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Viola Concerto (Violin & Cello Solos Included) by Johann Christian Bach (1735-1782). Edited by Henri Casadesus. For viola (also includes optional violin and cello transcriptions) and piano. Classical Period. Difficulty: medium. Set of performance parts (includes separate pull-out viola part). Solo part and piano reduction. 28 pages. Published by Edition Peters (PE.P08878). With solo part and piano reduction. Classical Period. 9x12 inches. Viola (or Violoncello, or Violin) and Piano (Sheet Music & Play-along CD Pack available, see Q 8878).
$20.00

Pages: 28
Instruments: Piano Accompaniment, Violin, Cello, Viola, Piano, Piano and Keyboard, Strings
Genres: Classical Period, Classical
Arpeggione Sonata in A minor D821 by Franz Schubert (1797-1828). Arranged by Drechsel. For Viola, Piano. Sheet Music. Published by Edition Peters (PE.P09114).
$20.00

Instruments: Piano, Viola, Piano and Keyboard, Strings
Genres: Classical
Concerto for Piano and Wind Ensemble (1966) by Verne Reynolds. Concert Band. Concert Band. Donald Hunsberger Wind Library. 6+. Piano Part. 40 pages. Published by Alfred Music Publishing (AP.DH9803P). ISBN 0769276563. The Concerto for Piano and Wind Ensemble was composed for pianist Barry Snyder and the Eastman Wind Ensemble as a commissioned work celebrating the 75th Anniversary of the Eastman School of Music. Barry Snyder, Professor of Piano at Eastman and renowned piano artist, has provided editorial keyboard indications and fingerings in the solo piano part. This concerto is one of the most outstanding additions to the solo keyboard and winds repertoire since the Stravinsky Piano Concerto! *Parts for this work are available on rental from the Alfred Rental Library at (818) 891-5999 x157, e-mail: rental@alfred.com, or online at www.alfred.com/rental.
$20.00

Pages: 40
Instruments: Piano, Piano and Keyboard
Genres: Classical
Concerto For Alto Saxophone And Orchestra by Donald Martino (1931-2005). For Saxophone, Piano. This edition: Saxophone with Piano. Contemporary Classical. Contemporary Classical. Conservatory. Sheet Music. Published by Dantalian, Inc. (DA.DSE107B). A stunning virtuoso piece for the soloist; an orchestra part playable by advanced students. The Boston Globe called it "more than just a concerto" (NEA Consortium commission for James Forger, Kenneth Radnofsky, John Sampen) small orch: 1-2-1-2/3-1-1-0/2 Perc/Pf/Strings. Recorded by Kenneth Radnofsky with Richard Hoenich conducting New England Conservatory students on New World CD 80529-2.(1987, 24 minutes).
$20.00

Instruments: Piano Accompaniment, Alto Saxophone, Piano, Piano and Keyboard, Saxophone, Woodwinds
Genres: Classical, 20th Century
Concerto in F by George Gershwin (transcribed). For Piano. This edition: 2 copies required. Duet or Duo; Masterworks; Piano Duo (2 Pianos, 4 Hands). Advanced level piece for the Piano Concerto event with the National Federation of Music Clubs (NFMC) Festivals Bulletin 2008-2009-2010. 20th Century; Masterwork Arrangement. SMP Level 10 (Advanced); NFMC Level: Senior Class. Sheet. 68 pages. Published by Alfred Music Publishing (AP.PS0161). ISBN 0769241735. 20th Century; Masterwork Arrangement. Two-piano edition, with second piano playing a transcription of the orchestration. National Federation Selection 2008-2010. About SMP Level 10 (Advanced) Very advanced level, very difficult note reading, frequent time signature changes, virtuosic level technical facility needed.
$20.00

Pages: 68
Instruments: Piano, Piano and Keyboard
Genres: 20th Century, Classical
Silete Venti (piano reduction) by George Frideric Handel (1685-1759). For soprano voice solo and piano reduction. Piano reduction. Language: Latin. Published by Classical Vocal Reprint (CV.2946). With Language: Latin.
$20.00

Instruments: Piano, Soprano Voice, Piano and Keyboard, Voice, Vocal
Genres: Baroque Period, Classical
Celtic Mass by Christopher Walker. Keyboard/Guitar Songbook. Published by OCP (OC.10413). Used in English-speaking parishes around the world, the Celtic Mass has become one of the most popular settings ever written.
$20.00

