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Zigeunerliebe (Gypsy Love) No. 16: Lied and Czardas: Hoer'ich Cymbalklang by Franz Lehar (1870-1948). Viennese Hungarian: Romantic. Keyboard/conductor score. Composed 1910. Published by Edwin F. Kalmus (KM.A8025).
$5.00

Instruments: Piano, Percussion, Piano and Keyboard
Genres: Hungarian, Romantic Period, Opera, World, Classical, Miscellaneous
A true popular classic, this fresh edition is your opportunity to share the image that the composer paints of European gypsy life in the early 1800s. A high school essential. Triangle and tambourine parts are included. In German with English subtext. Duration: ca. 3:30. New product for the week of May 21, 2012.
$2.05

Instruments: Triangle, Tambourine, Percussion
Zeven Pauken En Een Koperorkest. (7 Percussionists & Brass Orchestra). By Geza Frid (1904-1989). For Brass Orchestra, 7 Percussion. Full Score - Miniature. Standard notation. Duration 10 minutes. Published by Donemus (PR.597002290). With Standard notation.
$8.50

Instruments: Percussion
Genres: Classical, 20th Century
Zeugma by Bernard Carlosema. Duet. For Saxophone, Percussion. This edition: Instrumental. Small ensemble music. Grade 3. 2 pages. Duration 3 minutes 10 seconds. Published by Anne Fuzeau Productions - France (FZ.3703). ISBN M230637039. 27 x 37.5 cm inches. Alto or tenor saxophone and percussionsManuscript.
$24.95

Pages: 2
Instruments: Saxophone, Percussion, Woodwinds
Zeuch an die Macht by Gustav Geisel. For SAM (SATB) Choir, Congregation, 3 Trumpets, Tenorhorn, Trombone, Timpani, Organ. This edition: paperbound. Cantatas. Score. Language: German. 8 pages. Published by Carus Verlag (CA.1014200). ISBN M-007-01994-5. With Language: German. Cantatas.
$6.95

Pages: 8
Instruments: Choir, Organ, B-Flat Trumpet, Trombone, Percussion, Timpani, Vocal, Piano and Keyboard, Trumpet, Brass
Zeuch an die Macht by Gustav Geisel. For SAM (SATB) Choir, Congregation, 3 Trumpets, Tenorhorn, Trombone, Timpani, Organ. Score available separately - see item CA.1014200. Cantatas. Score (without envelope). Language: German. 8 pages. Published by Carus Verlag (CA.1014205). With Language: German. Cantatas.
$4.55

Pages: 8
Instruments: Choir, Organ, B-Flat Trumpet, Trombone, Percussion, Timpani, Vocal, Piano and Keyboard, Trumpet, Brass
Zes Soli Voor Kleine Trom. (Kleine Trom). By M. Sauren. For Percussion. Drum Band Method. Solo Pieces. Grade 3. Published by Molenaar Edition (ML.060659620).
$12.95

Instruments: Percussion
Zero Drum - Single Cadence by Neal R. Fredrickson. For percussion ensemble. Cadence(s). Grade 3. Score and parts. Published by Row-Loff Publications (RF.8024).
$20.00

Instruments: Percussion
Zephyr by Gregory Danner. For Concert Band (flute, oboe, clarinet 1/2, bass clarinet, bassoon, Eb alto saxophone, tenor saxophone, baritone saxophone, Bb trumpet 1/2, horn in F, trombone, baritone tuba, timpani, percussion 1 (bells) percussion 2 (suspended cymbal) percussion 3 (wind chimes)). Grade 2. Score and parts. Duration 1:10. Published by C. Alan Publications (CN.08900). Zephyr is a poetic term for a gentle breeze. Nature offers few pleasures that are more calm and peaceful than the mood we feel with a refreshing breeze. It is this thought that is the stimulus for this ballad for band.
$55.20

Instruments: Flute, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Percussion, Timpani, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Zephyr by Gregory Danner. For Concert Band (flute, oboe, clarinet 1/2, bass clarinet, bassoon, Eb alto saxophone, tenor saxophone, baritone saxophone, Bb trumpet 1/2, horn in F, trombone, baritone tuba, timpani, percussion 1 (bells) percussion 2 (suspended cymbal) percussion 3 (wind chimes)). Grade 2. Score only. Duration 1:10. Published by C. Alan Publications (CN.08901). Zephyr is a poetic term for a gentle breeze. Nature offers few pleasures that are more calm and peaceful than the mood we feel with a refreshing breeze. It is this thought that is the stimulus for this ballad for band.
$12.00

