This book – the third volume of duets based on solo repertoire – strives to authentically represent the character of some of the great baroque trumpet solos, presenting them for study or performance by two trumpets alone. The top voice, by and large, is the original trumpet part while the bottom voice stands in for strings, basso continuo, and in some cases, the voice. Thirteen Favorite Baroque Trumpet Works includes Handel’s Let the Bright Seraphim, Telemann’s Concerto, and Corelli’s Sonata. For intermediate players.

This collection of solos composed by François Dauverné is unique in that they are among the very first solos ever written for the valved trumpet, culled from Collection de VI Solos pour la Trompette Chromatique. The collection comes with a CD that contains piano accompaniments as MP3 files and as printable PDFs, as well as printable PDFs of Trumpet in C parts. Dauverné was the first trumpet teacher at the famed Paris Conservatory and maintained that post for thirty-five years. He was also the teacher of such notable students as Jean-Baptiste Arban and Louis Saint-Jacome. As a performer, Dauverné was first trumpet in the Paris Opera Orchestra for over thirty years. Dauverné is credited for being one of the first individuals to play on the valved trumpet in a public performance, and convinced such composers as Berlioz, Rossini, and Meyerbeer to write for the instrument. This collection of six solos was originally composed for solo trumpet and chamber orchestra. Associate Professor of Trumpet at the University of North Dakota, Ronnie Ingle has meticulously transcribed and edited these groundbreaking works for solo trumpet, and has made available here for the first time a modern edition for solo trumpet and piano. This is a collection that all trumpeters should have in their library.

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Solos For The Trumpet Player includes a CD with piano accompaniments for each piece. The CD is enhanced so that it not only plays on any CD player but also features tempo adjustment software for CD-ROM computer use.

Samson, an oratorio for soloists, mixed chorus and orchestra by George Frideric Handel, libretto by Newburgh Hamilton after Milton’s Samson Agonistes. Edited by Donald Burrows.Includes parts for Trumpet 1 & 2.

10 favourites from the Strauss dynasty arranged for instrumental solo with fully orchestrated backing tracks. Play along with your favourite Viennese classics and take your moment in the orchestral spotlight!

This edition is more user-friendly than the others currently available. The accompanying CD provides piano accompaniments as well as samples from recordings of the Neruda, Haydn and Hummell concerti with kind permission of Hyperion Records and Crispian Steele-Perkins. J.G.B. Neruda (1711-1780) was typical of 18th century musicians, travelling and studying in various parts of Eastern Europe and finally settling in Dresden (1750-1780) in the Electoral (chapel) orchestra, where he was salaried as a violinist and occasional composer. This concerto was originally composed for a Corno da Caccia (hunting horn), presumed to be something of a hybrid between the natural horn and natural trumpet, but has been borrowed by modern trumpet players and is now firmly fixed in the Classical trumpet repertoire. This edition is intended to be more user-friendly than the others currently available: there is a much easier (and dare I say, more stylistic) piano accompaniment - any doubling of the solo part has been removed, voicing simplified and my premise has been to imagine what it might have been before it was orchestrated, rather than trying to cram in every last piece of orchestral detail. Suggested cuts have been indicated which give a short introduction to each movement, perfect for auditions, recitals or exams. However, the bar numbers still tally with the longer original versions, which are included should they be required. The dynamics and articulation which I have added incorporate the weight of opinion in current editions and recordings, offering more guidance than 'scholarly' editions, without being over-prescriptive. There is an appendix with suggested interpretation of trills. Listening to as many different recordings as possible is the best way to assimilate good trills. The accompanying CD provides piano accompaniments and observes the suggested cuts. See page 23 for full track listing. There is free software available online (eg. speedshifter on the ABRSM website) which enables you to change the speed of a CD should you wish to practise slower, or indeed faster. The Neruda Concerto is often considered to be a sibling of the Haydn and Hummel Concertos, which are also available in this series published by Spartan Press. Samples of all three concertos are included on the CD with kind permission of Hyperion Records and Crispian Steele-Perkins. I hope you will be inspired to buy the complete recordings and listen to live performances. Many thanks to Crispian Steele-Perkins for his assistance in the preparation of this addition.

Trumpet parts in both B flat and E flat, simplified piano part and a free CD including piano backing tracks and orchestral performance extracts. Johann Nepomuk Hummel (1778-1837) composed this concerto in 1803 for the keyed trumpet, which had been developed by Anton Weidinger (1767-1852). Weidinger gave its first performance on New Year's Day 1804. Originally composed in the key of E, it is more commonly played in Eb. The keyed trumpet was the first type of trumpet which could play chromatically, but the invention was not a huge success: it suffered from a poor quality of sound. In the early 19th century, the invention of the valve rendered the keyed trumpet obsolete. This edition is intended to be more user-friendly than the others currently available: there is a much easier (and, dare I say, more stylistic) piano accompaniment - any doubling of the solo part has been removed, voicing simplified and my premise has been to imagine what it might have been before it was orchestrated, rather than trying to cram in every last piece of orchestral detail. Suggested cuts in the piano part have been indicated, giving a short introduction to each movement, perfect for auditions, recitals or exams. However, the bar numbers still tally with the longer original versions, which are included should they be required. The dynamics and articulation which I have added incorporate the weight of opinion in current editions and recordings, offering more guidance than 'scholarly' editions, without being overprescriptive. There is an appendix with suggested interpretation of trills and ornaments. Listening to as many different recordings as possible is the best way to assimilate good trills. The accompanying CD provides piano accompaniments and observes the suggested cuts. See page 38 for full track listing. There is free software available online (eg. speedshifter on the ABRSM website) which enables you to change the speed of a CD should you wish to practise slower, or indeed faster. The Hummel Concerto is often considered to be a sibling of the Haydn and Neruda Concertos, which are also available in this series published by Spartan Press. Samples of all three concertos are included on the CD with kind permission of Hyperion Records and Crispian Steele-Perkins. I hope you will be inspired to buy the complete recordings and listen to live performances.