Instruments: Piano, Guitar, Piano and Keyboard
Genres: Celtic, Christian, St. Patrick's Day, World, Religious, Celebrations
Victor Method, Book 1 by John Victor. For Piano. Full Orchestra Method. Grade 1. Published by Southern Music Company (SO.M1PA).
$20.00

Instruments: Piano, Piano and Keyboard
Genres: Classical
Victor Method, Book 2 by John Victor. For Piano. Full Orchestra Method. Grade 1. Published by Southern Music Company (SO.M2PA).
$20.00

Instruments: Piano, Piano and Keyboard
Genres: Classical
By Daniel Kallman. For piano and 2 violins. Chamber Music. Medium/Medium-Difficult. Published by MorningStar Music Publishers
$20.00

Instruments: Piano Accompaniment, Violin, Piano, Piano and Keyboard, Strings
Genres: Christian, Religious
Victor Method, Book 3 by John Victor. For Piano. Full Orchestra Method. Grade 2. Published by Southern Music Company (SO.M3PA).
$20.00

Instruments: Piano, Piano and Keyboard
Genres: Classical
Victor Method, Book 4 by John Victor. For Piano. Band - Band Methods. Grade 3. Published by Southern Music Company (SO.M4PA).
$20.00

Instruments: Piano, Piano and Keyboard
Victor Method, Book 5/6 by John Victor. For Piano. Band - Band Methods. Grade 4. Published by Southern Music Company (SO.M5PA).
$20.00

Instruments: Piano, Piano and Keyboard
Victor Method, Book 7/8 by John Victor. For Piano. This edition: Archive Edition. Band - Band Methods. Grade 4. Published by Southern Music Company (SO.M6PA).
$20.00

Instruments: Piano, Piano and Keyboard
Festival Concerto by Rudolph Schmidt. Arranged by George S. Howard. For 2 Pianos, 4 Hands. Keyboard Music - Piano Ensemble. Grade 4. Published by Southern Music Company (SO.P28).
$20.00

Instruments: Piano, Organ, Piano and Keyboard
Genres: Classical
An Ark of Stars (from So Many Corners) (Full Score) by Elizabeth Alexander. For Soprano voice and Orchestra (Soprano voice solo, 2.2.3.2,2.2.0.0, timpani, percussion, piano, celeste, harp, strings). Moderately Advanced. Full Score. Duration 3 minutes. Published by Seafarer Press (SF.SEA-040-03). This 3-minute movement from "So Many Corners" is a showpiece for a dynamic soprano. The simple words of Rose Auslander, who spent the Second World War in the Czernowitz ghetto, speak volumes about hope and restoration: "In the ocean waits an ark of stars, for the surviving ashes after the flood of fire." Elizabeth Alexander's musical setting of Auslander's stark and compelling words pours forth with delicacy, ferocity and compassion.
$20.00

Instruments: Piano, Harp, Percussion, Timpani, Soprano Voice, Piano and Keyboard, Strings, Voice, Vocal
Genres: Classical
Three Rose Auslander Songs (full score) by Elizabeth Alexander. For Soprano voice and Orchestra (Soprano voice solo, percussion, piano/celeste, harp, strings). Advanced. Full Score. Duration 8 minutes. Published by Seafarer Press (SF.SEA-040-05). Three songs of longing, loss and love, based on poems by Rose Auslander, who spent the Second World War in the Czernowitz ghetto. Alexander sets Auslander's stark and compelling words to music with delicacy, ferocity and compassion. (These songs, scored for soprano, percussion, piano/celeste, harp and strings, are the central movements of a larger work for soprano and full orchestra, "So Many Corners.").
$20.00

