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Liturgy of St. John Chrysostom by Sergei Rachmaninoff (1873-1943). Edited by Vladimir Morosan. For SATB choir (div). Russian Title: Liturgiya Sv. Ioanna Zlatousta. Sacred, choral. Softbound performance score. Language: Church Slavonic. Published by Musica Russica (MR.RA-DL). ISBN 0-9629460-7-9. With Language: Church Slavonic. sacred, choral. Composed in July 1910, and premiered in November 1910, Rachmaninoff's first sacred choral masterpiece is a rich and opulent choral setting of the Orthodox Divine Liturgy that is a notable precursor to his monumental All-Night Vigil. MUSICA RUSSICA's edition features: user-friendly phonetics and original text in Cyrillic; diction coaching CD available with license to copy; suggested schemes for concert performance; essential clergy exclamations in notated form.
$20.00

Instruments: Choir, Vocal
Genres: 20th Century, Classical
The First Song of Isaiah (Festival Edition) by Jack Noble White. Choir Sacred. For 2 Trumpets, 2 Trombones, Timpani, 3-5 Octaves of Handbells. Choral (Sacred); Choral Octavo; Worship Resources. H.W. Gray. Sacred. Instrumental Parts. 56 pages. Published by Alfred Music Publishing (AP.GCMR9610A). Since it was first published in 1976, Jack Noble White's FIRST SONG OF ISAIAH has been sung by millions of people worldwide. Now we commemorate the 20th anniversary of this phenomenal anthem with a new FESTIVAL EDITION! Replacing the original piano, bass and drums with organ, brass quartet, timpani and handbells, the FESTIVAL EDITION also adds an extended choral and instrumental introduction, suitable for procession, as well as a Coda. The composer has added notes outlining various performance options. For festival or general use. (Editor's Note: THE FIRST SONG OF ISAIAH (Festival Edition) is compatible with the 1976 edition.)Inst. Parts Available (choral).
$20.00

Pages: 56
Instruments: Choir, B-Flat Trumpet, Trombone, Percussion, Timpani, Handbell, Vocal, Trumpet, Brass
12 Rondels - Complete by Reynaldo Hahn (1874-1947). For vocal solo and piano. This edition: complete edition. Language: French. 31 pages. Published by Classical Vocal Reprint (CV.1378). With Language: French.
$20.00

Instruments: Voice, Vocal
Genres: 20th Century, Classical
Silete Venti (piano reduction) by George Frideric Handel (1685-1759). For soprano voice solo and piano reduction. Piano reduction. Language: Latin. Published by Classical Vocal Reprint (CV.2946). With Language: Latin.
$20.00

Instruments: Piano, Soprano Voice, Piano and Keyboard, Voice, Vocal
Genres: Baroque Period, Classical
Ossessione - Songs inspired by the "Arie Antiche" by Richard Pearson Thomas (1957-). For low voice solo and piano. This edition: revised edition. Language: Italian. 44 pages. Published by Classical Vocal Reprint (CV.3282). With Language: Italian.
$20.00

Instruments: Baritone Voice, Voice, Vocal
Genres: Classical
Make We Joy Now by Mark Sirett. Choir Sacred. Choral (Sacred); Choral Octavo; Worship Resources. Sacred. Choral Octavo. 24 pages. Published by Alfred Music Publishing (AP.V1509). Inst. Parts Available (choral).
$20.00

Pages: 24
Instruments: Choir, Vocal
Sing for Joy (from the I Will Sing Choral Collection). By Lamont Hiebert. Arranged by Jay Rouse and Paul Mills. Instrumental Accompaniment. Integrity Choral. 8 pages. Integrity #21045. Published by Integrity (HL.8746345).
$20.00

Pages: 8
Instruments: Choir, Vocal
Here We Are by Claire Cloninger and Don Moen. Arranged by Jay Rouse and Paul Mills. Instrumental Accompaniment. Integrity Choral. 4 pages. Integrity #22095. Published by Integrity (HL.8746398).
$20.00

Pages: 4
Instruments: Choir, Vocal
I Will Sing by Don Moen. Arranged by Paul Mills/Jay Rouse. Instrumental Accompaniment. Integrity Choral. 8 pages. Integrity #21035. Published by Integrity (HL.8746342).
$20.00

Pages: 8
Instruments: Choir, Vocal
By James Chepponis. For brass quintet, timpani, suspended cymbal, flute, handbells. Choral Music. Liturgy. Easy/Medium-Easy. Instrument parts. Published by MorningStar Music Publishers
$20.00

