Wo der Herr nicht das Haus bauet (If the Lord build not the dwelling) (aus: Symphoniae Sacrae III). By Heinrich Schutz (1585-1672). Edited by Gunter Graulich. Arranged by Paul Horn. For SSB Favorit-Chor (Antiphonal/Chamber Choir), Violin, Horn/Zink (Violin), Contrabass, Organ, [Capell-Chor: SATB, 4 Instr]. SWV 400 (op. 12 no. 3). Score available separately - see item CA.2040000. German Psalms; Stuttgart Urtext Editions; Use / Occasion: Peace and Justice, Wedding, Psalms, Daily Hours. Part 2. Language: German/English. Composed 1650. 4 pages. Duration 9 min. Published by Carus Verlag (CA.2040022). With Language: German/English. German Psalms; Stuttgart Urtext Editions; Use / Occasion: Peace and Justice, Wedding, Psalms, Daily Hours.

Wo der Herr nicht das Haus bauet (If the Lord build not the dwelling) (aus: Symphoniae Sacrae III). By Heinrich Schutz (1585-1672). Edited by Gunter Graulich. Arranged by Paul Horn. For SSB Favorit-Chor (Antiphonal/Chamber Choir), Violin, Horn/Zink (Violin), Contrabass, Organ, [Capell-Chor: SATB, 4 Instr]. SWV 400 (op. 12 no. 3). Score available separately - see item CA.2040000. German Psalms; Stuttgart Urtext Editions; Use / Occasion: Peace and Justice, Wedding, Psalms, Daily Hours. Part 3. Language: German/English. Composed 1650. 4 pages. Duration 9 min. Published by Carus Verlag (CA.2040023). With Language: German/English. German Psalms; Stuttgart Urtext Editions; Use / Occasion: Peace and Justice, Wedding, Psalms, Daily Hours.

Wo der Herr nicht das Haus bauet (If the Lord build not the dwelling) (aus: Symphoniae Sacrae III). By Heinrich Schutz (1585-1672). Edited by Gunter Graulich. Arranged by Paul Horn. For SSB Favorit-Chor (Antiphonal/Chamber Choir), Violin, Horn/Zink (Violin), Contrabass, Organ, [Capell-Chor: SATB, 4 Instr]. SWV 400 (op. 12 no. 3). Score available separately - see item CA.2040000. German Psalms; Stuttgart Urtext Editions; Use / Occasion: Peace and Justice, Wedding, Psalms, Daily Hours. Part 4. Language: German/English. Composed 1650. 2 pages. Duration 9 min. Published by Carus Verlag (CA.2040024). With Language: German/English. German Psalms; Stuttgart Urtext Editions; Use / Occasion: Peace and Justice, Wedding, Psalms, Daily Hours.

For double bass and ensemble. This is an amusing avant-garde work calling for grunts and murmurs from the players. 'Should have instant appeal'. Music Making.Parts only.

Witness: Six Original Compositions in Spiritual Style for Baritone and Double Bass. (Baritone and Double Bass). By David N. Baker. For Baritone, Double Bass (Baritone/Bass). LKM Music. 60 pages. Hal Leonard #X815002. Published by Hal Leonard (HL.42212).

With Heart and Voice by David Gillingham. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Bb Clarinet 1, 2, 3, Bass Clarinet, Contrabass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1/2, F Horn 3/4, Trombone 1/2, Bass Trombone, Euphonium, Tuba, Piano, Timpa). Grade 4. Score and parts. Duration 9:00. Published by C. Alan Publications (CN.05320). With Heart & Voice was commissioned by Apple Valley High School Bands, Scott A. Jones, director (Apple Valley, Minnesota), to commemorate the 25th year of existence of this high school. Apple Valley High School's strong commitment to the arts was a major factor in my decision to take on this commission. After visiting the school in December of 2000 and meeting many of the students, faculty, and administrators, I became greatly inspired.Thematically, the work is based on the Apple Valley High School Alma Mater, an old Spanish hymn which has made its way into most church hymnals under the name of "Come, Christians, Join to Sing." It is perhaps fate that this hymn, a particular favorite of mine, happens to be the tune used for the Alma Mater. Christian Henry Bateman wrote the words for the hymn in 1843 and the first verse contains the line, "Let all, with heart and voice, before his throne rejoice." Hence, the title, With Heart and Voice. What better way to celebrate 25 years of this great high school than with our "hearts" and "voices." The "voice" in this case is the music and the "heart" is the emotion that the music renders in celebration. Although the work is largely celebratory in nature, it begins with a feeling of reticence and apprehension, much like the beginnings of Apple Valley High School. It was at one time only an idea or perhaps only a sketch in the mind of the architect. Small fragments of the Alma Mater are heard in the opening moments of the piece. The piece gains momentum, texture and volume in this opening section culminating in a dramatic statement of the first four notes of the theme. A calmness follows and a lyrical flute solo enters. This new material represents the uniqueness of the "mission" of a new school which will have roots in academic excellence and commitment to the visual and performing arts. The euphonium echoes the flute and soon more instruments join in and the section culminates with a dramatic fanfare. This is followed by a transitional section with much dissonance and rhythmic activity, equated to the challenge of bringing life to this new school. A glorious statement of the Alma Mater follows signifying the dedication of Apple Valley High School, twenty five years ago. The ensuing section begins as a fugue with underlying unsettling rhythmic activity in the percussion. The obvious reference of this section is the challenge-maintaining the goals and mission of the high school. The section becomes frantic and desperate, but soon subsides into peacefulness. The peacefulness is stated by the marriage of the "Alma Mater " theme and the "Mission" theme. . .after all, for the High School to survive, it must never forget its mission. An extended finale follows which celebrates both themes in playful, joyful, and dramatic exuberance.

