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Te Deum and Benedictus, Op. 34 (Vocal Score). By Edward Elgar (1857-1934). Edited by Bruce Wood. For SATB, Organ Accompaniment (SATB). Music Sales America. Romantic, Sacred, Choral. 44 pages. Novello & Co Ltd. #NOV320078. Published by Novello & Co Ltd. (HL.14010157). ISBN 1844497674. Romantic, Sacred, Choral. 6.75x9.75 inches. A new edition, prepared by Bruce Wood, (2004) of the setting composed for the opening service of the 1897 Three Choirs Festival.
$13.56

Pages: 44
Instruments: Choir, Voice, Organ Accompaniment, Vocal, Organ, Piano and Keyboard
Genres: 20th Century, Romantic Period, Classical
Sechs Lieder, Op. 80 by Carl Maria von Weber (1786-1826) and Carl Maria von Weber (1786-1826). For medium-high voice solo and piano. 10 pages. Published by Classical Vocal Reprint (CV.3423).
$10.00

Pages: 10
Instruments: High Voice, Medium-High Voice, Medium Voice, Piano Accompaniment, Voice, Vocal, Piano, Piano and Keyboard
Genres: Classical Period, Romantic Period, Classical
Sechs Lieder, Op. 71 by Carl Maria von Weber (1786-1826) and Carl Maria von Weber (1786-1826). For high voice solo. 10 pages. Published by Classical Vocal Reprint (CV.3422).
$10.00

Pages: 10
Instruments: High Voice, Voice, Vocal
Genres: Classical Period, Romantic Period, Classical
Sechs Gesange, Op. 66 (#7 with SSTB ending) by Carl Maria von Weber (1786-1826) and Carl Maria von Weber (1786-1826). For high voice solo. 8 pages. Published by Classical Vocal Reprint (CV.3421).
$10.00

Pages: 8
Instruments: High Voice, Voice, Vocal
Genres: Classical Period, Romantic Period, Classical
Acht Gesange, Op. 64 (Volkslieder Heft 2) by Carl Maria von Weber (1786-1826) and Carl Maria von Weber (1786-1826). For vocal duet and piano (high voice & medium voice). 13 pages. Published by Classical Vocal Reprint (CV.3420).
$10.00

Pages: 13
Instruments: High Voice, Medium Voice, Piano Accompaniment, Voice, Vocal, Piano, Piano and Keyboard
Genres: Classical Period, Romantic Period, Classical
Sieben Gesange, Op. 54 (Volkslieder Heft 1) Medium Voices by Carl Maria von Weber (1786-1826) and Carl Maria von Weber (1786-1826). For vocal duet and piano (medium voice). 11 pages. Published by Classical Vocal Reprint (CV.3419).
$10.00

Pages: 11
Instruments: Medium Voice, Piano Accompaniment, Voice, Vocal, Piano, Piano and Keyboard
Genres: Classical Period, Romantic Period, Classical
Sechs Lieder, Op. 47 by Carl Maria von Weber (1786-1826) and Carl Maria von Weber (1786-1826). For high voice solo. 12 pages. Published by Classical Vocal Reprint (CV.3418).
$10.00

Pages: 12
Instruments: High Voice, Voice, Vocal
Genres: Classical Period, Romantic Period, Classical
Vier Temperamente, Op. 46 by Carl Maria von Weber (1786-1826) and Carl Maria von Weber (1786-1826). For medium-high voice solo and piano. 11 pages. Published by Classical Vocal Reprint (CV.3417).
$10.00

Pages: 11
Instruments: High Voice, Medium-High Voice, Medium Voice, Piano Accompaniment, Voice, Vocal, Piano, Piano and Keyboard
Genres: Classical Period, Romantic Period, Classical
Tre Duetti, Op. 31 by Carl Maria von Weber (1786-1826) and Carl Maria von Weber (1786-1826). For vocal duet and piano (2 soprano voices). Language: Italian, German. 12 pages. Published by Classical Vocal Reprint (CV.3388). With Language: Italian, German.
$10.00

