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Samba Ole (Chorus SATB) by Noris. For SATB Chorus and Concert Band. Swiss import. Grade 3+. Score and parts. Published by Editions Marc Reift (MA.EMR-1843C).
$171.70

Instruments: Choir, Vocal
Genres: Samba, Latin
Quodlibet (on 15th-century French song texts) by Mauricio Kagel (1931-). Contemporary Large Ensemble/Orchestra. For Soprano/Alto Voice Solo, [2(I+II=Piccolo+Alto Flute).1.English Horn.2(II=E-flat Clarinet).Bass clarinet.1.Contrabassoon/Bassoon-2.2.2.1], 2 Percussion, Harp, Piano, Electric organ, Strings [0.0.0.6/8.4/6]. Modern. Score. Composed Composed: 1986-88. Duration circa 19 minutes 30 seconds. Published by Edition Peters (PE.P08744).
$170.00

Instruments: Piano, Organ, Piccolo, Bass Clarinet, E-Flat Clarinet, Bassoon, English Horn, Harp, Percussion, Alto Voice, Piano and Keyboard, Flute, Woodwinds, Clarinet, Strings, Voice, Vocal
Genres: 20th Century, Argentinian, Classical, Latin
Samba Ole (Chorus SATB) by Noris. For SATB Chorus and Brass Band. Swiss import. Grade 3+. Score and parts. Published by Editions Marc Reift (MA.EMR-2542C).
$164.01

Instruments: Choir, Vocal
Genres: Samba, Latin
a!!, den 24. xii. 1931 - Garbled news for baritone and instruments by Mauricio Kagel (1931-). Contemporary Medium Ensemble. For Baritone Voice, 2 Percussion, Piano/4-hands, Strings (1.0.1.1.1). (Text Language: German). Modern. Score. Composed Composed: 1988/91. Duration circa 31 minutes. Published by Edition Peters (PE.P08776).
$150.00

Instruments: Piano, Baritone Voice, Medium Voice, Percussion, Piano and Keyboard, Voice, Vocal
Genres: 20th Century, Argentinian, Classical, Latin
Wave by Antonio Carlos Jobim. Arranged by Peter Kleine Schaars. For Fanfare Band. Bossa nova / Trombone Solo and Wind Band / Arrangements of Modern Light Music / Pop / Band with (Solo) Voice. Real Big Band Sound. Grade 3. Score and Parts. Published by Molenaar Edition (ML.022602050). The Brasilian composer Antonio Carlos Jobim wrote some very famous tunes, such as "Wave." Though complex in melody and harmony, the bossa nova's real innovation was the radical change of the rhythmic structure of the samba.
$134.95

Instruments: Voice, Trombone, Vocal, Brass
Genres: Bossa nova, Jazz & Blues, Latin, Pop
The Girl From Ipanema (Optional Vocal). By Antonio Carlos Jobim. Arranged by Peter Kleine Schaars. For Fanfare Band. Pop / Arrangements of Modern Light Music / Band with (Solo) Voice / Bossa nova. Real Big Band Sound. Grade 3. Score and Parts. Duration 4 minutes, 60 seconds. Published by Molenaar Edition (ML.022618050).
$134.95

Instruments: Voice, Vocal
Genres: Bossa nova, Jazz & Blues, Latin, Pop
How Insensitive by Antonio Carlos Jobim. Arranged by Peter Kleine Schaars. For Fanfare Band. Bossa nova / Band with (Solo) Voice / Real Big Band Sound / Arrangements of Modern Light Music. Real Big Band Sound. Grade 3. Score and Parts. Duration 5 minutes, 50 seconds. Published by Molenaar Edition (ML.022663050). Here is another fine arrangement by Peter Kleine Schaars (Deventer, 1962) in true big band style of the famous tune composed by Antonio Carlos Jobim. A dialogue between the expressive, classical flute and the swinging band introduces the rhythmical Bossa Nova that invites to dance right away. This arrangement can also be performed with a female or male singer.
$134.95

Instruments: Voice, Vocal
Genres: Bossa nova, Jazz & Blues, Latin
Wave by Antonio Carlos Jobim. Arranged by Peter Kleine Schaars. For Concert Band. Bossa nova / Trombone Solo and Wind Band / Band with (Solo) Voice / Pop / Arrangements of Modern Light Music. Real Big Band Sound. Grade 3. Score and Parts. Published by Molenaar Edition (ML.012602050). The Brasilian composer Antonio Carlos Jobim wrote some very famous tunes, such as "Wave." Though complex in melody and harmony, the bossa nova's real innovation was the radical change of the rhythmic structure of the samba.
$133.95

