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Pictures at an Exhibition - Finale by Modest Petrovich Mussorgsky (1839-1881). For Wind Symphony or Band (44 players): 2+1, 2+1, 3+1+Eb+alto+contrabassoon, 2+1 - SATBt saxophone - 4, 3, 3+euphonium, 2, timpani, percussion(4), double bass. Suites; Transcriptions. Masters Symphonic Band Concert Band. Romantic; Russian. Grade 5. Full score. Composed 1874/2004. Duration 11 minutes. Published by Masters Music Publications Inc. (MT.M9102-FSC).
$20.00

Instruments: Saxophone, Bassoon, Double Bass, Euphonium, Percussion, Timpani, Woodwinds, Strings, Brass
Genres: Romantic Period, Russian, Classical, World
The Merry Wives of Windsor: Overture [Die Lustigen Weiber von Windsor: Ouverture] by Otto Nicolai (1810-1849). For Wind Symphony or Band (37 players): 3+1, 2, 4+1+alto+contrabassoon, 2+1 - AATBt saxophone - 4, 2+2, 3+euphonium, 2, timpani, percussion(1), double bass. Opera/Overtures; Transcriptions. Masters Symphonic Band Concert Band. Romantic; German. Grade 4. Full score. Composed 1849/2001. Duration 8 minutes. Published by Masters Music Publications Inc. (MT.M9077-FSC).
$20.00

Instruments: Saxophone, Bassoon, Double Bass, Euphonium, Percussion, Timpani, Woodwinds, Strings, Brass
Genres: German, Romantic Period, Opera, World, Classical, Miscellaneous
American Hymn. (Orchestral Variations On an Original Melody). By William Schuman (1910-1992). For Flute, Oboe, English Horn, Saxophone, Bass Clarinet, Bassoon, Contra Bassoon, Horn, Trumpet, Tenor, Tuba, Timpani, Percussion, Piano, Celesta, Celesta, Violin, Viola, Cello, Contrabass. The first performance was given by the saint louis symphony orchestra under the direction of Leonard slatkin on september 24, 1982. Classical. Full score (study). Standard notation. 84 pages. Duration 27 minutes. Published by Theodore Presser Company (PR.446410440). With Standard notation. classical.
$20.00

Pages: 84
Instruments: Piano, Flute, Bass Clarinet, Oboe, Saxophone, Bassoon, English Horn, Violin, Cello, Viola, Double Bass, B-Flat Trumpet, Percussion, Timpani, Tuba, Piano and Keyboard, Woodwinds, Clarinet, Strings, Trumpet, Brass
Genres: Classical, 20th Century, Americana, Folk
Concerto for Double Bass & Orchestra by Nikos Skalkottas (1904-1949). For piano reducation. Print on demand - publisher prints this title after order is received. Published by Margun Music (S5.MA7013).
$20.00

Instruments: Double Bass, Strings
Genres: Classical, 20th Century, Serialism
Sun-Treader by Carl Ruggles (1876-1971). For Piccolo, Flute, Oboe, English Horn, Clarinet, Bass Clarinet, Bassoon, Horn, Trumpet, Tenor, Tuba, Timpani, Violin I, Violin II, Viola, Cello, Contrabass. Classical. Full score (large). Standard notation. 52 pages. Published by Theodore Presser Company (PR.476001870). With Standard notation. classical.
$20.00

Pages: 52
Instruments: Piccolo, Bass Clarinet, Oboe, Bassoon, English Horn, Violin, Cello, Viola, Double Bass, B-Flat Trumpet, Percussion, Timpani, Tuba, Flute, Woodwinds, Clarinet, Strings, Trumpet, Brass
Genres: Classical
Fantasia for Marimba & Strings by Lindsay Davidson. For Soloist(s) with String Orchestra (Solo Marimba, Violin I, Violin II, Viola, Violoncello, Contrabass). Percussion Music. Medium. Score only. Duration 9:10. Published by C. Alan Publications (CN.14631). Fantasia for Marimba & Strings - "The Sheep and the Werewolf" - was written for renowned Krakow-based percussionist, Ryszard Haba. This is a baroque scale concerto based on two pipe tunes and a Scottish song. The first movement is in ritornello form; the slow movement is a da capo song arrangement; and the third movement is based on an original theme created for the Baron of Ardgowan.Premiere performance: Cappella Bydgostiensis, June 2006, soloist Ryszard Haba.
$20.00

