Arranged by Marion Evans, Myles Collins. For big band with female vocal. Swing. Medium. Full score and set of parts. Published by Lush Life (JL.LL-2105). This is the original Helen O'Connell version of Amapola taken from her 1957 album 'Green Eyes,' as recorded with the Marion Evans Orchestra. The original Marion Evans manuscript was used, this is not a transcription. However, it has been modified slightly by the addition the 'as-played' dynamic markings on the instrument parts. In addition, the chart has been written out in full, rather than using the original DS al Coda indications. The chart calls for the entire sax sextion to double clarinets. However, an alternate set of sax parts has been included on the reverse of the originals that avoids the need for clarinet doubles, making the chart playable by an AATTB line-up throughout. The vocal key is F.
$20.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Tangerine by Helen O'Connell. Arranged by Hal Mooney, Myles Collins. For big band with female vocal. Swing. Medium. Full score and set of parts. Published by Lush Life (JL.LL-2154). Tangerine was originally a vocal duet hit for Helen O'Connell in her time with the Jimmy Dorsey Orchestra. This version is from her 1951 Capitol Records sessions, though not in the end recorded and released. It is not a transcription, but a re-score of the Hal Mooney manuscript. The only change is to augment the brass up to 8 voices from the original 7, and to score the vocal chart 'as sung' by Helen and Peter Marshall, including Helen's signature lyric changes - "with mascara'd eye and chapeau by Dache..." . This is a boy / girl duet, with the boy taking the slow first chorus and the girl the second, up tempo chorus. The style and structure of the arrangement is based around the earlier Dorsey version, though without the instrumental tutti passage in the middle. The little alto sax solo which leads to the girl vocal is improvised. There are no sax doubles and the vocal keys are F (male) and C (female).
$20.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
I've Got A Feelin' You're Foolin' by Helen O'Connell. Arranged by Marion Evans. For big band with female vocal. Swing. Difficult. Full score and set of parts. Published by Lush Life (JL.LL-2163). This is the actual Helen O'Connell version from her "Here's Helen" album, as recorded with the Marion Evans Orchestra. This chart is not a transcription and has been recreated from the original manuscripts. It is an up-tempo swinger opening in the key of C and modulating to Db and D for the instrumental passages, with the vocalist returning in D and moving to Eb for the shout. The band parts, whilst not hard, do need to be played with good sectional discipline in order to pack the punch that the arrangement demands. The chart is written for 5/4/4/4 with no Sax doubles. The vocal keys are C modulating to D and Eb. Trumpets 1-4: Eb6, C6, A5, A5 Trombones 1-4: Bb4, Ab4, G4, G4 Vocal key: C to D to Eb Female Vocal Range: G3 - C5 (11 steps) as sung.
$20.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
I Can't Believe That You're In Love With Me by Helen O'Connell. Arranged by Marion Evans. For big band with female vocal. Swing. Medium. Full score and set of parts. Published by Lush Life (JL.LL-2166). This is the original Helen O'Connell version from her 'Here's Helen' album, as recorded with the Marion Evans Orchestra. This chart is not a transcription - the original manuscript was used. The arrangement opens at a slow, bluesy tempo with muted brass over clarinets, and the first vocal chorus maintains the tempo and feel. The chart then kicks into double time for a punchy, up-tempo final chorus one step up from the first. The reeds were originally scored for 3 clarinets (AAT) and 2 bass clarinets (TB). However, recognizing that having two players doubling bass clarinets is not something that many bands will be able to cope with, alternate sax parts have been included on the reverse of the pages which leave ATTB on saxes, and the lead alto doubling clarinet. The vocal key is Eb modulating to F.
$20.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
It Could Happen To You by Helen O'Connell. Arranged by Frankie Ortega, Myles Collins. For big band with female vocal. Swing. Medium. Full score and set of parts. Published by Lush Life (JL.LL-2179). Here is another original Helen O'Connell chart as played by her on her many concert tours. The tune was written by Johnny Burke & Jimmy van Heusen for the Paramount film "And the Angels Sing". This arrangement is not a transcription, but a re-score of the original Frankie Ortega chart. To the best of our knowledge this chart was not commercially recorded, hence there is no audio sample. The chart opens colla voce, just voice and piano, joined in tempo (100) by the band for the first chorus. In typical O'Connell style, the chart picks up into swing (180) for the final chorus. The saxes are scored to double clarinets, although alternate parts on the reverse which eliminate the need to double have been provided. The vocal key is C throughout.
$20.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Arthur Murray (Taught Me Dancing In A Hurry) by Helen O'Connell. Arranged by Hal Mooney, Myles Collins. For big band with female vocal. Swing. Medium. Full score and set of parts. Published by Lush Life (JL.LL-2210). Arthur Murray was originally a hit for Helen O'Connell in her time with the Jimmy Dorsey Orchestra. This version is from her 1951 Capitol Records recording session and is not a transcription, but a re-score of the Hal Mooney manuscript. The only change is to augment the brass up to 8 voices from the original 7, and to score the vocal chart 'as sung' by Helen. Everything is here, from the rubato opening, colla voce verse and the pick up into the up-tempo body of the chart, where the rhythms alternate between mambo and swing. This arrangement makes a great vocal concert feature and if your singer is looking for something a bit different, this is it. There are no sax doubles and the vocal key is G throughout.
$20.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Star Eyes by Helen O'Connell. Arranged by Marion Evans, Myles Collins. For big band with female vocal. Beguine. Medium Easy. Full score and set of parts. Published by Lush Life (JL.LL-2223). This is the genuine Helen O'Connell version from her "Green Eyes" album. This chart is not a transcription and has been recreated from the original manuscripts, although the ending has been shortened by 4 measures (she performed it like this in her concerts and radio broadcasts). However, what you get with this chart is actually 2 charts in one package. The album chart was scored for 5 woodwind (3 clarinets all doubling flute and 2 bass clarinets) a full string section and 4 rhythm. All of these parts are included, so you can recreate the O'Connell original. Recognizing that not all bands have strings to call on, or sax players who double flutes and clarinets, an alternate arrangement has been included in the pack in which the chart has been rescored for a conventional 5/4/4/4 big band. In this version alto 1 doubles clarinet. You get a full score of each version too. Trumpets 1-4: D6, B5, A6, F#5 Trombones 1-4: G4, E4, E4, E4 Vocal key: Ab to C to A Female Vocal: Gb3 - A4 (9 steps) as sung.
$20.00

