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Suite e-Moll (aus der "Tafelmusik"). By Georg Philipp Telemann (1681-1767). Edited by Oliver Nagy. For 2 flutes, strings and basso continuo (5 violin I, 5 violin II, 3 violas, 3 cellos, 2 double basses). This edition: CON 155-70. Orchestra Music. Concertino (Chamber Orchestra). Grade 3. Set of parts. 208 pages. Duration 30 minutes. Published by Schott Music (SD.49027378). ISBN 9790001117418.
$111.95

Pages: 208
Instruments: Flute, Violin, Cello, Viola, Double Bass, Piano and Keyboard, Woodwinds, Strings
Genres: Classical, Baroque Period
Romanian Dances [Roman Nepi Tancok, Sz. 56] by Bela Bartok (1881-1945). For Wind Symphony or Band (45 players): 3+1, 2+1, 6+2+contrabassoon, 2+1 - AATBt saxophone - 4, 6, 3+euphonium, 2 - timpani, percussion(4), double bass. Dances; Suites; Transcriptions. Masters Symphonic Band Concert Band. 20th Century; Romanian. Grade 4. Score and set of parts. Composed 1915/1995. Duration 7 minutes. Published by Masters Music Publications Inc. (MT.M9050-SET).
$110.40

Instruments: Saxophone, Bassoon, Double Bass, Euphonium, Percussion, Timpani, Woodwinds, Strings, Brass
Genres: 20th Century, Hungarian, Classical, World
KraftHammer by Daniel McCarthy. Arranged by Michael Brand. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Bb Clarinet 1, 2, 3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1/2, F Horn 3/4, Trombone 1/2, Trombone 3, Euphonium, Tuba, String Bass (optional), Timpani,). Grade 6. Score and parts. Duration 6:00. Published by C. Alan Publications (CN.03290). Commissioned by The College of Arts and Sciences at Indiana State University for the dedication of the university's new Fine and Performing Arts building.For a year, the composer observed the flurry of activity and the tremendous sounds in and around the construction site for Indiana State University's new Fine and Performing Arts building. Thus, the piece is dedicated to the workers who built the building--who toiled with great hammers and mechanical devices--to the human effort to make a structure rise.
$110.40

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, Double Bass, B-Flat Trumpet, Trombone, Euphonium, Percussion, Timpani, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Strings, Trumpet
Symphonies of Gaia by Jayce John Ogren. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bb Clarinet 1/2, Bb Clarinet 3/4, Bass Clarinet, Contrabass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bassoon 1/2, Horn 1/3, Horn 2/4, Bb Trumpet 1/2, Bb Trumpet 3/4, Trombone 1/2, Trombone 3/4, Eupho). Grade 5. Score and parts. Duration 7:40. Published by C. Alan Publications (CN.05290). The title of the work uses language of the ancient Greeks. Symphonies refers not to an established genre or form, but simply means "a sounding together." Gaia is the Titan goddess of the earth in Greek mythology, and has since become a universal symbol for ecological stewardship and wisdom. My most sincere hope is that Symphonies of Gaia will, in some form, inspirit others to understand and take action against the environment crises we now so desperately face.- Jayce John OgrenNOTES FROM DAVID R. GILLINGHAMWhen I first heard Symphonies of Gaia, it was performed by the St. Olaf Wind Ensemble conducted by the composer. The faculty conductor of this fine ensemble, Dr. Timothy Mahr, is a first-rate composer, himself, and was also the composition teacher of the composer, Jayce Ogren. I am sure that the excellent craftsmanship of this work was directly influenced by Dr. Mahr. I found this work to be mesmerizing and I was immediately drawn into the emotion of the piece. Quite frankly, I wish I had written the piece! Consequently, I felt that this piece should launch the premiere of the Gillingham Signature Series.Symphonies of Gaia is the essence of musical integrity. It expresses some very deep feelings by the composer. The scoring is extremely creative and the craftsmanship is first rate. So much is said in the relatively short duration of the work. It is music on a high level that will challenge and inspire. Here is a work that will sustain itself in the repertoire for years to come.- David R. Gillingham.
$110.40

