Die Zauberharfe. (Ein Maerchen mit Musik). By Wolfgang Konig. For Soli, div. Speaker, 1-3 part Children's Chorus, flute (piccolo or tin-whistle), 2 violins, horn, accordion, guitar, 1-4 harps, contrabass, percussion. Score available separately - see item CA.1200300. Children's music and musicals. Vocal score. Language: German. Composed 1998. 48 pages. Duration 70 min. Published by Carus Verlag (CA.1200303). With Language: German. Children's music and musicals.

By George Vance. For String bass (Double Bass). Progressive Repertoire. Instructional and Repertoire. Instructional book. Bowings and fingerings. 46 pages. Published by Carl Fischer

(Paraphrase from Trio in A Minor). By Georg Philipp Telemann (1681-1767). Arranged by Robert B. Brown. For Violin I, Violin II, Viola, Cello, Contrabass, Flute, Oboe, Clarinet I, Clarinet II, Bassoon, Alto Saxophone, Tenor Saxophone, Horn, Trumpet I, Trumpet II, Tenor, Tuba, Percussion. Carl Fischer Classic Orchestra Edition. Classical. Full score (large). Standard notation. 8 pages. Duration 2 minutes, 40 seconds. Published by Carl Fischer

Verleih uns Frieden gnadiglich (In thy mercy grant us peace) (Verleih uns Frieden gnadiglich). (Choralkantate). By Felix Bartholdy Mendelssohn (1809-1847). For Version 1: SATB choir, 2 flute, 2 clarinet, 2 bassoon, 2 violin, viola, 2 cello, double bass Version 2 : SATB choir, organ. This edition: paperbound. Cantatas; Stuttgart Urtext Editions; Use / Occasion: Peace and Justice. Level 2. Score. Language: German/Latin. Composed 1831. 24 pages. Duration 6 min. Published by Carus Verlag (CA.4048100). ISBN M-007-06994-0. With Language: German/Latin. Cantatas; Stuttgart Urtext Editions; Use / Occasion: Peace and Justice.

Missa in A (Mass in A major) (Messe en la majeur). ("in nativitate Domini"). By Josef Gabriel Rheinberger. For Orchestra version: SSA choir, flute, 2 violin, viola, cello/double bass, organ Organ version: SSA choir, organ. This edition: paperbound. Score available separately - see item CA.5012600. Latin Masses. Level 3. Organ reduction. Language: Latin. Composed 1881. 126. 20 pages. Duration 20 min. Published by Carus Verlag (CA.5012603). ISBN M-007-07967-3. With Language: Latin. Latin Masses.

Der 95. Psalm (Psalm 95) (Psaume 95) by Felix Bartholdy Mendelssohn (1809-1847). Edited by R. Larry Todd. For Soli SST, SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass, Organ. This edition: paperbound. Score available separately - see item CA.4007300. Cantatas, German Psalms; Stuttgart Urtext Editions; Use / Occasion: Praise and thanks, Psalms. Piano/Vocal score. Language: German/English. Composed 1838. 46. 40 pages. Duration 28 min. Published by Carus Verlag (CA.4007303). ISBN M-007-06072-5. With Language: German/English. Cantatas, German Psalms; Stuttgart Urtext Editions; Use / Occasion: Praise and thanks, Psalms.

Six Airs (17th Century England) - Score and parts by Ward. For 2 Bass Viol and Harpsichord/Organ. String with Keyboard or Continuo. Score and Parts. Published by Dovehouse Editions (MM.VDGS005).

86 Etudes for String Bass-Book 1 (Book 1). By J. Hrabe. Arranged by Franz Simandl. For Double Bass. Classical. Softcover. Standard notation. 31 pages. Published by Carl Fischer (CF.O2947). ISBN 0825804949. With Standard notation. classical.

In this book, bass master Ron Carter illustrates the basic concepts of creating bass lines, while you play along to the CD with an all star rhythm section.