With Heart and Voice by David Gillingham. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Bb Clarinet 1, 2, 3, Bass Clarinet, Contrabass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1/2, F Horn 3/4, Trombone 1/2, Bass Trombone, Euphonium, Tuba, Piano, Timpa). Band Music. Grade 4. Score only. Duration 9:00. Published by C. Alan Publications (CN.05321). With Heart & Voice was commissioned by Apple Valley High School Bands, Scott A. Jones, director (Apple Valley, Minnesota), to commemorate the 25th year of existence of this high school. Apple Valley High School's strong commitment to the arts was a major factor in my decision to take on this commission. After visiting the school in December of 2000 and meeting many of the students, faculty, and administrators, I became greatly inspired.Thematically, the work is based on the Apple Valley High School Alma Mater, an old Spanish hymn which has made its way into most church hymnals under the name of "Come, Christians, Join to Sing." It is perhaps fate that this hymn, a particular favorite of mine, happens to be the tune used for the Alma Mater. Christian Henry Bateman wrote the words for the hymn in 1843 and the first verse contains the line, "Let all, with heart and voice, before his throne rejoice." Hence, the title, With Heart and Voice. What better way to celebrate 25 years of this great high school than with our "hearts" and "voices." The "voice" in this case is the music and the "heart" is the emotion that the music renders in celebration. Although the work is largely celebratory in nature, it begins with a feeling of reticence and apprehension, much like the beginnings of Apple Valley High School. It was at one time only an idea or perhaps only a sketch in the mind of the architect. Small fragments of the Alma Mater are heard in the opening moments of the piece. The piece gains momentum, texture and volume in this opening section culminating in a dramatic statement of the first four notes of the theme. A calmness follows and a lyrical flute solo enters. This new material represents the uniqueness of the "mission" of a new school which will have roots in academic excellence and commitment to the visual and performing arts. The euphonium echoes the flute and soon more instruments join in and the section culminates with a dramatic fanfare. This is followed by a transitional section with much dissonance and rhythmic activity, equated to the challenge of bringing life to this new school. A glorious statement of the Alma Mater follows signifying the dedication of Apple Valley High School, twenty five years ago. The ensuing section begins as a fugue with underlying unsettling rhythmic activity in the percussion. The obvious reference of this section is the challenge-maintaining the goals and mission of the high school. The section becomes frantic and desperate, but soon subsides into peacefulness. The peacefulness is stated by the marriage of the "Alma Mater " theme and the "Mission" theme. . .after all, for the High School to survive, it must never forget its mission. An extended finale follows which celebrates both themes in playful, joyful, and dramatic exuberance.

Wisconsin Soundscapes by Roger Cichy. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bb Clarinet 1, Bb Clarinet 2/3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2/3, F Horn 1/2, Trombone 1/2, Trombone 3, Euphonium, Tuba, String Bass, Timpani, Percussion 1 (). Grade 4. Score and parts. Duration 8:40. Published by C. Alan Publications (CN.05360). Written in honor of the 150th anniversary of Wisconsin statehood, Cichy's "Wisconsin Soundscapes" opens with a stately trumpet fanfare, then moves into a Copland-esque folk song romp tinged with toe-tapping rhythms and hummable melodies.

Wisconsin Soundscapes by Roger Cichy. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bb Clarinet 1, Bb Clarinet 2/3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2/3, F Horn 1/2, Trombone 1/2, Trombone 3, Euphonium, Tuba, String Bass, Timpani, Percussion 1 (). Grade 4. Score only. Duration 8:40. Published by C. Alan Publications (CN.05361). Written in honor of the 150th anniversary of Wisconsin statehood, Cichy's "Wisconsin Soundscapes" opens with a stately trumpet fanfare, then moves into a Copland-esque folk song romp tinged with toe-tapping rhythms and hummable melodies.

