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Edited and engraved by Ephraim Hammett Jones, Volume II of this two-book set presents an original compilation of Robert Schumann's best-known character pieces and piano cycles in a pristine urtext edition. Printed to precisely reproduce the artist's original intentions, it features eight of the Romantic composer's finest works. Suitable for intermediate to advanced pianists, the contents include Piano Sonatas Nos. 1, 2, and 3; Davidsbündlertänze, Op. 6; Fantasie, Op. 17; Noveletten, Op. 21; Carnival Jest from Vienna, Op. 26; Three Romances, Op. 28; Davidsbündlertänze, Op. 6; Fantasy in C Major, Op. 17; Noveletten, Op. 21; Carnival Jest from Vienna, Op. 26; and Three Romances, Op. 28. Dover Original.

Edited and engraved by Ephraim Hammett Jones, Volume I of this two-book set presents an original compilation of Robert Schumann's best-known character pieces and piano cycles in a pristine urtext edition. Printed to precisely reproduce the artist's original intentions, it features thirteen of the Romantic composer's finest works. Suitable for intermediate to advanced pianists, the contents include Fantasy Pieces, Op. 12; Symphonic Études, Op. 13; Toccata, Op. 7; Variations on the Name "Abegg", Op. 1; Scenes from Childhood, Op. 15; Kreisleriana, Op. 16; Arabeske, Op. 18; Blumenstück, Op. 19; Humoreske, Op. 20; and Forest Scenes, Op. 82. Dover Original.

Frédéric Chopin composed his piano trio when he was an 18-year-old student. About the performance of the trio on 31 August 1830 he wrote: “On Sunday we rehearsed the trio. Perhaps because I haven’t heard it for a while, I was very happy with myself (fortunate man!).” Incidentally, Robert Schumann also shared this opinion, writing in a review: “Is it not as noble as possible, more full of enthusiasm than any song ever written by a poet, original in the smallest detail as in the whole, every note music and life?” We agree with this verdict and recommend this trio in our new Urtext edition to all lovers of highly romantic chamber music.

The Czech composer Antonin Rejcha (also Anton Reicha, 1770–1836) was famous as both an experimental composer and as a teacher and theorist. His 36 Fugues for Piano testify to this experimentalism; they can be seen as a type of “Well-Tempered Piano of the new ages”, basing the traditional Baroque fugue on radical new fundaments. The first edition of this unusual collection was produced in 1803 in Vienna by Reicha’s own publishing company “Au Magasin de l’Imprimerie chimique”. It included both a dedication poem to Joseph Haydn and a comprehensive foreword in which Reicha identifies the characteristics of his compositional style. The second edition (Vienna 1805) included a short theoretical text “Über das neue Fugensystem” (“On the new fugal system”) in the form of a polemic, reacting to his critics, one of whom was Beethoven. Six fugues are based on the themes of other composers (Haydn, Bach, Mozart, Scarlatti, Frescobaldi, Handel). The musical text is a corrected reprint of the edition by Václav Jan Sýkora from 1973, which itself was based on the referred to edition from 1805 as well as on the later edition by Tobias Haslinger (Vienna, c. 1828). Works historically important to the development of the fugue New foreword by Roman Dykast (Cz/Eng/Ger)

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Anniversary edition on the occasion of the 75th birthday of Valentin Silvestrov: 'This work could well be called (in analogy to Bach's 'Art of Fugue') 'Art of Melody' if there were a didactic mission. But here is no 'art' whatsoever, only melodies – flashing moments, captured, frozen in time, songs without words – words which may be lost or forgotten.' (V. Silvestrov)

Elegance and virtuosity characterize the two popular piano works in this volume: Piano Concerto No. 2 in G Minor, Op. 22, and Piano Concerto No. 4 in C Minor, Op. 44. Both have been reprinted from the authoritative editions published by Durand et Cie, Paris, n.d. Instrumentation.

