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Missa in C (Mass in C major) (Messe en ut majeur) by Josef Gabriel Rheinberger. Edited by Wolfgang Hochstein. For Soli SATB, SATB choir, Orchestra: Version 1 (Orchestra version): flute, 2 oboe, 2 clarinet, 2 bassoon, 2 horn, 2 trumpet, [3 trombone], timpani, 2 violin, viola, cello, double bass Version 2 (String version): 2 violin, viola, cello, double bass, organ. This edition: linen cover. Masses, Latin; Complete Editions. Complete edition. Language: Latin. Composed 1891. 169. 136 pages. Duration 25 min. Published by Carus Verlag (CA.5020500). ISBN M-007-08722-7. With Language: Latin. Masses, Latin; Complete Editions.
$142.95

Pages: 136
Instruments: Choir, Organ, Flute, Clarinet, Oboe, Bassoon, Horn, Violin, Cello, Viola, Double Bass, B-Flat Trumpet, Trombone, Percussion, Timpani, Vocal, Piano and Keyboard, Woodwinds, Brass, Strings, Trumpet
Genres: Classical
Over Hill, Over Dale by Adam Gorb (1958-). For Wind Symphony or Band (32 players): 2+1, 2, 3+1, 2+1 - AATBt saxophone - 4, 3, 3+euphonium, 1 - percussion(3), double bass. Original Works. Maecenas Millenium. Grade 4. Score and set of parts. Composed c1995. Duration 6 minutes. Published by Maecenas (MT.C0039-SET).
$142.60

Instruments: Saxophone, Double Bass, Euphonium, Percussion, Woodwinds, Strings, Brass
Genres: Classical, 20th Century
Piano Concerto No. 1, Op. 15 by Ludwig van Beethoven (1770-1827). Arranged by Vinzenz Lachner. For Piano, 2 Violins, Viola, Cello, Doublebass. Score and Parts. Published by Edition Peters (PE.WW0903). Vinzenz Lachner, who created this arrangement, was born in 1811 and died in 1893.Score and parts (the orchestral part has been arranged for string orchestra).
$139.75

Instruments: Piano, Violin, Cello, Viola, Double Bass, Piano and Keyboard, Strings
Genres: Classical, Classical Period
Der Stern von Bethlehem (The star of Bethlehem) (Der Sterne von Bethlehem (L'etoile de Bethleem)) (Weihnachtskantate). By Josef Gabriel Rheinberger. Edited by Harald Wanger / Harald Wanger. For Soli SBar, SATB Choir, 2 Flutes, 2 Oboes, English Horn, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass, Organ, Harp. This edition: linen cover. Complete Editions. Level 3. Complete edition. Language: German/English. Composed 1890. 164. 212 pages. Duration 48 min. Published by Carus Verlag (CA.5021000). ISBN M-007-08727-2. With Language: German/English. Complete Editions.
$138.95