Instruments: Flute, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Percussion, Timpani, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Zekiel's Got Shoes arranged by Hart Morris. For handbell choir (3-5 octaves). General, Sacred. Grade 5+. Handbell score. Published by Hope Publishing Company (HP.1770).
$5.25

Instruments: Percussion, Handbell
Genres: Christian, Religious
$12.00

Instruments: Percussion
Zeemars by A. van Veluwen. For Drum Band. Marches. Score and Parts. Published by Molenaar Edition (ML.100007940).
$36.95

Instruments: Percussion
Zeemars by A. van Veluwen. For Drum Band. Marches. Score. Published by Molenaar Edition (ML.100007940-S).
$18.95

Instruments: Percussion
By Mosolov, Alexander Vasilievich (1900-1973). For 2+1, 2+1, 2+1, 2+1 - 4, 3, 3, 1, timpani, percussion, strings. Russian: 20th Century. Full score. Composed 1927. Duration 3.5 minutes. Published by Edwin F. Kalmus
$25.00

Instruments: Percussion, Timpani
Genres: 20th Century, Russian, Classical, World
Zauberspruche by Hans Urs Zurcher. For Recorder (div.), percussion. 44 pages. Published by Breitkopf and Haertel (BR.MN-9255). ISBN 979-0-004-79035-9.
$30.95

Pages: 44
Instruments: Recorder, Percussion, Woodwinds
Zaragoza (with Tutor CD) by Chris Brooks. For marching percussion ensemble (Snare, Tenor Drums, Cymbals, Bass Drums, Bells, Xylophone, Marimba, Vibes, (4) Timpani, Suspended Cymbal, Pang Cymbal, Castanets, Maracas, Concert Bass Drum, Gong, Triangle, Hi Hat). Grade 5. Score, parts & tutor CD. Duration 1:18. Published by Row-Loff Publications (RF.9510-WTCD).
$75.00

Instruments: Percussion, Timpani, Drums, Marimba, Vibraphone, Xylophone
Zaragoza (Tutor CD only). For marching percussion ensemble (Snare, Tenor Drums, Cymbals, Bass Drums, Bells, Xylophone, Marimba, Vibes, (4) Timpani, Suspended Cymbal, Pang Cymbal, Castanets, Maracas, Concert Bass Drum, Gong, Triangle, Hi Hat). Tutor CD. Published by Row-Loff Publications (RF.9510-TCD).
$20.00

