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The First Song of Isaiah (Festival Edition) by Jack Noble White. Choir Sacred. For 2 Trumpets, 2 Trombones, Timpani, 3-5 Octaves of Handbells. Choral (Sacred); Choral Octavo; Worship Resources. H.W. Gray. Sacred. Instrumental Parts. 56 pages. Published by Alfred Music Publishing (AP.GCMR9610A). Since it was first published in 1976, Jack Noble White's FIRST SONG OF ISAIAH has been sung by millions of people worldwide. Now we commemorate the 20th anniversary of this phenomenal anthem with a new FESTIVAL EDITION! Replacing the original piano, bass and drums with organ, brass quartet, timpani and handbells, the FESTIVAL EDITION also adds an extended choral and instrumental introduction, suitable for procession, as well as a Coda. The composer has added notes outlining various performance options. For festival or general use. (Editor's Note: THE FIRST SONG OF ISAIAH (Festival Edition) is compatible with the 1976 edition.)Inst. Parts Available (choral).
$20.00

Pages: 56
Instruments: Choir, B-Flat Trumpet, Trombone, Percussion, Timpani, Handbell, Vocal, Trumpet, Brass
Cantares de los Perdis (1987) by Joelle Wallach (1946-). For mezzo-soprano voice solo tuba, timpani and crotales (Range: low g to high A). 27 pages. Duration 11 minutes. Published by Classical Vocal Reprint (CV.3595).
$20.00

Pages: 27
Instruments: Percussion, Timpani, Tuba, Mezzo Soprano Voice, Soprano Voice, Brass, Voice, Vocal
Dance At Dawn by Hart Morris. Handbell Choir Music. Sacred. Full score. Published by Beckenhorst Press (BP.HB265A).
$20.00

Instruments: Percussion, Handbell
Genres: Christian, Religious
Tell Out My Soul, The Greatness Of The Lord by K. Lee Scott. For Strings, woodwinds, optional harp/handbells. Score. Published by Concordia Publishing House (CR.97-6253U1).
$20.00

Instruments: Harp, Percussion, Handbell, Strings
Genres: Christian, Religious
Festival Te Deum by John Leavitt. For 3 trumpet, 2 trombones, bass trombone, tuba, timpani, percussion. Full score. Published by Concordia Publishing House (CR.97-6895U1).
$20.00

Instruments: B-Flat Trumpet, Bass Trombone, Percussion, Timpani, Tuba, Trumpet, Brass, Trombone
Genres: Christian, Religious
Psalm 96 by Henry V. Gerike. For 2 trumpets, 2 trombones, french horn, tuba, timpani. Full score. Published by Concordia Publishing House (CR.97-7026U1).
$20.00

Instruments: Horn, B-Flat Trumpet, Trombone, Percussion, Timpani, Tuba, Brass, Trumpet
Genres: Christian, Religious
When Time Was Full, God Sent His Son by Walter Pelz. For 2 trumpets, 2 trombones, timpani. Full score. Published by Concordia Publishing House (CR.97-7129U1).
$20.00

Instruments: B-Flat Trumpet, Trombone, Percussion, Timpani, Trumpet, Brass
Genres: Christian, Religious
God Be in My Head by John Leavitt. For percussion and stand up bass. Full score. Published by Concordia Publishing House (CR.97-7178U1).
$20.00

Instruments: Percussion
Genres: Christian, Religious
The Drumset. (A Musical Approach). By Featuring Ed Soph and Horacee Arnold. For Drumset. Method/Instruction; Percussion - Drum Video. Video. 1 pages. Published by Alfred Music Publishing (AP.VH018). ISBN 0769249469. The fundamentals of jazz, rock and funk drumming. Informative musical segments deal with hand/foot coordination, solos and fills, and playing with the rhythm section. Includes an historical overview of influences ranging from military cadences and New Orleans ragtime, to swing, bebop, R&B, rock and funk. Booklet included. (120 min.).
$20.00

Pages: 1
Instruments: Percussion
Lakeside Fanfare by John W. N. Palmer. Brass Choir. For 4 Trumpets, 4 French Horns, 3 trombones, Tuba, Percussion. Grade 4. Published by BRS Music (BY.BCH-602).
$20.00

Instruments: Horn, B-Flat Trumpet, Trombone, Percussion, Tuba, Brass, Trumpet
By James Chepponis. For brass quintet, timpani, suspended cymbal, flute, handbells. Choral Music. Liturgy. Easy/Medium-Easy. Instrument parts. Published by MorningStar Music Publishers
$20.00