Wohl dem, der den Herren furchtet by Wilhelm Friedemann Bach (1710-1784). Edited by Peter Wollny. For Soli SA, SATB Choir, 2 Violins, Viola, Cello/Contrabass, Organ. Fk 76. Score available separately - see item CA.3207600. Stuttgart Urtext editions. Part: Organ. Language: German. Composed 1752. 12 pages. Duration 11 min. Published by Carus Verlag (CA.3207649). With Language: German. Stuttgart Urtext editions.

Pictures at an Exhibition - Finale by Modest Petrovich Mussorgsky (1839-1881). For Wind Symphony or Band (44 players): 2+1, 2+1, 3+1+Eb+alto+contrabassoon, 2+1 - SATBt saxophone - 4, 3, 3+euphonium, 2, timpani, percussion(4), double bass. Suites; Transcriptions. Masters Symphonic Band Concert Band. Romantic; Russian. Grade 5. Full score. Composed 1874/2004. Duration 11 minutes. Published by Masters Music Publications Inc. (MT.M9102-FSC).

Ragtime Fiddling Tunes for Two Basses arranged by Deborah Greenblatt. Bass Duet. For 2 double basses. Tunes for Two. Ragtime. Tune book. Standard Notation. 72 pages. Published by Greenblatt & Seay (GS.BFE2RGFTFTB). With Standard Notation. ragtime. 8.5 x 11 inches. This wonderful collection of ragtime music contains 20 tunes composed by Felix Arndt, George Botsford, Helen S. Eaton, Irene M. Giblin, Marcella A. Henry, Charles L. Johnson, Scott Joplin, Joseph F. Lamb, Muriel Pollock, Arthur Smith, Charles A. Tyler, etc. The syncopated rhythms, the excursions out of first position, and the unexpected harmonies are sure to challenge the adventurous student, and the professional in search of entertaining, readable tunes with near-perfect page turns.Each of the "Fiddle Tunes for Two" collections consists of individual spiral-bound books presented in score form with melody on the top line and harmony beneath. Individual books are available for Violins, Violas, Cellos, Basses, and Mandolins. The tunes in each book of each series are in the same keys and include guitar chords. For instance, a violinist and a cellist could play a wedding together if they each had the appropriate "Wedding Fiddling for Two" book. These books work particularly well for private lessons where teacher and student can take turns playing lead and harmony parts.

Ein Deutsches Requiem. (nach Worten der Heiligen Schrift). By Johannes Brahms (1833-1897). For Soli SB, SATB Choir, Piccolo, 2 Flute, 2 Oboe, 2 Clarinet, 2 Bassoon, 4 Horn, 2 Trumpet, 3 Trombone, Tuba, 3 Timpani, Harp, 2 Violin, Viola, Cello, Contrabass, [Organ]. Score available separately - see item CA.2705500. Requiem; Use / Occasion: Mourning, Death; Use during the church year: End of the church year. Part: Flute 2. Language: German. 45. 16 pages. Duration 70 min. Published by Carus Verlag (CA.2705523). With Language: German. Requiem; Use / Occasion: Mourning, Death; Use during the church year: End of the church year.

(For String Bass). For string bass solo. Carl Fischer Festival Performance Solos. Classical. Bass solo book. Standard notation. 38 pages. Published by Carl Fischer

Regina coeli in C (Regina coeli in C major) (Regina coeli en ut majeur) (Marienantiphon). By Wolfgang Amadeus Mozart (1756-1791). Arranged by Mathias Siedel. For Solo Soprano, SATB Choir, 2 Flutes, 2 Oboes, 2 Horns, 2 Clarinos/Trumpets, Timpani, 2 Violins, 2 Violas, Cello/Bassoon/Contrabass, Organ. KV 108 (74d). Score available separately - see item CA.4004700. Stuttgart Urtext Editions; Use / Occasion: Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily Hours; Use during the church year: Easter and Eastertide. Set of instrumental parts (except strings). Language: Latin. Composed 1771. 20 pages. Duration 11 min. Published by Carus Verlag (CA.4004709). ISBN M-007-05877-7. With Language: Latin. Stuttgart Urtext Editions; Use / Occasion: Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily Hours; Use during the church year: Easter and Eastertide.

