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Fidelio Overture by Ludwig van Beethoven (1770-1827). Arranged by Robert S. Wallace, II . For Brass Quintet . Score and set of parts. Published by AK Brass Press (AK.AKBP161). All the color and dash of the original are contained within this arrangement, and a good brass group can easily perform this arrangement guaranteed to bring excitement to your concert program. .
$20.00

Instruments: Horn, B-Flat Trumpet, Trombone, Tuba, Brass, Trumpet
Genres: Classical Period, Opera, Classical, Miscellaneous
Four variations on a theme from The Magic Flute by Xavier Montsalvatge (1912-2002). For Orchestra (2 flutes, 2 oboes, 2 clarinets en B flat, 2 bassoons, 2 Horns in F, 2 trumpets in C, strings. 20th century. Symphonic music. Full Score. 15 pages. Duration 8 minutes. Published by Trito Ediciones (TI.TR-00097). ISBN M-69204-234-1. Symphonic music.
$54.95

Pages: 15
Instruments: Clarinet, Oboe, Bassoon, Horn, B-Flat Trumpet, Woodwinds, Brass, Trumpet
Genres: 20th Century, Opera, Spanish, Classical, Miscellaneous, World
Fanfarria en homenatge a Picasso by Xavier Montsalvatge (1912-2002). Arranged by Raul Benavides i Oller. For 3 trumpet, 3 trombones, 3 percussion. 20th century. Chamber music. Full Score and Set of Parts. 8 pages. Duration 2 minutes. Published by Trito Ediciones (TI.TR-00069). ISBN M-69204-073-6. Chamber music.
$24.95

Pages: 8
Instruments: B-Flat Trumpet, Trombone, Percussion, Trumpet, Brass
Genres: 20th Century, Spanish, Classical, World
6 Songs from L'infantament meravellos de Schahrazada by Robert Gerhard. Arranged by Meirion Bowen. For Solo Voice and Chamber Ensemble (Flute, Oboe Cl, Bsn, Horn, Trumpet, Harp, 2 Violins, Viola, Cello, Contrabass). 20th century. Lied, Vocal. Full Score. 38 pages. Duration 13 minutes. Published by Trito Ediciones (TI.TR-00039). ISBN 84-88955-40-5. Lied, Vocal.
$59.95

Pages: 38
Instruments: Voice, Flute, Oboe, Bassoon, Horn, Violin, Cello, Viola, Double Bass, Harp, B-Flat Trumpet, Vocal, Woodwinds, Brass, Strings, Trumpet
Genres: 20th Century, Classical
7 Fables by La fontaine (chamber version) by Xavier Benguerel (1931-). For Narrator and Chamber Ensemble (Flute, Oboe, Clarinet, Bassoon, Trumpet, Trombone, 2 Percussion, Cello, Double Bass). 20th century. Music with narration. Full Score. 74 pages. Duration 30 minutes. Published by Trito Ediciones (TI.TR-00038). ISBN 84-88955-27-8. Music with narration.
$59.95

Pages: 74
Instruments: Flute, Clarinet, Oboe, Bassoon, Cello, Double Bass, B-Flat Trumpet, Trombone, Percussion, Woodwinds, Strings, Trumpet, Brass
Genres: 20th Century, Classical
Hungarian March by Hector Berlioz (1803-1869). Arranged by Kenneth Amis. Brass Quintet. For 2 trumpets, french horn, trombone, tuba, optional percussion. Also known as the Rakoczy March from The Damnation of Faust. Romantic. Full score and set of parts. Duration 4:45. Published by Amis Musical Circle (AI.AMC-BR-042).
$23.00

Instruments: Horn, B-Flat Trumpet, Trombone, Percussion, Tuba, Brass, Trumpet
Genres: Hungarian, Romantic Period, World, Classical
Slavonic Dance No. 7, Op.46 by Antonin Dvorak (1841-1904). Arranged by Kenneth Amis. Brass Quintet. For 2 trumpets, french horn, trombone, tuba, optional percussion. As recorded by the Empire Brass. Full score and set of parts. Duration 3:30. Published by Amis Musical Circle (AI.AMC-BR-030).
$21.00