Instruments: Percussion
Zarabanda. (Xylophone/Marimba Feature). By Joseph Turrin (1947-). For Soloist(s) with Concert Band (Solo Percussion, Piccolo, Flute 1-2, Oboe 1-2, Bassoon 1-2, Clarinet in Eb, Clarinet in Bb 1-3, Bass Clarinet, Alto Saxophone 1-2, Tenor Saxophone, Baritone Saxophone, Horn in F 1-4, Trumpet in Bb 1-5, Trombone 1-3, Euphonium, Tuba, Contrabass, Percussion). Grade 4. Score and parts. Duration 5:00. Published by C. Alan Publications (CN.16430). I composed Zarabanda for a Latin American recording project with RCA Records and percussionist Evelyn Glennie. Although the recording project was never realized by RCA, I decided that the work would make a wonderful vehicle for Ms. Glennie along with wind ensemble accompaniment.The piece is in several sections with a Latin style rhythm that occasionally gets interrupted by accented outbursts from the ensemble. The soloist alternates between the xylophone, for the more accented staccato passages and scales, and the marimba, for the more melodic material. As the piece develops and moves from section to section, new rhythmic and melodic ideas are introduced. The piece culminates with a bravura cadenza - the soloist performing rapid-fire staccatos and scales on the xylophone. There is also an optional cadenza, which calls for the additional skills of playing the timbales, bongos, tom-toms, and conga drum. The piece concludes with a quick coda as the solo xylophone and ensemble build a fiery rhythmic syncopation. There are more rapidly accented staccatos, a quick scale, and the final bar.The zarabanda is a late 16th and 17th century Spanish dance in a lively alternating 6/8 and 3/4 time. Some evidence suggests that the zarabanda originated in the Spanish colonies in America, making it the first popular Latin American dance. Other evidence seems to suggest an African origin. A possible scenario might be that the zarabanda was brought to Spain by the Moors during the 12th Century, but was heavily modified by American influences during the early 16th Century.The zarabanda and its French descendant, the sarabande, were very different dances. While the French dance was a slow dance in 3/4 time, the Spanish original was very lively, alternating between 6/8 and 3/4 time. In the beginning, the zarabanda was considered very indecent. Cervantes writes about the "diabolic zarabanda" in one of his short stories, and in 1583, a law was passed against singing the zarabanda. The penalties for breaking it were banishment for women and 200 whiplashes and 6 years of galley service for men.
$138.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, Double Bass, B-Flat Trumpet, Trombone, Euphonium, Percussion, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Strings, Trumpet
Zarabanda. (Xylophone/Marimba Feature). By Joseph Turrin (1947-). For Soloist(s) with Concert Band (Solo Percussion, Piccolo, Flute 1-2, Oboe 1-2, Bassoon 1-2, Clarinet in Eb, Clarinet in Bb 1-3, Bass Clarinet, Alto Saxophone 1-2, Tenor Saxophone, Baritone Saxophone, Horn in F 1-4, Trumpet in Bb 1-5, Trombone 1-3, Euphonium, Tuba, Contrabass, Percussion). Grade 4. Score only. Duration 5:00. Published by C. Alan Publications (CN.16431). The piece is in several sections with a Latin style rhythm that occasionally gets interrupted by accented outbursts from the ensemble. As the piece develops and moves from section to section, new rhythmic and melodic ideas are introduced. The piece culminates with a bravura mallet cadenza and an optional cadenza, which calls for the additional skills of playing the timbales, bongos, tom-toms, and conga drum. I composed Zarabanda for a Latin American recording project with RCA Records and percussionist Evelyn Glennie. Although the recording project was never realized by RCA, I decided that the work would make a wonderful vehicle for Ms. Glennie along with wind ensemble accompaniment. The piece is in several sections with a Latin style rhythm that occasionally gets interrupted by accented outbursts from the ensemble. The soloist alternates between the xylophone, for the more accented staccato passages and scales, and the marimba, for the more melodic material. As the piece develops and moves from section to section, new rhythmic and melodic ideas are introduced. The piece culminates with a bravura cadenza - the soloist performing rapid-fire staccatos and scales on the xylophone. There is also an optional cadenza, which calls for the additional skills of playing the timbales, bongos, tom-toms, and conga drum. The piece concludes with a quick coda as the solo xylophone and ensemble build a fiery rhythmic syncopation. There are more rapidly accented staccatos, a quick scale, and the final bar. The zarabanda is a late 16th and 17th century Spanish dance in a lively alternating 6/8 and 3/4 time. Some evidence suggests that the zarabanda originated in the Spanish colonies in America, making it the first popular Latin American dance. Other evidence seems to suggest an African origin. A possible scenario might be that the zarabanda was brought to Spain by the Moors during the 12th Century, but was heavily modified by American influences during the early 16th Century. The zarabanda and its French descendant, the sarabande, were very different dances. While the French dance was a slow dance in 3/4 time, the Spanish original was very lively, alternating between 6/8 and 3/4 time. In the beginning, the zarabanda was considered very indecent. Cervantes writes about the "diabolic zarabanda" in one of his short stories, and in 1583, a law was passed against singing the zarabanda. The penalties for breaking it were banishment for women and 200 whiplashes and 6 years of galley service for men.
$30.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, Double Bass, B-Flat Trumpet, Trombone, Euphonium, Percussion, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Strings, Trumpet
.
$8.45

Instruments: Percussion
Zapotaxi II: License Revoked by Gerhard Guter. For big band (5 Saxes, 5 Trumpets, 5 Trombones, Guitar, Piano, Bass, Drums/Percussion). Difficult. Score and set of parts. Published by Walrus Music Publishing (WA.51967). In the words of its moniker, baritone saxophonist David Zapotocky, This piece was penned [as a tribute to my] creative driving skills…at the Reno Jazz Festival. The following year – curiously enough – I wasn't asked for my services. Too bad! I really wanted to go off-roading! This chart is a fun piece of funk that features a raucous baritone sax line. The piece was written in 2003 and features a twisted melody and alternates between common and 6/8 time. The trumpets are entrusted with quick mute changes and are colored with the soprano saxophone during melodic statements. The flexatone makes an optional, rare big band appearance during the introduction. Soloists tenor sax 1. Doubles: Soprano1 (alto 1). Tpt. range A6.
$55.00

Instruments: Piano, Guitar, Saxophone, B-Flat Trumpet, Trombone, Percussion, Drums, Piano and Keyboard, Woodwinds, Trumpet, Brass
Zapateado by Pablo de Sarasate (1844-1908). Arranged by Linda Maxey. For Marimba. Percussion Music - Mallet/Marimba/Vibraphone. Grade 5. Published by Southern Music Company (SO.ST854). Approved contest/festival piece for the University Interscholastic League (UIL 03-06).
$7.95

Instruments: Percussion, Marimba, Vibraphone
Genres: Spanish, World