dolcificare a piacere - "r.e.c." by Walter Feldmann. For Women's voice, Cello solo, English Horn, Piano. This edition: paperbound. Score. Language: all languages. Composed 1997. 28 pages. Duration 10 min. Published by Carus Verlag (CA.1631900). With Language: all languages.

dolcificare a piacere - "r.e.c." by Walter Feldmann. For Women's voice, Cello solo, English Horn, Piano. Score available separately - see item CA.1631900. Parts: 4 Instruments. Language: all languages. Composed 1997. 96 pages. Duration 10 min. Published by Carus Verlag (CA.1631909). With Language: all languages.

dichroic seventeen by Rebecca Saunders. Contemporary Small Ensemble. For Accordion, 2 Percussion, Piano, Electric Guitar, Cello, 2 Double Bass. Modern. Full Score. Composed Composed: 1998; First Performance: 1 December 1999, Funkhaus Wallrafplatz, Cologne. Duration 17.5 minutes. Published by Edition Peters (PE.P7525). Rebecca Saunders was born in London in 1967, and currently resides in Berlin.Accordion, 2 Percussion, Piano, Electric Guitar, Violoncello, 2 Vibraphones (score) ; West German Radio Commission.

Fantastic music for guitar, violin and cello by this still very underrated guitarist composer.

Flute, Cello, Guitar, Percussion (Playing-Score). Koch-raphael, E

Final Alice is the fifth of six large works for soprano and orchestra based on Lewis Carroll's Alice in Wonderland books. 'Cello Acrostic is an arrangement of Acrostic Song, the lullaby-like concluding aria from Final Alice.

approaching white. (replay for small ensemble). By Norbert Sterk. Chamber Music (Strings & Winds). For clarinet, baritone saxophone, guitar, violin, viola, cello and bass. Score. Composed (2004). 36 pages. Published by Doblinger Music Publishers (DB.06-00932-PA).

approaching white. (replay for small ensemble). By Norbert Sterk. Chamber Music (Strings & Winds). For clarinet, baritone saxophone, guitar, violin, viola, cello and bass. Set of parts. Composed (2004). 56 pages. Published by Doblinger Music Publishers (DB.06-00932-ST). ISBN M-012-40656-3.

anschlage - ausschlage. (Modelle No. 5 - Szenische Variationen fur 3 Instrumentalisten). By Dieter Schnebel. For flute, cello and harpsichord. This edition: ED 6641. Scores. Grade 6. Playing score. Composed 1965-66. 28 pages. Duration 20 minutes. Published by Schott Music (SD.49006505). ISBN 9790001070621.

absences ("fragmente"). (2. Streichquartett). By Walter Feldmann. For 2 Violins, Viola, Cello. This edition: paperbound. Score. Language: all languages. Composed 1991-92/1997. 22 pages. Duration 12 min. Published by Carus Verlag (CA.1631500). With Language: all languages.

absences ("fragmente"). (2. Streichquartett). By Walter Feldmann. For 2 Violins, Viola, Cello. Score available separately - see item CA.1631500. Playing score. Language: all languages. Composed 1991-92/1997. 66 pages. Duration 12 min. Published by Carus Verlag (CA.1631509). With Language: all languages.

above the shadow of the candle fur Flote, Klarinette, Violine, Cello, Klavier (1999). (For Flute, Clarinet, Violin, Violoncello And Piano). By Vadim Karassikov. For flute/clarinet/violin/cello/piano. This edition: Stapled. Score. Composed 1999. 12/23 pages. Duration 15'. Published by Baerenreiter Verlag (BA.BA8286). ISBN 9790006521296. 42.0 x 29.5 cm inches.

For Violin and Cello.Published 2008.Dedicated to Peter Sheppard Skaerved and Neil Heyde."This music was composed during my DAAD residency in Berlin in October — November 2007. If I were to describe it in one sentence, I would say that it is based on the idea of 'two things seen/heard as one'."a2 (a due) is a well-known term to musicians; it is often found in orchestral scores indicating a given passage that is to be played by two instruments of the same family. Although violin and cello could well be regarded as 'first cousins' of the string family, the literal implementation of the term a2 as a 'compositional strategy' would have been too much (!) for a piece of chamber music consisting of no more than two players. Not surprisingly, this never happens in this work; in fact, the opposite is true: regardless of how it appears on paper (i.e. on one or two staves), the music for each instrument is constantly based on two layers."This musical 'interpretation' of the title gives an indication as to how the textural format of the piece operates. However, this was by no means the only thought that 'preoccupied' my mind whilst composing this music. Berlin made a profound impression on me. The remnants of the wall in Bernauer Straße and the cobbled two-stone line tracing the wall across where it once stood — a clear reminder of what not so long ago there were two different worlds in one city — provoked a strikingly dramatic effect. Border, death-strip, killing, and escape to freedom had a particularly evocative resonance, especially of the time when I lived for three years in a remote town in Southern Albania right at the border with Greece. There, there was a nameless road whose destination the authorities did not want you to know, but the locals called it the 'death-road'."In no way programmatic, in this context, the extra-musical dimension of the principal idea is very much part of the piece. Here, the musical and extra-musical interpretations cannot easily be separated, for they are two parts of the same thing: a2."As if to add another dimension to this idea, there are two versions of this piece: for viola & cello and violin & cello. The first version was premiéred by Garth Knox and Rohan de Saram at the 2008 Intrasonus Festival in Venice."