Instruments: Horn, B-Flat Trumpet, Trombone, Percussion, Tuba, Brass, Trumpet
Genres: Romantic Period, Classical
Quintet No. 2 for Brass with Orchestra by Kenneth Amis. Brass Quintet and Orchestra. This is Amis's Quintet No.2 for brass with orchestral accompaniment added.. Full score and set of parts. Duration 16:00. Published by Amis Musical Circle (AI.AMC-BR-024).
$120.00

Instruments: Horn, B-Flat Trumpet, Trombone, Tuba, Brass, Trumpet
Genres: Classical
Slavonic Dance No. 5, Op.46 by Antonin Dvorak (1841-1904). Arranged by Kenneth Amis. Brass Quintet. For 2 trumpets, french horn, trombone, tuba, optional percussion. As recorded by the Empire Brass. Romantic. Full score and set of parts. Duration 3:30. Published by Amis Musical Circle (AI.AMC-BR-019).
$20.00

Instruments: Horn, B-Flat Trumpet, Trombone, Percussion, Tuba, Brass, Trumpet
Genres: Romantic Period, Classical
Slavonic Dance No. 2, Op.46 by Antonin Dvorak (1841-1904). Arranged by Kenneth Amis. Brass Quintet. For 2 trumpets, french horn, trombone, tuba, optional percussion. Romantic. Full score and set of parts. Duration 5:00. Published by Amis Musical Circle (AI.AMC-BR-018).
$20.00

Instruments: Horn, B-Flat Trumpet, Trombone, Percussion, Tuba, Brass, Trumpet
Genres: Romantic Period, Classical
Slavonic Dance No. 1, Op.46 by Antonin Dvorak (1841-1904). Arranged by Kenneth Amis. Brass Quintet. For 2 trumpets, french horn, trombone, tuba, optional percussion. As recorded by the Empire Brass. Romantic. Full score and set of parts. Duration 4:00. Published by Amis Musical Circle (AI.AMC-BR-017).
$24.00

Instruments: Horn, B-Flat Trumpet, Trombone, Percussion, Tuba, Brass, Trumpet
Genres: Romantic Period, Classical
A Whitman Sonata by Paul Wehage. For Trumpet in C or Bb and Piano. Published by Musik Fabrik (FA.MFPRW045).
$32.95

Instruments: Piano Accompaniment, C Trumpet, Piano, Piano and Keyboard, Trumpet, Brass
Genres: Classical
Mass of Life, A (Instrumental Parts) by Paul Gibson (1952-). For Brass quartet (2 Trumpets, Trombone, Bass Trombone). Sacred. Instrumental Part. 24 pages. Published by GIA Publications (GI.G-3535INST).
$21.00