Wide selection of fine pieces, many difficult to find elsewhere. Included are harpsichord toccatas, Capriccio on the Departure of His Most Beloved Brother, Aria Variata 'alla Maniera Italiana' and the 6 Little Preludes, as well as many lesser-known compositions — over 40 in all. Authoritative Breitkopf & Härtel edition. Reprint of selections from Johann Sebastian Bach's Werke, Series 3, 36, 42, 43, and 44, Breitkopf & Härtel, Leipzig, 1890, 1894, and 1897. "Toccata in F-sharp Minor, BWV 910" "Toccata in C Minor, BWV 911" "Toccata in D Major, BWV 912" "Toccata in D Minor, BWV 913" "Toccata in E Minor, BWV 914" "Toccata in G Minor, BWV 915" "Toccata in G Major, BWV 916" "Prelude and Fugue in A Minor, BWV 895" "Fugue n A Major, from Prelude and Fugue, BWV 896" "Fugue in A Minor, BWV 897 (doubtful)" "Prelude and Fughetta in D Minor, BWV 899 (doubtful)" "Prelude and Fughetta in E Minor, BWV 900" "Fantasia and Fugue in D Minor, BWV 905 (doubtful)" "Fantasia and Fughetta in B-flat Major, BWV 907 (doubtful)" "Fantasia and Fughetta in D Major, BWV 908 (doubtful)" "Concerto and Fugue in C Minor, BWV 909 (doubtful)" "Fantasia in G Minor, BWV 920 (doubtful)" "Fantasisa in C Minor, BWV Anh. 86 (incomplete)" "Prelude (Fantasia) in C Minor, BWV 921 (doubtful)" "Prelude in B Minor, BWV 923 (doubtful)" "Seven Little Preludes, BWV 924-930 (from the Clarvier-Büchlein vor Wilhelm Friedemann Bach)" "Six Little Preludes, BWV 933-938" "Five Preludes, BWV 939-943" "Fugue in A Minor, BWV 944" "Fugue in A Major, BWV 949 (doubtful)" "Fugue in B Minor on a Theme by Albinoni, BWV 951" "Fugue in C Major, BWV 952 (doubtful)" "Fugue in C Major, BWV 953 (from the Clavier-Büchelein vor Wilhelm Friedemann Bach)" "Fugue in B-flat Major, BWV 954 (arr. from J. A. Reincken's Hortus musicus)" "Fugue in B-flat Major, BWV 955 (arr.of an organ fugue by J. C. Erselius)" "Fugue in E Minor, BWV 956 (doubtful)" "Fugue in G Major, BWV 957 (doubtful)" "Fugue in A Minor, BWV 958" "Fugue in A Minor, BWV 959" "Fughetta in C Minor, BWV 961 (doubtful)" "Prelude, Fugue and Allegro in E-flat Major, BWV 998 (for lute or keyboard)" "Suite in A Minor, BWV 818" "Suite in E-flat Major, BWV 819" "Ouverture in F Major, BWV 820" "Suite in B-flat Major, BWV 821" "Suite in F Minor, BWV 823 (incomplete)" "Partie in A Major, BWV 832" "Partita in C Minor, BWV 997 (for lute or keyboard)" "Partita in E Major, BWV 1006a (for lute or keyboard; arr. Of Violin Partita No. 3, BWV 1006)" "Sonata in D Major, BWV 963" "Sonata in D Minor, BWV 964 (arr. Of Violin Sonata No. 2, BWV 1003; doubtful)" "Sonata in A Minor, BWV 965 (arr. from Reincken's Hortus musicus)" "Sonata in C Major, BWV 966 (arr. from Violin Reinchken's Hortus musicus)" "Adagio in G Major, BWV 968 (arr. from Violin Sonata No. 3, BWV 1005; doubtful)" "Three Minuets, BWV 841-843 (from the Clavier-Büchlein vor Wilhelm Friedemann Bach)" "Aria variata alla maniera italiana [Air varied in the Italian manner], BWV 989 " "Capriccio sopra la lontananza del suo fratello dilettissimo [Capriccio on the departure of his most beloved brother], BWV "Capriccio in E Major, BWV 993"

Whose ears are not instantly filled with the dreamy flute solo when Debussy’s "Prélude à l’après-midi d’un faune" is mentioned? Very few people know that before he wrote the orchestral score Debussy made a version for two pianos. Both versions should be seen as being independent, and they differ in some details. The differences are revealed in our edition, as are Debussy’s entries concerning the work in his copy of the score. The volume also contains the Spanish impression "Lindaraja" and the three pieces "En blanc et noir", in which Debussy addresses the horrors of World War I. Andreas Groethuysen, one half of the famous piano duo Tal & Groethuysen, provided the fingerings.