Instruments: Choir, Flute, Horn, B-Flat Trumpet, Trombone, Percussion, Timpani, Handbell, Tuba, Vocal, Woodwinds, Brass, Trumpet
Genres: Christian, Religious
An Ark of Stars (from So Many Corners) (Full Score) by Elizabeth Alexander. For Soprano voice and Orchestra (Soprano voice solo, 2.2.3.2,2.2.0.0, timpani, percussion, piano, celeste, harp, strings). Moderately Advanced. Full Score. Duration 3 minutes. Published by Seafarer Press (SF.SEA-040-03). This 3-minute movement from "So Many Corners" is a showpiece for a dynamic soprano. The simple words of Rose Auslander, who spent the Second World War in the Czernowitz ghetto, speak volumes about hope and restoration: "In the ocean waits an ark of stars, for the surviving ashes after the flood of fire." Elizabeth Alexander's musical setting of Auslander's stark and compelling words pours forth with delicacy, ferocity and compassion.
$20.00

Instruments: Piano, Harp, Percussion, Timpani, Soprano Voice, Piano and Keyboard, Strings, Voice, Vocal
Genres: Classical
Three Rose Auslander Songs (full score) by Elizabeth Alexander. For Soprano voice and Orchestra (Soprano voice solo, percussion, piano/celeste, harp, strings). Advanced. Full Score. Duration 8 minutes. Published by Seafarer Press (SF.SEA-040-05). Three songs of longing, loss and love, based on poems by Rose Auslander, who spent the Second World War in the Czernowitz ghetto. Alexander sets Auslander's stark and compelling words to music with delicacy, ferocity and compassion. (These songs, scored for soprano, percussion, piano/celeste, harp and strings, are the central movements of a larger work for soprano and full orchestra, "So Many Corners.").
$20.00

Instruments: Piano, Harp, Percussion, Soprano Voice, Piano and Keyboard, Strings, Voice, Vocal
Genres: Classical
Wachet Auf, ruft uns die Stimme. (Cantata BWV 140). By Johann Sebastian Bach (1685-1750). For voice, flute and guitar. Score and parts. Published by Trillenium Music Company (TR.602). A fine transcription of great music, suitable for younger players.
$20.00

Instruments: Guitar, Voice, Flute, Vocal, Woodwinds
Genres: Baroque Period, Christmas, Classical, Miscellaneous
With Heart and Voice by David Gillingham. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Bb Clarinet 1, 2, 3, Bass Clarinet, Contrabass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1/2, F Horn 3/4, Trombone 1/2, Bass Trombone, Euphonium, Tuba, Piano, Timpa). Band Music. Grade 4. Score only. Duration 9:00. Published by C. Alan Publications (CN.05321). With Heart & Voice was commissioned by Apple Valley High School Bands, Scott A. Jones, director (Apple Valley, Minnesota), to commemorate the 25th year of existence of this high school. Apple Valley High School's strong commitment to the arts was a major factor in my decision to take on this commission. After visiting the school in December of 2000 and meeting many of the students, faculty, and administrators, I became greatly inspired.Thematically, the work is based on the Apple Valley High School Alma Mater, an old Spanish hymn which has made its way into most church hymnals under the name of "Come, Christians, Join to Sing." It is perhaps fate that this hymn, a particular favorite of mine, happens to be the tune used for the Alma Mater. Christian Henry Bateman wrote the words for the hymn in 1843 and the first verse contains the line, "Let all, with heart and voice, before his throne rejoice." Hence, the title, With Heart and Voice. What better way to celebrate 25 years of this great high school than with our "hearts" and "voices." The "voice" in this case is the music and the "heart" is the emotion that the music renders in celebration. Although the work is largely celebratory in nature, it begins with a feeling of reticence and apprehension, much like the beginnings of Apple Valley High School. It was at one time only an idea or perhaps only a sketch in the mind of the architect. Small fragments of the Alma Mater are heard in the opening moments of the piece. The piece gains momentum, texture and volume in this opening section culminating in a dramatic statement of the first four notes of the theme. A calmness follows and a lyrical flute solo enters. This new material represents the uniqueness of the "mission" of a new school which will have roots in academic excellence and commitment to the visual and performing arts. The euphonium echoes the flute and soon more instruments join in and the section culminates with a dramatic fanfare. This is followed by a transitional section with much dissonance and rhythmic activity, equated to the challenge of bringing life to this new school. A glorious statement of the Alma Mater follows signifying the dedication of Apple Valley High School, twenty five years ago. The ensuing section begins as a fugue with underlying unsettling rhythmic activity in the percussion. The obvious reference of this section is the challenge-maintaining the goals and mission of the high school. The section becomes frantic and desperate, but soon subsides into peacefulness. The peacefulness is stated by the marriage of the "Alma Mater " theme and the "Mission" theme. . .after all, for the High School to survive, it must never forget its mission. An extended finale follows which celebrates both themes in playful, joyful, and dramatic exuberance.
$20.00