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, Double Bass, B-Flat Trumpet, Trombone, Woodwinds, Clarinet, Saxophone, Brass, Strings, Trumpet
With Heart and Voice by David Gillingham. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Bb Clarinet 1, 2, 3, Bass Clarinet, Contrabass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1/2, F Horn 3/4, Trombone 1/2, Bass Trombone, Euphonium, Tuba, Piano, Timpa). Grade 4. Score and parts. Duration 9:00. Published by C. Alan Publications (CN.05320). With Heart & Voice was commissioned by Apple Valley High School Bands, Scott A. Jones, director (Apple Valley, Minnesota), to commemorate the 25th year of existence of this high school. Apple Valley High School's strong commitment to the arts was a major factor in my decision to take on this commission. After visiting the school in December of 2000 and meeting many of the students, faculty, and administrators, I became greatly inspired.Thematically, the work is based on the Apple Valley High School Alma Mater, an old Spanish hymn which has made its way into most church hymnals under the name of "Come, Christians, Join to Sing." It is perhaps fate that this hymn, a particular favorite of mine, happens to be the tune used for the Alma Mater. Christian Henry Bateman wrote the words for the hymn in 1843 and the first verse contains the line, "Let all, with heart and voice, before his throne rejoice." Hence, the title, With Heart and Voice. What better way to celebrate 25 years of this great high school than with our "hearts" and "voices." The "voice" in this case is the music and the "heart" is the emotion that the music renders in celebration. Although the work is largely celebratory in nature, it begins with a feeling of reticence and apprehension, much like the beginnings of Apple Valley High School. It was at one time only an idea or perhaps only a sketch in the mind of the architect. Small fragments of the Alma Mater are heard in the opening moments of the piece. The piece gains momentum, texture and volume in this opening section culminating in a dramatic statement of the first four notes of the theme. A calmness follows and a lyrical flute solo enters. This new material represents the uniqueness of the "mission" of a new school which will have roots in academic excellence and commitment to the visual and performing arts. The euphonium echoes the flute and soon more instruments join in and the section culminates with a dramatic fanfare. This is followed by a transitional section with much dissonance and rhythmic activity, equated to the challenge of bringing life to this new school. A glorious statement of the Alma Mater follows signifying the dedication of Apple Valley High School, twenty five years ago. The ensuing section begins as a fugue with underlying unsettling rhythmic activity in the percussion. The obvious reference of this section is the challenge-maintaining the goals and mission of the high school. The section becomes frantic and desperate, but soon subsides into peacefulness. The peacefulness is stated by the marriage of the "Alma Mater " theme and the "Mission" theme. . .after all, for the High School to survive, it must never forget its mission. An extended finale follows which celebrates both themes in playful, joyful, and dramatic exuberance.
$110.40

Instruments: Piano, Baritone Voice, Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, Double Bass, B-Flat Trumpet, Bass Trombone, Euphonium, Percussion, Tuba, Piano and Keyboard, Voice, Vocal, Woodwinds, Clarinet, Saxophone, Brass, Strings, Trumpet, Trombone
Dreamscapes by Jim Colonna. Arranged by Geoffrey Brand. For Concert Band (Piccolo 1/2, Flute 1, 2, 3, Oboe, English Horn, Bassoon, Contrabassoon, Eb Clarinet, Bb Clarinet 1, Bb Clarinet 2/3, Bb Bass Clarinet, Eb Contrabass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Solo Alto Saxophone, Bb Trumpet 1, 2, 3). Grade 5. Score and parts. Duration 12:15. Published by C. Alan Publications (CN.07820). I. Clouds: A Dreamer falls asleep while watching clouds drift by on top of a high mountain. he is awakened in a separate reality where it rains in multi-color vapors.II. The Sea: The Dreamer dreams of being in a lrage sea on a small boat. He is tossed about by the waves and finds himself floating in the extraterrestrial twilight. He dreams of floating thgouh the night sky at great speeds.III. The Blue House: The Dreamer finds himself traveling to a big old blue house. Once inside he hears various forms of music, he opens the room door and sees a baby singing a lullaby to its mother, observes Jazz legends and sees the ghosts of music history floating throughout the corridors.- Jim Colonna.
$110.40