Instruments: Choir, Flute, Horn, B-Flat Trumpet, Trombone, Percussion, Timpani, Handbell, Tuba, Vocal, Woodwinds, Brass, Trumpet
Genres: Christian, Religious
Augenmusik: A Mixed Mediocritique by Donald Martino (1931-2005). For Actress, Danseuse or Uninhibited Percussionist. This edition: Playing score. 70s Pop. Contemporary Classical. Over 18. Musical Comic Book. Published by Dantalian, Inc. (DA.DSE519). A satirical view of those not-so-funny mixed media works so popular in the 1960s. This little musical cartoon book is, as Mr. Martino suggests in his title: To be seen and not heard.(1972, 10 minutes).
$20.00

Instruments: Percussion
Genres: Classical, 20th Century
By Ed Argenziano. Concert Ensemble. For percussion ensemble (4-32 players: (1) Large Rubber Garbage Can, As Many 30 gallon Garbage Cans (with lids) AS YOU CAN STAND!). 3. Score and parts. Duration 2:31. Published by Row-Loff Publications
$20.00

Instruments: Percussion
Masterworks For Mallets by Beth Gottlieb. For mallet percussion. Book. Published by Row-Loff Publications (RF.1017).
$20.00

Instruments: Percussion
The Drummer's Rudimental Reference Book by Dr. John Wooton. Book. Published by Row-Loff Publications (RF.1007).
$20.00

Instruments: Percussion, Drums
Drums 'n Roses arranged by Alan Keown. For Marching Band. Matrix Marching Band. Percussion Cadences. Grade 2 (Easy). Score and set of parts. Composed 1994. Published by Matrix Publishing (JN.SC021). Fun beats for younger drum lines!
$20.00

Instruments: Percussion, Drums
Drumz In The Hood (Cadence) arranged by Alan Keown. For Marching Band. Matrix Marching Band. Percussion Cadences. Grade 2 (Easy). Score and set of parts. Composed 2004. Published by Matrix Publishing (JN.SC062). A great cadence for younger drumlines!
$20.00

Instruments: Percussion
eDrumz (Cadence) arranged by Alan Keown. For Marching Band. Matrix Marching Band. Percussion Cadences. Grade 2 (Easy). Score and set of parts. Composed 2005. Published by Matrix Publishing (JN.SC064). A very playable cadence that's got a contagious groove.
$20.00

Instruments: Percussion
The Druminator arranged by Alan Keown. For Marching Band. Matrix Marching Band. Percussion Cadences. Grade 2 (Easy). Score and set of parts. Composed 2006. Published by Matrix Publishing (JN.SC067). You'll be back...with another great cadence from Alan Keown.
$20.00

Instruments: Percussion
iDrum arranged by Alan Keown. For Marching Band. Matrix Marching Band. Percussion Cadences. Grade 2 (Easy). Score and set of parts. Composed 2006. Published by Matrix Publishing (JN.SC068). Hit the pavement with this fun cadence that's sure to be a hit with your percussionists.
$20.00

Instruments: Percussion
Things That Make You Go Drum arranged by Alan Keown. For Marching Band. Matrix Marching Band. Percussion Cadences. Grade 4 (Medium). Score and set of parts. Composed 2007. Published by Matrix Publishing (JN.SC071).
$20.00

Instruments: Percussion
Drum Doggs arranged by Chris Whyte. For Marching Band. Matrix Marching Band. Percussion Cadences. Grade 4 (Medium). Score and set of parts. Composed 2007. Published by Matrix Publishing (JN.SC073).
$20.00

Instruments: Percussion
An Ark of Stars (from So Many Corners) (Full Score) by Elizabeth Alexander. For Soprano voice and Orchestra (Soprano voice solo, 2.2.3.2,2.2.0.0, timpani, percussion, piano, celeste, harp, strings). Moderately Advanced. Full Score. Duration 3 minutes. Published by Seafarer Press (SF.SEA-040-03). This 3-minute movement from "So Many Corners" is a showpiece for a dynamic soprano. The simple words of Rose Auslander, who spent the Second World War in the Czernowitz ghetto, speak volumes about hope and restoration: "In the ocean waits an ark of stars, for the surviving ashes after the flood of fire." Elizabeth Alexander's musical setting of Auslander's stark and compelling words pours forth with delicacy, ferocity and compassion.
$20.00

Instruments: Piano, Harp, Percussion, Timpani, Soprano Voice, Piano and Keyboard, Strings, Voice, Vocal
Genres: Classical
Three Rose Auslander Songs (full score) by Elizabeth Alexander. For Soprano voice and Orchestra (Soprano voice solo, percussion, piano/celeste, harp, strings). Advanced. Full Score. Duration 8 minutes. Published by Seafarer Press (SF.SEA-040-05). Three songs of longing, loss and love, based on poems by Rose Auslander, who spent the Second World War in the Czernowitz ghetto. Alexander sets Auslander's stark and compelling words to music with delicacy, ferocity and compassion. (These songs, scored for soprano, percussion, piano/celeste, harp and strings, are the central movements of a larger work for soprano and full orchestra, "So Many Corners.").
$20.00