Instruments: Piano, Baritone Voice, Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, Double Bass, B-Flat Trumpet, Bass Trombone, Euphonium, Percussion, Tuba, Piano and Keyboard, Voice, Vocal, Woodwinds, Clarinet, Saxophone, Brass, Strings, Trumpet, Trombone
Return to Innocence. (for Percussion Ensemble & SATB Choir). By David Gillingham. For Percussion Ensemble & Choir (SATB Choir, Piano, Percussion 1 (bells, xylophone, crotales), Percussion 2 (3-octave, vibraphone, chimes, crotales), Percussion 3 (4-octave marimba), Percussion 4 (4-octave marimba, suspended cymbal, anvil, tam-tam snare drum), Percussion 5 (3 tom-toms, s). Medium difficult. Score only. Duration 11:00. Published by C. Alan Publications (CN.06211). Based on a poem of the same title written by the composer, "Return to Innocence" dramatically depicts the beautiful words, taking the listener on a journey through many different moods.'Return to Innocence' by David GillinghamLook inwardto the depths of your soul.Seek the childhood innocencethat time stole.Envision the worldthrough child-like eyes,Then of earthly mattersWe are wise.Youthful ideal,Age of resplendence.Return, sweet returnReturn to innocence.Drums of conflictResound through the air.Beckoning the worldInto Hatred's snare.Cast away prejudicePerceive as a childAnd troubles wane.Youthful ideal,Age of resplendence.Return, sweet returnReturn to innocence.Our space is stifledThe air is tainted.Clouding the picture of whatnature has painted.Return to the landand purity of birth.Banish the poisonsthat shroud the earth.Youthful ideal,Age of resplendence.Return, sweet returnReturn to innocence.Make the many as one,The world into a wholeBecome children unifiedby a common soul.Brotherhood shall reign.Our spirits redeemed.When we return to our childhood dreams.Youthful ideal,Age of resplendence.Return, sweet returnReturn to innocence.
$20.00

Instruments: Choir, Piano Accompaniment, Percussion, Marimba, Vibraphone, Xylophone, Vocal, Piano, Piano and Keyboard
Paschal Dances by David Gillingham. For Percussion Ensemble (Percussion 1 (4 small concert toms, 4 congas, crash cymbals, voice), Percussion 2 (4 large concert toms, 4 bongos, voice), Percussion 3 (5 timpani, tambourine), Percussion 4 (crotales, snare drum, voice), Percussion 5 (bells, temple blocks, voice), Percus). Medium difficult. Score only. Duration 10:00. Published by C. Alan Publications (CN.01851). Dedicated to Robert Hohner and the Central Michigan University Percussion Ensemble, "Paschal Dances" is based on the first two lines of the famous Gregorian Easter sequence, "Victim paschali laudes" (Praises to the Paschal Victim). Motives and phrases of the chant are used to unify the work which comprises an Invocation, 4 Dances, 2 Interludes, and a Benediction.In the opening Invocation, the first phrase of the chant tune is played by the orchestra bells and consequently, the first five notes are harmonized by the marimba. The orchestra bells play both phrases of the first line of the chant at the close of the section. Dance I, in fast tempo, is dominated by membrane instruments with interjections of the second line of the chant tune being played by keyboard instruments. The section segues into the first Interlude, characterized by bowed vibraphone and a dirge-like presentation of the first five notes of the chant in the piano. Following, in the same slow tempo, is Dance II, which features chanting of male voices in canon on each of the three phrases comprising the second line of the chant. The first phrase of the chant undergoes metamorphosis in Dance III, becoming a whole-tone configuration. The dance is set in a lively 6/8 meter with periodic episodes of duplets against the triplet division. At midpoint, the dance breaks into quadruple meter with the first phrase of the chant played by the vibraphone moving in triplets. The dance returns to 6/8 meter and elides with the second Interlude, in slow tempo, where fragments of the chant are heard in the bells, chimes and marimba. Following a brief silence, Dance IV ensues with the marimbas elaborating on the whole-tone motive used in Dance III. In very fast tempo, the movement climaxes on a glorious G-flat major chord, which also articulates the beginning of the Benediction. Accompanied by all mallet instruments playing the motive of the first phrase of the chant in different rhythms, the piano, along with voices, state a haunting motive derived from the second line of the chant. The work ends with three tolls of a "questioning" chord, with each articulation followed by an arpeggiated version of the chord in the upper register of the piano.
$20.00

