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Over Hill, Over Dale by Adam Gorb (1958-). For Wind Symphony or Band (32 players): 2+1, 2, 3+1, 2+1 - AATBt saxophone - 4, 3, 3+euphonium, 1 - percussion(3), double bass. Original Works. Maecenas Millenium. Grade 4. Score and set of parts. Composed c1995. Duration 6 minutes. Published by Maecenas (MT.C0039-SET).
$142.60

Instruments: Saxophone, Double Bass, Euphonium, Percussion, Woodwinds, Strings, Brass
Genres: Classical, 20th Century
Romance by Camille Saint-Saens (1835-1921). For solo instrument (flute, clarinet, oboe, tenor saxophone, trumpet, trombone, viola, violin, or violoncello) and orchestra. Swiss import. Grade 3+. Score and parts. Published by Editions Marc Reift (MA.EMR-4715).
$141.39

Instruments: Flute, Clarinet, Oboe, Tenor Saxophone, Violin, Cello, Viola, B-Flat Trumpet, Trombone, Woodwinds, Saxophone, Strings, Trumpet, Brass
Genres: Classical
Midnight Rendezvous (Alto Sax Solo) by Gunter Noris. Concert Band. For alto saxophone and wind band (concert band). Swiss import. Grade 4. Score and parts. Published by Editions Marc Reift (MA.EMR-10122).
$140.48

Instruments: Alto Saxophone, Saxophone, Woodwinds
Concerto Pour Une Voix by Saint-Preux. Arranged by Jerome Naulais. For solo instrument (flute, clarinet, bassoon, alto saxophone, trumpet, trombone, euphonium, viola, violin, or violoncello) and concert band. Swiss import. Grade 3+. Score and parts. Published by Editions Marc Reift (MA.EMR-10368).
$140.48

Instruments: Flute, Clarinet, Alto Saxophone, Bassoon, Violin, Cello, Viola, B-Flat Trumpet, Trombone, Euphonium, Woodwinds, Saxophone, Strings, Trumpet, Brass
Genres: Classical
Les Feuilles Mortes (Autumn Leaves = Herbstblatter). By Prevert / Kosma. Arranged by John G. Mortimer. For solo instrument or voice (male voice, female voice, flute, clarinet, alto saxophone, tenor saxophone, horn in F, trumpet, trombone, or euphonium) and concert band. Swiss import. Light Music / Pop. Grade 3+. Score and parts. Published by Editions Marc Reift (MA.EMR-1195).
$140.48

Instruments: Voice, Flute, Clarinet, Alto Saxophone, Tenor Saxophone, Horn, B-Flat Trumpet, Trombone, Euphonium, Vocal, Woodwinds, Saxophone, Brass, Trumpet
Genres: Pop
Gloryland by Scott Richards. For solo instrument (flute, clarinet, alto saxophone, tenor saxophone, horn in F, trumpet, trombone, or euphonium) and concert band. Swiss import. Jazz / Ragtime / Dixieland. Grade 4. Score and parts. Published by Editions Marc Reift (MA.EMR-1530).
$140.48

Instruments: Flute, Clarinet, Alto Saxophone, Tenor Saxophone, Horn, B-Flat Trumpet, Trombone, Euphonium, Woodwinds, Saxophone, Brass, Trumpet
Genres: Ragtime, Jazz & Blues
Down By The Riverside (Alto & Tenor Sax Duet) by Jerome Naulais. Concert Band. Swiss import. Young Band. Grade 3. Score and parts. Published by Editions Marc Reift (MA.EMR-10783).
$140.48

Instruments: Tenor Saxophone, Saxophone, Woodwinds
Variete - Concert Spectacle for acrobats and musicians by Mauricio Kagel (1931-). For Characters: minimum 6 Variety Performers Instruments: Clarinet (Bass clarinet, Alto saxophone), Trumpet, Percussion, Piano/Electric Organ, Accordion, Cello. Modern, Opera. Score. Composed Composed: 1976-77. Duration circa. 65 minutes. Published by Edition Peters (PE.P08407).
$140.00