Pages: 212
Instruments: Choir, Organ, Flute, Clarinet, Oboe, Bassoon, English Horn, Violin, Cello, Viola, Double Bass, Harp, B-Flat Trumpet, Trombone, Percussion, Timpani, Vocal, Piano and Keyboard, Woodwinds, Strings, Trumpet, Brass
Genres: Christian, Christmas, Religious, Miscellaneous
Zarabanda. (Xylophone/Marimba Feature). By Joseph Turrin (1947-). For Soloist(s) with Concert Band (Solo Percussion, Piccolo, Flute 1-2, Oboe 1-2, Bassoon 1-2, Clarinet in Eb, Clarinet in Bb 1-3, Bass Clarinet, Alto Saxophone 1-2, Tenor Saxophone, Baritone Saxophone, Horn in F 1-4, Trumpet in Bb 1-5, Trombone 1-3, Euphonium, Tuba, Contrabass, Percussion). Grade 4. Score and parts. Duration 5:00. Published by C. Alan Publications (CN.16430). I composed Zarabanda for a Latin American recording project with RCA Records and percussionist Evelyn Glennie. Although the recording project was never realized by RCA, I decided that the work would make a wonderful vehicle for Ms. Glennie along with wind ensemble accompaniment.The piece is in several sections with a Latin style rhythm that occasionally gets interrupted by accented outbursts from the ensemble. The soloist alternates between the xylophone, for the more accented staccato passages and scales, and the marimba, for the more melodic material. As the piece develops and moves from section to section, new rhythmic and melodic ideas are introduced. The piece culminates with a bravura cadenza - the soloist performing rapid-fire staccatos and scales on the xylophone. There is also an optional cadenza, which calls for the additional skills of playing the timbales, bongos, tom-toms, and conga drum. The piece concludes with a quick coda as the solo xylophone and ensemble build a fiery rhythmic syncopation. There are more rapidly accented staccatos, a quick scale, and the final bar.The zarabanda is a late 16th and 17th century Spanish dance in a lively alternating 6/8 and 3/4 time. Some evidence suggests that the zarabanda originated in the Spanish colonies in America, making it the first popular Latin American dance. Other evidence seems to suggest an African origin. A possible scenario might be that the zarabanda was brought to Spain by the Moors during the 12th Century, but was heavily modified by American influences during the early 16th Century.The zarabanda and its French descendant, the sarabande, were very different dances. While the French dance was a slow dance in 3/4 time, the Spanish original was very lively, alternating between 6/8 and 3/4 time. In the beginning, the zarabanda was considered very indecent. Cervantes writes about the "diabolic zarabanda" in one of his short stories, and in 1583, a law was passed against singing the zarabanda. The penalties for breaking it were banishment for women and 200 whiplashes and 6 years of galley service for men.
$138.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, Double Bass, B-Flat Trumpet, Trombone, Euphonium, Percussion, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Strings, Trumpet
Illuminations. (Trombone Feature). By Joseph Turrin (1947-). For Soloist(s) with Concert Band (Solo Trombone, Piccolo, Flute 1-2, Oboe 1-2, English Horn, Eb Clarinet, Bb Clarinet 1-3, Bass Clarinet, Contrabass Clarinet, Bassoon 1-2, Alto Saxophone 1-2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1-5, F Horn 1-4, Trombone 1-2, Euphonium, Tuba, D). Grade 5. Score and parts. Duration 17:00. Published by C. Alan Publications (CN.17010). Illuminations was written for trombonist Joseph Alessi and commissioned by the following consortium:University of New Mexico Wind Symphony: Eric Rombach-Kendall, ConductorArizona State University Bands: Gary W. Hill, ConductorHope College Wind Symphony: Steven Ward, ConductorMichigan State University: John Whitwell, Director of BandsUniversity of Missouri-Kansas City: Dr. Sarah McKoin, ConductorUniversity of Oregon Wind Ensemble & the Robert Vagner Memorial Fund: Robert Ponto, Director of BandsUniversity of Toledo Wind Ensemble: Brant Karrick, ConductorYale Concert Band: Thomas C. Duffy, Music Director.
$138.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, English Horn, Double Bass, B-Flat Trumpet, Trombone, Euphonium, Tuba, Woodwinds, Clarinet, Saxophone, Strings, Trumpet, Brass
Internal Combustion by David Gillingham. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bass Clarinet, Eb Contrabass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, F Horn 1/2, F Horn 3/4, Tromb). Grade 5. Score and parts. Duration 11:30. Published by C. Alan Publications (CN.04440). Although the internal combustion engine was in existence since the early 19th century, its successful use in the United States began around 1900 and thus marked the beginning of one of the most important industrial sagas of the 20th century, that of the American automobile. Adjacent to the invention of this new "horseless carriage" was the advent of early jazz, that of "ragtime" and New Orleans "Dixieland" jazz. Also marking the occasion was General Motors' introduction of the Oldsmobile and the Gus Edwards/Vincent Bryan song, "In My Merry Oldsmobile." The conglomeration of these events are the basis for the inspiration behind "Internal Combustion."The work is centered around two main thematic ideas - motives from "In My Merry Oldsmobile" and what the composer calls the "Song of Invention" which is related to "Merry Oldsmobile" by the obvious interval of a major sixth. Added to this thematic material is a multitude of references to the mechanistic nature of the internal combustion engine, the automobile and automobile horns )the old time "oogah" and the American luxury car variety using the interval of the third).The work starts with the anticipation of invention with some obvious allusions to the "Merry Oldsmobile" tune. The introductory material leads to the "Song of Invention," expressively stated by solo alto saxophone. Then, the crank is turned (ratchet) and we're off for a ride! One should easily hear tha "putt-putt" of the engine, the whistle of the wind and the steam from the radiator. The automobile gathers speed and begins to cruise along joyously... hence a dixieland rendition of "Merry Oldsmobile." The frolic is interrupted by gathering speed and further development and refinement of the automobile and its internal combustion engine. Along the way, one will hear more references to "Merry Oldsmobile," car horns (traffic congestion!) and even a "revving" engine. Unfortunately, in America, "speed is the thing," and the music comes to a screeching halt with a crash and jammed car horn segues into a melancholy lament. This section culminates with a simplistic and child-like presentation of "Merry Oldsmobile" in the percussion (bells/vibraphone). An engine "rev" (trombone flutter tongue) gives way to new and better things on the horizon and perhaps of the "hay days" of the automobile, the 1950s. Within this section can be heard the triplet rhythm of a stereotypical 50s ballad. The 50s give way to the final decades of the 20th century beginning with a reference to modern jazz. The music begins to develop and becomes more sinister in nature perhaps indicative of the mixed blessing the automobile has bestowed upon us. Finally, however, the music leads to a dramatic presentation of the "Song of Invention." Despite its mixed blessing, the automobile is an invention to be celebrated; it has undisputedly changed the world! The music changes into a moment of reflection with a reprise of the "Song of Invention" by solo alto saxophone giving way to an intense, fast and spirited finale.
$138.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, Double Bass, B-Flat Trumpet, Woodwinds, Clarinet, Saxophone, Brass, Strings, Trumpet
Heritage of Faith. (with SATB Choir). By David Gillingham. For Choir with Concert Band (Piccolo, Flute 1/2, Oboe, Bassoon 1/2, Clarinet 1, Clarinet 2/3, Bass Clarinet, Eb Contrabass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet 1, Trumpet 2/3, Horn 1/2, Horn 3/4, Trombone 1/2, Bass Trombone, Euphonium, Tuba, SATB). Grade 4. Score and parts. Duration 9:05. Published by C. Alan Publications (CN.06500). Quoting three hymns from the Heritage of Faith:When in Our Music God is Glorified(Engleberg)All Creatures of Our God and King(Lasst Uns Erfreuen)Lift High the Cross(Crucifer)Commissioned byMeyer MusicTo Honor the Grand Rapids Christian School AssociationAt the Dedication of the Center for Arts and WorshipFebruary 23, 2003Grand Rapids Christian High School Combined Choirs and Wind EnsembleJohn K. Blakemore, ConductorGrand Rapids, Michigan.
$138.00