Fantasie a Tre Voci - Score by Giovanni Bassano (1558-1617). For Lyra Viol, Tenor Viol, and Bass Viol; or 3 Violins; or SAT Recorders. String Trios, Recorder Trios. Italian Instrumental Music of the Renaissance. Score. Published by London Pro Musica (MM.LPMIM11). Giovanni Bassano (c.1558 - c.1617) was an Italian Venetian School composer and cornettist of the late Renaissance and early Baroque eras. He was a key figure in the development of the instrumental ensemble at St. Mark's basilica, and left a detailed book on instrumental ornamentation, which is a rich resource for research in contemporary performance practice. It is not known if he was related to Anthony Bassano a member of a well-known Venetian family of musicians. These pieces are suitable for any relatively quiet instruments, such as the violin famil, viols and recorders. About Italian Instrumental Music of the Renaissance These pieces are primarily for 2 or 3 instruments. Playable on recorders, viols - and some on crumhorns. Primarily available with just score - although later editions include parts.

Concerto Grosso - Score (Christmas Concerto). By Arcangelo Corelli (1653-1713). Edited by Waldemar Woehl. For violin concertato I, II, cello solo, violin di ripieno I, II, viola, contra bass and keyboard. This edition: Urtext. Baroque. Full score (parts not included). Introductory text. Opus 6, #8. 19 pages. Duration 16 minutes. Published by Edition Peters (PE.P04488-S). ISBN M-3007-0004-5. With introductory text. Baroque. 9x12 inches. (G minor) Full score.

Dim dim quartet by Yves Carlin. Chamber ensemble. For vibraphone, guitar, percussion, bass guitar or contrabass. Level 2. Published by Alfonce Production (AF.A91-002-P). Quartet for vibraphone, classical guitar, drums, bass guitar or contrabass.

With Heart and Voice by David Gillingham. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Bb Clarinet 1, 2, 3, Bass Clarinet, Contrabass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1/2, F Horn 3/4, Trombone 1/2, Bass Trombone, Euphonium, Tuba, Piano, Timpa). Band Music. Grade 4. Score only. Duration 9:00. Published by C. Alan Publications (CN.05321). With Heart & Voice was commissioned by Apple Valley High School Bands, Scott A. Jones, director (Apple Valley, Minnesota), to commemorate the 25th year of existence of this high school. Apple Valley High School's strong commitment to the arts was a major factor in my decision to take on this commission. After visiting the school in December of 2000 and meeting many of the students, faculty, and administrators, I became greatly inspired.Thematically, the work is based on the Apple Valley High School Alma Mater, an old Spanish hymn which has made its way into most church hymnals under the name of "Come, Christians, Join to Sing." It is perhaps fate that this hymn, a particular favorite of mine, happens to be the tune used for the Alma Mater. Christian Henry Bateman wrote the words for the hymn in 1843 and the first verse contains the line, "Let all, with heart and voice, before his throne rejoice." Hence, the title, With Heart and Voice. What better way to celebrate 25 years of this great high school than with our "hearts" and "voices." The "voice" in this case is the music and the "heart" is the emotion that the music renders in celebration. Although the work is largely celebratory in nature, it begins with a feeling of reticence and apprehension, much like the beginnings of Apple Valley High School. It was at one time only an idea or perhaps only a sketch in the mind of the architect. Small fragments of the Alma Mater are heard in the opening moments of the piece. The piece gains momentum, texture and volume in this opening section culminating in a dramatic statement of the first four notes of the theme. A calmness follows and a lyrical flute solo enters. This new material represents the uniqueness of the "mission" of a new school which will have roots in academic excellence and commitment to the visual and performing arts. The euphonium echoes the flute and soon more instruments join in and the section culminates with a dramatic fanfare. This is followed by a transitional section with much dissonance and rhythmic activity, equated to the challenge of bringing life to this new school. A glorious statement of the Alma Mater follows signifying the dedication of Apple Valley High School, twenty five years ago. The ensuing section begins as a fugue with underlying unsettling rhythmic activity in the percussion. The obvious reference of this section is the challenge-maintaining the goals and mission of the high school. The section becomes frantic and desperate, but soon subsides into peacefulness. The peacefulness is stated by the marriage of the "Alma Mater " theme and the "Mission" theme. . .after all, for the High School to survive, it must never forget its mission. An extended finale follows which celebrates both themes in playful, joyful, and dramatic exuberance.