Instruments: Voice, Trombone, Vocal, Brass
Genres: Bossa nova, Jazz & Blues, Latin, Pop
The Girl From Ipanema (Optional Vocal). By Antonio Carlos Jobim. Arranged by Peter Kleine Schaars. For Concert Band. Band with (Solo) Voice / Arrangements of Modern Light Music / Pop / Bossa nova. Real Big Band Sound. Grade 3. Score and Parts. Duration 4 minutes, 60 seconds. Published by Molenaar Edition (ML.012618050).
$133.95

Instruments: Voice, Vocal
Genres: Bossa nova, Jazz & Blues, Latin, Pop
How Insensitive by Antonio Carlos Jobim. Arranged by Peter Kleine Schaars. For Concert Band. Bossa nova / Real Big Band Sound / Arrangements of Modern Light Music / Band with (Solo) Voice. Real Big Band Sound. Grade 3. Score and Parts. Duration 5 minutes, 50 seconds. Published by Molenaar Edition (ML.012663050). Here is another fine arrangement by Peter Kleine Schaars (Deventer, 1962) in true big band style of the famous tune composed by Antonio Carlos Jobim. A dialogue between the expressive, classical flute and the swinging band introduces the rhythmical Bossa Nova that invites to dance right away. This arrangement can also be performed with a female or male singer.
$133.95

Instruments: Voice, Vocal
Genres: Bossa nova, Jazz & Blues, Latin
Sankt-Bach-Passion by Mauricio Kagel (1931-). Contemporary Large Ensemble/Orchestra. For Mezzo-Soprano, Tenor, Baritone Soli, Speaker, SATB Singing/Speaking Choruses I+II (min. 80 voices), Boys' Chorus (c. 40 voices), [3.3.English Horn.3.Bass clarinet.3(Contrabassoon)-4.3.3.1], Timpani, 3 Percussion, 2 Harp, Celeste, Piano, (2 players), Harps. (Text Language: German). Modern, Choral. Sheet Music. Composed Composed: 1981-85. Duration circa 100 minutes. Published by Edition Peters (PE.P08600).
$110.00

Instruments: Choir, Piano, Baritone Voice, Bass Clarinet, Bassoon, English Horn, Harp, Percussion, Timpani, Mezzo Soprano Voice, Vocal, Piano and Keyboard, Voice, Clarinet, Woodwinds, Strings
Genres: 20th Century, Argentinian, Classical, Latin
Chorbuch (Choirbook), Fifty-three chorales to be performed in any combination by Mauricio Kagel (1931-). Contemporary Large Ensemble/Orchestra. For SATB choir (minimum 40 voices), Piano, Harmonium/Electric Organ. (Text Language: German). Modern, Choral. Sheet Music. Composed Composed: 1975-78. Duration 1-3 minutes per number. Published by Edition Peters (PE.P08753).
$110.00

Instruments: Choir, Medium Voice, Piano Accompaniment, Organ, Harmonium, Vocal, Voice, Piano, Piano and Keyboard
Genres: 20th Century, Argentinian, Classical, Latin
Vox humana? by Mauricio Kagel (1931-). For Speaker (offstage), Female Chorus (minimum 12 Soprano, 12 Alto), [3.2.English Horn.0.Bass clarinet.0.Contrabassoon-0.1.1.1], 2 Percussion, Piano (Celeste), 6 Cello. Modern, Choral. Score. Composed Composed: 1978-79. Duration circa 25 minutes. Published by Edition Peters (PE.P08714). Cantata for solo loudspeaker, female voices and orchestra.
$105.00

Instruments: Choir, Piano, Bass Clarinet, Bassoon, English Horn, Cello, Percussion, Vocal, Piano and Keyboard, Clarinet, Woodwinds, Strings
Genres: 20th Century, Argentinian, Classical, Latin
Tango de la Menegilda by Frederico Chueca. Arranged by Jos Dobbelstein. For mezzo soprano and concert band. Baton Music Vocal Series. From the Zarzuela La Gran Via. Grade 3. Full score and parts. Duration 3:30. Published by Baton Music (BF.BM409-SET). If we say that zarzuela is Spanish light opera with spoken dialogue we shall be near the mark. Frederico Chueca composed many Zarzuela's. The Tango de la Menegilda (Housemaid's Tango) is sung in the 2nd scene of the Zarzuela La Gran Via. In this famous song, the housemaid relates the dubious course of her brief career under the Lady of the House.
$88.75