Pages: 12
Instruments: Piano Accompaniment, Soprano Voice, Piano, Piano and Keyboard, Voice, Vocal
Genres: Classical Period, Romantic Period, Classical
Sechs deutsche Gesange, Op. 30 by Carl Maria von Weber (1786-1826) and Carl Maria von Weber (1786-1826). For high voice solo. 14 pages. Published by Classical Vocal Reprint (CV.3387).
$10.00

Pages: 14
Instruments: High Voice, Voice, Vocal
Genres: Classical Period, Romantic Period, Classical
Funf deutsche Lieder, Op. 25 by Carl Maria von Weber (1786-1826) and Carl Maria von Weber (1786-1826). For high voice solo. 7 pages. Published by Classical Vocal Reprint (CV.3385).
$10.00

Pages: 7
Instruments: High Voice, Voice, Vocal
Genres: Classical Period, Romantic Period, Classical
Sechs Gesange, Op. 23 (Solo voice with male chorus) by Carl Maria von Weber (1786-1826) and Carl Maria von Weber (1786-1826). For medium voice solo with male chorus. Language: German. 10 pages. Published by Classical Vocal Reprint (CV.3384). With Language: German.
$10.00

Pages: 10
Instruments: Choir, Medium Voice, Vocal, Voice
Genres: Classical Period, Romantic Period, Classical
Sechs Lieder, Op. 15 by Carl Maria von Weber (1786-1826) and Carl Maria von Weber (1786-1826). For medium voice solo and piano. 10 pages. Published by Classical Vocal Reprint (CV.3383).
$10.00

Pages: 10
Instruments: Medium Voice, Piano Accompaniment, Voice, Vocal, Piano, Piano and Keyboard
Genres: Classical Period, Romantic Period, Classical
Funf Gesange, Op. 13 by Carl Maria von Weber (1786-1826) and Carl Maria von Weber (1786-1826). For medium voice solo and piano. 9 pages. Published by Classical Vocal Reprint (CV.3382).
$10.00

Pages: 9
Instruments: Medium Voice, Piano Accompaniment, Voice, Vocal, Piano, Piano and Keyboard
Genres: Classical Period, Romantic Period, Classical
Dichterliebe, Op. 48 (with 9 extra transpositions) by Robert Schumann. For medium-high voice solo and piano. Published by Classical Vocal Reprint (CV.2940).
$19.95

Instruments: High Voice, Medium-High Voice, Medium Voice, Piano Accompaniment, Voice, Vocal, Piano, Piano and Keyboard
Genres: Romantic Period, Classical
Drei neugriechische Gedichte, Op. 50 by Antonin Dvorak (1841-1904). For medium voice solo and piano. Language: German, Czech. 21 pages. Published by Classical Vocal Reprint (CV.1398). With Language: German, Czech.
$20.00

Pages: 21
Instruments: Medium Voice, Piano Accompaniment, Voice, Vocal, Piano, Piano and Keyboard
Genres: Romantic Period, Classical
12 Lieder by Carl Maria von Weber (1786-1826) and Carl Maria von Weber (1786-1826). For Voice, Guitar. Published by Friedrich Hofmeister Musikverlag (HF.FH-2781). ISBN M-2034-2781-0.
$14.95

Instruments: Guitar, Voice, Vocal
Genres: Classical Period, Romantic Period, Classical
Die Meistersinger von Nuerenburg: Selections [arrangement] by Richard Wagner (1813-1883). Arranged by Theodore Moses Tobani. German: Romantic. Keyboard/conductor score. Composed 1867. Duration 6 minutes. Published by Edwin F. Kalmus (KM.A6947).
$10.00

Instruments: Piano, Voice, Piano and Keyboard, Vocal
Genres: German, Romantic Period, Opera, World, Classical, Miscellaneous
Stabat Mater, Op. 58/B. 71 by Antonin Dvorak (1841-1904). Edited by Antonin Dvorak. Arranged by Josef Zubaty. For Soprano voice, Alto voice, Tenor voice, and Bass voice (Soli), SATB Choir / Piano (Chorus and piano). New Issues. Romantic; Sacred/Hymns. Vocal Score. Text Language: Latin. Composed 1877/1880. 116 pages. Duration 95 minutes. Published by Serenissima (SA.Z2593). ISBN 1932419543. With Text Language: Latin. Romantic; Sacred/Hymns. 7 x 10.5 inches.
$12.95

