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By James Chepponis. For brass quintet, timpani, suspended cymbal, flute, handbells. Choral Music. Liturgy. Easy/Medium-Easy. Instrument parts. Published by MorningStar Music Publishers
$20.00

Instruments: Choir, Flute, Horn, B-Flat Trumpet, Trombone, Percussion, Timpani, Handbell, Tuba, Vocal, Woodwinds, Brass, Trumpet
Genres: Christian, Religious
Homage to Normandy by David J. Long. For Concert Band (Flute 1/2, Oboe, Clarinet 1, 2, 3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone 1/2, Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn, Trombone 1/2, Baritone, Tuba, Timpani, Percussion 1 (bells, tam-tam, chimes, snare drum), Percussion 2 (snare drum, ). Grade 3. Score only. Duration 8:05. Published by C. Alan Publications (CN.03001). "Homage to Normandy" is a tribute to all the soldiers who lost their lives during the Battle of Normandy in the Second World War. The first movement, 'Elegy: For All of the Fallen,' is a beautifully powerful chorale that builds to a glorious climax before calming again. The second movement, 'In Resolution: Toward the Final Victory,' captures the brute force of the battle and drives all the way to the end in this fitting homage.
$20.00

Instruments: Flute, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Horn, B-Flat Trumpet, Trombone, Percussion, Timpani, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Scenes of the Rappahannock by David J. Long. Arranged by Michael Brand. For Concert Band (Flute 1/2, Oboe, Bassoon, Clarinet 1, Clarinet 2/3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone 1/2, Baritone Saxophone, Trumpet 1, Trumpet 2/3, Horn 1/2, Trombone 1/2, Baritone 1/2, Tuba, Timpani (3 drums), Percussion 1/2 (bells, vibraphone, xylop). Grade 4. Score only. Duration 8:50. Published by C. Alan Publications (CN.03011). "From somewhere in the mountains,streams converge gradually into a river.On its journey to the Chesapeake Bay,the Rappahannock passes through an areaequidistant from Washington, D.C. and Richmond.The tranquility and quiet power of this river was once interruptedby opposing armies in monumental struggles of ideals and passions.Conflicts eventually end, resolved or not.People, places, even the river heal and renew.But only the river is timeless."- D.J.L.
$20.00

Instruments: Flute, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Percussion, Timpani, Drums, Vibraphone, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Subsaharan Rhythm by David Gillingham. For Concert Band (Flute/Piccolo, Oboe, Bassoon, Clarinet 1, Clarinet 2/3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet 1, Trumpet 2/3, Horn 1/2, Trombone 1/2, Baritone, Tuba, Timpani (4 drums), Percussion 1 (bongos, 2 cowbells, vibraphone). Grade 4. Score only. Duration 5:15. Published by C. Alan Publications (CN.03151). Sub-Saharan Rhythm attempts to capture the spirit and emotion of the music of the sub-Saharan countries of Africa by incorporating three folk songs that are indigenous to this region: "Maiwe," "wateh eh" and a "Liberation Song" which I acquired from a documentary film on Mbira and African music. The piece requires some "extras" from some of the wind players in the form of clapping and singing.
$20.00

Instruments: Flute, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Percussion, Timpani, Drums, Vibraphone, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Steppin' 'Round. (Xylophone Feature). By Cort McClaren. For Soloist(s) with Concert Band (flute, 1 2, oboe, clarinet 1-3, bass clarinet, alto saxophone, 1 2, tenor saxophone, 1 2, baritone saxophone, trumpet 1-3, F horn 1 2, trombone 1-3, baritone, tuba, percussion 1 (snare drum), percussion 2 (bass drum, cymbals), xylophone, solo). Medium. Score only. Duration 2:30. Published by C. Alan Publications (CN.03181). A lighthearted solo with band that will showcase the xylophonist and keep the audience entertained all the way through.