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, English Horn, Double Bass, B-Flat Trumpet, Woodwinds, Clarinet, Saxophone, Strings, Trumpet, Brass
Nebula by Gregory Danner. Arranged by J. Turrin. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, English Horn, Bassoon 1/2, Clarinet 1/2, Clarinet 3/4, Clarinet 5/6, Bass Clarinet, Contrabass Clarinet, Contrabassoon, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1/2, Bb Trumpet 3/4, Bb Trumpet 5/6, ). Grade 5. Score and parts. Duration 22:00. Published by C. Alan Publications (CN.08110). Nebula are perhaps the most wondrous objects in the heavens. Comprised of gases and dust which glow with striking color, these dynamic regions are the birthplaces of stars and solar systems.The Rosette Nebula in the constellation Monoceros surrounds a bright cluster of stars - the result of star formation from the material of the nebula. Rosette is one of the largest and most massive nebulas in the Milky Way, estimated to have a diameter of some 55 light years and a mass of over 11,000 suns. The clear region in the middle is thought to be the result of the exhaustion of the nebula material following the formation of the central star cluster. Radiation from these newly-formed stars is "blowing away' the remaining material, resulting in the formation of the circular, gepmetric appearance. The music reflects both the calm and the intensity of this beautiful "Prism of the Heavens."Trifid gets its name from the three-part division which segments the nebula. The central star is actually a small group of at least six stars which illuminate the surrounding material. Located in Sagitarius, Trifid is a very distant 5,200 light years from earth. The image resembles the human figure, with limbs extended as a dancer in motion. The music is light and exuberant, becoming increasingly animated to the end.The "Great Nebula" in Orion appears as the middle star in the warrior's sword. Over 1,600 light years from earth, this nebula is spread across about 30 light years of space and is a very active region for star formation. The image invokes a feeling of preimeval nature - the revelation of creation. Tennyson offers poetic description of this nebula:Regions of lucid matter taking form,Brushes of fire, hazy gleams,Clusters and beds of worlds, and bee-like swarmsOf suns and starry streams.The music reflects the sense of wonder and contemplation humanity shares in viewing this magnificent region of the universe.- Greg Danner.
$110.40

Instruments: Flute, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, English Horn, Double Bass, B-Flat Trumpet, Woodwinds, Clarinet, Saxophone, Strings, Trumpet, Brass
Illusions by Jim Colonna. For Concert Band (Piccolo, Flute 1/2, Oboe, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Bass Clarinet, Eb Contrabass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Trumpet 1/2, Trumpet 3/4, Horn 1/2, Horn 3/4, Trombone 1/2, Trombone 3, Bass Trombone, Eupho). Grade 4. Score and parts. Duration 15:30. Published by C. Alan Publications (CN.08180). In 1993, I attended a workshop where Eugene Corporon shared his ideas on performance and life from a book by Richard Bach called "Illusions." Mr. Corporon's talk gave me some ideas about where I was as a young conductor and how I was in a position to change the world. However, shamefully, I did not read Bach's book until 1996. After reading the text I was inspired to take hold of my hidden potentials. I began magnetizing what I wanted in my life and what I did not need. This caused some broken relationships with people that seemed to sidetrack me on my way to success. I re-read Illusions in 2001 as I graduated from the University of North Texas where I studied conducting with Mr. Corporon, a truly unforgettable experience.In 2002, Andrew Trachsel wanted to commission a new band piece. I decided after my experiences to set impressions of Illusions and so here is the birth of a new work. The piece is based on impressions rather than exact storytelling elements.I. Donald Shimoda, a Mechanic in IndianaContains my first amazement at the simplicity of this text. Donald (the Messiah) is captured in a flood of both man and nature. He vanishes and then quickly reappears in the world of Richard Bach, a barnstorming pilot.II. FlyingBach sets the book in his world of free airplane rides and barnstorming. His mysterious friend flies an outdated beautiful plane that seems bug-free. It is here that Shimoda cures a disabled person and the crowd begins to build in wonderment. Similar to crowds of early Christian believers, the Messiah is admired and then mobbed and soon to be put to death. Richard escapes in the very last measure of this movement. Richard flees and lands in a field 100 miles away.III. Miracles & RevelationsRichard, believing he is safe from the mob, is soon startled by the sound of the old plane flown by Shimoda. it is here that truly inspiring thoughts are presented in the Messiah Handbook. Richard begins to realize his own destiny is in his hands and that we are all, as Donald, our own Messiah. Richard learns to poof clouds and to magnetize a blue feather. Donald once again finds his imminent demise is approaching and leaves Richard on his own to figure out his own life ... after all, it is all illusions.- Jim Colonna.
$110.40

