(Passio secundum Johannem). By Johann Sebastian Bach (1685-1750). Edited by Arthur Mendel. For Soprano voice solo, Alto voice solo, 2 tenor voice solos, 2 bass voice solos, Mixed Choir-SATB, 2 flutes, 2 oboes/Oboe D'amore (A)/oboe da caccia, Strings (2 violins, Viola, 2 violas D'amore, Viola Da Gamba), Lute/Harpsichord/Organ, Basso Continuo/cello/C. This edition: Complete edition, Urtext edition. Neue Bach-Ausgabe. Serie II, Band 4. Passionen (Passion Music, Easter). Level 4. Score (cloth bound). BWV 245. Published by Baerenreiter Verlag

Historia der Auferstehung Jesu Christi (Account of the Resurrection of Jesus Christ) (Histoire de la Resurrection du Christ) by Heinrich Schutz (1585-1672). Edited by Gunter Graulich. Arranged by Paul Horn. For SSSATTBarB Favorit-Chor (Antiphonal/Chamber Choir), SATB/SATB Choir 4 Bass Viola da Gamba, Organ. This edition: linen cover. SWV 50 (op. 3). Complete Editions, Stuttgart Urtext Editions; Use during the church year: Easter and Eastertide. Complete edition. Language: German/English. Composed 1623. 112 pages. Duration 38 min. Published by Carus Verlag (CA.2090400). ISBN M-007-03729-1. With Language: German/English. Complete Editions, Stuttgart Urtext Editions; Use during the church year: Easter and Eastertide.

Quartet for Easter by Zbigniew Bujarski (1933-). For String Quartet. Standard notation. Published by Polskie Wydawnictwo Muzyczne (PR.514045510). With Standard notation.

Osteroratorium (Oratorio de Paques) (Kommt, eilet und laufet). By Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For SATB soli, SATB choir, 2 recorders, flte, 2 oboes with 1 oboe d'amore, bassoon, 3 trumpets, timpani, 2 violins, viola, basso continuo. This edition: paperbound. BWV 249. Oratorios; Stuttgart Urtext Editions; Use during the church year: Easter and Eastertide. Score. Language: German/English. Composed 1725. 104 pages. Duration 40 min. Published by Carus Verlag (CA.3124900). ISBN M-007-05130-3. With Language: German/English. Oratorios; Stuttgart Urtext Editions; Use during the church year: Easter and Eastertide.

Osteroratorium (Oratorio de Paques) (Kommt, eilet und laufet). By Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For SATB soli, SATB choir, 2 recorders, flte, 2 oboes with 1 oboe d'amore, bassoon, 3 trumpets, timpani, 2 violins, viola, basso continuo. BWV 249. Score available separately - see item CA.3124900. Oratorios; Stuttgart Urtext Editions; Use during the church year: Easter and Eastertide. Set of instrumental parts (except strings). Language: German/English. Composed 1725. 110 pages. Duration 40 min. Published by Carus Verlag (CA.3124909). ISBN M-007-05132-7. With Language: German/English. Oratorios; Stuttgart Urtext Editions; Use during the church year: Easter and Eastertide.

Der 98. Psalm (Psalm 98) (Psaume 98) by Felix Bartholdy Mendelssohn (1809-1847). Edited by R. Larry Todd. For Soli SATB, SATB/SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass, Organ, Harp. Score available separately - see item CA.4007500. German Psalms; Stuttgart Urtext Editions; Use / Occasion: Praise and thanks, Psalms; Use during the church year: Easter and Eastertide. Level 3. Set of instrumental parts (except strings). Language: German/English. Composed 1843. 91. 52 pages. Duration 8 min. Published by Carus Verlag (CA.4007509). ISBN M-007-06092-3. With Language: German/English. German Psalms; Stuttgart Urtext Editions; Use / Occasion: Praise and thanks, Psalms; Use during the church year: Easter and Eastertide.

Nun aber gehe ich hin zu dem, der mich gesandt hat TVWV 1:1162 -Kantate zum 4. Sonntag nach Ostern. (Fur Zwei Violinen, Viola, Sopran, Bass, 4Stg. Gem. Chor und Generalbass). By Georg Philipp Telemann (1681-1767). For String orchestra. Das Schottener Kantatenarchiv Vol. 19. Classical. Set of parts. Text Language: German. Published by Verlag Dohr (VD.E.D.28675). ISBN M-2020-1675-6. With Text Language: German. Classical. 29.7 x 21 cm inches.

Historia der Auferstehung Jesu Christi (Account of the Resurrection of Jesus Christ) (Histoire de la Resurrection du Christ) by Heinrich Schutz (1585-1672). Edited by Gunter Graulich. Arranged by Paul Horn. For SSSATTBarB Favorit-Chor (Antiphonal/Chamber Choir), SATB/SATB Choir 4 Bass Viola da Gamba, Organ. SWV 50 (op. 3). Score available separately - see item CA.2005000. Oratorios; Stuttgart Urtext Editions; Use during the church year: Easter and Eastertide. Set of parts. Language: German/English. Composed 1623. 80 pages. Duration 38 min. Published by Carus Verlag (CA.2005009). With Language: German/English. Oratorios; Stuttgart Urtext Editions; Use during the church year: Easter and Eastertide.

Ostergeschichte by Helmut Barbe. For Soli ABar, SATB Choir, 2 Oboes, 2 Clarinets, Tenor Saxophone, Bass Clarinet, 2 Trumpets, 2 Trombones, Tuba, Percussion, 2 Violins, Viola, Cello/Contrabass, Guitar. This edition: paperbound. Cantatas; Use during the church year: Easter and Eastertide. Score. Language: German. Composed 1961. 112 pages. Published by Carus Verlag (CA.1015000). ISBN M-007-02011-8. With Language: German. Cantatas; Use during the church year: Easter and Eastertide.

The heavens laugh, the earth exults in gladness (Cantata for Easter Sunday). By Johann Sebastian Bach (1685-1750). Edited by Michael Marker. For Soli STB, Choir SSATB, Oboe, 3 trumpets, Timpani, 2 Violin, 2 Viola, Basso Continuo, [2 oboes, Taille, Bassoon]. Stuttgart Urtext editions. Score available separately - see item CA.3103100. Cantatas, Easter and Eastertide. Set of instrumental parts (except strings). Language: German/English. Composed 1715. BWV 31. 76 pages. Duration 24 min. Published by Carus Verlag (CA.3103109). With Language: German/English. Cantatas, Easter and Eastertide. The words are based on the Easter Gospel, the account of the Resurrection of Jesus, which is first joyfully celebrated. Then follows a call to the faithful: every Christian must make the Resurrection a reason to renew himself spiritually, so as to complete a kind of inner Resurrection himself. For his scoring - which changed slightly from performance to performance - Bach called upon a five-part choir, three trumpets and timpani, three oboes, taille and bassoon, strings and basso continuo.