$20.00

Instruments: Flute, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Horn, B-Flat Trumpet, Trombone, Percussion, Xylophone, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
New Century Dawn by David Gillingham. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, Horn 1/2, Horn 3/4, Trombone 1, Trombone 2, Trombone ). Grade 5. Score only. Duration 5:30. Published by C. Alan Publications (CN.04431). New Century Dawn is a celebratory fanfare and chorale for winds and percussion. The work is intended to evoke feelings of anticipation and optimism about the advent of the new Millennium.Dedicated to Joseph Missal, Oklahoma State University.
$20.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
With Heart and Voice by David Gillingham. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Bb Clarinet 1, 2, 3, Bass Clarinet, Contrabass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1/2, F Horn 3/4, Trombone 1/2, Bass Trombone, Euphonium, Tuba, Piano, Timpa). Band Music. Grade 4. Score only. Duration 9:00. Published by C. Alan Publications (CN.05321). With Heart & Voice was commissioned by Apple Valley High School Bands, Scott A. Jones, director (Apple Valley, Minnesota), to commemorate the 25th year of existence of this high school. Apple Valley High School's strong commitment to the arts was a major factor in my decision to take on this commission. After visiting the school in December of 2000 and meeting many of the students, faculty, and administrators, I became greatly inspired.Thematically, the work is based on the Apple Valley High School Alma Mater, an old Spanish hymn which has made its way into most church hymnals under the name of "Come, Christians, Join to Sing." It is perhaps fate that this hymn, a particular favorite of mine, happens to be the tune used for the Alma Mater. Christian Henry Bateman wrote the words for the hymn in 1843 and the first verse contains the line, "Let all, with heart and voice, before his throne rejoice." Hence, the title, With Heart and Voice. What better way to celebrate 25 years of this great high school than with our "hearts" and "voices." The "voice" in this case is the music and the "heart" is the emotion that the music renders in celebration. Although the work is largely celebratory in nature, it begins with a feeling of reticence and apprehension, much like the beginnings of Apple Valley High School. It was at one time only an idea or perhaps only a sketch in the mind of the architect. Small fragments of the Alma Mater are heard in the opening moments of the piece. The piece gains momentum, texture and volume in this opening section culminating in a dramatic statement of the first four notes of the theme. A calmness follows and a lyrical flute solo enters. This new material represents the uniqueness of the "mission" of a new school which will have roots in academic excellence and commitment to the visual and performing arts. The euphonium echoes the flute and soon more instruments join in and the section culminates with a dramatic fanfare. This is followed by a transitional section with much dissonance and rhythmic activity, equated to the challenge of bringing life to this new school. A glorious statement of the Alma Mater follows signifying the dedication of Apple Valley High School, twenty five years ago. The ensuing section begins as a fugue with underlying unsettling rhythmic activity in the percussion. The obvious reference of this section is the challenge-maintaining the goals and mission of the high school. The section becomes frantic and desperate, but soon subsides into peacefulness. The peacefulness is stated by the marriage of the "Alma Mater " theme and the "Mission" theme. . .after all, for the High School to survive, it must never forget its mission. An extended finale follows which celebrates both themes in playful, joyful, and dramatic exuberance.
$20.00

Instruments: Piano, Baritone Voice, Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, Double Bass, B-Flat Trumpet, Bass Trombone, Euphonium, Percussion, Tuba, Piano and Keyboard, Voice, Vocal, Woodwinds, Clarinet, Saxophone, Brass, Strings, Trumpet, Trombone
River of Four Reflections by Reber Clark (1955-). For Concert Band (Piccolo/Flute 1/2, Oboe, Bassoon, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, Horn 1, Horn 2, Trombone 1, Trombone 2, Trombone 3, Baritone B). Grade 3. Score only. Duration 5:00. Published by C. Alan Publications (CN.05281). The river referred to in "River of Four Reflections" is the river Cardoner which flows through the small town of Manresa just northwest of Barcelona in Spain. Above the river is a cave especially celebrated in Manresa as a place Ignatius of Loyola lived in retreat for awhile. On the floor of the entrance to the cave has been constructed a mosaic of a sunflower, inscribed with the words (in Spanish) "He Turns Toward the Sun." Loyola began developing his Spiritual Exercises here, which comprise four weeks of retreat and meditation. It is a classical, and practical, manual of Western thinking and writing.- Reber Clark.