Instruments: Voice, Percussion, Timpani, Vocal
Amazing Grace-My Chains Are Gone (Bulletin Blanks). (An Easter Celebration of Worship for Congregation and Choir). By Dennis Allen & Nan Allen. For choir. Choral. Sacred. Moderate. Bulletin Blanks. Published by Lillenas Publishing Company (LP.765762147102).
$20.00

Instruments: Choir, Vocal
Genres: Christian, Easter, Religious, Celebrations
Festival Jubilate by Earlene Rentz. For SATB choir and piano accompaniment (optional orchestration) (BRASS). Shawnee Press. 1 pages. Shawnee Press #LB0450. Published by Shawnee Press (HL.35006559). Earlene Rentz creates an outstanding festival opener or closer with a Baroque feel. The springboard effect of the dotted rhythms and 6/8 time signature creates a fresh sound that includes piano and brass accompaniment. The use of two trumpets and two trombones (optional) with the piano imitate each other at times in the increasing intensity of a joyful dance of song. Celebratory and strong! Available Separately: SATB, opt. brass; Score/trumpet/trombone parts; PianoTrax CD.
$20.00

Pages: 1
Instruments: Choir, Piano Accompaniment, Vocal, Piano, Piano and Keyboard
O Lord, Thou Hast Searched Me Out - Instrumental Accompaniment by John Rutter (1945-). For SATB choir (Accompaniment: Organ & English Horn, Or Clarinet Or Oboe). John Rutter. Sacred. Medium Advanced Adult. 21 pages. Duration 5 min, 19 sec. Published by Hinshaw Music Inc. (HI.HMC2149A).
$20.00

Pages: 21
Instruments: Choir, Organ, Clarinet, Oboe, English Horn, Vocal, Piano and Keyboard, Woodwinds
Genres: Classical
Worship in Song (Full Music Edition). By Various. Edited by William Llewellyn. Arranged by Various. For SATB Choir and Piano and Organ accompaniment. Royal School of Church Music. Sacred. Easy. Text language: English. 144 pages. Published by GIA Publications (GI.G-RAB49). ISBN 0854020985. With Text language: English. Sacred.
$20.00

Pages: 144
Instruments: Choir, Piano Accompaniment, Organ Accompaniment, Vocal, Piano, Piano and Keyboard, Organ
Sea of Mercy arranged by Thomas Fettke. Choir Sacred. For InstruPax. This edition: InstruPax. Choral (Sacred); Choral Octavo; Worship Resources. With One Voice. Sacred. Instrumental Accompaniment. 28 pages. Published by Alfred Music Publishing (AP.29293). Using the timeless hymn, There’s a Wideness in God’s Mercy, Tom Fettke creates a “feel good” instant gospel classic! Healing and soulful, this anthem sings of the inexhaustible love of our Lord. Rhythm parts and a stirring accompaniment CD are available.Inst. Parts Available (choral); Recorded Acc. Available.
$20.00

Pages: 28
Instruments: Choir, Voice, Vocal
Cantata No. 134 Ein Herz, das seinen Jesum lebend weiss, BWV 134 [Adapted by composer from Cantata, BWV 134a: Die Zeit, die Tag, und Jahre macht (New Year Cantata)] by Johann Sebastian Bach (1685-1750). Arranged by Neue Bach Ausgabe Durr, Alfred (B. 1918), Editor. Critical Editions. Sacred/Hymns German New Year: Baroque. Keyboard reduction. Composed 1724. Duration 29 minutes. Published by Edwin F. Kalmus (KM.A7496).
$20.00

Instruments: Choir, Piano, Vocal, Piano and Keyboard
Genres: Baroque Period, German, New Year, Classical, World, Celebrations
Cantata No. 207 Vereinigte Zweitracht der wechselnden Saiten, BWV 207 by Johann Sebastian Bach (1685-1750). Arranged by Neue Bach Ausgabe Neumann, Werner (1905-198?), Editor. Critical Editions. German: Baroque. Keyboard reduction. Composed 1726. Duration 30 minutes. Published by Edwin F. Kalmus (KM.A7713).
$20.00

Instruments: Choir, Piano, Vocal, Piano and Keyboard
Genres: Baroque Period, German, Classical, World
Ave Maria by Franz Joseph Haydn (1732-1809). Arranged by Banner. For SATB choir, 2 trumpets in C, 2 violins, cello, bass and continuo. Instrumental parts. Published by Alliance Music Publications (AN.AMP-0410P).
$20.00

Instruments: Choir, Violin, Cello, B-Flat Trumpet, Piano and Keyboard, Vocal, Strings, Trumpet, Brass
Genres: Classical, Classical Period