Instruments: Piano, Organ, Bass Clarinet, Alto Saxophone, Cello, B-Flat Trumpet, Percussion, Accordion, Piano and Keyboard, Clarinet, Woodwinds, Saxophone, Strings, Trumpet, Brass, Folk
Genres: 20th Century, Argentinian, Opera, Classical, Latin, Miscellaneous
Divertimento for 11 Wind Instruments by Gary Ziek. Arranged by David Farnon. Chamber Ensemble. For Chamber Winds (flute, oboe, clarinet in Bb, alto saxophone, bassoon, trumpet 1 in Bb, trumpet 2 in Bb, horn in F, trombone, euphonium, tuba). Grade 4. Score and parts. Duration 19:30. Published by C. Alan Publications (CN.09150). The Harvard Dictionary of Music defines a divertimento as "an instrumental composition written primarily for entertainment, and hence in a rather light vein. These works are generally written for small ensembles, and consist of a number (three to ten) of relatively short movements." The Divertimento for Eleven Wind Instruments (flute, oboe, clarinet, alto saxophone, bassoon, 2 trumpets, horn, trombone, euphonium, and tuba) consists of six movements in varying styles. The suite begins with a stately Intrada, written in a festive, march-like style. The cantilena is a lyrical work, tinged with a sense of melancholy. The Capriccio is light-hearted in nature and is played at a fast tempo throughout. Prelude & Tarantella begins with a plaintive chant-like melody, which transforms into a furious "dance of the spider." The Siciliano is in a flowing, lyrical style. The finale utilizes a five-part rondo form. It is virtuosic in nature and is brimming with high energy and good spirits.
$140.00

Instruments: Flute, B-Flat Clarinet, Oboe, Alto Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Euphonium, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Apollo by Brian Balmages. For soprano saxophone. Canzonique Music. Full set (score and parts). Score only also available: CM7004S. Grade 6. Score and set of parts. Composed 2008. Published by The FJH Music Company Inc (FJ.CM7004). This concerto for soprano saxophone and wind ensemble is based on the tragedy of the Apollo 1 mission, in which a fire swept through the command module during a preflight test on January 27, 1967. All three astronauts onboard were killed, including Gus Grissom, the commander. This work makes extensive use of contemporary sounds and effects, seeking to portray the events of that day as experienced by Grissom himself (the work is dedicated to the memory of Grissom). Absolutely stunning writing for both soloist and ensemble, this work is a wonderful addition to the repertoire.
$140.00