Instruments: Violin, Cello, Viola, Double Bass, Percussion, Marimba, Strings
Genres: Classical
Violin Concerto No. 2 in E Major BWV 1042 by Johann Sebastian Bach (1685-1750). Edited by Schulze. For Cello/Double Bass. This edition: Urtext. Orchestral. Cello/Contrabass Part. Duration circa 21 minutes. Published by Edition Peters (PE.P9381-VC-CB). for the Solo Violin Part, see EP4593Violoncello/Contrabass Part (for the Full Score see EP9381; cembalo and string parts are also available).
$20.00

Instruments: Violin, Cello, Double Bass, Strings
Genres: Classical, Baroque Period
Keyboard Concerto in f minor BWV 1056 by Johann Sebastian Bach (1685-1750). Edited by Schulze. For Cello/Double Bass. This edition: Urtext. Orchestral. Cello/Contrabass Part. Published by Edition Peters (PE.P9386-VC-CB).
$20.00

Instruments: Piano, Organ, Cello, Double Bass, Piano and Keyboard, Strings
Genres: Classical, Baroque Period
(For Symphonic Band (Originally Composed As "Little Suite for Brass, Op. 80")). By Malcolm Arnold (1921-2006). Arranged by John P. Paynter. Concert Band. For Piccolo, Flute I, Flute II, Oboe I, Oboe II, English Horn, Clarinet (in Eb), Clarinet I, Clarinet II, Clarinet III, Alto Clarinet, Bass Clarinet, B-Flat Contrabass Clarinet, Contrabass Clarinet (in Eb), Bassoon I, Bassoon II, Contrabassoon, Alto Saxophone. Carl Fischer Classic Band Editions. Full Score. Standard notation. Published by Carl Fischer
$20.00

Instruments: Piccolo, Bass Clarinet, Oboe, Alto Saxophone, Bassoon, English Horn, Double Bass, Flute, Woodwinds, Clarinet, Saxophone, Strings
Genres: 20th Century, Classical
Triple Concerto by Donald Martino (1931-2005). For Soprano Clarinet, Bass Clarinet, Contrabass Clarinet, Chamber Orchestra. This edition: Study Score. Contemporary Classical. Contemporary Classical. Conservatory. Sheet Music. Published by Dantalian, Inc. (DA.DSE105A). An extraordinary concept: to transform the three different clarinets into one superclarinet, a six octave gargantuan who could romp and play with the superfriends (the orchestra). On the occasion of the premiere, the great Richard Stoltzman wrote "what a wonderful time to be a clarinetist, when such a beautiful and significant work can now be part of the repertoire." ( for the Group for Contemporary Music with assistance from the New York State Council on the Arts, the Andrew W. Mellon Foundation and the National Endowment for the Arts) 1-1-0-2/1-1-2-0/2 Perc/Pf & Cel/Str Quintet. Hear it on Albany Troy 168 with Alan Blustine, Dennis Smylie, Leslie Thimmig, soloists, Harvey Sollberger conducting the Group for Contemporary Music (1977, 26 minutes).
$20.00

Instruments: Bass Clarinet, Double Bass, Clarinet, Woodwinds, Strings
Genres: Classical, 20th Century
Concerto No. 3 in B Flat Major by Carl Stamitz (1745-1801). Arranged by Bruce R. Smith. Flute Choir. For Solo Clarinet, 2 flutes, alto, contra bass flute. Grade 4. Published by BRS Music (BY.FC-317).
$20.00

