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Collected Works by Felix Bartholdy Mendelssohn (1809-1847). For cello / piano. Score & part. Published by Masters Music Publications Inc. (MT.W7114-SET).
Instruments: Piano, Cello, Piano and Keyboard, Strings
Viola Concerto (Violin & Cello Solos Included) by Johann Christian Bach (1735-1782). Edited by Henri Casadesus. For viola (also includes optional violin and cello transcriptions) and piano. Classical Period. Difficulty: medium. Set of performance parts (includes separate pull-out viola part). Solo part and piano reduction. 28 pages. Published by Edition Peters (PE.P08878). With solo part and piano reduction. Classical Period. 9x12 inches. Viola (or Violoncello, or Violin) and Piano (Sheet Music & Play-along CD Pack available, see Q 8878).
Instruments: Piano Accompaniment, Violin, Cello, Viola, Piano, Piano and Keyboard, Strings
Genres: Classical Period, Classical
Waltzes Op.73 by Friedrich Kiel. String Quartets. For 2 Violins, Viola, Cello. Set of Parts. Published by Edition Peters (PE.WW0104A). Friedrich Kiel was born on October 7, 1821, in Pude. He died in 1885.Set of parts for string quartet version; score is not included.
Instruments: Violin, Cello, Viola, Strings
Three Whitman Songs (1989) by Joelle Wallach (1946-). For medium voice solo, Bb clarinet, horn, cello or bassoon. Language: Russian. Published by Classical Vocal Reprint (CV.3598). With Language: Russian.
Instruments: Medium Voice, B-Flat Clarinet, Bassoon, Horn, Cello, Voice, Vocal, Clarinet, Woodwinds, Brass, Strings
Long Pond Revisited (Baritone version) by Lori Laitman. For baritone voice solo and cello. Language: German Russian. Duration about 14 minutes. Published by Classical Vocal Reprint (CV.3731). With Language: German Russian.
Instruments: Baritone Voice, Cello, Voice, Vocal, Strings
Our Father, Who in Heaven Reigns by Dietrich Buxtehude (1637-1707). For 2 violins, cello. Full score. Published by Concordia Publishing House (CR.97-7145U1).
Instruments: Violin, Cello, Strings
Genres: Baroque Period, Christian, Classical, Religious
Canon and Gigue for Four Cellos by Johann Pachelbel (1653-1706). For 4 cellos. Published by Elegant Cello (EL.PACHELBELFOURCELLOS). Finally, revenge of the cellists! A four-part version of the famous Canon where cellos one, two and three play the coveted violin lines. (Part four is the infamous ground bass line necessary to a complete performance!) The Canon is well within the reach of intermediate cellists and maintains the original key of D Major. Pachelbel wrote a short and delightful Gigue along with his famous Canon. The Gigue is included in this transcription for four cellos.
Instruments: Cello, Strings
Genres: Baroque Period, Classical
Orpheus in the Underworld by Jacques Offenbach (1819-1880). Arranged by J. Bishop. For Full or String Orchestra (flute, oboe, Bb clarinet 1, Bb clarinet 2, bass clarinet, bassoon, F horn 1, F horn 2, Bb trumpet 1, Bb trumpet 2, trombone, tuba, violin 1, violin 2, viola, violoncello, bass, timpani, percussion (3, players) (snare drum, bass drum, crash cymbals)). String Music. Grade 3. Score only. Duration 2:50. Published by C. Alan Publications (CN.06601). Here is a strong arrangement at the medium-easy level that offers you all the excitement of the original! With cues given to cover all the wind parts, this really can be done with strings only or as a full orchestra. From the mysterious opening, to the "Can-Can" dance, to the big finish, this one has it all.
Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Bassoon, Horn, Violin, Cello, Viola, B-Flat Trumpet, Trombone, Percussion, Timpani, Tuba, Woodwinds, Clarinet, Brass, Strings, Trumpet
Point of Reckoning by David Gillingham. For String Orchestra (violin I, violin II, viola, violoncello, contrabass). String Music. Grade 5. Score only. Duration 8:00. Published by C. Alan Publications (CN.08411). Point of Reckoning was commissioned by Hazel Cheilek, conductor/director emeritus of the renowned orchestra at Thomas Jefferson High School of Science and Technology in Fairfax, Virginia. The work seeks to define the particular moment in one's life when there is a realization of one's mortality and a force bigger than humankind that is all-knowing and ever-present. My Christian background has inspired the use of the hymn "O For a Thousand Tongues to Sing" ("Azmon"), words by Charles Wesley and music by Carl Glaser. The work begins quite frantically and in confusion with motives of the hymn occurring sporadically. The hymn emerges mysteriously, but is upstaged again by anger and confusion and culminates in ten hammered articulations of a strident sonority. A slow, lyrical section follows, again utilizing motives of the hymn within a texture of rich diatonic clusters. The tempo of the first section segues with the frantic confusion returning only to be overwhelmed by a dramatic presentation of the hymn by the 2nd violins and lower strings accompnied by a very rhythmic ostinato in the 1st violins. The work progresses to a joyous coda. Wesley's first and fourth verses of the hymn were a point of inspiration for this work:O for a thousand tongues to singMy dear Redeemer's praise,The glories of my God and King,The triumphs of His grace.He speaks, and listening to His Voice,New life the dead receive;The mournful broken hearts rejoice,The humble poor believe.
Instruments: Violin, Cello, Viola, Double Bass, Strings
Three Vignettes by David J. Long. Chamber Ensemble. For Violin, Cello & Piano. Chamber Music. Version 2. Medium difficult. Score and parts. Duration 7:00. Published by C. Alan Publications (CN.11550). "Three Vignettes" is a single-movement work for violin, cello & piano that divides into three contrasting sections (or vignettes) - the first is rather dark and rhapsodic, the second is beautifully flowing and driving ahead, and the third features driving ostinatos and merges the themes from the previous two sections.
Instruments: Piano, Violin, Cello, Piano and Keyboard, Strings