Suite from The Star Wars Epic - Part II (IV. Princess Leia's Theme from Episode IV: A New Hope, V. Imperial March (Darth Vader's Theme)/ The Forest Battle from Episode V: The Empire Strikes Back and Episode VI: Return of the Jedi and VI. Star Wars (Main Title) from Episode I through VI). By John Williams. Arranged by Robert W. Smith. Concert Band. For concert band (1 - piccolo, 3 - 1st flute, 3 - 2nd flute, 2 - oboe, 2 - bassoon, 3 - 1st clarinet, 3 - 2nd clarinet, 3 - 3rd clarinet, 2 - bass clarinet, 1 - contrabass clarinet, 2 - 1st alto saxophone, 2 - 2nd alto saxophone, 1 - tenor saxophone, 1 - bari. Concert Band. Belwin Concert Band Series. Form: Suite. Movies. Grade 3.5. Conductor's score and set of performance parts. 284 pages. Published by Belwin Publishing (AP.24773). Playable alone or with Part 1 (24772), the "Suite from Star Wars Epic - Part II" completes the journey. John Williams' stellar film scores have received global acclaim for decades. Robert W. Smith has selected four cherished themes in three movements. May the force be with you performing this classic collection.

For Soprano and Double Bass soloists, 2 narrators, large chamber ensemble, tapes and live electronics.0.0.3(all+bcl).0 / 1.1.1.0 / hp.2perc / 0.0.0.0.1Commissioned by the BBC.First performed by Jane Manning, Barry Guy, John Baddeley and John Rye with London Sinfonietta, conductor ELgar Howarth, Liverpool, 1973.Published in 1973.Score.

The acoustic bass is a notoriously physical instrument, one that demands strength and stamina as well as a keen ear and an overall sense of musicianship. Master bassist Todd Phillips has devised a personal training workout and exercise plan that will help bassists at all levels and in all styles play with great tone, precise timing and in good tune. 1 hr., 30 min.

O Haupt voll Blut und Wunden (O sacred head, sore wounded) (O Haupt voll Blut und Wunden) (Choralkantate). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Oswald Bill. For Bass Solo, SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Violins, 2 Violas, 2 Cellos, Contrabass. This edition: paperbound. Score available separately - see item CA.4018600. Cantatas; Stuttgart Urtext Editions; Use / Occasion: Eucharist; Use during the church year: Lent and Passiontide, Holy Week. Level 3. Study score. Language: German/English. Composed 1830. 56 pages. Duration 12 min. Published by Carus Verlag (CA.4018607). ISBN M-007-09257-3. With Language: German/English. Cantatas; Stuttgart Urtext Editions; Use / Occasion: Eucharist; Use during the church year: Lent and Passiontide, Holy Week.

Sky by Bob Chilcott. For SATB choir and piano/orchestra ([1, 0, 1, 0-0, 0, 0, 0], 2 percussion, piano, viola, cello and double bass). Mixed Voices. Secular, Choral Leaflet. Vocal score. 8 pages. Duration 3'. Published by Oxford University Press (OU.9780193359444). ISBN 9780193359444. Secular, Choral Leaflet. 10 x 7 inches. For SATB and piano or orchestra This gentle song is taken from the song cycle 'Songs for Seven Storeys', which Bob Chilcott wrote to celebrate the opening of the New Evelina Children's Hospital on London's South Bank. With a singable, folksy tune and an atmospheric piano part, this song has wide appeal.

Jesus Paid It All arranged by Lari Goss. For Choir and orchestra (Choir & Flute; Oboe/English Horn; Clarinet 1, 2; Horn 1, 2; Horn 3; Trumpet 1, 2; Trumpet 3; Trombone 1, 2; Trombone 3, 4; Percussion 1, 2; Harp; Rhythm; Violin 1; Violin 2; Viola; Cello; String Bass). Orchestration. Published by Word Music (WD.080689273476). ISBN 080689286278.

Trois morceaux : pour contrebasse et piano by Ludvig Hegner. For double bass and piano. Score and part. Published by Noten Roehr (NR.29128).