Instruments: Soprano Saxophone, Saxophone, Woodwinds
Concertino for 4 Percussion (Percussion Quartet Feature). By David Gillingham. Arranged by Stuart Johnson. For Soloist(s) with Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bass Clarinet, Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, F Horn 1, F Horn 2, F Horn 3, F Horn ). Grade 5. Score and parts. Duration 9:30. Published by C. Alan Publications (CN.02870). Two thematic motives are used as a point of departure for this work. Both appear in the slow and mysterious introduction. The first, played by the marimbas, is dramatic and the second, played by vibraphone and bells, is haunting. The following Allegro is structured similar to a rondo with recurrences of both themes interspersed by episodic sections. The first theme, however, is transformed into a very lively arpeggiated tune played by the xylophone and marimba. The coda is marked by a relentless rhythmic competition of two sets of bass drums which accompany the primary thematic material as first heard in the slow introduction. The work draws to a resounding conclusion when the second haunting theme is stated dramatically in tour de force by the accompaniment.-David R. Gillingham.
$138.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Percussion, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Internal Combustion by David Gillingham. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bass Clarinet, Eb Contrabass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, F Horn 1/2, F Horn 3/4, Tromb). Grade 5. Score and parts. Duration 11:30. Published by C. Alan Publications (CN.04440). Although the internal combustion engine was in existence since the early 19th century, its successful use in the United States began around 1900 and thus marked the beginning of one of the most important industrial sagas of the 20th century, that of the American automobile. Adjacent to the invention of this new "horseless carriage" was the advent of early jazz, that of "ragtime" and New Orleans "Dixieland" jazz. Also marking the occasion was General Motors' introduction of the Oldsmobile and the Gus Edwards/Vincent Bryan song, "In My Merry Oldsmobile." The conglomeration of these events are the basis for the inspiration behind "Internal Combustion."The work is centered around two main thematic ideas - motives from "In My Merry Oldsmobile" and what the composer calls the "Song of Invention" which is related to "Merry Oldsmobile" by the obvious interval of a major sixth. Added to this thematic material is a multitude of references to the mechanistic nature of the internal combustion engine, the automobile and automobile horns )the old time "oogah" and the American luxury car variety using the interval of the third).The work starts with the anticipation of invention with some obvious allusions to the "Merry Oldsmobile" tune. The introductory material leads to the "Song of Invention," expressively stated by solo alto saxophone. Then, the crank is turned (ratchet) and we're off for a ride! One should easily hear tha "putt-putt" of the engine, the whistle of the wind and the steam from the radiator. The automobile gathers speed and begins to cruise along joyously... hence a dixieland rendition of "Merry Oldsmobile." The frolic is interrupted by gathering speed and further development and refinement of the automobile and its internal combustion engine. Along the way, one will hear more references to "Merry Oldsmobile," car horns (traffic congestion!) and even a "revving" engine. Unfortunately, in America, "speed is the thing," and the music comes to a screeching halt with a crash and jammed car horn segues into a melancholy lament. This section culminates with a simplistic and child-like presentation of "Merry Oldsmobile" in the percussion (bells/vibraphone). An engine "rev" (trombone flutter tongue) gives way to new and better things on the horizon and perhaps of the "hay days" of the automobile, the 1950s. Within this section can be heard the triplet rhythm of a stereotypical 50s ballad. The 50s give way to the final decades of the 20th century beginning with a reference to modern jazz. The music begins to develop and becomes more sinister in nature perhaps indicative of the mixed blessing the automobile has bestowed upon us. Finally, however, the music leads to a dramatic presentation of the "Song of Invention." Despite its mixed blessing, the automobile is an invention to be celebrated; it has undisputedly changed the world! The music changes into a moment of reflection with a reprise of the "Song of Invention" by solo alto saxophone giving way to an intense, fast and spirited finale.
$138.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, Double Bass, B-Flat Trumpet, Woodwinds, Clarinet, Saxophone, Brass, Strings, Trumpet
