There has been increased general interest in the Bohemian composer Johann Baptist Georg Neruda (c. 1711–1776) over the past few years, especially due to his frequently played trumpet concerto. A respected violinist and longstanding member of the Dresden Court Orchestra, he did, however, mainly compose for the Violin. The substantial and technically quite demanding Violin Sonata in a minor was published for the first time ever in 1982 as part of Henle's edition “Bohemian Violin Sonatas” (HN 334). Henle are now proud to present it in a practical single edition with a new preface as well as an additional unmarked part.

At the age of 19, Mozart wrote a series of violin concertos that marked his coming of age as a composer of orchestral music. Now a part of the standard repertoire, these works convey the composer's uniquely sensual brand of melody. This volume comprises all five works: Violin Concerto No. 1 in B-flat major Violin Concerto No. 2 in D major Violin Concerto No. 3 in G major Violin Concerto No. 4 in D major Violin Concerto No. 5 in A major This practice and performance edition is the first to combine all of these pieces in a single, low-cost Piano reduction version with a separate and removable 64-page solo violin score. Reproduced from early authoritative editions, this volume is an essential addition to the collections of intermediate and advanced musicians. Reprint of early authoritative editions.

The Swan from Saint-Saens's Carnival Of The Animals arranged for Violin and Piano by Jascha Heifetz.

Instantly downloadable sheet music by Franz Wohlfahrt for violin solo of MEDIUM skill level. Contents: exercises,studies,[no.1-30], op. 45, op.45, opus 45

Dvorák wrote a total of four works for piano trio. The second Piano Trio in G minor op. 26 (1876) represents a conception of the form typical of the composer. At the same time, it documents the transition from his experimental phase to the emergence of his characteristic style which partly involved the return to definite form and thematic clarity. The main source for this present edition was the first printed edition (1880).

Instantly downloadable sheet music by Felix Mendelssohn-Bartholdy for violin & piano of MEDIUM skill level. Contents: romances without words, romanze senza parole, romanse, op.19, [no.1-6]

This is an exclusive transcription for violin & viola of EASY skill level from the original composition by Ignaz Joseph Pleyel. This title is available as instant sheet music download. Contents: Op. 8, opus 8, duet, duo,[no.1-6]

This is an exclusive transcription for violin & viola of MEDIUM skill level from the original composition by George Frideric Handel. This title is available as instant sheet music download.

Instantly downloadable sheet music by Felix Mendelssohn-Bartholdy for violin & piano of MEDIUM skill level. Contents: romances without words, romanze senza parole, romanse, op.19, [no.1-6]

This is an exclusive transcription for violin & piano of EASY skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: voce e notte, santa lucia, o paese d' o sole, catari, core ngrato, core ingrato, funiculi funicula, maria mari, te voglio bene assaje, te volgio bene assai, torna a surriento, o sole mio, etc

This is an exclusive arrangements for two violins of MEDIUM skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: lullaby, op.49 no.4, song without words, op.67 no. 6, sarabande, op.40 no.2, waltz, ballade, op.38, the merry peasant, album for the youth, op.68, romance, romanza, eine kleine nachtmusik, toccata, berceuse, op.57, dance of the mirlitons, nutcracker, mothers day, mother's day

Instantly downloadable sheet music by Fritz Kreisler for violin & piano of MEDIUM skill level. Contents: Der Opernball

Instantly downloadable sheet music by Pierre Gavinies for violin solo of HIGH skill level. Contents: matinees, violin studies

Instantly downloadable sheet music by Arcangelo Corelli for two violins & cello of MEDIUM skill level. Contents: op. 1 no. 12, opus 1 number 12

Instantly downloadable sheet music by Arcangelo Corelli for two violins & cello of MEDIUM skill level. Contents: op. 1 no. 12, opus 1 number 12

Instantly downloadable sheet music by Arcangelo Corelli for two violins & cello of MEDIUM skill level. Contents: op. 1 no. 12, opus 1 number 12