Messe in G (Mass in G major) (Messe en sol majeur) by Franz Schubert (1797-1828). Edited by Willi Schulze. Arranged by Ferdinand Schubert. For Soli STB, SATB choir Version 1 (original): [2 trumpet, timpani], 2 violin, viola, cello/double bass, organ; Version 2 (arr Ferdinand Schubert): 2 oboe (clarinet), 2 bassoon, 2 trumpet, timpani, 2 violin, viola, cello/double bass, organ. This edition: paperbound. D 167. Masses, Latin; Stuttgart Urtext Editions. Level 3. Score. Language: Latin. Composed 1815. 80 pages. Duration 20 min. Published by Carus Verlag (CA.4064300). ISBN M-007-07519-4. With Language: Latin. Masses, Latin; Stuttgart Urtext Editions.

Der Stern von Bethlehem (The star of Bethlehem) (Der Sterne von Bethlehem (L'etoile de Bethleem)) (Weihnachtskantate). By Josef Gabriel Rheinberger. Edited by Harald Wanger / Harald Wanger. For Soli SBar, SATB Choir, 2 Flutes, 2 Oboes, English Horn, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass, Organ, Harp. This edition: linen cover. Complete Editions. Level 3. Complete edition. Language: German/English. Composed 1890. 164. 212 pages. Duration 48 min. Published by Carus Verlag (CA.5021000). ISBN M-007-08727-2. With Language: German/English. Complete Editions.

Jug Blues and Fat Pickin' by Don Freund. Band/Wind Ensemble. For 3+2 Piccolos. 2. 3+E-flat Clarinet+2 Bass Clarinet+Contrabass Clarinet. 2.AATB Saxophone Ensemble: 4.3.3.2 Euphonium.1: Timpani. Percussion(3). Full Score. Duration 8 minutes. Published by MMB Music Inc (MU.X077042). Take advantage of this over-stock pricing while supplies last. Commissioned by the State of Tennessee Department of Education. Recorded by The St. Olaf Band, St. Olaf Records CD.Recorded by University of Nebraska-Lincoln Wind Ensemble, Penguin Digital Recordings CD and CASS.College-Conservatory of Music Wind Symphony, Eugene Corporon, Klavier Digital KCD-1 1059.

Die Freude der Hirten uber die Geburt Jesu (Weihnachtsoratorium). By Gottfried August Homilius. Edited by Uwe Wolf. For SATB soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 3 horns, 3 trumpets, timpani, 2 violins, viola, cello/contrabass. HoWV I.4. Score available separately - see item CA.3710500. Oratorios; Use during the church year: Christmas. Part: Viola. Language: German. 12 pages. Duration 45 min. Published by Carus Verlag (CA.3710513). With Language: German. Oratorios; Use during the church year: Christmas.

Vayamos al Diablo by Astor Piazzolla (1921-1992). For Piano, Violin, Bandoneon, Electric Guitar, Double Bass. Tango. Score. Published by Tonos Music (TO.70002-022-00). ISBN M-2015-7535-3. Tango.

Erin Isle Sketches by Elliot Del Borgo. For String or Full Orchestra (flute 1,2, oboe 1 2, clarinet in Bb 1,2, bassoon, horn in F 1,2, trumpet in Bb 1,2, trombone 1,2, tuba, bells, timpani, percussion (2, players) (snare drum, low tom, bass drum, suspended cymbal, triangle), violin I, violin II, viola, cello, contrabass, re). Orchestra Music. Grade 1. Score only. Duration 3:00. Published by C. Alan Publications (CN.15891). This work captures the essence of Irish folk music and is based on "Banna Strand", "Cockles and Mussels", and "The Minstrel Boy". Carefully written with an eye toward fullness of sound and expressive lines, the piece has great audience and player appeal.Dedicated to the loving memory of Thomas and Mary Hart for their commitment to the students of Pleasanton, California.

How Many Kings arranged by Paul Nelson. For choir and instrumental ensemble (Choir & rhythm; *violin 1, 2; viola; cello; string bass; bass guitar; string reduction (*simplified part included)). Orchestration. Published by Word Music (WD.080689187476). ISBN 080689198274.