Pages: 24
Instruments: B-Flat Trumpet, Bass Trombone, Trumpet, Brass, Trombone
Genres: Classical
Concerto No. 2 for Marimba and Orchestra by Gillingham. Arranged by Nathan Daughtrey. For Soloist(s) with Full Orchestra (Piccolo, Flute 1/2, Oboe 1/2, Clarinet 1/2 in Bb, Bassoon 1/2, Trumpet 1/2 in C, Trumpet 3 in C, Horn 1/3, Horn 2/4, Trombone 1/2, Trombone 3, Bass Trombone, Tuba, Solo Marimba, Piano, Timpani, Percussion 1 (Bells, Brake Drum), Percussion 2 (Vibraphone, S). Orchestra Music. Grade 5. Score only. Duration 23:00. Published by C. Alan Publications (CN.11854). The Concerto for Marimba and Orchestra is a commission by a consortium of schools and performers headed by Professor Marc Wooldridge of Northwestern College, Orange City, Iowa.The work exploits the full range of the technical and expressive ability of the five-octave concert grand marimba. It is cast in the standard three-movement format. The first movement uses sonata-rondo form and begins with a slow introduction and quasi-cadenza by the marimba. An animated first theme follows in G-minor accompanied by clarinets and tambourine. A contrasting second theme area follows featuring chromatic mediant progressions and descending chromatic lines. The return of the first theme utilizes a slightly different accompaniment. The development section reworks all the thematic material in different guises. The recapitulation presents the first theme, verbatim, as it was in the exposition. The second theme, however, changes the mode to major. The return alternates the marimba on theme with the orchestra playing the theme in augmentation. The marimba quietly ends the movement with an ascending and descending arpeggiated passage.The second movement is a chaconne with eight variations. The marimba states a rather haunting chorale-like melody in Bb minor. The first variation features the horns and low strings on the chaconne theme with the marimba on the variation. Variation II uses marimba, oboe, and horns and Variation III uses marimba, vibraphone, and strings. Cascading muted brass against the augmented chaconne theme in the flutes and clarinets are indicative of Variation IV. Variation V changes the slow pace to fast using marimba, strings, timpani and bells. A haunting Variation VI utilizes bowed marimba on the chaconne theme accompanied by piano, bells, and vibraphone. Variation VII features the strings and low winds on the chaconne theme against triplets in the upper brass. Rolled arpeggiated chords highlight Variation VIII along with solo cello and solo violin on the second half of the variation. A somber coda brings the movement to a close.The third movement, like the first, is in sonata-rondo design and is cyclic, bringing back and combining the thematic material of the first and second movements. The first theme, in D-minor, is angular and spirited, accompanied by strings and tambourine (reminiscent of Mvt. I). The second theme brings back the second theme of the first movement followed by the return of the first theme, now accompanied by horns, strings, and tambourine. The development combines and works thematic material from all three movements of the concerto. The recapitulation begins with the cellos on the first theme, followed by the horns and trumpets and finally, the marimba. The second theme brings back the chaconne of the second movement, this time in major with the marimba accompanying using rhythmic material taken from the first theme of the third movement. There is no formal return of the first theme. Instead, the marimba plays a cadenza in which the first theme material and the 2nd movement chaconne are developed. A galloping presto (coda) follows bringing the movement to a close in D major.- David R. GillinghamPRAISE FOR THE CONCERTO"The new Concerto for Marimba by David Gillingham is an intriguing, engaging, and challenging piece. I had so much fun playing it and I am planning to perform it everywhere!! It is a "must-try" for all marimbists!"She-e Wuworld-renowned solo marimba artist.
$45.00

Instruments: Piano, Flute, Clarinet, Oboe, Bassoon, Horn, B-Flat Trumpet, Bass Trombone, Percussion, Timpani, Marimba, Vibraphone, Tuba, Piano and Keyboard, Woodwinds, Brass, Trumpet, Trombone
Genres: Classical
Hunter's Chorus by Carl Maria von Weber (1786-1826). Arranged by B. Ward. For Concert Band (flute (oboe) clarinet in Bb (bass clarinet) alto saxophone, tenor saxophone (baritone saxophone) trumpet in Bb, horn in F, trombone (euphonium) (baritone Tc) tuba, timpani, mallets, snare drum, tenor drum, bass drum, crash cymbals, triangle). Band Music. Grade 2. Score and parts. Duration 1:35. Published by C. Alan Publications (CN.12270). Barry Ward has done a superb job of capturing the jolly spirit of the ever-popular "Hunter's Chorus" from Weber's opera 'Der Freischutz" in his arrangement for young bands.
$55.20