Wir sind die Musikanten. (Eine kleine Instrumentenschau). By Gerhard Maasz (1906-1984). For orchestra; children's choir (2 unison voices) and speaker ad lib. (flute I/II (piccolo), oboe I/II, English horn, clarinet I/II, bassoon I/II (contrabassoon), horn I/II, trumpet-c I/II, trombone, tuba ad lib., timpani, 4 percussion, harp, celesta (piano), 4 violin I/II, 2 violas, 2 cellos, 2 double basses). This edition: CON 184-50. Choral Music. Concertino (Chamber Orchestra). Grade 3-4. Set of parts. Text language: German. 142 pages. Duration 15 minutes. Published by Schott Music (SD.49001882). ISBN 9790001024686. With Text language: German. Gerhard Maasz studierte Komposition bei Paul Graener und stand der Jugendmusikbewegung um Fritz Jode nahe. In der 1977 entstandenen "kleinen Instrumentenschau" verwendet er das bekannte Volkslied "Wir sind die Musikanten" (das von einem einstimmigen Chor mitgesungen werden kann) und stellt die einzelnen Orchesterinstrumente systematisch vor. Ein Werk fur Kinder- und Schulkonzerte, das Spielern und Horern auf heitere Weise Einblick in den Aufbau des Orchesters gibt.

Wir sind die Musikanten. (Eine kleine Instrumentenschau). By Gerhard Maasz (1906-1984). For orchestra; children's choir (2 unison voices) and speaker ad lib. (2 violin I/II, viola, cello, double bass). This edition: CON 184-60. Choral Music. Concertino (Chamber Orchestra). Grade 3-4. Set of supplemental string parts. Text language: German. 30 pages. Duration 15 minutes. Published by Schott Music (SD.49001883). ISBN 9790001024693. With Text language: German. Gerhard Maasz studierte Komposition bei Paul Graener und stand der Jugendmusikbewegung um Fritz Jode nahe. In der 1977 entstandenen "kleinen Instrumentenschau" verwendet er das bekannte Volkslied "Wir sind die Musikanten" (das von einem einstimmigen Chor mitgesungen werden kann) und stellt die einzelnen Orchesterinstrumente systematisch vor. Ein Werk fur Kinder- und Schulkonzerte, das Spielern und Horern auf heitere Weise Einblick in den Aufbau des Orchesters gibt.

Wir glauben all an einen Gott (We all believe in one true God) (Choralkantate). By Felix Mendelssohn Bartholdy / Martin Luther. Edited by Gunter Graulich. For SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, 2 cellos, double bass, [organ]. This edition: paperbound. Cantatas; Stuttgart Urtext Editions. Level 3. Score. Language: German/English. Composed 1831. 40 pages. Duration 8 min. Published by Carus Verlag (CA.4018700). ISBN M-007-06444-0. With Language: German/English. Cantatas; Stuttgart Urtext Editions.

Wir glauben all an einen Gott (We all believe in one true God) (Choralkantate). By Felix Mendelssohn Bartholdy / Martin Luther. Edited by Gunter Graulich. For SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, 2 cellos, double bass, [organ]. Score available separately - see item CA.4018700. Cantatas; Stuttgart Urtext Editions. Level 3. Choral score. Language: German/English. Composed 1831. 8 pages. Duration 8 min. Published by Carus Verlag (CA.4018705). ISBN M-007-06445-7. With Language: German/English. Cantatas; Stuttgart Urtext Editions.

Wir glauben all an einen Gott (We all believe in one true God) (Choralkantate). By Felix Mendelssohn Bartholdy / Martin Luther. Edited by Gunter Graulich. For SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, 2 cellos, double bass, [organ]. Score available separately - see item CA.4018700. Cantatas; Stuttgart Urtext Editions. Level 3. Set of instrumental parts (except strings). Language: German/English. Composed 1831. 44 pages. Duration 8 min. Published by Carus Verlag (CA.4018709). ISBN M-007-06446-4. With Language: German/English. Cantatas; Stuttgart Urtext Editions.

Wir glauben all an einen Gott (We all believe in one true God) (Choralkantate). By Felix Mendelssohn Bartholdy / Martin Luther. Edited by Gunter Graulich. For SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, 2 cellos, double bass, [organ]. Score available separately - see item CA.4018700. Cantatas; Stuttgart Urtext Editions. Level 3. Part: Violin 1. Language: German/English. Composed 1831. 4 pages. Duration 8 min. Published by Carus Verlag (CA.4018711). ISBN M-007-06447-1. With Language: German/English. Cantatas; Stuttgart Urtext Editions.

