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Zaragoza (with Tutor CD) by Chris Brooks. For marching percussion ensemble (Snare, Tenor Drums, Cymbals, Bass Drums, Bells, Xylophone, Marimba, Vibes, (4) Timpani, Suspended Cymbal, Pang Cymbal, Castanets, Maracas, Concert Bass Drum, Gong, Triangle, Hi Hat). Grade 5. Score, parts & tutor CD. Duration 1:18. Published by Row-Loff Publications (RF.9510-WTCD).
$75.00

Instruments: Percussion, Timpani, Drums, Marimba, Vibraphone, Xylophone
Zaragoza (Tutor CD only). For marching percussion ensemble (Snare, Tenor Drums, Cymbals, Bass Drums, Bells, Xylophone, Marimba, Vibes, (4) Timpani, Suspended Cymbal, Pang Cymbal, Castanets, Maracas, Concert Bass Drum, Gong, Triangle, Hi Hat). Tutor CD. Published by Row-Loff Publications (RF.9510-TCD).
$20.00

Instruments: Percussion
Zarabanda. (Xylophone/Marimba Feature). By Joseph Turrin (1947-). For Soloist(s) with Concert Band (Solo Percussion, Piccolo, Flute 1-2, Oboe 1-2, Bassoon 1-2, Clarinet in Eb, Clarinet in Bb 1-3, Bass Clarinet, Alto Saxophone 1-2, Tenor Saxophone, Baritone Saxophone, Horn in F 1-4, Trumpet in Bb 1-5, Trombone 1-3, Euphonium, Tuba, Contrabass, Percussion). Grade 4. Score and parts. Duration 5:00. Published by C. Alan Publications (CN.16430). I composed Zarabanda for a Latin American recording project with RCA Records and percussionist Evelyn Glennie. Although the recording project was never realized by RCA, I decided that the work would make a wonderful vehicle for Ms. Glennie along with wind ensemble accompaniment.The piece is in several sections with a Latin style rhythm that occasionally gets interrupted by accented outbursts from the ensemble. The soloist alternates between the xylophone, for the more accented staccato passages and scales, and the marimba, for the more melodic material. As the piece develops and moves from section to section, new rhythmic and melodic ideas are introduced. The piece culminates with a bravura cadenza - the soloist performing rapid-fire staccatos and scales on the xylophone. There is also an optional cadenza, which calls for the additional skills of playing the timbales, bongos, tom-toms, and conga drum. The piece concludes with a quick coda as the solo xylophone and ensemble build a fiery rhythmic syncopation. There are more rapidly accented staccatos, a quick scale, and the final bar.The zarabanda is a late 16th and 17th century Spanish dance in a lively alternating 6/8 and 3/4 time. Some evidence suggests that the zarabanda originated in the Spanish colonies in America, making it the first popular Latin American dance. Other evidence seems to suggest an African origin. A possible scenario might be that the zarabanda was brought to Spain by the Moors during the 12th Century, but was heavily modified by American influences during the early 16th Century.The zarabanda and its French descendant, the sarabande, were very different dances. While the French dance was a slow dance in 3/4 time, the Spanish original was very lively, alternating between 6/8 and 3/4 time. In the beginning, the zarabanda was considered very indecent. Cervantes writes about the "diabolic zarabanda" in one of his short stories, and in 1583, a law was passed against singing the zarabanda. The penalties for breaking it were banishment for women and 200 whiplashes and 6 years of galley service for men.
$138.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, Double Bass, B-Flat Trumpet, Trombone, Euphonium, Percussion, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Strings, Trumpet
Zarabanda. (Xylophone/Marimba Feature). By Joseph Turrin (1947-). For Soloist(s) with Concert Band (Solo Percussion, Piccolo, Flute 1-2, Oboe 1-2, Bassoon 1-2, Clarinet in Eb, Clarinet in Bb 1-3, Bass Clarinet, Alto Saxophone 1-2, Tenor Saxophone, Baritone Saxophone, Horn in F 1-4, Trumpet in Bb 1-5, Trombone 1-3, Euphonium, Tuba, Contrabass, Percussion). Grade 4. Score only. Duration 5:00. Published by C. Alan Publications (CN.16431). The piece is in several sections with a Latin style rhythm that occasionally gets interrupted by accented outbursts from the ensemble. As the piece develops and moves from section to section, new rhythmic and melodic ideas are introduced. The piece culminates with a bravura mallet cadenza and an optional cadenza, which calls for the additional skills of playing the timbales, bongos, tom-toms, and conga drum. I composed Zarabanda for a Latin American recording project with RCA Records and percussionist Evelyn Glennie. Although the recording project was never realized by RCA, I decided that the work would make a wonderful vehicle for Ms. Glennie along with wind ensemble accompaniment. The piece is in several sections with a Latin style rhythm that occasionally gets interrupted by accented outbursts from the ensemble. The soloist alternates between the xylophone, for the more accented staccato passages and scales, and the marimba, for the more melodic material. As the piece develops and moves from section to section, new rhythmic and melodic ideas are introduced. The piece culminates with a bravura cadenza - the soloist performing rapid-fire staccatos and scales on the xylophone. There is also an optional cadenza, which calls for the additional skills of playing the timbales, bongos, tom-toms, and conga drum. The piece concludes with a quick coda as the solo xylophone and ensemble build a fiery rhythmic syncopation. There are more rapidly accented staccatos, a quick scale, and the final bar. The zarabanda is a late 16th and 17th century Spanish dance in a lively alternating 6/8 and 3/4 time. Some evidence suggests that the zarabanda originated in the Spanish colonies in America, making it the first popular Latin American dance. Other evidence seems to suggest an African origin. A possible scenario might be that the zarabanda was brought to Spain by the Moors during the 12th Century, but was heavily modified by American influences during the early 16th Century. The zarabanda and its French descendant, the sarabande, were very different dances. While the French dance was a slow dance in 3/4 time, the Spanish original was very lively, alternating between 6/8 and 3/4 time. In the beginning, the zarabanda was considered very indecent. Cervantes writes about the "diabolic zarabanda" in one of his short stories, and in 1583, a law was passed against singing the zarabanda. The penalties for breaking it were banishment for women and 200 whiplashes and 6 years of galley service for men.
$30.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, Double Bass, B-Flat Trumpet, Trombone, Euphonium, Percussion, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Strings, Trumpet
.
$8.45