Instruments: Piano, Harp, Percussion, Soprano Voice, Piano and Keyboard, Strings, Voice, Vocal
Genres: Classical
Wabash Samba by Dave Mancini. For Percussion ensemble: (8 Players) Marimba, samba whistle, vibes, shaker, orchesra bells, repinique, wood block, agogo bells, tamborim, snare drum, surdo. Percussion. Grade 3. Score and Set of Parts. Published by Ludwig Music Publishing Co. (LG.10607562). Percussion ensemble with Score: (8 Players) Marimba, samba whistle, vibes, shaker, orchesra bells, repinique, wood block, agogo bells, tamborim, snare drum, surdo.
$20.00

Instruments: Percussion, Marimba, Vibraphone
Genres: Samba, Latin
Coventry Carol. (Holiday). By Diane Cash. For Percussion Ensemble (bells, vibraphone (3-octave), marimba 1 (4-octave), marimba 2 (4-octave), marimba 3 (4-octave), marimba (4 or 5-octave)). Medium easy. Score and parts. Duration 2:45. Published by C. Alan Publications (CN.01690). Lush harmonies and moving melodies characterize this holiday favorite. Now available for mallet ensemble.
$20.00

Instruments: Percussion, Marimba, Vibraphone
Genres: Christmas, Miscellaneous
Trio Passacaglia by J.B. Smith. Percussion Ensemble. For Percussion Trio (vibraphone, marimba (4 oct.), bass marimba). Medium. Duration 6:20. Published by C. Alan Publications (CN.02760). Based on a repeated four-note motive in the bass marimba, which is subsequently embellished. The vibraphone and marimba have playful interchanges above, which become more and more animated leading to the involvement of the bass marimba.
$20.00

Instruments: Percussion, Marimba, Vibraphone
Homage to Normandy by David J. Long. For Concert Band (Flute 1/2, Oboe, Clarinet 1, 2, 3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone 1/2, Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn, Trombone 1/2, Baritone, Tuba, Timpani, Percussion 1 (bells, tam-tam, chimes, snare drum), Percussion 2 (snare drum, ). Grade 3. Score only. Duration 8:05. Published by C. Alan Publications (CN.03001). "Homage to Normandy" is a tribute to all the soldiers who lost their lives during the Battle of Normandy in the Second World War. The first movement, 'Elegy: For All of the Fallen,' is a beautifully powerful chorale that builds to a glorious climax before calming again. The second movement, 'In Resolution: Toward the Final Victory,' captures the brute force of the battle and drives all the way to the end in this fitting homage.
$20.00

Instruments: Flute, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Horn, B-Flat Trumpet, Trombone, Percussion, Timpani, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Scenes of the Rappahannock by David J. Long. Arranged by Michael Brand. For Concert Band (Flute 1/2, Oboe, Bassoon, Clarinet 1, Clarinet 2/3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone 1/2, Baritone Saxophone, Trumpet 1, Trumpet 2/3, Horn 1/2, Trombone 1/2, Baritone 1/2, Tuba, Timpani (3 drums), Percussion 1/2 (bells, vibraphone, xylop). Grade 4. Score only. Duration 8:50. Published by C. Alan Publications (CN.03011). "From somewhere in the mountains,streams converge gradually into a river.On its journey to the Chesapeake Bay,the Rappahannock passes through an areaequidistant from Washington, D.C. and Richmond.The tranquility and quiet power of this river was once interruptedby opposing armies in monumental struggles of ideals and passions.Conflicts eventually end, resolved or not.People, places, even the river heal and renew.But only the river is timeless."- D.J.L.
$20.00

Instruments: Flute, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Percussion, Timpani, Drums, Vibraphone, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Subsaharan Rhythm by David Gillingham. For Concert Band (Flute/Piccolo, Oboe, Bassoon, Clarinet 1, Clarinet 2/3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet 1, Trumpet 2/3, Horn 1/2, Trombone 1/2, Baritone, Tuba, Timpani (4 drums), Percussion 1 (bongos, 2 cowbells, vibraphone). Grade 4. Score only. Duration 5:15. Published by C. Alan Publications (CN.03151). Sub-Saharan Rhythm attempts to capture the spirit and emotion of the music of the sub-Saharan countries of Africa by incorporating three folk songs that are indigenous to this region: "Maiwe," "wateh eh" and a "Liberation Song" which I acquired from a documentary film on Mbira and African music. The piece requires some "extras" from some of the wind players in the form of clapping and singing.
$20.00