Two trumpet parts included (Eb or Bb): * beautiful layout (no page turns mid-movement). * includes sample cadenzas. * includes appendix with sample trills. Simplified piano part: * considerate page turns. * includes suggested cuts (for use in exams). Free CD includes: * piano accompaniments. * performance samples (Crispian Steele-Perkins with kind permission of Hyperion Records).

Erschallt, Trompeten / Awake the trumpet's lofty sound (Aus dem Oratorium "Samson"). By George Frideric Handel (1685-1759). Edited by F. Burkhart. Various Sacred. For mixed choir. Tenor choral part. Published by Doblinger Music Publishers (DB.46-00706-CHT).

Erschallt, Trompeten / Awake the trumpet's lofty sound (Aus dem Oratorium "Samson"). By George Frideric Handel (1685-1759). Edited by F. Burkhart. Various Sacred. For mixed choir. Soprano choral part. Published by Doblinger Music Publishers (DB.46-00706-CHS).

Erschallt, Trompeten / Awake the trumpet's lofty sound (Aus dem Oratorium "Samson"). By George Frideric Handel (1685-1759). Edited by F. Burkhart. Various Sacred. For mixed choir. Bass choral part. Published by Doblinger Music Publishers (DB.46-00706-CHB).

Erschallt, Trompeten / Awake the trumpet's lofty sound (Aus dem Oratorium "Samson"). By George Frideric Handel (1685-1759). Edited by F. Burkhart. Various Sacred. For mixed choir. Alto choral part. Published by Doblinger Music Publishers (DB.46-00706-CHA).

Erschallt, Trompeten / Awake the trumpet's lofty sound (Aus dem Oratorium "Samson"). By George Frideric Handel (1685-1759). Edited by F. Burkhart. Various Sacred. For mixed choir and piano. Vocal score/piano reduction. Published by Doblinger Music Publishers (DB.46-00706-KLA).

Air by Johann Sebastian Bach (1685-1750). Arranged by Mark Knuts. For Trumpet/Flugelhorn/Cornet. Grade 5-6. Playing score. Published by Kameleon Editions (BT.KME0508-019-KAM-22).

Gloria In Excelsis Deo (Parts). (Glory to God in the Highest). By Franz Joseph Haydn (1732-1809). For Oboe, Bassoon, 2 Trumpets, Timpani, Strings, Basso Continuo. Set of Parts. Published by Earthsongs (ES.R-002B). Language/Country: Latin/Austria. Parts for item number R-002. SATB, oboe, bassoon, 2 trumpets, timpani, strings, basso continuo.

Gloria In Excelsis Deo (Full Score). (Glory to God in the Highest). By Franz Joseph Haydn (1732-1809). For SATB Chorus, Oboe, Bassoon, 2 Trumpets, Timpani, Strings, Basso Continuo. Full Score. Published by Earthsongs (ES.R-002A). Language/Country: Latin/Austria. Full score for item number R-002. SATB, oboe, bassoon, 2 trumpets, timpani, strings, basso continuo.

Psalm 150 - 4th Trumpet In B-Flat by John Rutter (1945-). Arranged by John Rutter. For 4th Trumpet In B-Flat (Accompaniment: Keyboard). Collegium Choral Series. Sacred, Concert. Medium Advanced Adult. Part. Published by Hinshaw Music Inc. (HI.CCS23406B).

Psalm 150 - 4th Trumpet In C by John Rutter (1945-). Edited by Public Domain. Arranged by John Rutter. For 4th Trumpet In C (Accompaniment: Keyboard). Collegium Choral Series. Sacred, Concert. Medium Advanced Adult. Part. Published by Hinshaw Music Inc. (HI.CCS23406).

Psalm 150 - 3rd Trumpet In B-Flat by John Rutter (1945-). Arranged by John Rutter. For 3rd Trumpet In B-Flat (Accompaniment: Keyboard). Collegium Choral Series. Sacred, Concert. Medium Advanced Adult. Part. Published by Hinshaw Music Inc. (HI.CCS23405B).

Psalm 150 - 3rd Trumpet In C by John Rutter (1945-). Arranged by John Rutter. For 3rd Trumpet In C (Accompaniment: Keyboard). Collegium Choral Series. Sacred, Concert. Medium Advanced Adult. Part. Published by Hinshaw Music Inc. (HI.CCS23405).

Psalm 150 - 2nd Trumpet In B-Flat by John Rutter (1945-). Arranged by John Rutter. For 2nd Trumpet In B-Flat (Accompaniment: Keyboard). Collegium Choral Series. Sacred, Concert. Medium Advanced Adult. Part. Published by Hinshaw Music Inc. (HI.CCS23404B).

Psalm 150 - 2nd Trumpet In C by John Rutter (1945-). Arranged by John Rutter. For 2nd Trumpet In C (Accompaniment: Keyboard). Collegium Choral Series. Sacred, Concert. Medium Advanced Adult. Part. Published by Hinshaw Music Inc. (HI.CCS23404).