Instruments: Choir, Flute, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, Double Bass, B-Flat Trumpet, Bass Trombone, Euphonium, Tuba, Vocal, Woodwinds, Clarinet, Saxophone, Brass, Strings, Trumpet, Trombone
Double Star. (Clarinet & Piano Feature). By David Gillingham. For Soloist(s) with Concert Band (Flute 1/Piccolo, Flutes 2, Oboe, Bassoon, Solo Bb Clarinet, Bb Clarinets 1/2, Bass Clarinet, Alto Saxophone, Horn in F 1/2, Horn in F 3/4, Bb Trumpets 1/2, Trombone, Bass Trombone, Euphonium, Tuba, String Bass, Solo Piano, Timpani, Percussion 1 (crotales,). Grade 6. Score and parts. Duration 18:50. Published by C. Alan Publications (CN.06520). Double Star was commissioned by Gary Green and the University of Miami Wind Ensemble to celebrate his friendship with Ellen Rowe (pianist), Maggie Donaghue and myself. The work, therefore, celebrates humanity, especially in the goodness we achieve and the friendship we acquire through the art of music. The title of the work comes from the astronomical phenomenon by the same name, "two stars that are gravitationally bound and hence move in an elliptical orbit around the common center of mass." www.skywatch.com Certainly we can count Ellen Rowe and Maggie Donaghue as two "stars" who are gravitationally bound to the world of music.Each movement paints a musical picture of the type of light that I have imagined would be radiated by these stars. The first movement, Bright Light, is cast in sonata form preceded by a slow introduction. Two moods are fluctuated in the movement corresponding to two interpretations of "bright, " one being somewhat inhibiting, and the other being joyful. The first theme group represents the former and second theme group represents the latter. The second movement, Warm Light, is set in simple song form featuring the alto saxophone. All that is good with the world and humanity is reflected in this movement through lyrical line and rich harmony. The final movement, Heavenly Light, is the most celebratory in that it radiates joy and elation. I imagine the light in this movement to be akin to what those with near-death experiences have seen and felt. The movement is cast in a sonata-rondo design with the first theme group featuring modal and chromatic mediant progressions. Motivic material from the second movement is used in the second theme group and makes a dramatic reprise in the coda.- DRG.
$138.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Bassoon, Horn, Double Bass, B-Flat Trumpet, Bass Trombone, Euphonium, Percussion, Timpani, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Strings, Trumpet, Trombone
Dance Toccata by Frederick Speck. Arranged by Geoffrey Brand. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Contrabass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1/2, F Horn 3/4, Trombone 1/2, Trombone 3, Euphonium, Tuba, Timpani,). Grade 5. Score and parts. Duration 10:10. Published by C. Alan Publications (CN.07940). Commissioned by, and dedicated to, Garwood Whaley and the Bishop Ireton Wind Ensemble, Dance Toccata combines continuous rhythmic motion, varied textures and colors, and motives imbued with strong dance-like features in a work that is energetic and bold. Though the underlying current of pulsation is hardly ever interrupted, there are also layers of relaxed, undulating melodic materials suspended above the pulsation to create a contrasting lyricism in the work. The first example of such lyricism is heard in a series of canonic entries featuring solo statements by the oboe, clarinet and alto saxophones.The structure of the work resembles a broad arch with a coda. Just past the midpoint of the work, the lyrical statement returns in the woodwind and brass instruments, providing a brief sense of relaxation, as if the music is winding down from the rhythmic persistence with which it so strongly identifies. Throughout the course of the work, there is a dialogue and an intentional ambiguity between major and minor sonorities, which ultimately becomes more strongly major near the conclusion. As the music presses forward into the coda, layers that remind the listener of all the prominent materials of the work are present. Past this point, the music becomes increasingly extroverted, spirited and joyful as it surges toward release.- Frederick Speck.
$138.00