Instruments: Flute, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Percussion, Timpani, Drums, Vibraphone, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Steppin' 'Round. (Xylophone Feature). By Cort McClaren. For Soloist(s) with Concert Band (flute, 1 2, oboe, clarinet 1-3, bass clarinet, alto saxophone, 1 2, tenor saxophone, 1 2, baritone saxophone, trumpet 1-3, F horn 1 2, trombone 1-3, baritone, tuba, percussion 1 (snare drum), percussion 2 (bass drum, cymbals), xylophone, solo). Medium. Score only. Duration 2:30. Published by C. Alan Publications (CN.03181). A lighthearted solo with band that will showcase the xylophonist and keep the audience entertained all the way through.
$20.00

Instruments: Flute, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Horn, B-Flat Trumpet, Trombone, Percussion, Xylophone, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Yanoskercise by Gus Burghdorf. Percussion Ensemble. For Marimba & Percussion (marimba (5-octave), percussion (gong, 4 concert toms, 4 log drums, splash cymbal, bass drum, woodblock)). Medium. Published by C. Alan Publications (CN.03380).
$20.00

Instruments: Percussion, Drums, Marimba
With Heart and Voice by David Gillingham. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Bb Clarinet 1, 2, 3, Bass Clarinet, Contrabass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1/2, F Horn 3/4, Trombone 1/2, Bass Trombone, Euphonium, Tuba, Piano, Timpa). Band Music. Grade 4. Score only. Duration 9:00. Published by C. Alan Publications (CN.05321). With Heart & Voice was commissioned by Apple Valley High School Bands, Scott A. Jones, director (Apple Valley, Minnesota), to commemorate the 25th year of existence of this high school. Apple Valley High School's strong commitment to the arts was a major factor in my decision to take on this commission. After visiting the school in December of 2000 and meeting many of the students, faculty, and administrators, I became greatly inspired.Thematically, the work is based on the Apple Valley High School Alma Mater, an old Spanish hymn which has made its way into most church hymnals under the name of "Come, Christians, Join to Sing." It is perhaps fate that this hymn, a particular favorite of mine, happens to be the tune used for the Alma Mater. Christian Henry Bateman wrote the words for the hymn in 1843 and the first verse contains the line, "Let all, with heart and voice, before his throne rejoice." Hence, the title, With Heart and Voice. What better way to celebrate 25 years of this great high school than with our "hearts" and "voices." The "voice" in this case is the music and the "heart" is the emotion that the music renders in celebration. Although the work is largely celebratory in nature, it begins with a feeling of reticence and apprehension, much like the beginnings of Apple Valley High School. It was at one time only an idea or perhaps only a sketch in the mind of the architect. Small fragments of the Alma Mater are heard in the opening moments of the piece. The piece gains momentum, texture and volume in this opening section culminating in a dramatic statement of the first four notes of the theme. A calmness follows and a lyrical flute solo enters. This new material represents the uniqueness of the "mission" of a new school which will have roots in academic excellence and commitment to the visual and performing arts. The euphonium echoes the flute and soon more instruments join in and the section culminates with a dramatic fanfare. This is followed by a transitional section with much dissonance and rhythmic activity, equated to the challenge of bringing life to this new school. A glorious statement of the Alma Mater follows signifying the dedication of Apple Valley High School, twenty five years ago. The ensuing section begins as a fugue with underlying unsettling rhythmic activity in the percussion. The obvious reference of this section is the challenge-maintaining the goals and mission of the high school. The section becomes frantic and desperate, but soon subsides into peacefulness. The peacefulness is stated by the marriage of the "Alma Mater " theme and the "Mission" theme. . .after all, for the High School to survive, it must never forget its mission. An extended finale follows which celebrates both themes in playful, joyful, and dramatic exuberance.
$20.00

Instruments: Piano, Baritone Voice, Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, Double Bass, B-Flat Trumpet, Bass Trombone, Euphonium, Percussion, Tuba, Piano and Keyboard, Voice, Vocal, Woodwinds, Clarinet, Saxophone, Brass, Strings, Trumpet, Trombone
Sequential Approach to Rudimental Snare Drum by Tom Morgan. Percussion Ensemble. For Snare Drum. Medium to medium difficult. Published by C. Alan Publications (CN.05790). A comprehensive rudimental snare drum method suitable for the intermediate to college level percussion student.
$20.00