$20.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Alone the Sun Rises by Reber Clark (1955-). Arranged by Bashford. For Concert Band (Piccolo/Flute, Oboe, Bassoon, Clarinet 1, Clarinet 2/3, Bass Clarinet, Eb Contralto Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, F Horn 1, F Horn 2, F Horn 3, Trombone 1, Trombone 2/3, Barito). Grade 3. Score only. Duration 6:45. Published by C. Alan Publications (CN.05301). The solemn peaks but to the stars are knownBut to the stars and the cold lunar beams.Alone the sun arises,and alone spring the great streams."- Matthew Arnold, In Utrumque ParatusIn Utrumque Paratus, i.e. "Prepared for either," is a poem by Matthew Arnold (1822-1888). This particular verse of that poem grabbed me and wouldn't let go. A special thanks to the Southeast Polk High School Wind Ensemble and their director, Mr. Randy Hoepker, for giving me the opportunity to compose this work for them.- Reber Clark.
$20.00

Instruments: Flute, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Escape from Chronopolis by Reber Clark (1955-). For Concert Band (Oboe, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bass Clarinet, Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, F Horn 1, F Horn 2, Trombone 1, Trombone 2, Trombone 3, Baritone, Tuba, Ti). Grade 3. Score only. Duration 4:05. Published by C. Alan Publications (CN.05541). Race against the clock in this adventure-filled fantasy! The colorful percussion writing emulates the sounds of various timepieces with temple blocks, chimes, bells, and shakers. You can always expect the unexpected when you perform the innovative music of Reber Clark.
$20.00

Instruments: B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Horn, B-Flat Trumpet, Trombone, Tuba, Clarinet, Woodwinds, Saxophone, Brass, Trumpet
Persistence of Time by Jim Colonna. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, Bb Trumpet 4, F Horn 1/2, F Horn 3/4, Trombone 1, Tro). Grade 3. Score only. Duration 4:20. Published by C. Alan Publications (CN.05581). Persistence of Time features an exciting additive process that captures the audience. Exciting to play, also. An underlying feeling of movement persists throughout the piece and keeps listeners on the edge of their chairs.
$20.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Orpheus in the Underworld by Jacques Offenbach (1819-1880). Arranged by J. Bishop. For Full or String Orchestra (flute, oboe, Bb clarinet 1, Bb clarinet 2, bass clarinet, bassoon, F horn 1, F horn 2, Bb trumpet 1, Bb trumpet 2, trombone, tuba, violin 1, violin 2, viola, violoncello, bass, timpani, percussion (3, players) (snare drum, bass drum, crash cymbals)). String Music. Grade 3. Score only. Duration 2:50. Published by C. Alan Publications (CN.06601). Here is a strong arrangement at the medium-easy level that offers you all the excitement of the original! With cues given to cover all the wind parts, this really can be done with strings only or as a full orchestra. From the mysterious opening, to the "Can-Can" dance, to the big finish, this one has it all.