Written in 1823 while the precocious Felix Mendelssohn was but fourteen years of age, this unusual and impressive 'double' concerto represents a rather uncommon solo pairing in the concerto world - that of piano and violin - brimming with exciting solo passages and beautiful melodies that combine to create a wonderful overall experience. MMO proudly presents this learning and performance edition featuring piano virtuoso Adrien Oetiker performing alongside master violinist Mario Hossen and Les Orpheistes Chamber Orchestra of Vienna. Study Mr. Oetiker's performance, then as he steps aside you can take center stage with the orchestra and Mr. Hossen for a truly thrilling performance! Includes an authoritative performance edition of the piano part, newly engraved and printed on high-quality ivory paper. The 2 CDs contain the complete version of the concerto performance; followed by a second version minus the soloist; as well as a slow-tempo version of the accompaniments for practice purposes.

This oft-requested Mozart piano concerto is truly one of his treasures. Written in 1784, it is written in typical three-movement form (Allegro vivace-Andante-Allegro vivace) and features a beautiful orchestration of strings complemented with a generous wind ensemble: flute, oboes, bassoons, and horns. The third movement is quite unusual for its time in that Mozart utilizes many meter changes. A delight for any pianist! Includes slow-tempo practice accompaniments.

This is an exclusive arrangements for piano, voice or other instruments of EASY skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: o lord most holy, jingle bells, o come all ye faithful, the first nowell, joy to the world, we wish you a merry christmas, the coventry carol, deck the halls, what child is this, o christmas tree, silent night, carol of the bells, twinkle twinkle little star, jesu joy of man desiring, Greensleeves, greensleaves, jesu joy of man desiring, green sleeves, greensleves, the first noel, pie jesu, ave maria, panis angelicus

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Pavane (Flote, Tuba, Cello, Klavier) by Gabriel Faure (1845-1924). For flute, tuba, cello, and piano. Swiss import. Grade 4+. Score and parts. Published by Editions Marc Reift (MA.EMR-282).

Concerto in d-moll Op. 9, No. 2 by Tomaso Giovanni Albinoni (1671-1751). For tuba & piano. Swiss import. Grade 5. Score and parts. Published by Editions Marc Reift (MA.EMR-279).

Sarabande "Englischen Suite" No. 2 by Johann Sebastian Bach (1685-1750). For tuba & piano. Swiss import. Grade 4+. Score and parts. Published by Editions Marc Reift (MA.EMR-278).

Concerto I in g-moll by George Frideric Handel (1685-1759). For tuba & piano. Swiss import. Grade 5. Score and parts. Published by Editions Marc Reift (MA.EMR-277).

Choral-Vorspiel"Nun komm der Heiden by Johann Sebastian Bach (1685-1750). For tuba & piano. Swiss import. Grade 4. Score and parts. Published by Editions Marc Reift (MA.EMR-270).

Barry Lyndon (I. Saraband -- II. Piano Trio). By George Frideric Handel (1685-1759) and Franz Schubert (1797-1828). Arranged by John G. Mortimer. Brass Band. Swiss import. Grade 4. Score and parts. Published by Editions Marc Reift (MA.EMR-2699).

Konzert No. 4 by Wolfgang Amadeus Mozart (1756-1791). For horn in F & piano. Swiss import. Grade 4+. Score and parts. Published by Editions Marc Reift (MA.EMR-265).

Konzert No. 3 by Wolfgang Amadeus Mozart (1756-1791). For horn in F (or Eb) & piano. Swiss import. Grade 4+. Score and parts. Published by Editions Marc Reift (MA.EMR-264).