Finalist in the Concours International du Festival Pablo Casals de Prades 2005.

Commissioned by the Wigmore Hall for the composer's 60th birthday with funds from ACNI."viola:piano is one of a set of 6 pieces which I wrote in 2008 and 2009. Two of the others, violin:piano and cello:piano require the instrumentalists to play at different tempi from each other throughout. In this piece the players are playing together, but their material is, for the most part, quite different, and for the first 12 minutes, the two parts have little in common. It is only after this that they begin a more conventional contrapuntal relationship. This is the first of these pieces to be premiered. It was commissioned by the Wigmore Hall with funding from the Arts Council of Ireland. The piece is dedicated to Mary Rörich."            - Kevin Volans

By Beat Furrer. For piano/2 violins/viola/cello. Score. 35 pages. Duration 17'. Published by Baerenreiter Verlag

quartet amb piano num. 1 by Miquel Roger (1954-). For string quartet and piano. Duration 9' 16''. Published by La Ma de Guido (MG.MG153). ISBN M-69208-153-1.

of lost dreams and chocolate by Holger Jung. Chamber Ensemble. For Marimba & String Quartet (marimba (4.5-octave), violin I, violin II, viola, cello). Medium difficult. Duration 11:10. Published by C. Alan Publications (CN.05690). In the great tradition of piano quintets, Holger Jung has created a unique three-movement work that effectively replaces the piano with a marimba. The contrasting movements feature musical form that is rooted in the classical and romantic periods, but utilize harmonic language from the late twentieth century.

of comfort and joy (Holiday). By Musella. Arranged by Santa Cruz. For String Orchestra with Percussion (violin 1, violin 2, viola, cello, double bass, piano, vibraphone, chimes, percussion 1 (Low tom, Sleigh bells), percussion 2 (bass drum, tambourine, suspended cymbal, triangle)). String Music. Grade 4. Score and parts. Duration 4:00. Published by C. Alan Publications (CN.16540). This work fuses two well known traditional carols, God Rest Ye Merry Gentlemen and Carol of the Bells, into an intriguing tapestry of textures and colors. It is meant to allow the listener to consider the reflective and sometimes hectic and even tense nature of the holiday season. This work fuses two well known traditional carols, God Rest Ye Merry Gentlemen and Carol of the Bells, into an intriguing tapestry of textures and colors. It is meant to allow the listener to consider the reflective and sometimes hectic and even tense nature of the holiday season. The brooding, restless introduction gives way to a more buoyant treatment of God Rest with fragments of Carol of the Bells. The mood becomes turbulent and eventually Carol of the Bells becomes the main theme and God Rest in augmentation serves as the accompaniment. The work concludes with a fughetto built on a variant of the opening bass line sprinkled with thematic fragments from the two carols and subsides into a calm, peaceful conclusion. It was commissioned by Director's Choice Tour and Travel for the Tejeda Middle School Orchestra, San Antonio, Texas to commemorate their selection to perform at the 63rd annual Midwest Clinic in Chicago.

of comfort and joy (Holiday). By Musella. Arranged by Santa Cruz. For String Orchestra with Percussion (violin 1, violin 2, viola, cello, double bass, piano, vibraphone, chimes, percussion 1 (Low tom, Sleigh bells), percussion 2 (bass drum, tambourine, suspended cymbal, triangle)). String Music. Grade 4. Score only. Duration 4:00. Published by C. Alan Publications (CN.16541). This work fuses two well known traditional carols, God Rest Ye Merry Gentlemen and Carol of the Bells, into an intriguing tapestry of textures and colors. It is meant to allow the listener to consider the reflective and sometimes hectic and even tense nature of the holiday season. This work fuses two well known traditional carols, God Rest Ye Merry Gentlemen and Carol of the Bells, into an intriguing tapestry of textures and colors. It is meant to allow the listener to consider the reflective and sometimes hectic and even tense nature of the holiday season. The brooding, restless introduction gives way to a more buoyant treatment of God Rest with fragments of Carol of the Bells. The mood becomes turbulent and eventually Carol of the Bells becomes the main theme and God Rest in augmentation serves as the accompaniment. The work concludes with a fughetto built on a variant of the opening bass line sprinkled with thematic fragments from the two carols and subsides into a calm, peaceful conclusion. It was commissioned by Director's Choice Tour and Travel for the Tejeda Middle School Orchestra, San Antonio, Texas to commemorate their selection to perform at the 63rd annual Midwest Clinic in Chicago.

le second tour du noye. (3. Streichquartett). By Walter Feldmann. For 2 Violins, Viola, Cello. Score. Language: all languages. Composed 1996-97/rev. 2004. 50 pages. Duration 15 min. Published by Carus Verlag (CA.1631400). With Language: all languages.

grimmig Tod Der by Hermann Erpf. For SATB Soli and/or Chorus, Violin (Flute, Oboe), Viola (Clarinet), Cello (Bassoon). Cantata on an old folk song (Text Language: German). Choral. Sheet Music. Text Language: German. Published by Edition Peters (PE.P04867). With Text Language: German. Choral. Cantata on an old folk song.

from the 3rd Movement, Piano Quartet in Eb Major by Robert Schumann. For piano. Classical. 3 pages. Published by Hal Leonard - Digital Sheet Music (HX.13496). About Digital Print Sheet Music Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play! View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application. Learn more

from the 2nd Movement, String Quartet No.3 in A Major by Robert Schumann. For piano. Classical. 3 pages. Published by Hal Leonard - Digital Sheet Music (HX.13500). About Digital Print Sheet Music Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play! View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application. Learn more

for Soprano, Clarinet, Viola, and Piano by Sir Arthur Drummond Bliss (1891-1975). For Chamber Group, Soprano, Clarinet (Soprano). Music Sales America. Classical. 16 pages. Chester Music #CH03874. Published by Chester Music (HL.14004591). Arranged for soprano, clarinet, viola, and piano.