Il barbiere di Siviglia (Der Barbier von Sevilla). Sinfonia (Ouverture) by Gioachino Rossini (1792-1868). Edited by Patricia B. Brauner. For orchestra (flute/oboe/2 clarinets/2 bassoons/2 horns/2 trumpets/2 violins/viola/cello/double bass). This edition: Stapled, Urtext edition. Score. 37 pages. Duration 8'. Published by Baerenreiter Verlag (BA.BA10546). ISBN 9790006538287. 31.0 x 24.3 cm inches.

Chitty Chitty Bang Bang: String Bass by Richard M. Sherman and Robert B. Sherman. Arranged by Bob Cerulli. For String Orchestra. Instructional. Part. 1 pages. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000986_SB). This bright and bouncy tune from the film, "Chitty Chitty Bang Bang," offers all instruments an opportunity to play the melody. Violins I and II and Viola begin this familiar tune in unison with the Cello an octave lower. With the pick up to 29 - 36, the Basses and Celli are featured with the melody. This arrangement also has ample eighth and quarter note bowing variations. About Digital Print Sheet Music Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play! View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application. Learn more

The Light In The Piazza (Choral Highlights) - Double Bass by Adam Guettel. Arranged by John Purifoy. Orchestra. For Double Bass. Broadway; Concert; Musical/Show. Individual instrument part. 4 pages. Duration 11:30. Published by Hal Leonard - Digital Sheet Music (HX.91108). This item is an individual part from the epak. It is not recommended to purchase this as a solo piece. About Digital Print Sheet Music Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play! View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application. Learn more

We're All in This Together (from High School Musical) - String Bass by Robbie Neville and Matthew Gerrard. Arranged by Robert Longfield. Orchestra. For String Bass. Disney; Pop. Individual instrument part. 1 pages. Duration 2:30. Published by Hal Leonard - Digital Sheet Music (HX.96137). This item is the replacement part to the orchestra set. It is not recommended to purchase this as a solo piece. About Digital Print Sheet Music Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play! View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application. Learn more

U.Play.Plus Pops (Cello/String Bass). Arranged by Victor López. For Cello/String Bass. A & D Partbook; Mixed Instruments - Flexible Instrumentation. U.Play.Plus. Solo--A, Duet--B/C/D, Trio--C, Quartet--D. Pop/Rock. Grade 2.5; Grade 3. 24 pages. Published by Alfred Music Publishing (AP.36414). ISBN 073907394X. Pop/Rock. The U.Play.Plus Series, arranged by Victor López, provides solos, duets, trios, quartets, and larger ensembles with flexible instrumentation. Each book has a two-line score for every title. The top line (A) is the melody. The second line (B, C, or D) may be played as a duet with line A and is one of the four-part harmony lines. Adding instruments with B, C, and D lines will complete the harmony. Cue notes are included to fill in missing parts. Woodwinds, brass, strings, and percussion may play together, with or without the rhythm section accompaniment (Piano/Guitar/Score book) or the CD. The CD includes a concert Bb tuning note and two tracks for each song. The first is a demonstration track, and the second is the rhythm section accompaniment (piano, guitar, electric bass, and drums). Titles: Billie Jean * Blitzkrieg Bop * Don’t Stop Believing * Eye of the Tiger * Hey! Baby! * Know Your Enemy * Let’s Get Loud * Open Arms * (I Can’t Get No) Satisfaction * Wizard Wheezes (From Harry Potter and the Half-Blood Prince) * You Raise Me Up.Recorded Acc. Available.

