With Trumpet and Drum by Weldon, Alfred F. (1862-1914). For band (with regimental trumpets and drums). Marches; Original Works. Marching Band. Romantic; American. Grade 4. Set of parts (no score). Composed 1904. Published by Edwin F. Kalmus (MT.B1323-PTS).

With Thee That I May Live (Instrumental Parts) by Gwyneth W. Walker (1947-). For SATB choir, Children's Chorus, Brass Quartet, Timp & organ (Mixed Voices). Easter. Choral. 20 pages. Published by E.C. Schirmer Publishing (EC.5280).

With Thee That I May Live (Full Score) by Gwyneth W. Walker (1947-). For SATB choir, Children's Chorus, Brass Quartet, Timp & organ (Mixed Voices). Easter. Choral. 16 pages. Published by E.C. Schirmer Publishing (EC.5278).

With Heart and Voice by David Gillingham. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Bb Clarinet 1, 2, 3, Bass Clarinet, Contrabass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1/2, F Horn 3/4, Trombone 1/2, Bass Trombone, Euphonium, Tuba, Piano, Timpa). Band Music. Grade 4. Score only. Duration 9:00. Published by C. Alan Publications (CN.05321). With Heart & Voice was commissioned by Apple Valley High School Bands, Scott A. Jones, director (Apple Valley, Minnesota), to commemorate the 25th year of existence of this high school. Apple Valley High School's strong commitment to the arts was a major factor in my decision to take on this commission. After visiting the school in December of 2000 and meeting many of the students, faculty, and administrators, I became greatly inspired.Thematically, the work is based on the Apple Valley High School Alma Mater, an old Spanish hymn which has made its way into most church hymnals under the name of "Come, Christians, Join to Sing." It is perhaps fate that this hymn, a particular favorite of mine, happens to be the tune used for the Alma Mater. Christian Henry Bateman wrote the words for the hymn in 1843 and the first verse contains the line, "Let all, with heart and voice, before his throne rejoice." Hence, the title, With Heart and Voice. What better way to celebrate 25 years of this great high school than with our "hearts" and "voices." The "voice" in this case is the music and the "heart" is the emotion that the music renders in celebration. Although the work is largely celebratory in nature, it begins with a feeling of reticence and apprehension, much like the beginnings of Apple Valley High School. It was at one time only an idea or perhaps only a sketch in the mind of the architect. Small fragments of the Alma Mater are heard in the opening moments of the piece. The piece gains momentum, texture and volume in this opening section culminating in a dramatic statement of the first four notes of the theme. A calmness follows and a lyrical flute solo enters. This new material represents the uniqueness of the "mission" of a new school which will have roots in academic excellence and commitment to the visual and performing arts. The euphonium echoes the flute and soon more instruments join in and the section culminates with a dramatic fanfare. This is followed by a transitional section with much dissonance and rhythmic activity, equated to the challenge of bringing life to this new school. A glorious statement of the Alma Mater follows signifying the dedication of Apple Valley High School, twenty five years ago. The ensuing section begins as a fugue with underlying unsettling rhythmic activity in the percussion. The obvious reference of this section is the challenge-maintaining the goals and mission of the high school. The section becomes frantic and desperate, but soon subsides into peacefulness. The peacefulness is stated by the marriage of the "Alma Mater " theme and the "Mission" theme. . .after all, for the High School to survive, it must never forget its mission. An extended finale follows which celebrates both themes in playful, joyful, and dramatic exuberance.

Wishes (Brass Quintet 4'33) by Elie Van der Jeught. For brass quintet. Brass. Grade 3. Published by Edition Andel (ND.BRSS3).

Wir glauben all an einen Gott (We all believe in one true God) (Choralkantate). By Felix Mendelssohn Bartholdy / Martin Luther. Edited by Gunter Graulich. For SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, 2 cellos, double bass, [organ]. This edition: paperbound. Cantatas; Stuttgart Urtext Editions. Level 3. Score. Language: German/English. Composed 1831. 40 pages. Duration 8 min. Published by Carus Verlag (CA.4018700). ISBN M-007-06444-0. With Language: German/English. Cantatas; Stuttgart Urtext Editions.

Wir glauben all an einen Gott (We all believe in one true God) (Choralkantate). By Felix Mendelssohn Bartholdy / Martin Luther. Edited by Gunter Graulich. For SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, 2 cellos, double bass, [organ]. This edition: paperbound. Score available separately - see item CA.4018700. Cantatas; Stuttgart Urtext Editions. Level 3. Organ reduction. Language: German/English. Composed 1831. 16 pages. Duration 8 min. Published by Carus Verlag (CA.4018703). ISBN M-007-09058-6. With Language: German/English. Cantatas; Stuttgart Urtext Editions.

Wir glauben all. (Kantate uber den Glauben). By Gerhard von Schwartz. For SATB/SATB Choir, Congregation, 2 Trumpets, 2 Trombones, Tuba. This edition: paperbound. Cantatas. Score. Language: German. 28 pages. Published by Carus Verlag (CA.1019200). ISBN M-007-02184-9. With Language: German. Cantatas.