Instruments: Percussion
Zapotaxi II: License Revoked by Gerhard Guter. For big band (5 Saxes, 5 Trumpets, 5 Trombones, Guitar, Piano, Bass, Drums/Percussion). Difficult. Score and set of parts. Published by Walrus Music Publishing (WA.51967). In the words of its moniker, baritone saxophonist David Zapotocky, This piece was penned [as a tribute to my] creative driving skills…at the Reno Jazz Festival. The following year – curiously enough – I wasn't asked for my services. Too bad! I really wanted to go off-roading! This chart is a fun piece of funk that features a raucous baritone sax line. The piece was written in 2003 and features a twisted melody and alternates between common and 6/8 time. The trumpets are entrusted with quick mute changes and are colored with the soprano saxophone during melodic statements. The flexatone makes an optional, rare big band appearance during the introduction. Soloists tenor sax 1. Doubles: Soprano1 (alto 1). Tpt. range A6.
$55.00

Instruments: Piano, Guitar, Saxophone, B-Flat Trumpet, Trombone, Percussion, Drums, Piano and Keyboard, Woodwinds, Trumpet, Brass
Zapateado by Pablo de Sarasate (1844-1908). Arranged by Linda Maxey. For Marimba. Percussion Music - Mallet/Marimba/Vibraphone. Grade 5. Published by Southern Music Company (SO.ST854). Approved contest/festival piece for the University Interscholastic League (UIL 03-06).
$7.95

Instruments: Percussion, Marimba, Vibraphone
Genres: Spanish, World
Zampugn by Daniel Ott. For 29 Glockenspiel. Score. 40 pages. Published by Breitkopf and Haertel (BR.MN-9025). ISBN 979-0-004-79024-3.
$32.95

Pages: 40
Instruments: Glockenspiel, Percussion
Zampa Overture by Ferdinand Herold (1791-1833). For Orchestra: 1+1, 2, 2, 2 - 4, 2, 3, 1, timpani, percussion, strings. Opera/Overtures; Original Works. Masters Study Scores. Romantic; German. Study score. Composed 1831. Duration 8 minutes. Published by Masters Music Publications Inc. (MT.MSS-0089-SS).
$6.00

Instruments: Percussion, Timpani
Genres: German, Romantic Period, Opera, World, Classical, Miscellaneous
Zaide (Das Serail) (Deutsches Singspiel in 2 Akten. In dem Klavierauszug nach der Neuen Mozart-Ausgabe sind die verschollenen, ursprunglichen Dialogtexte ersetzt durch Texte aus dem "Bozener Textbuch" zu dem Singspiel "Das Serail"). By Wolfgang Amadeus Mozart (1756-1791). Edited by Friedrich-Heinrich Neumann. Arranged by Heinz Moehn. For Soprano voice solo, Tenor voice solo (2), Bass voice solo (2), Men's choir-TTTT, Flute (2), Oboe (2), Bassoon (2), Horn (2), Trumpet (2), Kettledrum, Strings. Singspiele (singing Games). Piano reduction (cloth bound). KV 344 (336b). Duration 90'. Published by Baerenreiter Verlag (BA.BA4510-90). ISBN 9790006449385. Singspiele (singing Games). 27.0 x 19.0 cm inches.
$38.95

Instruments: Choir, Piano, Flute, Oboe, Bassoon, Horn, B-Flat Trumpet, Percussion, Soprano Voice, Bass Voice, Tenor Voice, Vocal, Piano and Keyboard, Woodwinds, Brass, Trumpet, Voice
Genres: Classical, Classical Period, Opera, Miscellaneous
Lively mallets and thumb damps bring to life the delightful traditional children's song about Zacchaeus, the man who climbed up into the sycamore tree. No bell changes are required. Developing choirs will gain experience in playing stopped sounds as well as ringing a limited number of eighth notes. The middle section of the piece presents the tune in the form of a round before a rousing finish.
$4.29