Instruments: Piano, Harp, Percussion, Soprano Voice, Piano and Keyboard, Strings, Voice, Vocal
Genres: Classical
With Heart and Voice by David Gillingham. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Bb Clarinet 1, 2, 3, Bass Clarinet, Contrabass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1/2, F Horn 3/4, Trombone 1/2, Bass Trombone, Euphonium, Tuba, Piano, Timpa). Band Music. Grade 4. Score only. Duration 9:00. Published by C. Alan Publications (CN.05321). With Heart & Voice was commissioned by Apple Valley High School Bands, Scott A. Jones, director (Apple Valley, Minnesota), to commemorate the 25th year of existence of this high school. Apple Valley High School's strong commitment to the arts was a major factor in my decision to take on this commission. After visiting the school in December of 2000 and meeting many of the students, faculty, and administrators, I became greatly inspired.Thematically, the work is based on the Apple Valley High School Alma Mater, an old Spanish hymn which has made its way into most church hymnals under the name of "Come, Christians, Join to Sing." It is perhaps fate that this hymn, a particular favorite of mine, happens to be the tune used for the Alma Mater. Christian Henry Bateman wrote the words for the hymn in 1843 and the first verse contains the line, "Let all, with heart and voice, before his throne rejoice." Hence, the title, With Heart and Voice. What better way to celebrate 25 years of this great high school than with our "hearts" and "voices." The "voice" in this case is the music and the "heart" is the emotion that the music renders in celebration. Although the work is largely celebratory in nature, it begins with a feeling of reticence and apprehension, much like the beginnings of Apple Valley High School. It was at one time only an idea or perhaps only a sketch in the mind of the architect. Small fragments of the Alma Mater are heard in the opening moments of the piece. The piece gains momentum, texture and volume in this opening section culminating in a dramatic statement of the first four notes of the theme. A calmness follows and a lyrical flute solo enters. This new material represents the uniqueness of the "mission" of a new school which will have roots in academic excellence and commitment to the visual and performing arts. The euphonium echoes the flute and soon more instruments join in and the section culminates with a dramatic fanfare. This is followed by a transitional section with much dissonance and rhythmic activity, equated to the challenge of bringing life to this new school. A glorious statement of the Alma Mater follows signifying the dedication of Apple Valley High School, twenty five years ago. The ensuing section begins as a fugue with underlying unsettling rhythmic activity in the percussion. The obvious reference of this section is the challenge-maintaining the goals and mission of the high school. The section becomes frantic and desperate, but soon subsides into peacefulness. The peacefulness is stated by the marriage of the "Alma Mater " theme and the "Mission" theme. . .after all, for the High School to survive, it must never forget its mission. An extended finale follows which celebrates both themes in playful, joyful, and dramatic exuberance.
$20.00

Instruments: Piano, Baritone Voice, Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, Double Bass, B-Flat Trumpet, Bass Trombone, Euphonium, Percussion, Tuba, Piano and Keyboard, Voice, Vocal, Woodwinds, Clarinet, Saxophone, Brass, Strings, Trumpet, Trombone
Chamber Symphony No. 3 for Clarinet. (Clarinet Feature). By Daniel McCarthy. For Solo Bb Clarinet & Chamber Ensemble (Solo Bb Clarinet, Flute, Oboe, Bb Clarinet, Bass Clarinet, Bassoon, F Horn, Bb Trumpet, Trombone, Tuba, Percussion 1-2 (crotales, suspended cymbal, low tom, timbales, bongos, temple blocks, finger cymbals, maracas, timpani, shaker), Piano, Violin I, Violi). Medium difficult. Score only. Published by C. Alan Publications (CN.08601). Chamber Symphony No. 3 was written for the Cleveland Chamber Symphony and clarinetist Kristina Belisle. This is the third work by McCarthy titled "Chamber Symphony" written for a soloist and chamber group. The term is used instead of "concerto" due to a more virtuosic approach to the ensemble writing so that ensemble and soloist are intimately involved. Chamber Symphony No. 1 for Marimba and Winds and Chamber Symphony No. 2for Bassoon and Winds are recorded on Klavier Records by the North Texas Wind Symphony conducted by Eugene Corporon. The six movements were written during a dark period of the composer's life involving several family deaths and deep personal struggle. The second movement, Holy Ghost, is a remembrance of McCarthy's mother, a strong woman of faith who died in the summer of 2002. A Voice in the Dark depicts the reality of living with the specter of those who have passed. TanzMusik, a lively dance movement, is perhaps a bit sarcastic. It is about trying to dance the lively dance in the midst of profound doubt and struggle.
$20.00