Instruments: Voice, Vocal
Six Seasonal Songs by Roger S. Keele. For high voice and piano. Score and set of parts. 46 pages. Published by Classical Vocal Reprint (CV.4264).
$20.00

Pages: 46
Instruments: High Voice, Piano Accompaniment, Voice, Vocal, Piano, Piano and Keyboard
Three Songs from Shakespeare by David Barton. For mezzo-soprano and piano. Engraved by Peter Jarvis. Score. Published by Calabrese Brothers Music, LLC (CE.CBM-09-00307). 1. Come away, death, 2. It was a lover and his lass, 3. Take, O take those lips away.
$20.00

Instruments: Piano Accompaniment, Mezzo Soprano Voice, Piano, Piano and Keyboard, Voice, Vocal
So Free Am I (Seven settings of poems by women) 2005 by Ben Moore. For soprano voice solo and piano. 32 pages. Published by Classical Vocal Reprint (CV.4315).
$20.00

Instruments: Piano Accompaniment, Soprano Voice, Piano, Piano and Keyboard, Voice, Vocal
("On Poems by Various Poets: Christina Rossetti, Robert Louis Stevenson, Emily Dickinson, W.B. Yeats, James Joyce and John Keats"). By Ben Moore. For voice and piano. Performance part(s). Published by Classical Vocal Reprint
$20.00

Instruments: Voice, Piano Accompaniment, Vocal, Piano, Piano and Keyboard
Lucy (2009) An opera in one scene for Soprano, Baritone and Piano by Tom Cipullo. For solo voices and piano. 19 pages. Duration 10 minutes. Published by Classical Vocal Reprint (CV.4332).
$20.00

Pages: 19
Instruments: Baritone Voice, Piano Accompaniment, Voice, Vocal, Piano, Piano and Keyboard
Genres: Opera, Miscellaneous
Choral Singers Survival Guide by Tony Thornton. Sacred. Book. Published by GIA Publications (GI.G-6867VP).
$20.00

Instruments: Choir, Voice, Vocal
CarolSing (pack of 20). For vocal solo/ensemble. Songbooks. Pack of 20. Published by SoundForth (S2.122028).
$20.00

Instruments: Voice, Vocal
Genres: Christian, Christmas, Religious, Miscellaneous
New Day by Susan Moniger. Edited by Doug Beach, Mike Tomaro. Band. For jazz ensemble. D. Beach/Kjos Jazz. Kjos Vocal Jazz. Vocal Jazz. Grade 2. Score and parts. Published by Neil A. Kjos Music Company (KJ.ZV1). Sensible Scoring and The Driving Rock Feel Make This Chart Accessible to Groups at All Levels.
$20.00

Instruments: Voice, Vocal
Genres: Jazz & Blues
Traffic Jam by Susan Moniger. Edited by Doug Beach. Band. For jazz ensemble. D. Beach/Kjos Jazz. Kjos Vocal Jazz. Vocal Jazz. Grade 2. Score and parts. Published by Neil A. Kjos Music Company (KJ.ZV6). Ideal Choice for A Change of Pace On Your Next Program. Features A Unique Section for SATB and Drums.
$20.00

Instruments: Voice, Vocal
Genres: Jazz & Blues
Bon Appetit. (Mezzo-Soprano and Piano). By Lee Hoiby (1926-). Score. Vocal Score. 56 pages. Published by G. Schirmer (HL.50481830). ISBN 0793523648. 9x12 inches. Text by Julia Child. A light-hearted musical monologue that tells the listener how to make a chocolate cake (in a roundabout way). Originally premiered by Jean Stapleton and the composer in 1989. Duration: ca. 18 minutes. Piano reduction (originally for chamber ensemble).
$20.00

Pages: 56
Instruments: Piano, Voice, Piano and Keyboard, Vocal
Move On by Susan Moniger. Edited by Doug Beach. Band. For jazz ensemble. D. Beach/Kjos Jazz. Kjos Vocal Jazz. Vocal Jazz. Grade 2. Score and parts. Published by Neil A. Kjos Music Company (KJ.ZV7). Features A Unique Unison Line with Rhythm Section. New Issue 04/01/90.
$20.00

Instruments: Voice, Vocal
Genres: Jazz & Blues