Instruments: Flute, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, Double Bass, B-Flat Trumpet, Bass Trombone, Woodwinds, Clarinet, Saxophone, Brass, Strings, Trumpet, Trombone
Providence by David Gillingham. Arranged by Geoffrey Brand. For Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1/2, Bassoon 1/2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bass Clarinet, Eb Contrabass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, Horn 1/2, Horn 3/4, Tr). Grade 5. Score and parts. Duration 9:50. Published by C. Alan Publications (CN.09960). Providence was commissioned by the Michigan State University Bands, John Whitwell, conductor. The work was originally to be in honor of the retirement of long time Theory Professor, Dr. Ted Johnson. Unfortunately, Dr. Johnson passed away on April 21, 2003, before any sketches of the new work had begun. I had spoke with Dr. Johnson some months before his death about the work that would be in his honor, asking him what kind of work he thought I should write. His response was basically to leave the creative endeavor in my hands as he knew and admired my music. He did add, however, that he was a bit old fashioned and had an affinity for the dramatic music of the Romantic period, especially the soaring horn parts written by Richard Strauss. As it turns out, I have featured the horn section in this work.Dr. Johnson touched a multitude of lives during his career. I was but one of hundreds of graduate students that was positively touched by his humanity and superb teaching skills. I will be eternally grateful, as will so many others. Richard Blatti, Associate Director of Bands at The Ohio State University sums up his feelings for Dr. Johnson as follows:"...it's more than theoretical concepts or analytical techniques that you taught me. You gave me such inspiration, a renewed love for learning, a fresh approach to problem-solving. . .and the greatest gift of all. . .you taught me how to teach."Dr. Johnson lived an extraordinary life and had such a major influence on so many other lives. His wonderful life and the gifts that he passed on were no accident. John Whitwell, Director of Bands at Michigan State University, has told me that such things happen because of "divine guidance" or "providence". This is the derivation for the title of the work.Ted Johnson authored two books, which were analyses of J. S. Bach's Two-Part and Three-Part Inventions. We all knew how much he revered the work of Bach. Three works by J. S. Bach were performed at his memorial service on April 24, 2003. One of these works, the aria Bist du bei mir ("Stay Thou Nearby"), is perhaps one of Bach's most beloved melodies. I chose this work to be the centerpiece for all the melodic material in Providence.The work begins in a sort of questioning fashion, as a man questions the meaning of his own life. The oboe sings the first four notes of the aria (Bist du bei mir) with an octave displacement of the fourth note. This motive is heard throughout the piece. The mystery and questioning grows and segues into a murmur by clarinets and marimba over which a can ensues on motives derived from the aria. At the conclusion of the canon, low brass state the beginning of the aria and a fugato on the first four notes of the aria follows. The fugato concludes with dissonant confusion but resolves into consonance and leads to a lovely statement by solo flute accompanied by harp. The melodic material for the flute solo is new and its lyrical and expressive quality alludes to spirituality and the meaning of life that we all seek. Turmoil follows as if to remind us of the ultimate reality of the tribulations of life. Counterpoint and dissonance abound in this section along with a pounding solo by timpani leading to a dark march on the first three notes of the aria. The march grows incessantly and finally leads to a joyous entrance of the aria theme by the horns and is now joined by the flute solo heard earlier, this time in the low brass. Woodwinds accompany on a sort of ostinato fashioned from aria motives. The section affirms that providence does, in fact, exist in our lives. A quiet benediction brings the work to closure.- DRG.
$110.40