Instruments: Flute, Double Bass, Woodwinds, Strings
Genres: Classical, Classical Period
Chamber Symphony No. 2 for Bassoon (Bassoon Feature). By Daniel McCarthy. Arranged by A. Dancy. Chamber Ensemble. For Solo Bassoon, Chamber Winds & Percussion (solo bassoon, flute, oboe, soprano saxophone, clarinet in Bb, bass clarinet, bassoon, horn in F, percussion (maracas, temple blocks, suspended cymbal, tam tam, bongos, castanets, triangle), marimba (4.5-octave), double bass). Medium difficult. Score only. Duration 16:00. Published by C. Alan Publications (CN.05861). Chamber Symphony No. 2 for Bassoon and Winds was commissioned for Barrick Stees by the Michigan State University Bands, John Whitwell, Conductor. This piece follows the format of McCarthy's Chamber Symphony (No. 1) for Marimba and Winds, a virtuosic composition for solo instrument and chamber ensemble that has more musically involved accompaniment than implied by the term "concerto."Daniel McCarthy met Barrick Stees as a colleague at the Interlochen Summer Arts Festival (Interlochen Arts Camp, Interlochen, Michigan) in the summer of 1995. Since that time, McCarthy and Stees have worked together on numerous recording and performance projects - most recently, the recording of another commissioned work of McCarthy's by Stees, All the West Was Moving (Centaur Records: Barrick Stees and The Arianna String Quartet).For Chamber Symphony No. 2, McCarthy prefers the multi-movement format, six movements of varying lengths. Similar to some of Beethoven's late string quartets, McCarthy uses two shorter movements as introductions to others, namely the two "Interludes." The outer two movements are programmatic, whereas the interior movements are much more classically conceived.Movement 1: "Stomp and Buc Dance"Having grown up in Northern Michigan, McCarthy has a special affinity for the autumn season. Several of his teachers from the Interlochen Academy (where McCarthy graduated in 1974) are avid hunters. The deer-hunting season for many in northern Michigan is sacred. One hears of the so-called "deer camps" where hunters have wild parties (far enough from their hunting sites as to not "spook" the animals).McCarthy imagines Deer, Buck, and Elk parties at the end of hunting season, when the animals, after another season of successfully avoiding the hunters' bullets and arrows, dance wildly around their own camp fires, drinking deer-beer and mocking the hunters in the dim fire light.Movement 2: "Interlude""Interlude" introduces a softer, darker, less humorous music than the first movement. It offers a transition to a much less programmatic third movement in comparison to the first.Movement 3: "Mechanique""Mechanique" is a study in angular intervals for the solo bassoon. The rhythmic animation in the solo with the motoric doublebass and marimba accompaniments give the music a mechanical sound that is (perhaps) associated with an etude.Movement 4: "Interlude: Creep"The second "Interlude," this time with the subtitle: "Creep" is inspired by the second movement of J. S. Bach's Suite No. 3 in D Major (Air on the G String). The inspiration for this interlude is textural: a long, sustained melody in the treble above a punctuated, quasi-jazz pizzicato bass and marimba bass line that "creeps" and crawls its way beneath the ensemble. It is the only movement without the bassoon solo.Movement 5: "Static"A somewhat improvisational, rhapsodic sounding piece, "Static" is a study in repeated notes and fast tonguing for the wind instruments. The "static" repetition of pitches creates a percussive effect that is juxtaposed with a mosaic of wide-interval motives.Movement 6: "Fire, Dance, and Wahbekanetta"This movement, like the first, is about wild-eyed, nocturnal parties in Michigan's northern wood. In 1969, the composer attended the National Music Camp as a trumpet player and later, the Interlochen Arts Academy from 1970-1974. He later joined the faculty of Interlochen Arts Camp in 1995. McCarthy was born very near Interlochen, in a small village of Onekoma on Portage Lake. The summer is the time for the composer to return to the land of his youth, a chance to escape the rigors of academe, to be with friends. Memories.
$20.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Soprano Saxophone, Horn, Double Bass, Percussion, Marimba, Woodwinds, Clarinet, Saxophone, Brass, Strings
Genres: Classical
Point of Reckoning by David Gillingham. For String Orchestra (violin I, violin II, viola, violoncello, contrabass). String Music. Grade 5. Score only. Duration 8:00. Published by C. Alan Publications (CN.08411). Point of Reckoning was commissioned by Hazel Cheilek, conductor/director emeritus of the renowned orchestra at Thomas Jefferson High School of Science and Technology in Fairfax, Virginia. The work seeks to define the particular moment in one's life when there is a realization of one's mortality and a force bigger than humankind that is all-knowing and ever-present. My Christian background has inspired the use of the hymn "O For a Thousand Tongues to Sing" ("Azmon"), words by Charles Wesley and music by Carl Glaser. The work begins quite frantically and in confusion with motives of the hymn occurring sporadically. The hymn emerges mysteriously, but is upstaged again by anger and confusion and culminates in ten hammered articulations of a strident sonority. A slow, lyrical section follows, again utilizing motives of the hymn within a texture of rich diatonic clusters. The tempo of the first section segues with the frantic confusion returning only to be overwhelmed by a dramatic presentation of the hymn by the 2nd violins and lower strings accompnied by a very rhythmic ostinato in the 1st violins. The work progresses to a joyous coda. Wesley's first and fourth verses of the hymn were a point of inspiration for this work:O for a thousand tongues to singMy dear Redeemer's praise,The glories of my God and King,The triumphs of His grace.He speaks, and listening to His Voice,New life the dead receive;The mournful broken hearts rejoice,The humble poor believe.
$20.00