Instruments: Flute, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, Double Bass, B-Flat Trumpet, Trombone, Euphonium, Percussion, Timpani, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Strings, Trumpet
Crazy Diamonds Shining. (Soprano Saxophone or Clarinet Feature). By Pete Meechan. For Soloist(s) with Concert Band (Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe, English Horn, 1st Bassoon, 2nd Bassoon, Contrabassoon, Eb Clarinet, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet, Bb Bass Clarinet, Contrabass Clarinet, Soprano Saxophone, 1st Alto ). Band Music. Grade 5. Score and parts. Published by C. Alan Publications (CN.R10263). A modern, improvisatory work that utilizes contemporary harmonies and techniques. Written for the modern-day soloist and a band looking for a challenge.
$138.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Soprano Saxophone, Bassoon, English Horn, Double Bass, Woodwinds, Clarinet, Saxophone, Strings
Serenade, Op. 22 by Antonin Dvorak (1841-1904). Arranged by Mikkelson. For Concert Band (flute 1, flute 2, oboe 1, oboe 2, clarinet in Bb 1, clarinet in Bb 2, bassoon 1, bassoon 2, horn in F 1, horn in F 2, violoncello, contrabass). Band Music. Grade 4. Score and parts. Duration 26:00:00. Published by C. Alan Publications (CN.11450). The Serenade in E, Opus 22, for String Orchestra was written at a pivotal time in Dvorak's career. He had composed symphonies, operas, and chamber music for more than 12 years prior, but had met with little success. In 1874 he was awarded the Austrian State Prize for the first time on the the recommendation of Johannes Brahms, critic Eduard Hanslick and Johann von Herbeck. Brahms was so taken with the young composer that he introduced him to his publisher Simrock. Dvorak went on to become one of the most successful composers of his time.The Serenade in E, Opus 2, for String Orchestra was written in May of 1875, less than three years prior to the Serenade in D minor, Opus 44 for chamber winds, cello and bass. It was the Opus 44 Serenade that inspired this wind setting of the Opus 22 Serenade. Similar to Opus 44, Mikkelson has set the Opus 22 Serenade for pairs of flutes, oboes, clarinets, bassoons, and horns, cello, and bass. Study of Dvorak's wind serenade and orchestral writing revealed aspects of the composer's scoring practices for winds, which were implemented in the current setting of the Opus 22.
$138.00