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, Double Bass, B-Flat Trumpet, Woodwinds, Clarinet, Saxophone, Brass, Strings, Trumpet
Dances from the Age of Aquarius by Carolyn Bremer. For Concert Band (Piccolo, Flute 1/2, Oboe, Bassoon, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Bass Clarinet, Contrabass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1/2, Trumpet in Bb 3, Horn in F 1/2, Horn in F 3/4, Trombon). Band Music. Maestro Band Series. Grade 4. Score and parts. Duration 11:00. Published by C. Alan Publications (CN.11260). Dances from the Age of Aquarius is based on common dances of the 1960s: the mambo, twist, slow dance, and surf rock.
$110.40

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, Double Bass, B-Flat Trumpet, Woodwinds, Clarinet, Saxophone, Brass, Strings, Trumpet
Die Stucke der Windrose: Sudwesten by Mauricio Kagel (1931-). Contemporary Medium Ensemble. For Clarinet, percussion, piano, harmonium (2 players), 2 violin, viola, cello, doublebass. Modern. Score. Composed Composed: 1993. Duration 17 minutes. Published by Edition Peters (PE.P08778).
$110.00

Instruments: Piano, Clarinet, Violin, Cello, Viola, Double Bass, Percussion, Harmonium, Piano and Keyboard, Woodwinds, Strings
Genres: 20th Century, Argentinian, Classical, Latin
Die Stucke der Windrose: Westen by Mauricio Kagel (1931-). Contemporary Medium Ensemble. For Clarinet, percussion, piano, harmonium (2 players), 2 violin, viola, cello, doublebass. Modern. Score. Composed Composed: 1994. Duration 20 minutes. Published by Edition Peters (PE.P08868).
$110.00

Instruments: Piano, Clarinet, Violin, Cello, Viola, Double Bass, Percussion, Harmonium, Piano and Keyboard, Woodwinds, Strings
Genres: 20th Century, Argentinian, Classical, Latin
Die Stucke der Windrose: Norden by Mauricio Kagel (1931-). Contemporary Medium Ensemble. For Clarinet, percussion, piano, harmonium (2 players), 2 violin, viola, cello, doublebass. Modern. Score. Composed Composed: 1994. Duration 20 minutes. Published by Edition Peters (PE.P08871).
$110.00

Instruments: Piano, Clarinet, Violin, Cello, Viola, Double Bass, Percussion, Harmonium, Piano and Keyboard, Woodwinds, Strings
Genres: 20th Century, Argentinian, Classical, Latin
Berbol Suite by Claire Vazart. For flute, piano, drum and contrabass. This edition: spiral-bound. Chamber music. G Major. Modern. (5 to 6/8) moderately hard to moderately difficult. Conductor's score and parts. 72 (score) + 172 (4 part.). Duration 40 minutes. Published by Editions Delatour France (D2.DLT1212). ISBN 979-2321-00409-6. Modern. 21 x 29.7 cm inches. Poursuivant sa quete d'eclectisme et de metissage, Claire VAZART nous propose un hommage a Claude BOLLING avec sa composition originale Berbol Suite. Il s'agit d'une suite pour flute traversiere, piano, basse et batterie ou sept pieces melent le langage classique a celui du jazz. Poursuing her quest of eclectism and mixture, Claire VAZART offers us a tribute to Claude BOLLING with her original composition Berbol Suite. It's a suite for flute, piano, bass and drums in which seven pieces mixed classical language to that of jazz.
$109.95

Instruments: Piano, Flute, Double Bass, Percussion, Piano and Keyboard, Woodwinds, Strings
Divertimento cembalo and 8 strings by Daniele Zanettovich (1950-). For contrabass and 8 strings. Published by Pizzicato Verlag (PZ.N-405).
$108.95

Instruments: Double Bass, Strings
Genres: 20th Century, Classical
Concerto Etoiles by Thierry Alla. For Percussion, Piano, Clarinet in Bb, Violin, Viola, Flute, Trumpet, Trombone, Cello, Horn in F and Double Bass. This edition: Instrumental. Small ensemble music. Grade 6. Conductor's score & Parts. 35 pages. Duration 9 minutes. Published by Anne Fuzeau Productions - France (FZ.3090). ISBN M230630900. 21 x 29.7 cm inches. Percussions, Piano, Clarinet in Bb, Violin, Viola, Flute, Trumpet, Trombone, Cello, Horn in F and Double Bass.
$108.95

