In this DVD, Reason instructor Andrew Eisele first takes you on a tour of the Reason 6 interface, including the dropdown menus, the Transport, and the Tool palette. Next, he'll introduce you to all of Reason's on-board synths. Then, you'll learn the fundamentals of sequencing and how to record and edit using MIDI. Harnessing the power of all of Reason's on-board synths, Andrew will show you how to build up amazing tracks. You'll create realistic-sounding drum parts, add bass loops, pads, lead lines, as well as work with the Arpeggiator. In the mixing segment, you'll explore Reason's powerful Combinators, including the fantastic MClass mastering suite combo. You'll learn how to add EQ, compression, insert effects, and automate effects. Along the way Andrew will show you many tips and techniques that will put you well on your way to becoming a Reason 6 power user!New product for the week of March 26, 2012Return Policy Exception: This product can not be returned if opened but it can be exchanged if defective, for the exact same title.

Choral Instrumental Pak, Sheet Music Package Download, Combo. Show and pop choirs will make a tremendous impact in this chart-topping powerhouse with its thumping bass and irresistible dance/pop groove! A fantastic choreography showcase! Artist: Lady Gaga. Arranger: Mark Brymer. Composer: Fernando Garibay; Paul Blair; Stefani Germanotta. Writer: Fernando Garibay; Lady Gaga; Mark Brymer; Paul Blair; Stefani Germanotta.

Learn five tracks note for note, guitar lessons by Andy James This superb DVD teaches you some of the best riffs and solos from American metal band, Slipknot, famed for their energetic live performances! Andy James is a well respected guitarist and teacher whose influences include Greg Howe, Paul Gilbert, Tony Macalpine and Zakk Wylde. His blistering technique has been applauded by guitar legends such as Vinnie Moore, and John Petrucci.

Contemporary Voicings and Strong Rhythmic Figures Are the Cornerstones of This Unique Latin Chart. A Great Choice for Concert or Festival.

On Calvary's Cross combines words from the holy Scriptures with religious poetry, familiar hymns and original music to achieve heightened effects. Prayers for the minister and congregation are included as well as a final benediction to provide a complete musical Holy Week worship service. Soprano, tenor, and bass soloists.

This blues-based rock tune will be a sure-fire crowd-pleaser on your next concert! Written in the infectious boogaloo style, this chart boasts excellence at all levels of composition. The rhythmic bass line drives the whole tune, and perfectly sets up its memorable main melody, which is passed across the horn sections. Warning: the boogaloo has a history of making people dance, so don t be surprised if you see your audience moving to the music!

Every young band needs an up-tempo flag waver to end a concert, and from the very opening bassline, this swing tune packs a special energy! In the words of the composer, I want the kids to feel the excitement building right to the end of this song. When that happens, the audience feels the excitement too, and that's a great feeling for everyone! This tune is flexibly orchestrated so that it can be played by as few as 9 players. Additionally, everyone in the ensemble has an opportunity to improvise in the open solo section, and the set includes two suggested solos and a CD with a solo practice track, to facilitate successful improvisation.

An instant classic! This straight-ahead swing tune has something for each section in the ensemble: solos for sax, trumpet, and bass; a tasty trombone and bass break; and superb ensemble writing. Combined with Sorenson s unique sense of melody and consummate arranging skills, this chart is a must-have for your next concert!

Bad Hair Day is an original and energetic rock tune that will build confidence and enthusiasm with your students! It is a great learning tool with attention on 8th note patterns and rests. The licks fall nicely under the fingers making it an easy and rewarding chart to put together. REVIEW from the Jazz Education Journal : This catchy jazz-rock chart from the Standard of Excellence Jazz In Concert Series is designed to be performed by the entire big band complement with loads of optional additional band parts, or by as few as nine musicians. Following an energetic introductory figure set up by the rhythm section and imitated by the horn section, the melody lines are swapped between the reeds and the brass. The send-off to the solo section features the drummer with solid horn pops, and the shout section that follows features trading between the entire band and the drummer. The recapitulation, followed by a restatement of the introductory material, brings this likeable tune to its conclusion. A bonus CD, fully written-out piano and bass parts, guitar voicings, drum notations, call-and-response drills, and rhythmic and improvisational studies provide a wealth of choices to help students learn both the piece and its wider concepts. The solo section, which includes background figures in the reeds and brasses, may either feature one or more players, or simply be deleted. Dynamics and articulations are clearly marked in all parts. The lead trumpet range goes to G atop the staff, while the lead trombone rises to F above the staff. This cart's a winner! -Chris Vadala, University of Maryland Review (c)2007 Jazz Education Journal, August/September 2007 Issue, Volume 40 #1. Reprinted with permission.

Jazz Ensemble Signature Series. Features Chord Changes And Scales For Improvisation During All Solo Passages; Chord Changes And Notated Voicings In The Piano Part; Chord Changes And Notated Lines In The Bass Part; Carefully Notated Drum Part; And More!