Instruments: Violin, Cello, Viola, Double Bass, Strings
Genres: Classical
It Takes Four to Tango. (For String Orchestra). By Daniel Dorff. String orchestra. For Violin I, Violin II, Viola, Cello, Contrabass. This edition: score and parts. Classical. Score and part(s). Standard notation. Composed MARCH 12 1998. 4 pages. Duration 2 minutes, 30 seconds. Published by Theodore Presser Company (PR.116400400). With Standard notation. classical.
$20.00

Pages: 4
Instruments: Violin, Cello, Viola, Double Bass, Strings
Genres: Classical, Tango, Latin
Kinderspiel. (For 4 Double Basses (or Ensemble)). By Bertram Turetzky. String ensemble. For Contrabass I, Contrabass II, Contrabass III, Contrabass IV. This edition: score & parts. Classical. Score and part(s). Standard notation. 8 pages. Duration 8 minutes, 30 seconds. Published by Theodore Presser Company (PR.164002460). With Standard notation. classical.
$20.00

Pages: 8
Instruments: Double Bass, Strings
Genres: Classical
Three Preludes from Book I by Claude Debussy (1862-1918). For Chamber Winds (14 players): 3d1, 1+1, 3+1, 2 - 2, 0, 0, 0 - double bass. Preludes; Transcriptions. Wind Ensemble. Impressionist; French. Full score. Composed 1910. Duration 8 minutes. Published by Edwin F. Kalmus (MT.B3929-FSC).
$20.00

Instruments: Double Bass, Strings
Genres: French, Impressionism, World, 20th Century, Classical
In A Nutshell, Suite: 1. Arrival Platform Humlet by Percy Aldridge Grainger (1882-1961). For Wind Symphony or Band (49 players): 3+1, 2+1, 6+2+contrabassoon, 2+1 - SATBt saxophone - 4, 2+2+flugelhorn, 3+euphonium, 2 - timpani, piano, percussion(8), double bass. Suites; Preludes; Transcriptions. Masters Symphonic Band Concert Band. 20th Century; Australia/Oceania. Grade 5. Full score. Composed 1915/1995. Duration 3 minutes. Published by Masters Music Publications Inc. (MT.M9049-FSC).
$20.00

Instruments: Piano, Saxophone, Bassoon, Double Bass, Flugelhorn, Euphonium, Percussion, Timpani, Piano and Keyboard, Woodwinds, Strings, Trumpet, Brass
Genres: 20th Century, Classical
Night Journey. (Choreographic Poem for Fifteen Instruments). By William Schuman (1910-1992). For Flute, Oboe, Clarinet, Bassoon, Horn, Piano, Violin, Viola, Cello, Contrabass. Classical. Full score (study). Standard notation. 78 pages. Duration 21 minutes, 25 seconds. Published by Theodore Presser Company (PR.444410110). With Standard notation. classical.
$20.00

Pages: 78
Instruments: Piano, Flute, Clarinet, Oboe, Bassoon, Horn, Violin, Cello, Viola, Double Bass, Piano and Keyboard, Woodwinds, Brass, Strings
Genres: Classical, 20th Century
2 Violin Concertos for Solo Classical Guitar & Bass/Cello with Guitar Part by Johann Sebastian Bach (1685-1750). Arranged by Richard Sayage. Duet. For Classical Guitar, Double Bass. Savage Classical Guitar Virtuoso Editions. 2 of Bach's famous Violin Concertos allow the solo guitarist to play along with their favorite recording. With Separately bound Guitar Part. Baroque. Intermediate. Book and Guitar Part. Standard notation (with fingerings). 48 pages. Published by Savage Classical Guitar Transcriptions (SJ.SCGT-0107). ISBN 0974962635. With standard notation (with fingerings). baroque. BWV 1041 & 1042 The well-reknowned Bach Solo Violin Concertos in A Minor and E Major are now arranged for the solo classical guitarist and an accompanying bassist or cellist. The guitarist can make use of this edition to simply play along with a favorite recording. The pieces are presented in their original keys, fully fingered and marked. A delightful and useful edition that will bring smiles to the most discerning of guitarists. The book comes with a separate guitar part for easier reading.
$19.99