[4] Accompanied Keyboard Sonatas for the Piano forte or Harpsichord (1791-c.1795) by Cecilia Maria Bartelemon. Edited by Calfvert Johnson. Keyboard, violin or flute, cello. For Kayboard, violin or foute, cello. Sonatas. Keyboard sonatas with violin or flute and cello. Classic. Medium - Difficult. Sheet music. 169 pages. Published by ClarNan Editions (C1.CN17). With sheet music. Classic.

[3] Sonatas for two violins with violoncello obbligato and continuo, Volume 2 (score and 4 partbooks) by Mrs. Philarmonica. Edited by Shirley Bean. Chamber orchestra. For 2 violins, concertante cello, and continuo (score and 4 partbooks). Sonatas. Sonatas. Baroque. Medium. Score and Set of parts. Sheet music. 91 pages. Published by ClarNan Editions (C1.CN45). With sheet music. Baroque.

[3] Sonatas for two violins with violoncello obbligato and continuo, Volume 1 (score and 4 partbooks) by Mrs. Philarmonica. Edited by Barbara Jackson. Chamber orchestra. For 2 violins, concertante cello, and continuo (score and 4 partbooks). Sonatas. Baroque. Medium. Score and Set of parts. Sheet music. 90 pages. Published by ClarNan Editions (C1.CN43). With sheet music. Baroque.

Zyklus by Wolfgang Fortner (1907-). For cello and piano. This edition: ED 5436. String Instruments. Grade 5-6. Composed 1964. 36 pages. Duration 15 minutes. Published by Schott Music (SD.49005694). ISBN 9790001061346.

Zyklus by Wolfgang Fortner (1907-). For cello, winds, harp and percussion. This edition: ED 6306. Scores. Study score. Composed 1964/1969. 48 pages. Duration 18 minutes. Published by Schott Music (SD.49006171). ISBN 9790001067096.

Zydeco Two-Step: Cello by Doug Spata. For String Orchestra. Instructional. Part. 1 pages. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000955_VC1). Students, teachers, and audiences will enjoy "Zydeco Two-Step," where country fiddles and blues bass lines meet in the Mississippi delta! Challenging bowings, blue notes, call-and-response melodies, and a fast tempo combine to create that unique Louisiana sound. Add some spice to your next concert! About Digital Print Sheet Music Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play! View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application. Learn more

Zwolftonspiel (September 1957). (for piano trio). By Josef Mattias Hauer (1883-1959). Chamber Music (Strings & Piano). For violin, viola and piano. 2-3/2-3/2-3. Composed (sept. 1. 10 pages. Published by Doblinger Music Publishers (DB.07-00229).

Zwolftonspiel (April 1951). (For Flute, Clarinet, Bass clarinet, Bassoon, 2 Violins, Viola, Cello and Piano). By Josef Mattias Hauer (1883-1959). Chamber Music (Strings, Winds & Piano). For flute, clarinet, bass clarinet, bassoon, 2 violins, viola, cello, piano. Study score. Composed (1957). 23 pages. Published by Doblinger Music Publishers (DB.STP-00401).

Zwolftonspiel (26.7.1957). (For Flute, Oboe, Bass clarinet, Bassoon, 2 Violin, Viola and Cello). By Josef Mattias Hauer (1883-1959). Chamber Music (Strings & Winds). For flute, oboe, bass clarinet, bassoon, 2 violins, viola, cello. Part. Composed (1957). 46 pages. Published by Doblinger Music Publishers (DB.06-00950).

Zwolftonspiel (2.6.1948). (For Strings and Piano). By Josef Mattias Hauer (1883-1959). Chamber Music (Strings & Piano). For 2 violins, viola, cello piano. 5/3/Vla./2-3/2-. Composed (1956). 16 pages. Published by Doblinger Music Publishers (DB.07-00264). Mit einer Zwolftonreihe von Wolfgang Kammerlander.

Zwolftonspiel (15.6.1957). (For Flute, Oboe, Bass clarinet, Bassoon, 2 Violins, Viola, Cello and Piano four-hands). By Josef Mattias Hauer (1883-1959). Chamber Music (Strings, Winds & Piano). For flute, oboe, bass clarinet, bassoon, 2 violins, viola, cello, piano 4-hands. Part. Composed (15.06.195. 44 pages. Published by Doblinger Music Publishers (DB.07-00103).