Wir glauben all. (Kantate uber den Glauben). By Gerhard von Schwartz. For SATB/SATB Choir, Congregation, 2 Trumpets, 2 Trombones, Tuba. Score available separately - see item CA.1019200. Cantatas. Score (without envelope). Language: German. 28 pages. Published by Carus Verlag (CA.1019205). With Language: German. Cantatas.

Wir danken dir, Gott, wir danken dir (We thank Thee, Lord, God, we thank Thee, Lord) (Ratswahl-Kantate). By Johann Sebastian Bach (1685-1750). Edited by Hans Grischkat. For Soli SATB, SATB Choir, 3 Trumpets, 2 Oboes, Timpani, Strings, Organ solo. BWV 29. Score available separately - see item CA.3102900. Cantatas; Stuttgart Urtext Editions; Use / Occasion: Praise and thanks. Set of instrumental parts (except strings). Language: German/English. Composed 1731. 32 pages. Duration 28 min. Published by Carus Verlag (CA.3102909). ISBN M-007-04241-7. With Language: German/English. Cantatas; Stuttgart Urtext Editions; Use / Occasion: Praise and thanks.

Wir danken dir, Gott, wir danken dir (We thank Thee, Lord, God, we thank Thee, Lord) (Ratswahl-Kantate). By Johann Sebastian Bach (1685-1750). Edited by Hans Grischkat. For Soli SATB, SATB Choir, 3 Trumpets, 2 Oboes, Timpani, Strings, Organ solo. This edition: paperbound. BWV 29. Score available separately - see item CA.3102900. Cantatas; Stuttgart Urtext Editions; Use / Occasion: Praise and thanks. Piano/Vocal score. Language: German/English. Composed 1731. 28 pages. Duration 28 min. Published by Carus Verlag (CA.3102903). ISBN M-007-04238-7. With Language: German/English. Cantatas; Stuttgart Urtext Editions; Use / Occasion: Praise and thanks.

Wir danken dir, Gott, wir danken dir (We thank Thee, Lord, God, we thank Thee, Lord) (Ratswahl-Kantate). By Johann Sebastian Bach (1685-1750). Edited by Hans Grischkat. For Soli SATB, SATB Choir, 3 Trumpets, 2 Oboes, Timpani, Strings, Organ solo. This edition: paperbound. BWV 29. Score available separately - see item CA.3102900. Cantatas; Stuttgart Urtext Editions; Use / Occasion: Praise and thanks. Study score. Language: German/English. Composed 1731. 64 pages. Duration 28 min. Published by Carus Verlag (CA.3102907). ISBN M-007-04240-0. With Language: German/English. Cantatas; Stuttgart Urtext Editions; Use / Occasion: Praise and thanks.

Winter Winds. (Trumpet/Horn Eb/Baritone/Trombone Bb Or C). By W. Rimmer. For Brass Quartet. Solo Pieces. Grade 3. Published by Molenaar Edition (ML.060331610).

Winnipeg at Night was written in February 1961. Bob recalls, "I was sitting at the piano as someone walked out the door and from my seat, I was able to see a beautiful sunset. The melody immediately came to me as my hands hit the keyboard". This is a lush and beautiful ballad and with the trumpeters on flugels and well balanced ensemble playing, this is a sure crowd pleaser.

Winnipeg at Night by Bob Erlendson. For Brass Quintet. Brass Ensemble - Quintet. Eighth Note Publications: Foothills Brass Series. Contemporary. Duration 00:02:10. Published by Eighth Note Publications (AP.81-BQ24173). ISBN 1554731720. Contemporary. Winnipeg at Night was written in February 1961. Bob recalls, "I was sitting at the piano as someone walked out the door and from my seat, I was able to see a beautiful sunset. The melody immediately came to me as my hands hit the keyboard". This is a lush and beautiful ballad and with the trumpeters on flugels and well balanced ensemble playing, this is a sure crowd pleaser.

Winners Galore (Trumpet/Trombone/Euphonium, Treble Clef with CD) arranged by Lawrance. For Trumpet/Trombone/Euphonium. Solo Brass. Very easy-easy. Book & CD. Published by Brass Wind Publications (B5.0118TCD). ISBN M570275823. The widespread popularity of Winners Galore for Treble Brass instruments can be attributed to many factors. Most importantly, young players and teachers alike appreciate that each title has been carefully arranged to suit the particular range, technique and characteristics of the instrument. They find the bumper collection of over seventy ever-popular tunes drawn from a wide variety of musical styles guaranteed to whet the appetites of players and audiences alike. There is something for players of all ages to dip into and enjoy.With or without accompaniment this is a collection that players will enjoy practising and performing. Winners Galore for Treble Brass makes an ideal companion to a tutor book providing enjoyment as well as essential repertoire. It is the perfect addition to the wide range of titles found in Easy Winners for Treble Brass.