Instruments: Piano, Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Bassoon, Horn, Violin, B-Flat Trumpet, Trombone, Percussion, Timpani, Tuba, Piano and Keyboard, Woodwinds, Clarinet, Brass, Strings, Trumpet
Genres: Classical
Return to Innocence. (for Percussion Ensemble & SATB Choir). By David Gillingham. For Percussion Ensemble & Choir (SATB Choir, Piano, Percussion 1 (bells, xylophone, crotales), Percussion 2 (3-octave, vibraphone, chimes, crotales), Percussion 3 (4-octave marimba), Percussion 4 (4-octave marimba, suspended cymbal, anvil, tam-tam snare drum), Percussion 5 (3 tom-toms, s). Medium difficult. Score only. Duration 11:00. Published by C. Alan Publications (CN.06211). Based on a poem of the same title written by the composer, "Return to Innocence" dramatically depicts the beautiful words, taking the listener on a journey through many different moods.'Return to Innocence' by David GillinghamLook inwardto the depths of your soul.Seek the childhood innocencethat time stole.Envision the worldthrough child-like eyes,Then of earthly mattersWe are wise.Youthful ideal,Age of resplendence.Return, sweet returnReturn to innocence.Drums of conflictResound through the air.Beckoning the worldInto Hatred's snare.Cast away prejudicePerceive as a childAnd troubles wane.Youthful ideal,Age of resplendence.Return, sweet returnReturn to innocence.Our space is stifledThe air is tainted.Clouding the picture of whatnature has painted.Return to the landand purity of birth.Banish the poisonsthat shroud the earth.Youthful ideal,Age of resplendence.Return, sweet returnReturn to innocence.Make the many as one,The world into a wholeBecome children unifiedby a common soul.Brotherhood shall reign.Our spirits redeemed.When we return to our childhood dreams.Youthful ideal,Age of resplendence.Return, sweet returnReturn to innocence.
$20.00

Instruments: Choir, Piano Accompaniment, Percussion, Marimba, Vibraphone, Xylophone, Vocal, Piano, Piano and Keyboard
Slide Ride by Gregory Danner. Chamber Ensemble. For Trombone & Piano. Medium difficult. Piano reduction. Duration 5:40. Published by C. Alan Publications (CN.11432). Slide Ride is an energetic work that shows off both the technical and lyrical capabilities of the trombone, while throwing in a few tongue in cheek references to that less polite side of the instrument. The piece is a modified rondo, moving quickly back and forth between styles before arriving at a triumphant conclusion. Slide Ride was written for trombonist Joshua Hauser and the Tennessee Tech Symphony Band.
$20.00

Instruments: Piano, Trombone, Piano and Keyboard, Brass
Three Vignettes by David J. Long. Chamber Ensemble. For Violin, Cello & Piano. Chamber Music. Version 2. Medium difficult. Score and parts. Duration 7:00. Published by C. Alan Publications (CN.11550). "Three Vignettes" is a single-movement work for violin, cello & piano that divides into three contrasting sections (or vignettes) - the first is rather dark and rhapsodic, the second is beautifully flowing and driving ahead, and the third features driving ostinatos and merges the themes from the previous two sections.
$20.00

Instruments: Piano, Violin, Cello, Piano and Keyboard, Strings
Fiddlydee by Kimberly Archer. Chamber Ensemble. For Euphonium & Piano. Chamber Music. Medium difficult. Score and parts. Duration 7:00. Published by C. Alan Publications (CN.11680). What if, on the night of a barn dance, the fiddle player got sick and couldn't make it? What if only a euphonium player were available to fill in? A spirited work which requires a little singing, whistling, kazoo playing, and even audience participation. You'll have fun with this one!
$20.00

Instruments: Piano, Euphonium, Piano and Keyboard, Brass
Rhapsody for Clarinet by Gregory Danner. Chamber Ensemble. For Bb Clarinet & Piano. Chamber Music. Medium. Set of parts. Duration 9:00. Published by C. Alan Publications (CN.11710). Rhapsody for Clarinet is the second work in a series of compositions of the same name for solo wind instruments and piano. The music is in three major sections, delineated by tempo and style. The first part offers a lyrical melody exchanged and developed between the instruments. This leads into an aggressive, punctuated section characterized by more strident harmonies and dramatic figures in the clarinet. The final section is a spirited melody that focuses on the agility of the clarinet. Rhapsody was written for clarinetist Anne Thurmond and her husband, Paul.
$20.00

Instruments: Piano, B-Flat Clarinet, Piano and Keyboard, Clarinet, Woodwinds