Pages: 116
Instruments: Choir, Piano Accompaniment, Soprano Voice, Bass Voice, Tenor Voice, Alto Voice, Vocal, Piano, Piano and Keyboard, Voice
Genres: Romantic Period, Classical
Romeo et Juliette by Charles Francois Gounod (1818-1893). Edited by Charles Francois Gounod. Arranged by Hector Salomon. For Choir / Piano (Chorus and piano). Romantic. Vocal Score. Text Language: French, English. Composed 1867. 128 pages. Duration 150 minutes. Published by Serenissima (SA.Z3029). ISBN 193241925X. With Text Language: French, English. Romantic. 7 x 10.5 inches. Premiered in 1867, "Romeo et Juliette" was composed to a libretto by Jules Barbier and Michel Carre based upon the Shaespeare play. Apart from "Faust", it stands as Gounod's most popular opera. This chorus score, with the standard piano reduction by Hector Salomon, is a digitally-enhanced reprint of the choral movements from the vocal score issued by G. Schirmer in 1897 with an English translation by Dr. Theodore Baker beneath the original French.
$14.95

Pages: 128
Instruments: Voice, Piano Accompaniment, Vocal, Piano, Piano and Keyboard
Genres: Romantic Period, Classical
Requiem in C minor by Luigi Cherubini (1760-1842). Edited by Luigi Cherubini. Arranged by Hugo Uhlrich. For SATB Choir / Piano (Chorus and piano). Romantic; Sacred/Hymns. Vocal Score. Text Language: Latin. Composed 1816. 60 pages. Duration 45 minutes. Published by Serenissima (SA.Z2589). ISBN 1932419306. With Text Language: Latin. Romantic; Sacred/Hymns. 7 x 10.5 inches. Composed in 1816 to memorialize the death by execution of King Louis XVI, this Requiem received its premiere on January 21, 1817 under the composer's direction. The C-minor Requiem firmly established Cherubini's position as a major composer on the Paris scene thereafter. This new vocal score is a digitally enhanced reprint of the one first issued around 1860 by C. F. Peters in a piano reduction prepared by the German organist Hugo Uhlrich (1827-1872).
$12.95

Pages: 60
Instruments: Choir, Voice, Piano Accompaniment, Vocal, Piano, Piano and Keyboard
Genres: Classical Period, Romantic Period, Classical
Missa Solemnis, Op. 123 by Ludwig van Beethoven (1770-1827). Edited by Ludwig van Beethoven. Arranged by Salomon Jadassohn. For SATB Choir / Piano (Chorus and piano). New Issues. Romantic; Sacred/Hymns. Vocal Score. Text Language: Latin. Composed 1823. 124 pages. Duration 90 minutes. Published by Serenissima (SA.Z2557). ISBN 1932419454. With Text Language: Latin. Romantic; Sacred/Hymns. 7 x 10.5 inches. In April, 1819, Beethoven's patron (and pupil) Archduke Rudolph was elected a cardinal, and in June he was further elevated to Archbishop. The date of his formal installation was set for March 9, 1820. As Beethoven's interest in church music had developed and deepened, he felt that this event presented the perfect occasion to express his appreciation for the Archduke's benevolence by writing a composition. In a letter to the Archduke, Beethoven wrote, "The day on which a High Mass composed by me will be performed during the ceremonies solemnized for Your Imperial Highness will be the most glorious day of my life; and God will enlighten me so that my poor talents may contribute to the glorification of that solemn day." Beethoven immersed himself in the work completely, devoting his mind and heart to the writing of this Mass. According his biographer Schindler, Beethoven's personality changed at the beginning of the composition of the Missa Solemnis. Schindler described his state as "Erdenentrucktheit", an oblivion of everything earthly. He seemed to transport into another world during the compositional process, as illustrated by Schindler's description of a visit to Beethoven. "In the living room, behind a locked door, we heard the master singing parts of the fugue in the Credo - singing, howling, stamping&. the door opened and Beethoven stood before us with distorted features, calculated to excite fear. He looked as if he had been in mortal combat with the whole host of contrapuntists, his everlasting enemies." After the date of the installation came and went, without the completion of the Mass, it became apparent to everyone, including the Archbishop Rudolph, that the impetus driving Beethoven to write the "Missa Solemnis" was of a greater purpose. The work ultimately received its premiere in St. Petersburg, Russia on April 7, 1824 at a benefit concert organized by another Beethoven patron, Prince Nikolas Galitizin. Unabridged digitally enhanced reprint of the vocal score prepared by Salomon Jadassohn in ca.1885 to coincide with the full score from Beethoven's complete works issued by Breitkopf and Hartel starting in 1868.
$14.95