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Horn, B-Flat Trumpet, Trombone, Euphonium, Percussion, Timpani, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: Romantic Period, Classical
Concerto for Percussion Solo & Orchestra by Ziek. Arranged by Nathan Daughtrey. For Soloist(s) with Full Orchestra (Piccolo, Flute 1/2, Oboe 1/2, English Horn, E-flat Clarinet, Clarinet 1/2, Bassoon 1/2, Trumpet 1 in C, Trumpet 2/3 in C, Horn 1/3, Horn 2/4, Trombone 1, Trombone 2/3, Tuba, Solo Percussion, Timpani, Percussion 1 (tam tam, wind chimes, temple blocks, wind). Grade 5. Score only. Duration 14:20. Published by C. Alan Publications (CN.05385). Concerto for Percussion Solo was composed in January of 2001 as a showcase for the talents of percussionist Scott Herring. The concerto is in three connected movements and features the soloist on a variety of instruments, including marimba, vibraphone, bells, and crotales. A large percussion battery with two snare drums, multiple toms, brake drums, and bass drum is also used. The first movement, March, utilizes a quasi five-part rondo form. The movement starts with a solo snare drum, with the ensemble providing melodic interjections. The introduction builds to the first solo marimba entrance. A left hand ostinato leads to a melodic figure which alternates between six-eight and common time. A short snare drum solo sets up the middle section, in which the soloist and ensemble trade musical ideas. The multi-meter passage returns, with the soloist embellishing ensemble melodic figures. An abrupt modulation leads to the final section, which echoes the opening ideas of the movement. March ends with the soloist back on the snare drum, as it comes quietly to its conclusion. The concerto immediately segues into the second movement, Meditation, which begins with the ethereal sound of multiple sets of wind chimes. As the movement progresses, the soloist plays long, reflective lines over a simple accompaniment, on various combinations of keyboard percussion instruments. The movement builds to a moment of triumph, before returning to its initial contemplative state. Fantasia (a free flight of fantasy) immediately shatters the previous mood. A loud, cacophonous accompaniment provides a charged atmosphere for the soloist to utilize the percussion battery. A short melodic section, noble in character, leads to the initial climax of the final movement. The atmosphere abruptly changes again, as the ensemble and soloist embark upon a fast, violent new section. Musical lines are furiously exchanged, leading up to a thunderous percussive display. The mood is suddenly tinged with blues and jazz influences, letting the soloist function in a manner reminiscent of a drum set player. The final section of Fantasia begins with a unaccompanied marimba solo, played at breakneck speed. The ensemble begins to gradually join the soloist, as the movement builds to a final, fortissimo climax.
$50.00

Instruments: Flute, E-Flat Clarinet, Oboe, Bassoon, English Horn, B-Flat Trumpet, Trombone, Percussion, Timpani, Tuba, Woodwinds, Clarinet, Trumpet, Brass
Genres: Classical
Concert Piece for Marimba & Orchestra by David J. Long. For Soloist(s) with Full Orchestra (flute 1/2, oboe 1/2, clarinet in Bb 1/2, bassoon 1/2, horn in F 1/2, horn in F 3/4, trumpet in Bb 1/2, percussion (timpani, suspended cymbal, tam-tam, chimes), solo marimba, violin I, violin II, viola, violoncello, contrabass). Medium. Score only. Duration 8:20. Published by C. Alan Publications (CN.01171). Concert Piece requires 2-mallet technique only. Three pairs of yarn mallets are requested: medium soft, medium, and hard. Directions are given for rolling and generally remain in effect until a new direction is given.
$45.00

Instruments: Flute, B-Flat Clarinet, Oboe, Bassoon, Horn, Violin, Cello, Viola, Double Bass, B-Flat Trumpet, Percussion, Timpani, Marimba, Woodwinds, Clarinet, Brass, Strings, Trumpet
Genres: Classical
Concertino for 4 Percussion & Orchestra by Gillingham. Arranged by Nathan Daughtrey. For Soloist(s) with Full Orchestra (Piccolo, Flute 1/2, Oboe 1/2, Clarinet 1/2 in Bb, Bassoon 1/2, Trumpet 1/2 in C, Trumpet 3 in C, Horn 1/3, Horn 2/4, Trombone 1/2, Trombone 3, Bass Trombone, Tuba, Harp, Solo Percussion 1 (timpani, bells, crash cymbal, suspended cymbal, bass drums, tam-ta). Grade 5. Score only. Duration 9:30. Published by C. Alan Publications (CN.02875). The original conception of this work, "Concertino for Four Percussion and Wind Ensemble," was commissioned by the Oklahoma State University Wind Ensemble, Joseph Missal, conductor and Wayne Bovenschen, Professor of Percussion studies.The Concertino or "small concerto" seeks to exploit keyboard, membrane, and auxiliary percussion instruments with the marimbas, xylophone, timpani, vibraphone, and bass drums as the featured instruments, assisted by crash cymbals, suspended cymbal, tam-tam, bells, chimes, triangle, and hi-hat to enhance both the ensemble and the solo instruments.Two thematic motives are used as a point of departure for this work. Both appear in the slow and mysterious introduction. The first, played by the marimbas, is dramatic and the second is haunting and played by the vibraphone and bells. The following Allegro is structured similar to a rondo with recurrences of both themes interspersed by episodic sections. The first theme, however, is transformed into a very lively arpeggiated tune played by the xylophone and marimba. The coda is marked by a relentless rhythmic competition of two sets of bass drums which accompany the primary thematic material as first heard in the slow introduction. The work draws to a resounding conclusion when the second haunting theme is stated dramatically in tour de force by the brass.Concertino for Four Percussion is also available for performance with Wind Ensemble (Item #02870) and Piano (Item #02872).
$50.00