Point of Reckoning by David Gillingham. For String Orchestra (violin I, violin II, viola, violoncello, contrabass). String Music. Grade 5. Score only. Duration 8:00. Published by C. Alan Publications (CN.08411). Point of Reckoning was commissioned by Hazel Cheilek, conductor/director emeritus of the renowned orchestra at Thomas Jefferson High School of Science and Technology in Fairfax, Virginia. The work seeks to define the particular moment in one's life when there is a realization of one's mortality and a force bigger than humankind that is all-knowing and ever-present. My Christian background has inspired the use of the hymn "O For a Thousand Tongues to Sing" ("Azmon"), words by Charles Wesley and music by Carl Glaser. The work begins quite frantically and in confusion with motives of the hymn occurring sporadically. The hymn emerges mysteriously, but is upstaged again by anger and confusion and culminates in ten hammered articulations of a strident sonority. A slow, lyrical section follows, again utilizing motives of the hymn within a texture of rich diatonic clusters. The tempo of the first section segues with the frantic confusion returning only to be overwhelmed by a dramatic presentation of the hymn by the 2nd violins and lower strings accompnied by a very rhythmic ostinato in the 1st violins. The work progresses to a joyous coda. Wesley's first and fourth verses of the hymn were a point of inspiration for this work:O for a thousand tongues to singMy dear Redeemer's praise,The glories of my God and King,The triumphs of His grace.He speaks, and listening to His Voice,New life the dead receive;The mournful broken hearts rejoice,The humble poor believe.

Elegia D-Dur. (String Edition). By Giovanni Bottesini (1821-1889). Double bass. For bass and piano. 3. 8 pages. Published by Doblinger Music Publishers (DB.03-00979). ISBN M-012-15717-5. Giovanni Bottesini war nicht nur ein hervorragender Kontrabassist, sondern auch ein einfallsreicher Komponist, der sein Instrument mit wirkungs-vollen Kompositionen bedachte. Das beweist auch die Elegia D-Dur fur Kontrabass und Klavier.

Der Schauspieldirektor ( Le directeur de musique ). (Komodie mit Musik). By Wolfgang Amadeus Mozart (1756-1791). For Soli SSTB, 2 flutes, 2 oboes, 2 clarinets,2 bassoons, 2 horns, 2 clarinos/trumpets, timpani, 2 violins, viola, cello, double bass. KV 486. Score available separately - see item CA.5148600. Operas, Singspiele/Operettas; Stuttgart Urtext Editions. Part: Bassoon 1. Language: German. Composed 1786. 12 pages. Duration 28 min. Published by Carus Verlag (CA.5148627). With Language: German. Operas, Singspiele/Operettas; Stuttgart Urtext Editions.

Instruments of Glory Vol. 1. For cello/double bass. Instrumental collection. Intermediate. Book only. Published by SoundForth (S2.120162).

Statements by Anthony Plog. For tuba (contrabass trombone) and piano. Contemporary. 3-4. Duration 2'20''. Published by Editions BIM (ET.TB18).