Instruments: Percussion
Chamber Symphony No. 2 for Bassoon (Bassoon Feature). By Daniel McCarthy. Arranged by A. Dancy. Chamber Ensemble. For Solo Bassoon, Chamber Winds & Percussion (solo bassoon, flute, oboe, soprano saxophone, clarinet in Bb, bass clarinet, bassoon, horn in F, percussion (maracas, temple blocks, suspended cymbal, tam tam, bongos, castanets, triangle), marimba (4.5-octave), double bass). Medium difficult. Score only. Duration 16:00. Published by C. Alan Publications (CN.05861). Chamber Symphony No. 2 for Bassoon and Winds was commissioned for Barrick Stees by the Michigan State University Bands, John Whitwell, Conductor. This piece follows the format of McCarthy's Chamber Symphony (No. 1) for Marimba and Winds, a virtuosic composition for solo instrument and chamber ensemble that has more musically involved accompaniment than implied by the term "concerto."Daniel McCarthy met Barrick Stees as a colleague at the Interlochen Summer Arts Festival (Interlochen Arts Camp, Interlochen, Michigan) in the summer of 1995. Since that time, McCarthy and Stees have worked together on numerous recording and performance projects - most recently, the recording of another commissioned work of McCarthy's by Stees, All the West Was Moving (Centaur Records: Barrick Stees and The Arianna String Quartet).For Chamber Symphony No. 2, McCarthy prefers the multi-movement format, six movements of varying lengths. Similar to some of Beethoven's late string quartets, McCarthy uses two shorter movements as introductions to others, namely the two "Interludes." The outer two movements are programmatic, whereas the interior movements are much more classically conceived.Movement 1: "Stomp and Buc Dance"Having grown up in Northern Michigan, McCarthy has a special affinity for the autumn season. Several of his teachers from the Interlochen Academy (where McCarthy graduated in 1974) are avid hunters. The deer-hunting season for many in northern Michigan is sacred. One hears of the so-called "deer camps" where hunters have wild parties (far enough from their hunting sites as to not "spook" the animals).McCarthy imagines Deer, Buck, and Elk parties at the end of hunting season, when the animals, after another season of successfully avoiding the hunters' bullets and arrows, dance wildly around their own camp fires, drinking deer-beer and mocking the hunters in the dim fire light.Movement 2: "Interlude""Interlude" introduces a softer, darker, less humorous music than the first movement. It offers a transition to a much less programmatic third movement in comparison to the first.Movement 3: "Mechanique""Mechanique" is a study in angular intervals for the solo bassoon. The rhythmic animation in the solo with the motoric doublebass and marimba accompaniments give the music a mechanical sound that is (perhaps) associated with an etude.Movement 4: "Interlude: Creep"The second "Interlude," this time with the subtitle: "Creep" is inspired by the second movement of J. S. Bach's Suite No. 3 in D Major (Air on the G String). The inspiration for this interlude is textural: a long, sustained melody in the treble above a punctuated, quasi-jazz pizzicato bass and marimba bass line that "creeps" and crawls its way beneath the ensemble. It is the only movement without the bassoon solo.Movement 5: "Static"A somewhat improvisational, rhapsodic sounding piece, "Static" is a study in repeated notes and fast tonguing for the wind instruments. The "static" repetition of pitches creates a percussive effect that is juxtaposed with a mosaic of wide-interval motives.Movement 6: "Fire, Dance, and Wahbekanetta"This movement, like the first, is about wild-eyed, nocturnal parties in Michigan's northern wood. In 1969, the composer attended the National Music Camp as a trumpet player and later, the Interlochen Arts Academy from 1970-1974. He later joined the faculty of Interlochen Arts Camp in 1995. McCarthy was born very near Interlochen, in a small village of Onekoma on Portage Lake. The summer is the time for the composer to return to the land of his youth, a chance to escape the rigors of academe, to be with friends. Memories.
$20.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Soprano Saxophone, Horn, Double Bass, Percussion, Marimba, Woodwinds, Clarinet, Saxophone, Brass, Strings
Genres: Classical
Orpheus in the Underworld by Jacques Offenbach (1819-1880). Arranged by J. Bishop. For Full or String Orchestra (flute, oboe, Bb clarinet 1, Bb clarinet 2, bass clarinet, bassoon, F horn 1, F horn 2, Bb trumpet 1, Bb trumpet 2, trombone, tuba, violin 1, violin 2, viola, violoncello, bass, timpani, percussion (3, players) (snare drum, bass drum, crash cymbals)). String Music. Grade 3. Score only. Duration 2:50. Published by C. Alan Publications (CN.06601). Here is a strong arrangement at the medium-easy level that offers you all the excitement of the original! With cues given to cover all the wind parts, this really can be done with strings only or as a full orchestra. From the mysterious opening, to the "Can-Can" dance, to the big finish, this one has it all.
$20.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Bassoon, Horn, Violin, Cello, Viola, B-Flat Trumpet, Trombone, Percussion, Timpani, Tuba, Woodwinds, Clarinet, Brass, Strings, Trumpet
Genres: Classical
Five Songs from the Summit by Daniel McCarthy. For Full Orchestra with CD (Piccolo, Flute 1, Flute 2, Oboe 1, Oboe 2, Clarinet in Bb 1, Clarinet in Bb 2, Bass Clarinet, Bassoon 1, Bassoon 2, Horn in F 1-2, Horn in F 3-4, Trumpet in Bb 1, Trumpet in Bb 2-3, Tuba, Timpani, Percussion 1 (drum set, bongos, claves), Percussion 2 (sha). Grade 5. Score only. Duration 10:00. Published by C. Alan Publications (CN.06621). Commissioned by the Akron Symphony Orchestra for the 75th anniversary celebration. The piece is for youth orchestra with an accompanying cd of songs written by middle school children from Akron middle schools.
$20.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Bassoon, Horn, B-Flat Trumpet, Percussion, Timpani, Drum Set, Tuba, Woodwinds, Clarinet, Brass, Trumpet, Drums
Genres: Classical
Variations on a Theme by Paganini by Paul Dickinson. Percussion Ensemble. For Marimba (4-mallet) (marimba (5-octave)). Difficult. Published by C. Alan Publications (CN.08310).
$20.00