Instruments: Flute, B-Flat Clarinet, Oboe, Bassoon, Horn, Cello, Double Bass, Woodwinds, Clarinet, Brass, Strings
Genres: Romantic Period, Classical
Maestro! by Roger Cichy. Arranged by Geoffrey Brand. For Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1, Oboe 2/English Horn, Bassoon 1, Bassoon 2, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Bass Clarinet, Contrabass Clarinet, Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone, Baritone Saxophone, Horn in F 1, H). Band Music. Grade 4. Score and parts. Duration 11:30. Published by C. Alan Publications (CN.14060). Commissioned by the Indiana University Department of Bands and dedicated to Ray Cramer.
$138.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, English Horn, Double Bass, Woodwinds, Clarinet, Saxophone, Strings
Lobgesang (Chant de louange) (Symphonie-Kantate). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Douglass Seaton. For Soli SST, Choir SSAATB, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 4 Horn, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass, Organ. This edition: paperbound. Stuttgart Urtext Editions; Use / Occasion: Praise and thanks. Level 3. Score. Language: German/English. Composed 1840. 52. 336 pages. Duration 65 min. Published by Carus Verlag (CA.4007600). ISBN M-007-06098-5. With Language: German/English. Stuttgart Urtext Editions; Use / Occasion: Praise and thanks.
$137.95

Pages: 336
Instruments: Choir, Organ, Flute, Clarinet, Oboe, Bassoon, Horn, Violin, Cello, Viola, Double Bass, B-Flat Trumpet, Trombone, Percussion, Timpani, Vocal, Piano and Keyboard, Woodwinds, Brass, Strings, Trumpet
Genres: Classical
Lobgesang (Chant de louange) (Symphonie-Kantate). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Douglass Seaton. For Soli SST, Choir SSAATB, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 4 Horn, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass, Organ. Score available separately - see item CA.4007600. Stuttgart Urtext Editions; Use / Occasion: Praise and thanks. Level 3. Set of instrumental parts (except strings). Language: German/English. Composed 1840. 52. 224 pages. Duration 65 min. Published by Carus Verlag (CA.4007609). ISBN M-007-06101-2. With Language: German/English. Stuttgart Urtext Editions; Use / Occasion: Praise and thanks.
$137.95

Pages: 224
Instruments: Choir, Organ, Flute, Clarinet, Oboe, Bassoon, Horn, Violin, Cello, Viola, Double Bass, B-Flat Trumpet, Trombone, Percussion, Timpani, Vocal, Piano and Keyboard, Woodwinds, Brass, Strings, Trumpet
Genres: Classical
Concerto by Roland Szentpali. For tuba and wind band (piccolo, 2 flutes, 2 oboes, Eb clarinet, 3 Bb clarinets, bass clarinet, 2 bassoons, soprano saxophone, alto saxophone, tenor saxophone, baritone saxophone, 3 trumpets, 4 horns, 2 trombones, bass trombone, euphonium, tuba, contrabass, timpani, percussion). Contemporary. 5-6. Parts. Composed 2002/2006. Duration 17'. Published by Editions BIM (ET.TU96F).
$137.50

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Soprano Saxophone, Tenor Saxophone, Bassoon, Horn, Double Bass, B-Flat Trumpet, Bass Trombone, Euphonium, Percussion, Timpani, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Strings, Trumpet, Trombone
Genres: Classical
Serenade for Six by Peter Schickele. For Bassoon, Violin, Viola, Cello, Contrabass, Piano. Score and parts. Standard notation. Duration 15 minutes. Published by Theodore Presser Company (PR.164001970). With Standard notation.
$136.95

Instruments: Piano, Bassoon, Violin, Cello, Viola, Double Bass, Piano and Keyboard, Woodwinds, Strings
Ein Deutsches Requiem. (nach Worten der Heiligen Schrift). By Johannes Brahms (1833-1897). For Soli SB, SATB Choir, Piccolo, 2 Flute, 2 Oboe, 2 Clarinet, 2 Bassoon, 4 Horn, 2 Trumpet, 3 Trombone, Tuba, 3 Timpani, Harp, 2 Violin, Viola, Cello, Contrabass, [Organ]. Score available separately - see item CA.2705500. Requiem; Use / Occasion: Mourning, Death; Use during the church year: End of the church year. Set of instrumental parts (except strings). Language: German. 45. 232 pages. Duration 70 min. Published by Carus Verlag (CA.2705509). With Language: German. Requiem; Use / Occasion: Mourning, Death; Use during the church year: End of the church year.
$134.95