Pages: 35
Instruments: Piano, Flute, B-Flat Clarinet, Horn, Violin, Cello, Viola, Double Bass, B-Flat Trumpet, Trombone, Percussion, Piano and Keyboard, Woodwinds, Clarinet, Brass, Strings, Trumpet
Genres: Classical
Faham - 1ere symphonie pour orchestre by Bernard Carlosema. Orchestra. For Flutes 1-2, Clarinet in Bb 1-2, Oboes 1-2, Bassoons 1-2, Horns in F 1-2, Horns in F 3-4, Trumpets in C 1-2, Trumpet in C 3, Trombones 1-2, Trombone 3, Bass flute in C, English horn in F, Bass clarinet in Bb, Double bassoon, Tuba in C, Harp 1, Harp 2, Viol. This edition: Instrumental. Orchestra music. Conductor's score. 36 pages. Duration 16 minutes 30 seconds. Published by Anne Fuzeau Productions - France (FZ.5536). This editorial collection depends to a great extent on the creativity of young composers. This music score was composed by Bernard Carlosema for symphony orchestra. Flutes 1-2Clarinet in Bb 1-2Oboes 1-2Bassoons 1-2Horns in F 1-2Horns in F 3-4Trumpets in C 1-2Trumpet in C 3Trombones 1-2Trombone 3Bass flute in CCor anglais in FBass clarinet in BbDouble bassoonTuba in CHarp 1Harp 2Violins 1 (A-B)Violins 1 (C-D)Violins 2 (A-B)Violins 2 (C-D)Alti (A-B)Alto (C)Cellos (A-B)Cello (C)Double Bass A-B.
$108.95

Pages: 36
Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Bassoon, English Horn, Double Bass, Harp, Trombone, Tuba, C Trumpet, Woodwinds, Clarinet, Strings, Brass, Trumpet
Genres: Classical
Finale mit Kammerensemble by Mauricio Kagel (1931-). Contemporary Large Ensemble/Orchestra. For Flute (Piccolo), Oboe, Clarinet, Bass clarinet, Bassoon, Horn, Trumpet, Trombone, Tuba, Percussion, Piano, Violin, Viola, Cello, Double bass. Modern. Score. Composed Composed: 1981. Duration 22 minutes. Published by Edition Peters (PE.P08599).
$108.00

Instruments: Piano, Piccolo, Bass Clarinet, Oboe, Bassoon, Horn, Violin, Cello, Viola, Double Bass, B-Flat Trumpet, Trombone, Percussion, Tuba, Piano and Keyboard, Flute, Woodwinds, Clarinet, Brass, Strings, Trumpet
Genres: 20th Century, Argentinian, Classical, Latin
Six quatuors : pour deux violons, viola et basse, oeuvre 90 : livre 1, Quatuors 1-3 by Anton Joseph Reicha. For 2 violins, viola and double bass. Chamber music (3-9 instruments). Set of 4 parts. Published by Noten Roehr (NR.19306).
$107.95

Instruments: Violin, Viola, Double Bass, Strings
Die Zauberflote fur Kinder (La flute enchantee pour enfants) by Wolfgang Amadeus Mozart (1756-1791). Arranged by Paul Horn / Christian Boesch / Klaus Nagora. For Soli SSSSSTTBB Voices, Flute, Oboe, Clarinet, Bassoon, Glockenspiel, 2 Violins, Viola, Cello/Contrabass. This edition: paperbound. Opera, Children's Music. Score. Language: German. Composed 1791. 168 pages. Duration 90 min. Published by Carus Verlag (CA.4026300). ISBN M-007-06584-3. With Language: German. Opera, Children's Music. Christian Boesch created this adaptation of Mozart's The Magic Flute specifically for children. Papageno narrates the opera and explains why we have operas, where all words are sung rather than spoken.
$107.95