Zarabanda. (Xylophone/Marimba Feature). By Joseph Turrin (1947-). For Soloist(s) with Concert Band (Solo Percussion, Piccolo, Flute 1-2, Oboe 1-2, Bassoon 1-2, Clarinet in Eb, Clarinet in Bb 1-3, Bass Clarinet, Alto Saxophone 1-2, Tenor Saxophone, Baritone Saxophone, Horn in F 1-4, Trumpet in Bb 1-5, Trombone 1-3, Euphonium, Tuba, Contrabass, Percussion). Grade 4. Score only. Duration 5:00. Published by C. Alan Publications (CN.16431). The piece is in several sections with a Latin style rhythm that occasionally gets interrupted by accented outbursts from the ensemble. As the piece develops and moves from section to section, new rhythmic and melodic ideas are introduced. The piece culminates with a bravura mallet cadenza and an optional cadenza, which calls for the additional skills of playing the timbales, bongos, tom-toms, and conga drum. I composed Zarabanda for a Latin American recording project with RCA Records and percussionist Evelyn Glennie. Although the recording project was never realized by RCA, I decided that the work would make a wonderful vehicle for Ms. Glennie along with wind ensemble accompaniment. The piece is in several sections with a Latin style rhythm that occasionally gets interrupted by accented outbursts from the ensemble. The soloist alternates between the xylophone, for the more accented staccato passages and scales, and the marimba, for the more melodic material. As the piece develops and moves from section to section, new rhythmic and melodic ideas are introduced. The piece culminates with a bravura cadenza - the soloist performing rapid-fire staccatos and scales on the xylophone. There is also an optional cadenza, which calls for the additional skills of playing the timbales, bongos, tom-toms, and conga drum. The piece concludes with a quick coda as the solo xylophone and ensemble build a fiery rhythmic syncopation. There are more rapidly accented staccatos, a quick scale, and the final bar. The zarabanda is a late 16th and 17th century Spanish dance in a lively alternating 6/8 and 3/4 time. Some evidence suggests that the zarabanda originated in the Spanish colonies in America, making it the first popular Latin American dance. Other evidence seems to suggest an African origin. A possible scenario might be that the zarabanda was brought to Spain by the Moors during the 12th Century, but was heavily modified by American influences during the early 16th Century. The zarabanda and its French descendant, the sarabande, were very different dances. While the French dance was a slow dance in 3/4 time, the Spanish original was very lively, alternating between 6/8 and 3/4 time. In the beginning, the zarabanda was considered very indecent. Cervantes writes about the "diabolic zarabanda" in one of his short stories, and in 1583, a law was passed against singing the zarabanda. The penalties for breaking it were banishment for women and 200 whiplashes and 6 years of galley service for men.

La Création du Monde, Op. 81a. (Score). By Darius Milhaud (1892-1974). For 2 flutes (1st dbl. piccolo), 2 oboes, 2 clarinets, 1 bassoon, alto saxophone, 1 horn, 2 trumpets, 1 trombone, piano, percussion (2 players), 2 violins, 1 cello, 1 double bass (Score). Editions Durand. 60 pages. Editions Durand #ME0240200. Published by Editions Durand (HL.50560527). For Symphonic Orchestra. Performance materials available on rental. Duration: ca. 15 minutes.

Ragtimes for String Quartet/Quintet/Orchestra by Scott Joplin (1868-1917). Edited by Beyer. String Quartets. For 2 Violin, Viola, Cello (Contrabass ad lib). Sheet Music. Published by Edition Kunzelmann (PE.GM1258B). The Ragtime Dance; Original Rags, The Favourite, A Ragtime Two-StepVol. 2.

Uses: Christmas, Communion Scripture: John 3:16; Isaiah 7:14; Galatians 4:4 The final words, Christ was born for this, from the traditional carol, Good Christian Men, Rejoice, form the foundational textural concept of this new carol. The carol's tune is realized in minor and expressively altered reminding the listener that Christ was born for a divine purpose. We find ourselves looking beyond the manger to the cross. The music is cinematic in character and brings a soundtrack aspect to this message of grace. The interweaving of In Dulci Jubilo and Carol of the Bells is masterful. Available separately: SATB, StudioTrax CD, Orchestration CD-rom (Score & parts for Flute 1&2, Oboe, Clarinet 1&2, Bassoon, Horn 1&2, Trumpet 1, Trumpet 2&3, Trombone 1&2, Bass Trombone/Tuba, Timp, Perc 1&2, Harp, Violin 1, Violin 2, Viola, Cello, Double Bass). Duration: ca. 3:26.New product for the week of April 16, 2012

Die Stucke der Windrose: Sudosten by Mauricio Kagel (1931-). Contemporary Medium Ensemble. For Clarinet, percussion, piano, harmonium (2 players), 2 violin, viola, cello, doublebass. Modern. Score. Composed Composed: 1991. Duration 11 minutes. Published by Edition Peters (PE.P08692).