Instruments: Percussion, Marimba
Chamber Symphony No. 3 for Clarinet. (Clarinet Feature). By Daniel McCarthy. For Solo Bb Clarinet & Chamber Ensemble (Solo Bb Clarinet, Flute, Oboe, Bb Clarinet, Bass Clarinet, Bassoon, F Horn, Bb Trumpet, Trombone, Tuba, Percussion 1-2 (crotales, suspended cymbal, low tom, timbales, bongos, temple blocks, finger cymbals, maracas, timpani, shaker), Piano, Violin I, Violi). Medium difficult. Score only. Published by C. Alan Publications (CN.08601). Chamber Symphony No. 3 was written for the Cleveland Chamber Symphony and clarinetist Kristina Belisle. This is the third work by McCarthy titled "Chamber Symphony" written for a soloist and chamber group. The term is used instead of "concerto" due to a more virtuosic approach to the ensemble writing so that ensemble and soloist are intimately involved. Chamber Symphony No. 1 for Marimba and Winds and Chamber Symphony No. 2for Bassoon and Winds are recorded on Klavier Records by the North Texas Wind Symphony conducted by Eugene Corporon. The six movements were written during a dark period of the composer's life involving several family deaths and deep personal struggle. The second movement, Holy Ghost, is a remembrance of McCarthy's mother, a strong woman of faith who died in the summer of 2002. A Voice in the Dark depicts the reality of living with the specter of those who have passed. TanzMusik, a lively dance movement, is perhaps a bit sarcastic. It is about trying to dance the lively dance in the midst of profound doubt and struggle.
$20.00

Instruments: Piano, Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Bassoon, Horn, Violin, B-Flat Trumpet, Trombone, Percussion, Timpani, Tuba, Piano and Keyboard, Woodwinds, Clarinet, Brass, Strings, Trumpet
Genres: Classical
Return to Innocence. (for Percussion Ensemble & SATB Choir). By David Gillingham. For Percussion Ensemble & Choir (SATB Choir, Piano, Percussion 1 (bells, xylophone, crotales), Percussion 2 (3-octave, vibraphone, chimes, crotales), Percussion 3 (4-octave marimba), Percussion 4 (4-octave marimba, suspended cymbal, anvil, tam-tam snare drum), Percussion 5 (3 tom-toms, s). Medium difficult. Score only. Duration 11:00. Published by C. Alan Publications (CN.06211). Based on a poem of the same title written by the composer, "Return to Innocence" dramatically depicts the beautiful words, taking the listener on a journey through many different moods.'Return to Innocence' by David GillinghamLook inwardto the depths of your soul.Seek the childhood innocencethat time stole.Envision the worldthrough child-like eyes,Then of earthly mattersWe are wise.Youthful ideal,Age of resplendence.Return, sweet returnReturn to innocence.Drums of conflictResound through the air.Beckoning the worldInto Hatred's snare.Cast away prejudicePerceive as a childAnd troubles wane.Youthful ideal,Age of resplendence.Return, sweet returnReturn to innocence.Our space is stifledThe air is tainted.Clouding the picture of whatnature has painted.Return to the landand purity of birth.Banish the poisonsthat shroud the earth.Youthful ideal,Age of resplendence.Return, sweet returnReturn to innocence.Make the many as one,The world into a wholeBecome children unifiedby a common soul.Brotherhood shall reign.Our spirits redeemed.When we return to our childhood dreams.Youthful ideal,Age of resplendence.Return, sweet returnReturn to innocence.
$20.00