Pages: 232
Instruments: Choir, Organ, Piccolo, Clarinet, Oboe, Bassoon, Horn, Violin, Cello, Viola, Double Bass, Harp, B-Flat Trumpet, Trombone, Percussion, Timpani, Tuba, Vocal, Piano and Keyboard, Flute, Woodwinds, Brass, Strings, Trumpet
Two Lyric Pieces by Edvard Hagerup Grieg. Arranged by John Constantine. Concert Band. For Piccolo, Flute I, Flute II, Oboe I, Oboe II, Eb Clarinet, Bb Clarinet I, Bb Clarinet II, Bb Clarinet III, Eb Alto Clarinet, Bb Bass Clarinet, Eb Contrabass Clarinet, Bassoons, Eb Alto Saxophone I, Eb Alto Saxophone II, Bb Tenor Saxophone, Eb Baritone Saxo. Contemporary. Score and Set of Parts. Standard notation. Opus 12, Number 6,8. 16 + pages. Duration 2 minutes, 30 seconds. Published by Theodore Presser Company (PR.115401010). With Standard notation. contemporary.
$134.27

Instruments: Piccolo, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Double Bass, Flute, Woodwinds, Clarinet, Saxophone, Strings
Sonata Pian' E Forte (For Band). By Giovanni Gabrieli (1553-1612). Arranged by William A. Schaefer. Concert Band. For Flute I, Flute II, Oboe I, Oboe II, Bb Clarinet I, Bb Clarinet II, Bb Clarinet III, Eb Alto Clarinet, Bb Bass Clarinet, Eb Contrabass Clarinet, Bassoon, Eb Alto Saxophone I, Eb Alto Saxophone II, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Cornet I, Bb . Contemporary. Score and Set of Parts. Standard notation. 16 + pages. Published by Theodore Presser Company (PR.165000210). With Standard notation. contemporary.
$133.35

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Double Bass, Cornet, Woodwinds, Clarinet, Saxophone, Strings, Trumpet, Brass
Genres: Classical, Renaissance
$132.29

Instruments: Double Bass, Bass Guitar, Strings, Guitar
Secret Rites by Miyoshi, Akira (B. 1933). For Wind Symphony or Band (32 players): 2+1, 1, 3+1+alto+Eb, 1 - AATBt saxophone - 4, 3, 3+euphonium, 1 - timpani, percussion (3), double bass. Original Works. Maecenas Millenium. 20th Century. Grade 5. Score and set of parts. Composed 1988. Duration 4 minutes. Published by Maecenas (MT.C0058-SET).
$131.56

Instruments: Saxophone, Double Bass, Euphonium, Percussion, Timpani, Woodwinds, Strings, Brass
Genres: 20th Century, Classical
Requiem (Requiem) (Requiem) ((Fassung Maunder)). By Wolfgang Amadeus Mozart (1756-1791). Edited by Richard Maunder. Arranged by Richard Maunder. For SATB soli, SATB choir, 2 bassoons, 2 contrabassoons, 3 trombones, 2 basset horns, timpani, 2 violins, viola, cello/contrabass, organ. This edition: paperbound. KV 626. Requiem; Use / Occasion: Mourning, Death; Use during the church year: End of the church year. Level 4. Score. Language: Latin. Composed 1791. 232 pages. Duration 50 min. Published by Carus Verlag (CA.4063000). With Language: Latin. Requiem; Use / Occasion: Mourning, Death; Use during the church year: End of the church year.
$130.95

Pages: 232
Instruments: Choir, Organ, Bassoon, Violin, Cello, Viola, Double Bass, Trombone, Percussion, Timpani, Vocal, Piano and Keyboard, Woodwinds, Strings, Brass
Genres: Classical, Classical Period
Stabat Mater (Stabat Mater) by Gioachino Rossini (1792-1868). Edited by Klaus Doge. For Soli SSTB, Choir SSTB, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 4 Horn, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass. Score available separately - see item CA.7008900. Use / Occasion: Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary; Use during the church year: Lent and Passiontide, Holy Week. Level 4. Set of instrumental parts (except strings). Language: Latin. Composed 1832. 164 pages. Duration 66 min. Published by Carus Verlag (CA.7008909). ISBN M-007-08339-7. With Language: Latin. Use / Occasion: Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary; Use during the church year: Lent and Passiontide, Holy Week.
$130.95

Pages: 164
Instruments: Flute, Clarinet, Oboe, Bassoon, Horn, Violin, Cello, Viola, Double Bass, B-Flat Trumpet, Trombone, Percussion, Timpani, Woodwinds, Brass, Strings, Trumpet
Genres: Classical Period, Christian, Classical, Religious