Instruments: Flute, Clarinet, Oboe, Bassoon, Horn, Harp, B-Flat Trumpet, Bass Trombone, Percussion, Timpani, Drums, Tuba, Woodwinds, Brass, Strings, Trumpet, Trombone
Genres: Classical
A Little Tango Music by Adam Gorb (1958-). For Concert Band (1st Flute, 2nd Flute, Oboe, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Bb Bass Clarinet, Bassoon, 1st/2nd Eb Alto Saxophone, Tenor Saxophone, Baritone Saxophone, 1st/2nd Bb Trumpet, 1st/2nd F Horn, 1st/2nd Trombone, Euphonium, TC Baritone, Tuba, P). Band Music. Grade 3. Score only. Duration 4:30. Published by C. Alan Publications (CN.S11282). This is a short sequence of melodies inspired by the curvaceous, melancholic and dangerous dance from Argentina that is the tango. The three brief movements can be played in any order, continuously, or separately.
$20.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Euphonium, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: 20th Century, Tango, Classical, Latin
Chanson de Matin (Flute Feature). By Edward Elgar (1857-1934). Arranged by Michael Brand. For Soloist(s) with Concert Band (Flute 1, Flute 2, Oboe, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Bassoon, Eb Alto Saxophone 1, Eb Alto Saxophone 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, F Horn 1, F Horn 2, Trombone 1, Trombone 2, Eu). Band Music. Grade 2.5. Score and parts. Duration 3:00. Published by C. Alan Publications (CN.R10283).
$50.60