Winners Galore (Treble Brass) arranged by Lawrance. For Treble Clef Brass unaccompanied (Trumpet/Trombone/Euphonium/Tuba/Eb Bass/Horn F/Horn Eb). Solo Brass. Very easy-easy. Collection. Published by Brass Wind Publications (B5.0118TC). ISBN M570271276. The widespread popularity of Winners Galore for Treble Brass instruments can be attributed to many factors. Most importantly, young players and teachers alike appreciate that each title has been carefully arranged to suit the particular range, technique and characteristics of the instrument. They find the bumper collection of over seventy ever-popular tunes drawn from a wide variety of musical styles guaranteed to whet the appetites of players and audiences alike. There is something for players of all ages to dip into and enjoy.With or without accompaniment this is a collection that players will enjoy practising and performing. Winners Galore for Treble Brass makes an ideal companion to a tutor book providing enjoyment as well as essential repertoire. It is the perfect addition to the wide range of titles found in Easy Winners for Treble Brass.

Winners by Traditional. Arranged by Ty Watson. For Brass Quintet. Brass Ensemble - Quintet. Eighth Note Publications. Duration 00:02:00. Published by Eighth Note Publications (AP.81-BQ21108). This was an award winning composition for the 1994 Glenn Gould Composition Contest sponsored by the Canada and Bermuda Territory of the Salvation Army. This is a spirited arrangement of the song We Shall Win. Also included with the quintet parts is an optional percussion line which adds a new colour to the traditional quintet sound.

Windy City by Reber Clark (1955-). For Concert Band (Piccolo, Flute, Oboe, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Eb Alto Saxophone 1, Eb Alto Saxophone 2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, F Horn 1, F Horn 2/3, Trombone 1, Trombone 2, Tro). Grade 4. Score only. Duration 7:30. Published by C. Alan Publications (CN.08141). Chicago, also known as the Windy City, has four very distinct seasons (as opposed to popular opinion which states that there are only two; "Winter" and "Construction") and I hoped to capture the qualities of each. The term "Windy City" originally referred to Chicago's politicians instead of its weather, but when the Canadian and Arctic winds rush down Lake Michigan in the dead of Winter, and with the constant rush of air during the rest of the year, one allows that the term is appropriate regarding the seasons as well.The introduction "Lakefront Morning" is a morning on Chicago's Lake Michigan lakefront. The second section "Summer" concerns the onset of the season and can also be imagined as commuters entering the city. The third section which includes "Autumn in Chicago" and "First Snowfall" attempts to evoke a Bohemian autumn quality. There is something about Chicago at this time of year that evokes scenes of Prague in the fall or of Krakow. I have attempted to capture the city's fall spirit. The fourth section "Winter" is an attempt at a grand statement of this time of year. Winter in this city truly is King Winter and it rules all. The fifth section, "Spring Thaw," presents Chicago in its slushy muddy glory during the melting of the winter ice and snow. At this time the city is raw and relentless in its drive to wake up. The final statement "Summer" closes the circle of the year and can be imagined as commuters leaving the city at the end of the day.Windy City makes allusions to the ever-present trains of the circulating Chicago loop "els," the constant commuter trains, and the freight trains that enter and leave this city several times within every hour of every day. It also concerns the grid of the city, the beauty and depth of the lakefront, the heroic spirit of much of the city's architecture, its sense of humor, its immigrant population and the expansiveness of its heart. In listening to this work I hope to convey some sense of this great prairie city and its life. From the dawn at the Lakefront to the "Silicon Prairie," from the City Grid set among its massive stonework architecture, to the trains that tie everything together, Chicago is the great patchwork magnet through which the American Midwest is offered to the world.- Reber ClarkThanks are due to Kenneth A. Bartosz, whose idea it was to do a piece based on Chicago, and to Dr. Peter Loel Boonshaft for an invaluable mid-course correction.

A nice flugelhorn or trumpet section feature moving against some interesting lines for saxes. Short spot for piano.

Windscape is in four sections. It opens with "The Winds from the North." The driving bass line combined with the punctuated shots represent the bitter winds that blow. This moves into "The Winds of Change." This has a shifty but steady pulse that features melody in the trumpet at first and then a counter melody is added in the horn. Crystal glasses and a lone horn are the featured sonorities in "The Winds of Mystery." "The Winds of Change" then reappears and, with several sidebar introductions of new rhythmic and melodic material, the piece ends as it should---driving and enthusiastic.

Windscape by David Marlatt. For Brass Quintet. Brass Ensemble - Quintet; Part(s); Score. Eighth Note Publications. 20 pages. Published by Eighth Note Publications (AP.81-BQ29326). ISBN 1554734533. Windscape is in four sections. It opens with "The Winds from the North." The driving bass line combined with the punctuated shots represent the bitter winds that blow. This moves into "The Winds of Change." This has a shifty but steady pulse that features melody in the trumpet at first and then a counter melody is added in the horn. Crystal glasses and a lone horn are the featured sonorities in "The Winds of Mystery." "The Winds of Change" then reappears and, with several sidebar introductions of new rhythmic and melodic material, the piece ends as it should---driving and enthusiastic.