$20.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Bassoon, Horn, Violin, Cello, Viola, B-Flat Trumpet, Trombone, Percussion, Timpani, Tuba, Woodwinds, Clarinet, Brass, Strings, Trumpet
Genres: Classical
Chamber Symphony No. 3 for Clarinet. (Clarinet Feature). By Daniel McCarthy. For Solo Bb Clarinet & Chamber Ensemble (Solo Bb Clarinet, Flute, Oboe, Bb Clarinet, Bass Clarinet, Bassoon, F Horn, Bb Trumpet, Trombone, Tuba, Percussion 1-2 (crotales, suspended cymbal, low tom, timbales, bongos, temple blocks, finger cymbals, maracas, timpani, shaker), Piano, Violin I, Violi). Medium difficult. Score only. Published by C. Alan Publications (CN.08601). Chamber Symphony No. 3 was written for the Cleveland Chamber Symphony and clarinetist Kristina Belisle. This is the third work by McCarthy titled "Chamber Symphony" written for a soloist and chamber group. The term is used instead of "concerto" due to a more virtuosic approach to the ensemble writing so that ensemble and soloist are intimately involved. Chamber Symphony No. 1 for Marimba and Winds and Chamber Symphony No. 2for Bassoon and Winds are recorded on Klavier Records by the North Texas Wind Symphony conducted by Eugene Corporon. The six movements were written during a dark period of the composer's life involving several family deaths and deep personal struggle. The second movement, Holy Ghost, is a remembrance of McCarthy's mother, a strong woman of faith who died in the summer of 2002. A Voice in the Dark depicts the reality of living with the specter of those who have passed. TanzMusik, a lively dance movement, is perhaps a bit sarcastic. It is about trying to dance the lively dance in the midst of profound doubt and struggle.
$20.00

Instruments: Piano, Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Bassoon, Horn, Violin, B-Flat Trumpet, Trombone, Percussion, Timpani, Tuba, Piano and Keyboard, Woodwinds, Clarinet, Brass, Strings, Trumpet
Genres: Classical
Awakenings by Kimberly Archer. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon, Bb Clarinet 1, Bb Clarinet 2/3, Bb Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, F Horn 1, F Horn 2, Trombone 1, Trombone 2, Trombone 3, Euphonium, ). Grade 3. Score only. Duration 5:10. Published by C. Alan Publications (CN.08161). Awakenings was commissioned by the Proposed International Center of New Music at Central Michigan University. Directed by David Gillingham and Nico Schuler, the ICNM is dedicated to the creation, performance, and research of new music in piblic schools, private schools and universities.In keeping with ICNM's mission, Awakenings exploits a 20th century tonal system not commonly found in the repertoire for younger bands: the octatonic collection. Also known as a "diminished" scale, it is a series f alternating whole and half steps. totaling eight pitches. Common in the music of Bartok, Stravinsky, , and Messiaen, as well as in jazz improvisation and film scores (including Danny Elfman), the appeal of an octatonic collection lies in its unusual combination of available sonorities.
$20.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Euphonium, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
A New Day by Rebecca Anne Culp. For Concert Band (Piccolo, Flute 1, Flute 2/3, Oboe 1/2, Bassoon 1/2, Bb Clarinet 1, Bb Clarinet 2,3, Bass Clarinet, Bb Soprano Saxophone, Eb Alto Saxophone, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1/2, Bb Trumpet 3, F Horn 1/2, F Horn 3/4, Trombone 1/2, Euph). Grade 4. Score only. Duration 4:30. Published by C. Alan Publications (CN.09171). This piece is meant to give you feelings of freedom, euphoria and everlasting joy that you feel in the morning. Sweet and honest, this piece has an almost chamber-music-like quality and ends very quietly and delicately.