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: 20th Century, Classical
Fantasy Triptych by Derek Bourgeois (1941-). For Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1/2, Eb Clarinet, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Eb Alto Clarinet, Bb Bass Clarinet, Bassoon 1/2, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Cornet 1, Bb Cornet 2/3, Bb Trumpet 1/2, Horn in F ). Band Music. Grade 5.5. Score only. Duration 17:40. Published by C. Alan Publications (CN.S11193). In 1972, I wrote a Sonata for Two Pianos for two friends who were piano teachers at Wellington College. When in 1995 I was asked to write a work for wind band, I returned to this Sonata and have re-arranged and in the new version renamed it "Fantasy Triptych."There are three movements:1. Le Tombeau d'Arthur BenjaminRavel wrote 'Le Tombeau de Couperin,' Arthur Benjamin wrote 'Le Tombeau de Ravel' and so the temptation to write 'Le Tombeau d'Arthur Benjamin' was overwhelming. At the end of the movement there is an oblique reference to Benjamin's own 'Jamaican Rumba' which accompanies a quote from an old Spanish folk song 'Loro, enciende el hervidor de agua.'2. Mr. Bolt goes for a ride in his motor car, and Monsieur Ravel turns in his grave.The movement is dedicated to an old friend, Geoffrey Bolt, who adores the music of Ravel. but at the time of writing was learning to drive. He always described his vehicle as a motor car. To describe him as an impatient motorist would be a gross understatement. The refined suavity of Ravel's music was in complete contrast to these early manifestations of road rage, hence the central angry outburst.3. The War March of the OstrichesThe music of Charles Ives was fascinating me at the time of writing this movement and some of the influence has rubbed off in this rondo-like march. At the end there is a quote from the very beginning of the first movement. The title was inspired by the amusing antics of a group of ostriches during a visit to Bristol Zoo.
$60.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Cornet, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: 20th Century, Classical
Fantasy Triptych by Derek Bourgeois (1941-). For Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1/2, Eb Clarinet, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Eb Alto Clarinet, Bb Bass Clarinet, Bassoon 1/2, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Cornet 1, Bb Cornet 2/3, Bb Trumpet 1/2, Horn in F ). Band Music. Grade 5.5. Score and parts. Duration 17:40. Published by C. Alan Publications (CN.R10193). In 1972, I wrote a Sonata for Two Pianos for two friends who were piano teachers at Wellington College. When in 1995 I was asked to write a work for wind band, I returned to this Sonata and have re-arranged and in the new version renamed it "Fantasy Triptych."There are three movements:1. Le Tombeau d'Arthur BenjaminRavel wrote 'Le Tombeau de Couperin,' Arthur Benjamin wrote 'Le Tombeau de Ravel' and so the temptation to write 'Le Tombeau d'Arthur Benjamin' was overwhelming. At the end of the movement there is an oblique reference to Benjamin's own 'Jamaican Rumba' which accompanies a quote from an old Spanish folk song 'Loro, enciende el hervidor de agua.'2. Mr. Bolt goes for a ride in his motor car, and Monsieur Ravel turns in his grave.The movement is dedicated to an old friend, Geoffrey Bolt, who adores the music of Ravel. but at the time of writing was learning to drive. He always described his vehicle as a motor car. To describe him as an impatient motorist would be a gross understatement. The refined suavity of Ravel's music was in complete contrast to these early manifestations of road rage, hence the central angry outburst.3. The War March of the OstrichesThe music of Charles Ives was fascinating me at the time of writing this movement and some of the influence has rubbed off in this rondo-like march. At the end there is a quote from the very beginning of the first movement. The title was inspired by the amusing antics of a group of ostriches during a visit to Bristol Zoo.
$165.60

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Cornet, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: 20th Century, Classical
Concerto for Saxophone & Wind Symphony. (Saxophone Feature). By Jere Hutcheson. For Soloist(s) with Concert Band (Piccolo, Flute 1/2/3, Oboe 1/2, English Horn, Soprano Clarinet in Eb, Clarinet in Bb 1/2/3, Bass Clarinet in Bb, Bassoon 1/2, SOLO ALTO SAXOPHONE (doubling Soprano Saxophone in 2nd mvt), Trumpet in Bb, Horn in F 1/2, Trombone 1, Bass Trombone, Euphonium, ). Band Music. Grade 5. Score only. Duration 18:00. Published by C. Alan Publications (CN.14141). Concerto for Saxophone is dedicated to Joseph Lulloff, saxophonnist, and The Michigan State University Wind Symphony, John Whitwell, conductor.
$50.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Soprano Saxophone, Bassoon, English Horn, B-Flat Trumpet, Bass Trombone, Euphonium, Woodwinds, Clarinet, Saxophone, Trumpet, Brass, Trombone
Genres: Classical
Concerto for Saxophone & Wind Symphony. (Saxophone Feature). By Jere Hutcheson. For Soloist(s) with Concert Band (Piccolo, Flute 1/2/3, Oboe 1/2, English Horn, Soprano Clarinet in Eb, Clarinet in Bb 1/2/3, Bass Clarinet in Bb, Bassoon 1/2, SOLO ALTO SAXOPHONE (doubling Soprano Saxophone in 2nd mvt), Trumpet in Bb, Horn in F 1/2, Trombone 1, Bass Trombone, Euphonium, ). Band Music. Grade 5. Score and parts. Duration 18:00. Published by C. Alan Publications (CN.14140). Concerto for Saxophone is dedicated to Joseph Lulloff, saxophonnist, and The Michigan State University Wind Symphony, John Whitwell, conductor.
$207.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Soprano Saxophone, Bassoon, English Horn, B-Flat Trumpet, Bass Trombone, Euphonium, Woodwinds, Clarinet, Saxophone, Trumpet, Brass, Trombone
Genres: Classical