Instruments: Mezzo Soprano Voice, Voice, Vocal
Genres: Tango, Latin
Tango Aleman by Mauricio Kagel (1931-). For Mezzo Soprano Voice, Violin, Bandoneon (Accordion), Piano. Modern. Set of parts. Duration 9 minutes and 30 seconds. Published by Edition Peters (PE.P08412-P). Set of Parts. For score, see EP 8412.
$80.00

Instruments: Piano, Violin, Accordion, Mezzo Soprano Voice, Soprano Voice, Piano and Keyboard, Strings, Folk, Voice, Vocal
Genres: 20th Century, Argentinian, Tango, Classical, Latin
Mitternachtstuck (Midnight Piece) by Mauricio Kagel (1931-). Contemporary Large Ensemble/Orchestra. For 3 Speakers (ATBar/B), Tenor Voice Solo, SATB Speaking/Singing Chorus, Flute, Bass clarinet, Tuba, 2 percussion, harp, celeste, harmonium, violin. (Text Language: German). Modern, Choral. Score. Composed Composed: 1980-86. Duration circa. 35 minutes. Published by Edition Peters (PE.P08577). Four fragments from the diary of Robert Schumann (1828). The four movements may also be performed separately.Score.
$80.00

Instruments: Choir, Flute, Bass Clarinet, Violin, Harp, Percussion, Harmonium, Tuba, Tenor Voice, Vocal, Woodwinds, Clarinet, Strings, Piano and Keyboard, Brass, Voice
Genres: 20th Century, Argentinian, Classical, Latin
Misa a Buenos Aires. (Misatango). By Martin Palmeri. For Mezzo-Soprano Solo Voice, Mixed Choir, Bandoneon, Piano and String Orchestra. Tango. Score. Published by Tonos Music (TO.22200). ISBN M-2015-7376-2. Tango.
$68.95

Instruments: Choir, Piano Accompaniment, Mezzo Soprano Voice, Vocal, Piano, Piano and Keyboard, Voice
Genres: Classical, 20th Century, Argentinian, Tango, Latin
Ein Brief (A Letter) Concert scene for mezzo-soprano and orchestra by Mauricio Kagel (1931-). Contemporary Large Ensemble/Orchestra. For Mezzo-Soprano Voice, [0.Alto Flute.0.Oboe d'amore.2.Bass clarinet.0-4.0.0.0], Timpani, 2 Percussion, 2 Piano, Strings. Modern. Score. Composed Composed: 1985/86. Duration 9 minutes. Published by Edition Peters (PE.P08638).
$67.00

Instruments: Piano, Flute, Bass Clarinet, Oboe, Percussion, Timpani, Mezzo Soprano Voice, Soprano Voice, Piano and Keyboard, Woodwinds, Clarinet, Voice, Vocal
Genres: Classical, 20th Century, Argentinian, Latin
Whatever Lola Wants (Lola Gets) by Carmen Mcrae. Arranged by Jack Pleis, Syd Potter. For big band with female vocal. Cha Cha. Medium Difficult. Full score and set of parts. Published by Jazz Lines Publications (JL.JLP-9034). This great cha cha arrangement was recorded by Carmen McRae on February 21, 1955 with the Jack Pleis Orchestra along with the Dave Lambert Singers. This arrangement has been transcribed and adapted from the original recording by Syd Potter. The mood of the arrangement is setup with an opening sax/rhythm section unison line. Drums are either on Latin percussion throughout or on a set without using the cymbals for most of the chart. The difficulty in this chart is the staccato hits and accents that the band does together - especially the end of the chart. The brief vocal cameos (shouting "Uh") have been scored into the band in the event that your players don't want to do this vocal part. Though, in some ways it really makes the chart. The vocal key is B minor throughout and there are no doubles. Please note that the mp3 sample has an anti-piracy tone every 30 seconds. Ranges: Trumpet 1: to high C Trombone 1: to high Bb Vocal Key: B minor.
$65.00

Instruments: Voice, Vocal
Genres: Cha-Cha, Latin
Sway by Rosemary Clooney With Perez Prado. Arranged by Myles Collins. For big band with female vocal. Latin. Easy. Full score and set of parts. Published by Lush Life (JL.LL-2054). Made famous by Dean Martin, this is close to the Rosemary Clooney version which she recorded with the Perez Prado Orchestra. This is a relaxed vocal with simple backings from the band, in true Prado style. The brass ranges are undemanding, and it's not a hard blow. Lead Trumpet has the cued option to hit the screamers, but just don't let him miss! This is in the original key of B flat minor.
$65.00