Wir glauben all an einen Gott (We all believe in one true God) (Choralkantate). By Felix Mendelssohn Bartholdy / Martin Luther. Edited by Gunter Graulich. For SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, 2 cellos, double bass, [organ]. Score available separately - see item CA.4018700. Cantatas; Stuttgart Urtext Editions. Level 3. Part: Violin 2. Language: German/English. Composed 1831. 4 pages. Duration 8 min. Published by Carus Verlag (CA.4018712). ISBN M-007-06448-8. With Language: German/English. Cantatas; Stuttgart Urtext Editions.

Wir glauben all an einen Gott (We all believe in one true God) (Choralkantate). By Felix Mendelssohn Bartholdy / Martin Luther. Edited by Gunter Graulich. For SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, 2 cellos, double bass, [organ]. Score available separately - see item CA.4018700. Cantatas; Stuttgart Urtext Editions. Level 3. Part: Viola. Language: German/English. Composed 1831. 4 pages. Duration 8 min. Published by Carus Verlag (CA.4018713). ISBN M-007-06449-5. With Language: German/English. Cantatas; Stuttgart Urtext Editions.

Wir glauben all an einen Gott (We all believe in one true God) (Choralkantate). By Felix Mendelssohn Bartholdy / Martin Luther. Edited by Gunter Graulich. For SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, 2 cellos, double bass, [organ]. Score available separately - see item CA.4018700. Cantatas; Stuttgart Urtext Editions. Level 3. Part: Violoncello/Contrabass. Language: German/English. Composed 1831. 4 pages. Duration 8 min. Published by Carus Verlag (CA.4018714). ISBN M-007-06450-1. With Language: German/English. Cantatas; Stuttgart Urtext Editions.

Wir glauben all an einen Gott (We all believe in one true God) (Choralkantate). By Felix Mendelssohn Bartholdy / Martin Luther. Edited by Gunter Graulich. For SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, 2 cellos, double bass, [organ]. Score available separately - see item CA.4018700. Cantatas; Stuttgart Urtext Editions. Level 3. Part: Oboe 1. Language: German/English. Composed 1831. 4 pages. Duration 8 min. Published by Carus Verlag (CA.4018721). With Language: German/English. Cantatas; Stuttgart Urtext Editions.

Wir glauben all an einen Gott (We all believe in one true God) (Choralkantate). By Felix Mendelssohn Bartholdy / Martin Luther. Edited by Gunter Graulich. For SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, 2 cellos, double bass, [organ]. Score available separately - see item CA.4018700. Cantatas; Stuttgart Urtext Editions. Level 3. Part: Oboe 2. Language: German/English. Composed 1831. 4 pages. Duration 8 min. Published by Carus Verlag (CA.4018722). With Language: German/English. Cantatas; Stuttgart Urtext Editions.

Wir glauben all an einen Gott (We all believe in one true God) (Choralkantate). By Felix Mendelssohn Bartholdy / Martin Luther. Edited by Gunter Graulich. For SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, 2 cellos, double bass, [organ]. Score available separately - see item CA.4018700. Cantatas; Stuttgart Urtext Editions. Level 3. Part: Clarinet 1. Language: German/English. Composed 1831. 4 pages. Duration 8 min. Published by Carus Verlag (CA.4018723). With Language: German/English. Cantatas; Stuttgart Urtext Editions.

Wir glauben all an einen Gott (We all believe in one true God) (Choralkantate). By Felix Mendelssohn Bartholdy / Martin Luther. Edited by Gunter Graulich. For SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, 2 cellos, double bass, [organ]. Score available separately - see item CA.4018700. Cantatas; Stuttgart Urtext Editions. Level 3. Part: Clarinet 2. Language: German/English. Composed 1831. 4 pages. Duration 8 min. Published by Carus Verlag (CA.4018724). With Language: German/English. Cantatas; Stuttgart Urtext Editions.

Wir glauben all an einen Gott (We all believe in one true God) (Choralkantate). By Felix Mendelssohn Bartholdy / Martin Luther. Edited by Gunter Graulich. For SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, 2 cellos, double bass, [organ]. Score available separately - see item CA.4018700. Cantatas; Stuttgart Urtext Editions. Level 3. Part: Bassoon 1. Language: German/English. Composed 1831. 4 pages. Duration 8 min. Published by Carus Verlag (CA.4018725). With Language: German/English. Cantatas; Stuttgart Urtext Editions.