Instruments: Choir, Piano Accompaniment, Percussion, Marimba, Vibraphone, Xylophone, Vocal, Piano, Piano and Keyboard
Concerto for Piano and Percussion Orchestra. (Piano Feature). By David Gillingham. For Solo with Percussion Ensemble (Solo Piano, Timpani (5 drums), Percussion 1 (crotales, bells, xylophone), Percussion 2 (3-octave vibraphone), Percussion 3 (4-octave marimba), Percussion 4 (4-octave marimba), Percussion 5 (4-octave marimba), Percussion 6 (5-octave marimba), Percussion 7 ). Medium difficult. Score only. Duration 17:00. Published by C. Alan Publications (CN.06531). Commissioned by: Central Michigan University: Andrew Spencer; Kutztown University: Frank Kumor, Will Rapp; Lancaster High School Percussion Ensemble: Bruce Gerken, Lancaster, OH; University of North Carolina at Greensboro, Cort McClaren Written with the virtuoso in mind, this piano concerto is perfect for the modern ensemble. The first movement exudes an urgency scored in the rhythms and harmonies throughout, while the second movement, Elegy, reflects on the memory of a friend. The final movement barrels along with spirit and drive, utilizing mixed meter and a full compliment of percussion to bring you to the breathtaking conclusion.
$20.00

Instruments: Percussion, Timpani, Drums, Marimba, Vibraphone, Xylophone
Genres: Classical
Dance on Wahbekaness by Daniel McCarthy. Percussion Ensemble. For Marimba (4-mallet) (marimba (5-octave)). Percussion Music. Difficult. Solo part. Duration 9:00. Published by C. Alan Publications (CN.10340). Dance on Wahbekaness was commissioned in 2005 by marimbist Nathan Daughtrey.The title describes a late, moonlit walk in winter on Lake Wahbekaness in Interlochen, Michigan.
$20.00

Instruments: Percussion, Marimba
King Across the Water by Bruce Fraser. For Concert Band (All wind players play tambour drums, Flute 1, Flute 2, Oboe*, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet*, Bassoon*, Alto Saxophone 1*, Alto Saxophone 2*, Tenor Saxophone*, Baritone Saxophone*, Horn in F 1, Horn in F 2, Bb Trumpet 1, Bb). Band Music. Maestro Band Series. Grade 3. Score only. Duration 6:15. Published by C. Alan Publications (CN.S11162). This work is based on an event in the life of Bonnie Prince Charlie. He had returned to Scotland and was gathering about him an army heading south towards England, which had sent Sir John Cope to fight with him. The traditional folk-song "Johnnie Cope" is the basis of all the themes in the work.Charlie attacked the English at Prestonpans outside Edinburgh - this is represented by "Battle" - where the theme appears as fanfares and battle shrieks. There followed a period of mourning as the English had been massacred - "Lament" - in which the theme is fragmented into long sustained phrases. The Scots rejoiced and celebrated in Edinburgh - "Dancing" - where the theme is the original used as a reel.The Tambours referred to in the Woodwind parts can be a diverse collection of drums, even home-made. A simple yet effective drum can be made from a plastic tub or bucket with polythene stretched over the open end and held in place with elastic bands to create the tension. Otherwise, any sort of tom-tom, bongo, or unsnared drum is suitable.
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Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Percussion, Drums, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
The Old Pond by Nathan Daughtrey. Percussion Ensemble. For Vibraphone & Marimba (4-mallet) (player 1 (3-octave vibraphone), player 2 (5-octave marimba, 3-octave vibraphone), *Two separate vibraphones, are necessary to perform this piece). Percussion Music. Medium easy. Set of parts. Duration 3:40. Published by C. Alan Publications (CN.10480). This 3-1/2 minute work was written on the occasion of Daughtrey's grandfather's 90th birthday. It is meant to capture and "reflect" on the many wonderful memories of fishing with his grandfather with bamboo poles and live worms in the old pond behind his grandparents' house in rural southern Virginia. Originally written for solo piano, Daughtrey has adapted the work for marimba/vibraphone and vibraphone.
$20.00

Instruments: Percussion, Marimba, Vibraphone
Concertino for Marimba and Wind Ensemble. (Marimba Feature). By Thomas Briggs. Marimba solo and concert band. For Soloist(s) with Concert Band (Marimba Concerto). Grade 4. Score only. Duration 6:45. Published by C. Alan Publications (CN.03061). A fun and accessible piece for the developing marimbist. This two mallet work with band is perfect for the high school or college ensemble wanting to feature a talented percussionist.
$20.00