$20.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Soprano Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Keep Silence by David Gillingham. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Bb Clarinet 1, Bb Clarinet 2/3, Bass Clarinet, Eb Alto Saxophone 1/2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2/3, F Horn 1/2, F Horn 3/4, Trombone 1, Trombone 2, Bass Trombone, Euphon). Maestro Band Series. Grade 4. Score only. Duration 8:00. Published by C. Alan Publications (CN.09631). "Keep Silence" is a fantasy for band to the tune known as "Picardy," a French carol melody. The tune is found in most Protestant hymnals with the words taken from the 4th century liturgy of St. James. The fluctuation between minor and major tonality and the fluctuation between awe and wonder reflected by the words make this hymn particularly attractive. The fantasy attempts to show a broad range of mood from wonder and mysteriousness to awe and celebration.The work begins mysteriously with ascending and descending D-Aeolian (natural minor) lines in the clarinet which give way to the hymn tune presented by solo flute, solo muted trumpet, and bells. The modal passages eventually lead to a transition leading to a presentation of the hymn by the trombone choir accompanied by anxious sixteenths in the flutes, clarinets and keyboard percussion which are based on motivic material from the hymn tune. The timpani interjects some dramatic statements between phrases. This leads to a rather aggressive statement by the brass which doubles each note of the opening motive of the hymn and diminishes the note values to sixteenths. This leads joyously to G-flat major. The volume dramatically decreases and steady sixteenths in the bells and vibraphone accompany the hymn tune played by solo flute with an obligato by solo oboe. The harmony of the hymn tune changes significantly in this presentation, creating a sort of heavenly atmosphere. The aggressive sixteenth notes of the previous transitional section return quite suddenly and grow into fanfare-like majesty and segue into a presentation of the hymn that is predominantly in C-major. The section grows to a pinnacle, modulates to F-minor, and returns to mysteriousness. Muted trumpets present the aggressive transition material in ethereal fashion along with the vibraphone while the low brass and woodwinds play the hymn tune in plaintive somberness. At the end of the tune, the remaining brass burst forth with the transition material and lead to one final statement of the penultimate phrase of the hymn in F-major. A coda follows with brass and woodwinds playing the first and second phrases of the hymn. The brass then begin a sort of benediction loosely based on the penultimate phrase of the hymn followed by euphonium solo on the final phrase, followed by muted trumpet on the second phrase and ending with alto saxophone on the first phrase--the reverse order signifying a return to the reverence of the beginning.
$20.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Bass Trombone, Woodwinds, Clarinet, Saxophone, Brass, Trumpet, Trombone
O Mensch, Bewein' Dein' Sunde Gross (Chorale-Prelude). By P. Grainger. Arranged by Percy Aldridge Grainger. For Concert Band (Grainger's "Elastic Instrumentation" - playable by any number of instrument combinations and ensembles, such as brass quartet/quintet/sextet, woodwind quartet/quintet, saxophone quartet, brass choir, and double reed choir. Piccolo, Flute 1/2/3, Oboe 1/2/3). Band Music. Grade 4. Score only. Duration 5:45. Published by C. Alan Publications (CN.S11052). The Chorale-Prelude "O Mensch, Bewein' Dein' Sunde Gross" is taken from Bach's 'Orgelbuchlein' collection. Grainger created the setting between 1937 and 1942. While not unusual today, his beautiful realization of the ornamentation was revolutionary in the 1940s.
$20.00

Instruments: Flute, Oboe, Saxophone, Horn, B-Flat Trumpet, Trombone, Woodwinds, Brass, Trumpet
No Shadow of Turning by David Gillingham. For Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1/2, Bassoon 1/2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, Horn 1/2, Horn 3/4, Trombone 1, Trombone 2, Ba). Band Music. Grade 4. Score only. Duration 9:40. Published by C. Alan Publications (CN.10991). No Shadow of Turning was commissioned by a consortium of organizations at The Ohio State University in memory of Lois Brock, beloved secretary of The Ohio State University Bands. The work is based on the hymn tune Great is Thy Faithfulness, by Thomas O. Chisholm (words) and William M. Runyan (music).Great is thy faithfulness, O God my Father;There is no Shadow of turning with thee;Thou changest not, thy compassions, they fail not;As thou hast been, thou forever wilt be.Refrain:Great is thy faithfulness! Great is thy faithfulness!Morning by morning new mercies I see;All I have needed thy hand hath provided;Great is thy faithfulness, Lord, unto thee.Summer and winter and springtime and harvest,Sun, moon, and stars in their courses aboveJoin with all nature in manifold witnessTo thy great faithfulness, mercy and love.Refrain.Pardon for sin and a peace that endureth,Thine own dear presence to cheer and to guide;Strength for today and bright hope for tomorrow,Blessings all mine, with ten thousand beside!Refrain.The title of the work is taken from the second line of the first verse which perhaps sums up the meaning of the hymn and the faith held by Lois Brock. The work also features optional hand bells, as Lois Brock was an avid hand bell player in her local church.The work begins quietly and somewhat mysteriously on a motive using the interval of the falling fourth of the refrain of the hymn. This material grows and gathers texture and then concludes softly on a rolled G major chord in the marimba. A chorale follows, played by the vibraphone and bells and/or the hand bells. I call this chorale the "Lois Brock Chorale" as it exhibits the warmness of her ever-loving spirit. An interlude follows utilizing motives from the hymn and leads to the flute playing the verse of the hymn. Pursuant to this quiet rendition is a rather aggressive section featuring the timpani and percussion that play with the opening motive of the refrain. This leads to a fugue on the same motivic material that grows in intensity and segues with the trombones playing the hymn tune in march-like style against fanfare-like motives in the trumpets. All this subsides and the hymn is now played by the trumpets against the horns playing the Lois Brock Chorale. The full band joins in on the refrain that rises to a glorious pinnacle and then concludes softly by the euphonium. The material from the introduction is then restated and leads to a final statement of the refrain followed by a peaceful and heavenly benediction.
