Instantly downloadable sheet music by Eliza Gilkyson for choir and piano (SATB) of MEDIUM skill level.

Instantly downloadable sheet music by George Frideric Handel for choir and piano (SATB) of MEDIUM skill level.

Instantly downloadable sheet music by Camille Saint-Saëns for voice, piano and guitar of MEDIUM skill level.

The Kikapust Choral Series offers choirs an extensive choice of close-harmony a cappella arrangements. All of our arrangers / composers – Jonathan Rathbone, Ben Parry & Mark Williams – were long-standing members ofthe Swingle Singers.

The Kikapust Choral Series offers choirs an extensive choice of close-harmony a cappella arrangements. All of our arrangers / composers – Jonathan Rathbone, Ben Parry & Mark Williams – were long-standing members ofthe Swingle Singers.

The Kikapust Choral Series offers choirs an extensive choice of close-harmony a cappella arrangements. All of our arrangers / composers – Jonathan Rathbone, Ben Parry & Mark Williams – were long-standing members ofthe Swingle Singers.

The Kikapust Choral Series offers choirs an extensive choice of close-harmony a cappella arrangements. All of our arrangers / composers – Jonathan Rathbone, Ben Parry & Mark Williams – were long-standing members ofthe Swingle Singers.

The Kikapust Choral Series offers choirs an extensive choice of close-harmony a cappella arrangements. All of our arrangers / composers – Jonathan Rathbone, Ben Parry & Mark Williams – were long-standing members ofthe Swingle Singers.

The Kikapust Choral Series offers choirs an extensive choice of close-harmony a cappella arrangements. All of our arrangers / composers – Jonathan Rathbone, Ben Parry & Mark Williams – were long-standing members ofthe Swingle Singers.

The Kikapust Choral Series offers choirs an extensive choice of close-harmony a cappella arrangements. All of our arrangers / composers – Jonathan Rathbone, Ben Parry & Mark Williams – were long-standing members ofthe Swingle Singers.

The Kikapust Choral Series offers choirs an extensive choice of close-harmony a cappella arrangements. All of our arrangers / composers – Jonathan Rathbone, Ben Parry & Mark Williams – were long-standing members ofthe Swingle Singers.

The Kikapust Choral Series offers choirs an extensive choice of close-harmony a cappella arrangements. All of our arrangers / composers – Jonathan Rathbone, Ben Parry & Mark Williams – were long-standing members ofthe Swingle Singers.

This handsome, convenient compilation contains 89 songs, among them such masterpieces as Wartend, Frühlingsglaube, Neue Liebe, Auf Flügeln des Gesanges and many more, including 6 songs by Mendelssohn's sister, Fanny, plus one duet (Op. 8, No. 12). Includes song settings of lyrics by Byron, Goethe, Schiller, Heine, and other poets. Reprint of Lieder und Gesange für eine Singstimme mit Begleitung des Pianoforte [Songs and Works for Solo Voice with Piano Accompaniment] from Serie 19 of Breitkopf & Härtel's Complete Works edition of the music of Felix Mendelssohn Bartholdy, Leipzig, 1874-77.

Influential 18th-century oratorio deals with the triumph of the Jewish warrior-hero Judas Maccabaeus over the invading enemies of the Israelites. Beauty, drama and brilliant originality of its arias, duets and choruses have kept the work constantly in the active repertoire. Reprinted from authoritative edition of the German Handel Society. Text underlay in English and German.

Exactingly reproduced from the authoritative Breitkopf & Härtel edition, this superb full-score edition offers music lovers a rare opportunity to study and follow performances of this great comic opera, one of the most engaging and least pretentious masterpieces in the repertory. The earliest of Mozart's five most famous operas and the first he wrote for the Viennese stage. Reprint of Die Enthführung aus dem Serail, Breitkopf & Härtel, Leipzig, n.d.

'Chandos Anthem' No.2, edited by Damian Cranmer.

The first 10 songs from the celebrated cycle: Der Schildwache Nachtlied, Verlorne Muh', Trost im Ungluck, Wer hat dies Liedel erdacht?, Das irdische Leben, Lied des Verfolgten im Turm, Wo die schonen Trompeten blasen, Lob des hohen Verstandes, Rheinlegendchen, and Des Antonius von Padua Fischpredigt. German and English texts. Note. Contents. Instrumentation. Original selection of songs from Des Knaben Wunderhorn: Lieder für eine Singstimme mit Orchesterbegleitung von Gustav Mahler, Universal-Edition, Vienna, 1905.

"These songs are a source of endless delight." — Grove's Dictionary. Sixty-four songs, published from 1877 to 1886, including such favourites as Geheimnis, Alte Liebe, and Vergebliches Standchen. Opp. 69, 70, 71, 72, 84, 85, 86, 91, 94, 95, 96, 97. Includes English translations of the original editor's commentary. Reprint of Volume 25 of Johannes Brahms; Sämtliche Werke: Ausgabe der Gesellschaft der Musikfreunde in Wien, Breitkopf & Härtel, Leipzig, n.d.

Reprinted from authoritative German editions, this collection of 45 songs offers deeply affecting settings of poems by Johann Wolfgang von Goethe and Joseph von Eichendorff. Richly varied in mood, many pieces evoke a romantic moonlit world and exquisite love lyrics, while others explore the darker side of the human experience. Reprint of songs published by C. F. Peters, Leipzig, n.d.

In response to a continued interest in a scholarly facsimile of the Mass in B minor, a new cloth-bound facsimile edition (BVK 2194) has now been published. This replaces the original BÄRENREITER FACSIMILE edition (BVK 1911). Johann Sebastian Bach completed the Mass in B minor in 1748/49 shortly after the Art of Fugue and shortly before his death. This late work is as concentrated and rich in compositional technique as scarcely any other work. As early as 1818, Hans-Georg Nägeli enthusiastically described the Mass as the "greatest musical artwork of all time and all nations”. Since then it has been ranked as an icon of music history. One of the primary functions of a facsimile is the preservation of such a cultural heritage, particularly when the manuscript (as is the case with the Mass in B minor) is endangered and damaged by iron gall ink erosion. Furthermore, it is moving for Bach admirers to see how in some passages Bach’s handwriting reflects the effort which this last work demanded of him. The facsimile documents and records the present condition of the complete autograph score. Older reproductions have substituted a few individual folios where the content has become difficult to read in recent years. The renowned Bach scholar Christoph Wolff describes the work’s significance in his introduction, gives an overview of the history of composition and draws attention to particular distinguishing features of the manuscript. "This facsimile edition is a model for the presentation of musical sources, both in appearance and in documentation. […] Wolff's facsimile will serve as foundational tools" (Notes, December 2008) "Once, Bach came up against the boundaries of his art, on blotchy, 260-year-old paper. ‘Et expecto…’ is this point in the B minor mass, ‘And I look for the resurrection of the dead.’ Bach wrote modulations which were extraordinary. He had to strive for these. He crossed out – although this is a fair copy – hatched and scratched until the paper tore. He was already an old man, his script leans to the left. The handwriting here isn’t nearly as lively as in the ‘Cum sancto Spirito’, written earlier. Everywhere, one is moved by the closeness to the manuscript which the facsimile conveys – one of the most sumptuous ever published." (DIE ZEIT Literatur, December 2007)

For SATBB chorus unaccompanied.

No description available. Contact info@musicroom.com for more information.

No description available. Contact info@musicroom.com for more information.

No description available. Contact info@musicroom.com for more information.