Instruments: Voice, Vocal
Genres: Latin
Rum And Coca Cola by The Andrews Sisters. Arranged by Alan Glasscock. For big band with female vocal trio [SSA]. Calypso. Easy. Full score and set of parts. Published by Lush Life (JL.LL-2132). Rum and Coca Cola is an enduring hit for the Andrews Sisters, sung against a Calypso rhythm apart from the last 5 measures which move into Swing tempo. Beautifully transcribed by Alan Glasscock, all three vocal parts are written to intertwine in true Andrews Sisters style. The chart is scored for SSA Vocal, Piano, Bass, Guitar, Drums, Maracas and 4 Trumpets only. The solo Trumpet line is written on the 1st part, but cross-cued on the other 3 trumpet parts, so you can share the solos around the section if needed. The vocal key is Bb. Ranges: Trumpets 1-4: C6, G5, E5, E5 Trombones 1-4: Not playing in this chart Vocal key: Bb Female Vocal Trio S1 D4-A4, S2 Bb3-C5, A1 F3-Eb4.
$65.00

Instruments: Voice, Vocal
Genres: Calypso, Pop, Latin
Green Eyes by Helen O'Connell. Arranged by Marion Evans, Myles Collins. For big band with female vocal. Mambo/Swing. Medium. Full score and set of parts. Published by Lush Life (JL.LL-2155). This is the original Helen O'Connell version of Green Eyes, from her 1957 album of the same name, as recorded with the Marion Evans Orchestra. The original manuscript was used, it is not a transcription. However, it has been slightly modified by the addition of the 'as-played' phrasing in the rhythm parts during the intro, and the 'as-played' dynamic markings in the brass. This arrangement is completely different to her earler duet chart that she used with the Jimmy Dorsey orchestra in that the first half of the arrangement is taken at a gentle pace in mambo latin style with the vocalist accompanied only by the rhythm section. At the end of the vocal chorus the band enters with a real kick, taking the tempo up and changing to a swing feel. This gives the chart a whole new lift, and it swings hard right to the end. The vocal key is Ab throughout, and there are no sax doubles.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Mambo, Jazz & Blues, Latin
Brazil by Helen O'Connell. Arranged by Myles Collins. For big band with female vocal. Samba. Medium Easy. Full score and set of parts. Published by Lush Life (JL.LL-2157). This is the original Helen O'Connell version of Brazil, from her 1957 album "Green Eyes", as recorded with the Marion Evans Orchestra, and it is an out and out up tempo latin vocal feature. Opening with a grandiose rubato section, the chart then kicks right into Samba feel at 240 beats a minute, though will sound good at a slightly reduced tempo too. The original chart was written for 6 brass, but it has been augmented up to an 8 piece section. The reeds are written AATTB, with AATT all expected to double flute, and the baritone to double bass clarinet. However, recognizing that not every sax team can cope with this, alternate sax parts which do not have any required instrument doubles have been included. These parts are printed on the reverse of the original sax parts. On her album recording the chart ended in a fade out. Whilst fine for a studio, fade endings rarely work live. An extra few measures have been added at the end of the chart to bring it to a positive finish. The vocal key is Eb throughout. Also, this is not a transcription - the original handwritten Marion Evans arrangement has been used and adapted. Vocal key Eb [Female vocal Bb3 - Bb4 - 1 octave].
$65.00

Instruments: Voice, Vocal
Genres: Samba, Latin
Tampico by June Christy With The Stan Kenton Orchestra. Arranged by Alan Glasscock. For big band with female vocal. Latin. Medium. Full score and set of parts. Published by Lush Life (JL.LL-2251). Tampico is a fun Latin vocal chart from the Stan Kenton Orchestra, originally sung by June Christy and the boys in the band. The chart opens with a powerful intro and moves immediately into the vocals, with the band singing the choruses and your vocalist taking the verses. The band vocal lines are cued onto all of the reed and brass parts. The structure of the chart is intro, 4 band/vocal passages, a 16-measure instrumental section, one more band/vocal passage and a big instrumental to finish. The chart could also make a good audience participation number, as the chorus is easy to sing. There are no solos and no sax doubles, and the vocal key is Ab throughout.
$65.00

Instruments: Voice, Vocal
Genres: Latin