Instruments: Marimba, Percussion
Genres: Classical
C:M by Thomas McKenney. Percussion Ensemble. For Marimba (4-mallet) & CD (solo marimba (4.5-octave)). Percussion Music. Medium. Score & CD. Duration 6:30. Published by C. Alan Publications (CN.11350). C:M was composed for Dr. Julia Gaines, Assistant Professor of Percussion at the University of Missouri-Columbia. The electronic accompaniment was written with Csound, a comprehensive audio processing system. Frequency modulation was used to create all of the sounds for this accompaniment. One of the basic elements of FM is the ration between the carrier signal and the modulator and is known as C:M. Moreover, the title relates the two diverse sound sources of the computer-generated sounds and the marimba. Materials that are pitched are based upon two complementary hexachords.
$20.00

Instruments: Percussion, Marimba
Music and Motion by Jeff Calissi. Arranged by Michael Brand. Chamber Ensemble. For Trombone & Marimba (trombone, marimba (5-octave)). Medium. Set of parts. Duration 4:30. Published by C. Alan Publications (CN.11480). A delightful work for trombone and marimba that captures the playful nature of both instruments. Fun and lighthearted, this would be great on your next recital or concert.
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Instruments: Trombone, Marimba, Brass, Percussion
Aria by Emma Lou Diemer (1927-). Arranged by Nathan Daughtrey. Percussion Ensemble. For Marimba Quartet (marimba 1 (4-octave), marimba 2 (4-octave), marimba 3 (4.3-octave), marimba 4 (5-octave), *playable on one 4.3-octave marimba & one 5-octave marimba). Medium easy. Score and parts. Duration 4:00. Published by C. Alan Publications (CN.08424). Aria, originally written for solo organ (published by Zimbel Press), was arranged by Emma Lou Diemer for string orchestra in 2003 (published by C. Alan Publications). The lush, warm sounds of the organ and string orchestra translated seamlessly into a beautifully lyrical work for marimba quartet.
$20.00

Instruments: Percussion, Marimba
Genres: 20th Century, Classical
Paschal Dances by David Gillingham. For Percussion Ensemble (Percussion 1 (4 small concert toms, 4 congas, crash cymbals, voice), Percussion 2 (4 large concert toms, 4 bongos, voice), Percussion 3 (5 timpani, tambourine), Percussion 4 (crotales, snare drum, voice), Percussion 5 (bells, temple blocks, voice), Percus). Medium difficult. Score only. Duration 10:00. Published by C. Alan Publications (CN.01851). Dedicated to Robert Hohner and the Central Michigan University Percussion Ensemble, "Paschal Dances" is based on the first two lines of the famous Gregorian Easter sequence, "Victim paschali laudes" (Praises to the Paschal Victim). Motives and phrases of the chant are used to unify the work which comprises an Invocation, 4 Dances, 2 Interludes, and a Benediction.In the opening Invocation, the first phrase of the chant tune is played by the orchestra bells and consequently, the first five notes are harmonized by the marimba. The orchestra bells play both phrases of the first line of the chant at the close of the section. Dance I, in fast tempo, is dominated by membrane instruments with interjections of the second line of the chant tune being played by keyboard instruments. The section segues into the first Interlude, characterized by bowed vibraphone and a dirge-like presentation of the first five notes of the chant in the piano. Following, in the same slow tempo, is Dance II, which features chanting of male voices in canon on each of the three phrases comprising the second line of the chant. The first phrase of the chant undergoes metamorphosis in Dance III, becoming a whole-tone configuration. The dance is set in a lively 6/8 meter with periodic episodes of duplets against the triplet division. At midpoint, the dance breaks into quadruple meter with the first phrase of the chant played by the vibraphone moving in triplets. The dance returns to 6/8 meter and elides with the second Interlude, in slow tempo, where fragments of the chant are heard in the bells, chimes and marimba. Following a brief silence, Dance IV ensues with the marimbas elaborating on the whole-tone motive used in Dance III. In very fast tempo, the movement climaxes on a glorious G-flat major chord, which also articulates the beginning of the Benediction. Accompanied by all mallet instruments playing the motive of the first phrase of the chant in different rhythms, the piano, along with voices, state a haunting motive derived from the second line of the chant. The work ends with three tolls of a "questioning" chord, with each articulation followed by an arpeggiated version of the chord in the upper register of the piano.
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Instruments: Voice, Percussion, Timpani, Vocal
Liquid Moon by Daniel McCarthy. For Concert Band (Flute, Oboe, Clarinet in Bb 1, Clarinet in Bb 2/3, Bass Clarinet, Bassoon, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Horn in F 1/2, Trumpet in Bb 1, Trumpet in Bb 2/3, Trombone 1/2, Euphonium, (Baritone T.C.), Tuba, Timpani, Marimba/Vibraphone,). Band Music. Grade 3. Score only. Duration 8:00. Published by C. Alan Publications (CN.13321). This wonderfully inventive work takes the listener on a journey through many moods and textures, evoking vivid dream-like images.
$20.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Euphonium, Percussion, Timpani, Marimba, Vibraphone, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Trumpet