Pages: 48
Instruments: Violin, Cello, Double Bass, Acoustic Guitar, Classical Guitar, Strings, Guitar
Genres: Baroque Period, Classical
Sinfonie G-Dur KV 45a (Lambacher Sinfonie). By Wolfgang Amadeus Mozart (1756-1791). Edited by Georg Roethke. For orchestra (2 violin I/II, viola, 2 cellos/double basses). This edition: CON 104-60. Orchestra Music. Concertino (Chamber Orchestra). Grade 3. Set of supplemental string parts. 50 pages. Duration 20 minutes. Published by Schott Music (SD.49001674). ISBN 9790001023030. 1768, im Alter von 12 Jahren, hat Mozart diese Sinfonie geschrieben und sie dem Benediktinerstift Lambach gewidmet. Die Partitur wurde nach den wiederaufgefundenen Stimmen angelegt - das Autograph ist verschollen. Das Werk ist auch ohne Blaser, als reine Streichersinfonie spielbar.
$19.95

Pages: 50
Instruments: Violin, Cello, Viola, Double Bass, Strings
Genres: Classical, Classical Period
Konzert Nr. 1 F-Dur by Carl Stamitz (1745-1801). Edited by Walter Lebermann. For clarinet (C or B) and strings; 2 oboes and 2 horns ad lib. (2 violin I, 2 violin II, viola, 2 cellos/double basses). This edition: CON 137-60. Orchestra Music. Concertino (Chamber Orchestra). Grade 4-5. Set of supplemental string parts. 58 pages. Duration 25 minutes. Published by Schott Music (SD.49001764). ISBN 9790001023795.
$19.95

Pages: 58
Instruments: Clarinet, Oboe, Horn, Violin, Cello, Viola, Double Bass, Woodwinds, Brass, Strings
Genres: Classical, Classical Period
Konzert Es-Dur by Carl Stamitz (1745-1801). Edited by Walter Lebermann. For horn and string orchestra; 2 flutes and 2 horns (2 violin I, 2 violin II, viola, 2 cellos/double basses). This edition: CON 138-60. Orchestra Music. Concertino (Chamber Orchestra). Grade 3. Set of supplemental string parts. 58 pages. Duration 18 minutes. Published by Schott Music (SD.49001766). ISBN 9790001023825. Carl Stamitz hinterliess unter seinen zahlreichen Instrumentalwerken auch vier Hornkonzerte. Aus spieltechnischen Grunden wurde das Konzert in der vorliegenden Ausgabe einen halben Ton tiefer transponiert. Dieses Werk ist fur den personlichen Stil wie auch fur die epochemachenden Erneuerungen der Mannheimer Schule besonders charakteristisch.
$19.95

Pages: 58
Instruments: Flute, Horn, Violin, Cello, Viola, Double Bass, Woodwinds, Brass, Strings
Genres: Classical, Classical Period
Konzert B-Dur by Johann Stamitz (1717-1757). Edited by Walter Lebermann. For clarinet and string orchestra; 2 horns ad lib. (2 violin I, 2 violin II, viola, 2 cellos/double basses). This edition: CON 141-60. Orchestra Music. Concertino (Chamber Orchestra). Grade 4. Set of supplemental string parts. 74 pages. Duration 14 minutes. Published by Schott Music (SD.49001777). ISBN 9790001023900.
$19.95

Pages: 74
Instruments: Clarinet, Horn, Violin, Cello, Viola, Double Bass, Woodwinds, Brass, Strings
Genres: Classical, Classical Period
Tambourin (2 Suiten nach franzosischen Tanzmeisterweisen). Edited by Peter Petersen. For strings, percussion and piano (harpsichord); guitar ad lib. (2 violin I, 2 violin II, violin III/viola, cello, double bass). This edition: CON 149-60. Orchestra Music. Concertino (Chamber Orchestra). Grade 2-3. Set of supplemental string parts. 58 pages. Duration 14 minutes. Published by Schott Music (SD.49001798). ISBN 9790001023993. Diese Ausgabe enthalt vitale Tanzmelodien mit bildhaften Titeln wie "Les Noces", "La Coquette" oder "Le Tambourin de la folie". Sie sind hier zu 4 bis 5-satzigen Suiten technisch einfach verarbeitet, wobei die Besetzung variabel ist (Streicher sol. oder chor.). Der ausgeschriebene Gitarrenpart (ad lib.) ist zusatzlich mit Akkordbuchstaben versehen. Das kleine Schlagwerk (Tambourin, Handtrommel und Triangel) sollte nicht fehlen.
$19.95

Pages: 58
Instruments: Guitar, Piano Accompaniment, Violin, Cello, Viola, Double Bass, Percussion, Harpsichord, Piano, Piano and Keyboard, Strings
Genres: Classical