$20.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Slide Ride by Gregory Danner. Chamber Ensemble. For Trombone & Piano. Medium difficult. Piano reduction. Duration 5:40. Published by C. Alan Publications (CN.11432). Slide Ride is an energetic work that shows off both the technical and lyrical capabilities of the trombone, while throwing in a few tongue in cheek references to that less polite side of the instrument. The piece is a modified rondo, moving quickly back and forth between styles before arriving at a triumphant conclusion. Slide Ride was written for trombonist Joshua Hauser and the Tennessee Tech Symphony Band.
$20.00

Instruments: Piano, Trombone, Piano and Keyboard, Brass
Music and Motion by Jeff Calissi. Arranged by Michael Brand. Chamber Ensemble. For Trombone & Marimba (trombone, marimba (5-octave)). Medium. Set of parts. Duration 4:30. Published by C. Alan Publications (CN.11480). A delightful work for trombone and marimba that captures the playful nature of both instruments. Fun and lighthearted, this would be great on your next recital or concert.
$20.00

Instruments: Trombone, Marimba, Brass, Percussion
Light of My Soul by David Gillingham. For Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1/2, Bassoon 1/2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, Horn 1/2, Horn 3/4, Trombone 1, Trombone 2, Ba). Band Music. Grade 3. Score only. Duration 7:35. Published by C. Alan Publications (CN.11491). Light of My Soul was commissioned by The Gustavus Adolphus College Wind Orchestra, Douglas, Nimmo, conductor, for the occasion of their 2006 European Tour.The work is a fantasia on the hymn Beautiful Savior. It begins slowly in Eb Major with quiet murmurs in the flutes and 1st clarinets underlaying brass playing with motivic material taken from the first two bars of the hymn. This leads to a statement divided between the flutes and the clarinets of the 5th and 6th bars of the hymn serving as a bridge to Bb Major where the horns sing a new and expressive melody. This melody is a harmonic "partner" to Beautiful Savior, and will eventually combine with the hymn. Trumpets are added for the final phrases of the new melody followed by a full band transition, based on the opening motive of Beautiful Savior, accelerating to a new section in D Major. The new section is characterized by a sense of urgency and features fugal counterpoint on a subject derived from the first phrases of the hymn tune. Ensuing is a section featuring timpani, crotales, temple blocks and tom-toms under motives from the first phrase of the hymn heard in various harmonic guises. The intensity grows, accelerates and modulates to E Major where the piccolo and piano play a spirited counterline accompanying Beautiful Savior played by saxophone quartet. A full band transition slows down the motion, diminishes in volume and modulates to Db Major where both the Beautiful Savior tune and the new melody are harmoniously combined, with oboe singing the new melody and the horns on the hymn tune. The new melody and the hymn tune progress to a joyous and dramatic conclusion on the last phrase and then fade into a benediction begun by the flutes playing motives from the 5th bar of the hymn tune. The work ends peacefully in Db Major with bells and vibraphone echoing the earlier flute motives.--DRG.