Instruments: Choir, Handbell, Vocal, Percussion
Yun by Wen-chung Chou. Contemporary Medium Ensemble. For [1.0.1.1-1.1.1.0], Percussion (2), Piano. Modern. Sheet Music. Duration circa 15 minutes. Published by Edition Peters (PE.P06976). ISBN M-3007-5247-1. Modern.
$23.00

Instruments: Piano, Percussion, Piano and Keyboard
Yun by Wen-chung Chou. For [1.0.1.1-1.1.1.0], Percussion (2), Piano. Modern, Orchestral. Set of Parts. Duration circa 15 minutes. Published by Edition Peters (PE.P06976A). ISBN M-3007-5248-8. Modern, Orchestral. Set of Parts for sale. For score, see EP6976.
$60.00

Instruments: Piano, Percussion, Piano and Keyboard
Genres: Classical
Greg Gilpin follows up his top-selling Do You Feel the Rhythm? with another vocal speech choral - this one is for the holidays! Greg takes the note-learning out of rehearsal and lets you teach rhythms immediately in a choral that is a performance dream. Call and response, repetition and independent part speaking in a variety of rhythmic styles is used. You can add choreography to this piece while learning rhythms that are a must for all singers. Add percussion if desired or use the StudioTrax CD. An educator's find of the year! Available separately: 4-part speech (any combo) and drums, StudioTrax CD.Return Policy Exception: This product can not be returned if opened but it can be exchanged if defective, for the exact same title.
$26.99

Instruments: Choir, Vocal, Percussion, Drums, Other
Greg Gilpin follows up his top-selling Do You Feel the Rhythm? with another vocal speech choral - this one is for the holidays! Greg takes the note-learning out of rehearsal and lets you teach rhythms immediately in a choral that is a performance dream. Call and response, repetition and independent part speaking in a variety of rhythmic styles is used. You can add choreography to this piece while learning rhythms that are a must for all singers. Add percussion if desired or use the StudioTrax CD. An educator's find of the year! Available separately: 4-part speech (any combo) and drums, StudioTrax CD.
$1.64

Instruments: Choir, Vocal, Percussion, Drums, Other
Renaissance drums and tambourine beat a festive cadence, joined first by a merry flute, second by the open fifth "Noel" chants of the men, and finally by a 3-part women's jovial call. Process down the aisles at your winter concert or Yuletide feast with the performers reaching their positions by the time the opposing themes fit together or at the full Picardy conclusion. Piano supports the divisi voice parts, adding embellishments between phrases, but never distracting from the early music quality.
$2.64

Instruments: Choir, Piano, Flute, Drums, Vocal, Piano and Keyboard, Woodwinds, Percussion
A holiday selection that will delight your students and audiences. This medley includes: Carol of the Bells, God Rest Ye Merry Gentlemen and Good Christian Men Rejoice. Grade 3, 2:50.
$34.05

Instruments: Strings, Bells, Percussion
A holiday selection that will delight your students and audiences. This medley includes: Carol of the Bells, God Rest Ye Merry Gentlemen and Good Christian Men Rejoice. Grade 3, 2:50.
$4.89

Instruments: Strings, Bells, Percussion
3 recorders (SSA); percussion ad lib.
$16.95

Instruments: Choir, Percussion, Folk, Vocal
Yubarta (overture) by Eduardo Alonso-Crespo (1956-). For Orchestra (2222; 2210; 2percussion, timpani, harp; strings). Study Score. Composed 1989. Duration 5'. Published by Subito Music Corporation (SU.90210090).
$20.00

Instruments: Harp, Percussion, Timpani, Strings
Genres: Classical
Yu Ko by Wen-chung Chou. Mixed Ensemble, Contemporary Small Ensemble. For Alto Flute, English Horn, Bass Clarinet, 2 Trombone, 2 Percussion, Piano, Violin. Modern. Score. Duration 5 minutes. Published by Edition Peters (PE.P66098). ISBN M-3007-1710-4. Modern.
$27.00

Instruments: Piano, Flute, Bass Clarinet, English Horn, Violin, Trombone, Percussion, Piano and Keyboard, Woodwinds, Clarinet, Strings, Brass
Yp - 408 by G. Brinkman. For Drum Band. Marches. Score and Parts. Published by Molenaar Edition (ML.100092940).
$36.95

Instruments: Percussion
Yp - 408 by G. Brinkman. For Drum Band. Marches. Score. Published by Molenaar Edition (ML.100092940-S).
$18.95

Instruments: Percussion
Your Voices Raise (from Chandos Anthem VI) by George Frideric Handel (1685-1759). Arranged by Henry Clough-Leighter. For SATB Choir & keyboard, optional string bass & percussion (Mixed Voices). Easter, General. Choral. 12 pages. Published by E.C. Schirmer Publishing (EC.1774).
$2.07

Pages: 12
Instruments: Choir, Piano, Voice, Organ, Double Bass, Percussion, Vocal, Piano and Keyboard, Strings
Genres: Baroque Period, Easter, Classical, Celebrations