fallt uber dem Fluss die Nacht ein. (Neufassung for string orchestra and ein Tasteninstrument). By Shih. String Orchestra. For 8 violins, 3 violas, 2 celli, contrabass and piano. Study score. Published by Doblinger Music Publishers (DB.STP-00717).

duo 3 by Rebecca Saunders. For Viola, Percussion. Modern. Performing score. Composed Composed: 1999; First Performance: 23 November 1999, Huddersfield Contemporary Music Festival. Duration 17.5 minutes. Published by Edition Peters (PE.P7551). Rebecca Saunders was born in London in 1967, and currently resides in Berlin.Viola and Percussion (performing score) ; co-commissioned by Huddersfield Contemporary Music Festival (with funds from the Arts Council of England) , Ensemble Q-02, and Ars Musica, Brussels.

courbes - sequences by Walter Feldmann. For Flute, Viola, Harp. This edition: paperbound. Score. Language: all languages. Composed 1992/93. 46 pages. Duration 11 min. Published by Carus Verlag (CA.1630100). With Language: all languages.

courbe 2 by Walter Feldmann. For Viola, Electronics. This edition: paperbound. Score. Language: all languages. Composed 1993/rev. 2001. 34 pages. Duration 8 min. Published by Carus Verlag (CA.1630200). With Language: all languages.

asidled (1993) by Andrew Digby. For Alto Saxophone, 2 Trombones, Tuba, Violin, Viola, 2 Contrabass. This edition: paperbound. Score. Language: all languages. Composed 1993. 18 pages. Duration 7 min. Published by Carus Verlag (CA.1630800). With Language: all languages.

asidled (1993) by Andrew Digby. For Alto Saxophone, 2 Trombones, Tuba, Violin, Viola, 2 Contrabass. This edition: paperbound. Score available separately - see item CA.1630800. Set of parts. Language: all languages. Composed 1993. 96 pages. Duration 7 min. Published by Carus Verlag (CA.1630809). With Language: all languages.

approaching white. (replay for small ensemble). By Norbert Sterk. Chamber Music (Strings & Winds). For clarinet, baritone saxophone, guitar, violin, viola, cello and bass. Score. Composed (2004). 36 pages. Published by Doblinger Music Publishers (DB.06-00932-PA).

approaching white. (replay for small ensemble). By Norbert Sterk. Chamber Music (Strings & Winds). For clarinet, baritone saxophone, guitar, violin, viola, cello and bass. Set of parts. Composed (2004). 56 pages. Published by Doblinger Music Publishers (DB.06-00932-ST). ISBN M-012-40656-3.

absences ("fragmente"). (2. Streichquartett). By Walter Feldmann. For 2 Violins, Viola, Cello. This edition: paperbound. Score. Language: all languages. Composed 1991-92/1997. 22 pages. Duration 12 min. Published by Carus Verlag (CA.1631500). With Language: all languages.

absences ("fragmente"). (2. Streichquartett). By Walter Feldmann. For 2 Violins, Viola, Cello. Score available separately - see item CA.1631500. Playing score. Language: all languages. Composed 1991-92/1997. 66 pages. Duration 12 min. Published by Carus Verlag (CA.1631509). With Language: all languages.

For Viola and Cello.Published 2008.Dedicated to Garth Knox and Rohan de SaramFirst performance: Intrasonus Festival Venice, 3 May 2008"This music was composed during my DAAD residency in Berlin in October — November 2007. If I were to describe it in one sentence, I would say that it is based on the idea of 'two things seen/heard as one'."a2 (a due) is a well-known term to musicians; it is often found in orchestral scores indicating a given passage that is to be played by two instruments of the same family. Although violin and cello could well be regarded as 'first cousins' of the string family, the literal implementation of the term a2 as a 'compositional strategy' would have been too much (!) for a piece of chamber music consisting of no more than two players. Not surprisingly, this never happens in this work; in fact, the opposite is true: regardless of how it appears on paper (i.e. on one or two staves), the music for each instrument is constantly based on two layers."This musical 'interpretation' of the title gives an indication as to how the textural format of the piece operates. However, this was by no means the only thought that 'preoccupied' my mind whilst composing this music. Berlin made a profound impression on me. The remnants of the wall in Bernauer Straße and the cobbled two-stone line tracing the wall across where it once stood — a clear reminder of what not so long ago there were two different worlds in one city — provoked a strikingly dramatic effect. Border, death-strip, killing, and escape to freedom had a particularly evocative resonance, especially of the time when I lived for three years in a remote town in Southern Albania right at the border with Greece. There, there was a nameless road whose destination the authorities did not want you to know, but the locals called it the 'death-road'."In no way programmatic, in this context, the extra-musical dimension of the principal idea is very much part of the piece. Here, the musical and extra-musical interpretations cannot easily be separated, for they are two parts of the same thing: a2."As if to add another dimension to this idea, there are two versions of this piece: for viola & cello and violin & cello. The first version was premiéred by Garth Knox and Rohan de Saram at the 2008 Intrasonus Festival in Venice."

a due fur Viola und Klavier (1997) by Beat Furrer. For viola/piano. Performance score and parts. Composed 1997. 18/9 pages. Duration 24'. Published by Baerenreiter Verlag (BA.BA7490). ISBN 9790006503650. 42.0 x 29.5 cm inches.