Instantly downloadable sheet music by Giovanni Battista Viotti for violin & piano of MEDIUM/HIGH skill level. Contents: concerto in G major, G major, No. 23, number 23

These sonatas are among the epoch-making works of the violin repertoire and nowadays figure in the standard repertoire of every violinist. It is all the more surprising, therefore, that until now there has been no Urtext edition of such significant works. The score is based on a first edition supervised by Corelli himself. From what we know of performance practice in Corelli’s time, however, more was expected of the violinist than just a musical reading of the printed score: it was customary to add ornamentation verging on improvisation, with embellishment and “variations as desired”. The original score is therefore presented here with the earliest documented ornamentation from a reprint published by Roger in Amsterdam in 1708. This ornamentation is not meant to be slavishly imitated, but to stimulate the player to find their own creative and stylistically confident interpretation of the score. As Roger did not specify any ornaments for the sonatas in the second volume, the “variations as desired” used by Corelli’s pupil Geminiani have been reproduced with the ninth Sonata as an example. Advice on performance is given by the Cologne baroque specialist Reinhard Goebel. This advice does not only apply to ornamentation, but also to articulation, bowings and more besides, calling for specific markings in the separate violin part. The realisation of the continuo part echoes the fashions of that time. Here too, advice on performance is meant to stimulate free interpretation by the continuo player. A figured bass part is included for the player who prefers to read the accompaniment from figures.

Introducing the young violinist to the great symphonic repertoire.

One of the most beloved concertos in the violin repertoire, this piece features important formal innovations that place it on a par with the most significant works in the genre. Mendelssohn created the concerto specifically for Ferdinand David, his close friend and concertmaster of the Leipzig Gewandhaus Orchestra, for which the composer served as conductor. An instant success upon its 1845 premiere, the concerto remains essential to the repertoire of every aspiring violin virtuoso. Edited by the distinguished teacher and performer Leopold Auer, this authoritative practice and performance edition includes a 16-page insert of a separate, removable violin part. Professional and amateur musicians alike will appreciate this durable yet inexpensive edition, which features a sturdy binding that allows pages to remain open on music stands for years of use and enjoyment. Reprint of the Carl Fischer, New York, 1917 edition.

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Brahms composed just three sonatas for violin and piano, all of them staples of the repertoire—studied, practised, and performed by chamber music players everywhere. Musicians and students of music will be delighted to own all three works in this single-volume compilation, reprinted from authoritative editions. Both Sonata No. 1 in G Major, Op. 78, and Sonata No. 2 in A Major, Op. 100, are intensely lyrical in nature, containing some of Brahms' most beautiful and expressive melodies. Sonata No. 3 in D Minor, Op. 108, a tempestuous work full of fire and passion, is a particular favorite with audiences around the world. The violin part, edited by famed performer and teacher Leopold Auer, appears both within the book and as a separate, removable score. Reprint of the Carl Fisher, New York, 1916-17 editions.

A new, corrected edition of an important and substantial work which has been constructed from the existing set of parts by Russell Denwood. It was written in 1895 when the composer was still a student at the Royal College of Music. His composition teacher, Charles Villiers Stanford, was so impressed by the piece that he took it with him on a visit to Berlin in 1897, where he arranged for the Joachim Quartet to play it. It was published in 1902, but no score appears to exist and the parts required corrections to be made. For Clarinet in A, 2 Violins, Viola and Cello. A reduction for clarinet and piano is also available (EME651).

Two of Bruch's most enduring compositions, revealing the German composer's romanticism, fluent scoring, colourful orchestrations, and exuberant melody. The First Violin Concerto in G Minor stands as one of the most performed and recorded concertos in the violin repertoire while Scottish Fantasy reflects his lifelong interest in folk music. Reprint of Concert, Op.26, C. F. W. Siegel's Musikalienhandlung, Leipzig, n.d., and Fantasie, Op.46, N. Simrock, Berlin, 1880.