$20.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
The Led Page by Daniel McCarthy. Arranged by Stuart Johnson. For Concert Band (Piccolo, Flute 1/2, Oboe, Clarinet in Bb 1/2, Clarinet in Bb 3, Bass Clarinet, Bassoon, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Horn in F 1/2, Horn in F 3, Trumpet in Bb 1/2, Trumpet in Bb 3, Trombone 1/2, Euphonium, (Baritone T.C.), Tuba, Do). Band Music. Grade 4. Score only. Duration 7:05. Published by C. Alan Publications (CN.11571). "The Led Page" is a symphonic band adaptation of my orchestral work, "Turn the Page." The writing of "Turn the Page" was the result of my association with conductor and good friend Jung Ho Pak (New Haven Symphony and World Youth Symphony Orchestras). Maestro Pak and I met at The Interlochen Arts Camp where we are both faculty and we collaborate on the orchestra reading project with the student composers.Our conversations over the years have included the future of the orchestra and new orchestral music in our society. Audiences have lost a great deal of context with new music over the past 90 years, in my opinion, and new music has remained an anomaly for many listeners.So when I decided to write Jung Ho an orchestra piece, I knew it had to be music that meant something to listeners--something that would have cultural context to an audience and yet be challenging and interesting to play. And a piece that would be played more than just once.I seek a certain drama and excitement in my music. Perhaps that is why I am so attracted to composers like Mahler, Stravinky, and Daugherty. But I also have a diverse listening palate having played big band jazz as a lead trumpet player and funk as a synthesizer player.Often when I travel, especially on long driving trips, I will listen to old "art-rock" of bands such as Yes, Genesis, and Led Zeppelin. One of my favorite tunes is "Heartbreaker" from the album "Led Zeppelin II." It has a very unusual guitar solo in the middle of the song-- Unusual, because the band stops playing and Jimmy Page takes a motivically oriented solo, much like a cadenza in a concerto. It was the first time anything like that was ever done in that genre and was really the beginning of guitarists becoming virtuosos on their instruments. Actually, that solo had all the fire of a Tchaikovsky or Mendelssohn concerto cadenza.Hence, the idea came to be to combine the suggestion of this solo with orchestra and, later, to use an electric guitar or CD recording of the actual solo with the orchestra. It seemed to me that all the power of Led Zeppelin was certainly in good company with a full-sized symphony orchestra--witness Stravinsky's "Rite of Spring." Could any rock band create that much excitement?
$20.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Euphonium, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
A Little Tango Music by Adam Gorb (1958-). For Concert Band (1st Flute, 2nd Flute, Oboe, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Bb Bass Clarinet, Bassoon, 1st/2nd Eb Alto Saxophone, Tenor Saxophone, Baritone Saxophone, 1st/2nd Bb Trumpet, 1st/2nd F Horn, 1st/2nd Trombone, Euphonium, TC Baritone, Tuba, P). Band Music. Grade 3. Score only. Duration 4:30. Published by C. Alan Publications (CN.S11282). This is a short sequence of melodies inspired by the curvaceous, melancholic and dangerous dance from Argentina that is the tango. The three brief movements can be played in any order, continuously, or separately.
$20.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Euphonium, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: 20th Century, Tango, Classical, Latin
Liquid Moon by Daniel McCarthy. For Concert Band (Flute, Oboe, Clarinet in Bb 1, Clarinet in Bb 2/3, Bass Clarinet, Bassoon, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Horn in F 1/2, Trumpet in Bb 1, Trumpet in Bb 2/3, Trombone 1/2, Euphonium, (Baritone T.C.), Tuba, Timpani, Marimba/Vibraphone,). Band Music. Grade 3. Score only. Duration 8:00. Published by C. Alan Publications (CN.13321). This wonderfully inventive work takes the listener on a journey through many moods and textures, evoking vivid dream-like images.
$20.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Euphonium, Percussion, Timpani, Marimba, Vibraphone, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Trumpet