Pages: 168
Instruments: Voice, Clarinet, Oboe, Bassoon, Violin, Cello, Viola, Double Bass, Glockenspiel, Vocal, Woodwinds, Strings, Percussion
Genres: Classical, Classical Period, Children, Opera, Miscellaneous
Piano Quintet in F Minor Op.41 by Jan Ladislav Dussek (1760-1812). For Violin, Viola, Cello, Double Bass, Piano. Score and parts. Published by Edition Peters (PE.WW0039).
$107.75

Instruments: Piano, Violin, Cello, Viola, Double Bass, Piano and Keyboard, Strings
Genres: Classical Period, Classical
The bloody Te Deum by Juraj Filas. For soprano voice, mixed choir, orchestra, synthesizer and tape (3(piccolo).3(english horn).2.3(contrabass) - 4.4.3.1 - timpani, percussion, harp and strings). Contemporary. 4. Score. Composed 1991. Duration 25'. Published by Editions BIM (ET.V12B).
$106.25

Instruments: Choir, English Horn, Double Bass, Harp, Percussion, Timpani, Soprano Voice, Vocal, Woodwinds, Strings, Voice
Genres: Classical
L'Enfance du Christ (Die Kindheit Christi) (Trilogie sacree). By Hector Berlioz (1803-1869). Edited by Paul Prevost. For Soli STBarB, SATB Choir, 2 Flutes, 2 English Horn, 2 Clarinets, 2 Bassoons, 2 Horns, 4 Trumpets 3 Trombones, Timpani, Harp, 2 Violins, Viola, Cello, Contrabass, Organ. Score available separately - see item CA.7003800. Oratorios; French Sacred Music; Use during the church year: Christmas. Level 3. Set of instrumental parts (except strings). Language: German/French. 25. 140 pages. Duration 95 min. Published by Carus Verlag (CA.7003809). With Language: German/French. Oratorios; French Sacred Music; Use during the church year: Christmas.
$105.95

Pages: 140
Instruments: Choir, Organ, Flute, Clarinet, Bassoon, English Horn, Violin, Cello, Viola, Double Bass, Harp, B-Flat Trumpet, Trombone, Percussion, Timpani, Vocal, Piano and Keyboard, Woodwinds, Strings, Trumpet, Brass
Genres: Christian, Christmas, French, Religious, Miscellaneous, World
A Maritime Overture by John Ireland (1879-1962). For Concert Band (Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe, 1st Bassoon, 2nd Bassoon, Solo Bb Clarinet, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet, Bb Bass Clarinet, Bb Contra Bass Clarinet, Eb Alto Saxophone, Bb Tenor Saxophone, Eb Barito). Band Music. Grade 5. Score and parts. Duration 10:00. Published by C. Alan Publications (CN.R10011). A Maritime Overture was written in 1944 and published in 1946. This edition was published in 1988. The score was prepared from the composer's full draft by Norman Richardson, and uses the same material as "Tritons" - a Symphonic Prelude for orchestra dating from the early 1900s. The development of the material however is different in each piece.The work is conceived in F major - but it is 24 bars before Ireland establishes this tonality. Fortissimo chords of B-flat major open the work, and the Overture hovers between G minor and B-flat as a restless rhythmic motif is introduced.As soon as F major is finally established it is contradicted as the music fragments, but the key is allowed a further 4 bars to consolidate before more lyrical interplay leads to a second idea, introduced by flutes and oboes in C major.Marked 'espressivo e ben cantando' this is a complete contrast to the opening, although the first rhythmic motif provides the underlay - a reminder after the opening storms that the calm surface of the sea is only masking the swirling water underneath."A Maritime Overture" has a freer approach to form than say the first movement of a symphony might allow, enabling Ireland to introduce a totally new central section marked 'poco meno mosso' in F minor. A bold cornet (not trumpet) heralds this new idea, in a passage marked 'with freedom' and perhaps for the only time there is a true tranquility in the sextuplet accompaniment. Thus the restlessness is suspended, but not for long, as the opening storm returns and a recapitulation allows the F major theme and the second theme - this time in the sub-dominant (B-flat) - to reassert themselves.
$105.80

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Tenor Saxophone, Bassoon, Double Bass, Woodwinds, Clarinet, Saxophone, Strings
Genres: 20th Century, Classical