Pages: 124
Instruments: Choir, Voice, Piano Accompaniment, Vocal, Piano, Piano and Keyboard
Genres: Classical Period, Romantic Period, Classical
Mass in C, Op. 86 by Ludwig van Beethoven (1770-1827). Edited by Ludwig van Beethoven. Arranged by Carl Reinecke. For Soprano voice, Alto voice, Tenor voice, and Bass voice (Soli), Choir / Piano (Chorus and piano). Romantic; Sacred/Hymns. Large Vocal Score. Text Language: Latin. Composed 1807. 92 pages. Duration 50 minutes. Published by Serenissima (SA.Z2558-LG). ISBN 1932419764. With Text Language: Latin. Romantic; Sacred/Hymns. 8.27 x 11.69 inches. Commissioned by Price Esterhazy, the patron of his teacher Joseph Haydn, Beethoven's first major choral mass with orchestral accompaniment was generally dismissed as an inferior work by both patron and audience alike at the first performance in Eisenstadt on 13 September 1807. Later audiences nevertheless have come to appreciate Beethoven's masterful contrapuntal writing, which are a precursor to his towering Missa Solemnis composed 15 years later. This newly engraved vocal score features the superb piano reduction by Carl Reinecke which has been thoroughly edited and reviewed by Karel Torvik. A large format (A4) size also available.
$11.95

Pages: 92
Instruments: Piano Accompaniment, Soprano Voice, Bass Voice, Tenor Voice, Alto Voice, Piano, Piano and Keyboard, Voice, Vocal
Genres: Classical Period, Romantic Period, Classical
Elijah, Op. 70 by Felix Bartholdy Mendelssohn (1809-1847). Edited by Felix Bartholdy Mendelssohn. Arranged by August Ferdinand Hermann Kretzschmar. For 2 Soprano voices, 2 Alto voices, Tenor voice, and 2 Bass voices (Soli), SATB Choir / Piano (Chorus and piano). Romantic; Sacred/Hymns. Vocal Score. Text Language: German, English. Composed 1846. 200 pages. Duration 131 minutes. Published by Serenissima (SA.Z2659). ISBN 1932419365. With Text Language: German, English. Romantic; Sacred/Hymns. 7 x 10.5 inches. "Elijah" is probably the most dramatic oratorio ever written - crowded with stirring incident and music which claims attention. It was the composer's desire to be dramatic, and he knew how to achieve his end. The text is a mosaic of biblical verses taken principally from the First Book of Kings, but having the effect of a vivid, spontaneous story. As with Mendelsoohn's earlier "St. Paul," the text was arranged by Julius Schubring. The English translation was made by William Bartholomew, who sent it to the composer piecemeal as he worked. The musical character of Elijah is clearly drawn, and Mendelssohn has succeeded in making the prophet "A man strong and zealous, full of bitterness and scorn, the antagonist of the rabble, whether of courtiers or populace, well nigh the antagonist of the world, yet borne aloft on the wings of angels." Unabrdged digitally enhanced reprint of the vocal score edited by Hermann Ktrezschmar and published in Leipzig by C. F. Peters in the early 20th century.
$16.95

Pages: 200
Instruments: Choir, Piano Accompaniment, Soprano Voice, Bass Voice, Tenor Voice, Alto Voice, Vocal, Piano, Piano and Keyboard, Voice
Genres: Classical, Romantic Period