New Music for Jazz Ensemble. Features Chord Changes And Scales For Improvisation During All Solo Passages; Chord Changes And Notated Voicings In The Piano Part; Chord Changes And Notated Lines In The Bass Part; Carefully Notated Drum Part; And More!

New Music for Jazz Ensemble. Features Chord Changes And Scales For Improvisation During All Solo Passages; Chord Changes And Notated Voicings In The Piano Part; Chord Changes And Notated Ines In The Bass Part; Carefully Notated Drum Part; And More!

Commissioned by the Martin Murphy Jazz Band, this fascinating up-tempo jazz waltz employs flugelhorns, vibraphone, bass clarinet, flute and soprano sax to create an alluring musical tapestry.

Melody is found in all parts and key changes and some variation has been added. A great closer for a Christmas concert.PART 1 - Flute, Oboe, ClarinetPART 2 - Flute, Oboe, ClarinetPART 3 - Clarinet, Alto Saxophone, F HornPART 4 - Alto Saxophone, Tenor SaxophonePART 5 - Baritone Saxophone, Bass Clarinet, Bassoon

A great version of this famous tune, featuring all the members in the ensemble. The contrapuntal lines are passed all through the group and each instrument has several soloistic moments.PART 1 - Flute, Oboe, ClarinetPART 2 - Flute, Oboe, ClarinetPART 3 - Clarinet, Alto Saxophone, Tenor SaxophonePART 4 - Alto Saxophone, Tenor Saxophone, F HornPART 5 - Baritone Saxophone, Bass Clarinet, Bassoon

The solo part alternates the sustained line with the more technical line which provides interest in sound and interest in playing. PART 1 - Flute, Oboe, Clarinet PART 2 - Flute, Oboe, Clarinet PART 3 - Clarinet, Alto Saxophone PART 4 - Clarinet, Alto Saxophone, Tenor Saxophone, F Horn PART 5 - Bass Clarinet, Bassoon, Baritone Saxophone

It has long been known as the theme song for Alfred Hitchcock's television shows. It is scored here for an interchangeable woodwind ensemble. PART 1 - Flute, Oboe, Clarinet PART 2 - Flute, Oboe, Clarinet PART 3 - Clarinet, Alto Saxophone PART 4 - Clarinet, Alto Saxophone, Tenor Saxophone, F Horn PART 5 - Bass Clarinet, Bassoon, Baritone Saxophone

Celebration was originally the final movement of Divertimento for Violins and Cellos. This work was a commission for a Suzuki string program in Paris, France. The robust nature of this movement lends itself well to a mixed woodwind ensemble. PART 1 - Flute, Oboe, Clarinet PART 2 - Flute, Oboe, Clarinet PART 3 - Clarinet, Alto Saxophone PART 4 - Clarinet, Alto Saxophone, Tenor Saxophone, F Horn PART 5 - Bass Clarinet, Bassoon, Baritone Saxophone

This is another great spiritual with a great melody and lush harmonies. The bass part has an interesting moving line that helps to propel this work along.

This piece was originally written for the classical guitar. The transition from guitar to woodwinds is not a natural one, however, there are a large number of Spanish pieces written for wind instruments and it is that sound that the ensemble should attempt to emulate. Style is everything!

This famous orchestral piece is now available for an interchangeable woodwind ensemble. Respighi took 17th century lute pieces and arranged them to exploit the colors available to the modern orchestra. This is the first movement of the first suite. The melody flows throughout the ensemble with most parts getting sections to lead. A great piece of chamber music on a concert or recital. PART 1 - Flute, Oboe, Clarinet. PART 2 - Flute, Clarinet, Alto Saxophone. PART 3 - Clarinet, Alto Saxophone, F Horn. PART 4 - Clarinet, Alto Saxophone, Tenor Saxophone. PART 5 - Baritone Saxophone, Bass Clarinet, Bassoon

The sequence in which In the Hall of the Mountain King is used is when Peer sneaks into the Troll Mountain King's castle. The piece is played when Peer attempts to escape from the King. Peer Gynt's slow, careful footsteps are played by the lower two voices. The footsteps of the King's trolls are played quietly by other instruments. When the trolls spot Peer, they give chase and the music begins to speed up to a wild finish! PART 1 - Flute, Oboe, ClarinetPART 2 - Flute, Clarinet, Alto Saxophone. PART 3 - Clarinet, Alto Saxophone. PART 4 - Clarinet, Alto Saxophone, Tenor Saxophone, F Horn. PART 5 - Baritone Saxophone, Bass Clarinet, Bassoon

This classic Latin piece has become a favorite with audiences all over the world. The great groove of the tune will quickly catch the audience and transport them to a warmer climate. This is a fun chart with some great optional high licks to add excitement.PART 1 - Flute, Oboe, Clarinet. PART 2 - Flute, Clarinet, Alto Saxophone. PART 3 - Clarinet, Alto Saxophone. PART 4 - Clarinet, Alto Saxophone, Tenor Saxophone, F Horn. PART 5 - Baritone Saxophone, Bass Clarinet, Bassoon. Xylophone / Bells, Triangle, Cowbell, Claves, Tambourine, Maracas, Suspended Cymbal, Bongos