Cantus Laetus. (Concerto for Winds and Percussion). By David Gillingham. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Contrabassoon, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bass Clarinet, Soprano Saxophone, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, Horn 1/2, Horn 3/4, Tro). Maestro Band Series. Grade 6. Score and parts. Duration 15:45. Published by C. Alan Publications (CN.05250). My affection for composing for bands, winds, and percussion over the past twenty years has, in part, been a source of inspiration for Cantus Laetus. Another source has been the encouragement I have received from colleagues and friends who have thought that I should write a definitive work exploiting the attributes of this large group of winds and percussion that we call the "band." And, finally, I have been inspired by the University of Georgia Band program under the superb leadership of Dwight Satterwhite. This work is my fourth commission for the University of Georgia Band program and I hope will not be my last.Virtually all the melodic material for this concerto is based on one of the most famous Gregorian Hymns, "Veni Creator Spiritus" for the Second Vespers of Whitsunday. This chant, as well as the Easter sequence, "Victimae Paschal Laudes," are two of my favortie melodies of all time. "Veni Creator Spiritus" is tuneful and lends itself to a variety of harmonic settings. The title, Cantus Laetus, translates to "Joyful Noise," with "noise in this case being "music." There is obvious and intended reference in the title to Psalm 100 ("Make a joyful noise to the Lord, all the lands!"). In fact, wind and percussion instruments are mentioned throughout the entire book of Psalms as instruments of praise. Therefore, Cantus Laetus is a statement of praise and affirmation of life which exploits every corner of emotion through the coloristic and dramatic capabilities of the symphonic band. The work is cast in three major sections which are framed by an introduction, Initium, and a coda, Finis. The three middle sections feature the three families of the ensemble, Calamus (reeds/woodwinds), Aes (brass), and Ictus (percussion). In addition to its own feature, the percussion section is involved in all the other sections along with the piano and harp.- David R. Gillingham.
$138.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Soprano Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Essays for Trumpet & Wind Ensemble. (Trumpet Feature). By Gary Ziek. For Soloist(s) with Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bass Clarinet, Bassoon 1/2, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet Solo, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, Horn 1/2, Horn 3/4, Trombone 1, Trombon). Grade 4. Score and parts. Duration 12:10. Published by C. Alan Publications (CN.05560). "Essays for Trumpet" is a four-movement suite for trumpet and wind ensemble. Each movement is written in a contrasting style, featuring a wide array of trumpet techniques. The first movement, Fanfare, begins with the solo trumpet playing lyrical lines over the ensemble. The character quickly changes, with the trumpet and ensemble trading short clarion calls. The movement ends with a flurry of activity between solo and ensemble, culminating in the final chord. Movement two, Gallop, begins with a flash, with the soloist, negotiating numerous double-tonguing hurdles. The movement races off at a presto tempo, with both soloist and ensemble trading the melody. A short interlude with a jazz flavor features the soloist before the movement races to the finish. Movement three, Ballad, showcases the lyrical side of both soloist and ensemble. The final movement, Dance, utilizes a five-part rondo form. It is highly spirited in nature, featuring lively melodies and rhythms.
$138.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Proud and Immortal by David Gillingham. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, English Horn, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bass Clarinet, Bassoon 1/2, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, Horn 1/2, Horn 3/4, Trombone 1, Trombon). Grade 4. Score and parts. Duration 8:50. Published by C. Alan Publications (CN.05960). Proud and Immortal is a musical memorial for the members of the Oklahoma State University Basketball Program killed in the plane crash of January 27, 2001. The work is based almost exclusively on the Oklahoma State University Alma Mater Hymn (Robert McCulloh, 1949). The work opens in an elegaic mood which is punctuated by repeated groups of five articulations of open fifths in the piano. Underscoring these sorrowful articulations are motives in the low woodwinds and horns alluding to the first four notes of the Alma Mater Hymn. A distant muted trumpet enters with a reflective theme and the work segues into a rather dignified and dark march utilizing, again, the first four notes of the Alma Mater Hymn, the muted trumpet motive, and articulations by the timpani, tom-toms and bass drum. All of this, of course, acknowledges the deep loss and sadness felt by the Oklahoma State University community, the country, and the world. The march grows in intensity and the piano again is heard with its characteristic five articulations, but this time in more hopeful surroundings. Under a soft timpani roll, the muted trumpet again enters with a motive suggesting a prayerful reflection. As the trumpet statement continues, the saxophones expressively render the Lama Mater Hymn in stately augmentation. The texture thickens for the final eight bars of the hymn, with the flute playing a lyrical obligato. The English horn echoes the muted trumpet at the end of the hymn and the euphonium engaged in dramatic countermelody. There is yet another modulation into Bb major with the oboe on the melody and the flute and euphonium on countermelodies. Through these statements of the hymn in various keys and orchestral colors, I have humbly and respectfully tried to reflect upon the precious lives of the young athletes and how they have touched the Oklahoma State University community. The mood becomes celebratory with another modulation, this time in D major. The brass toss around fanfare motives derived from the original elegaic articulations in the piano. The fanfare moves to the key of Bb major and the Alma Mater is now majestically stated by the horns and trumpets and the section modulates back to G major, with a fermata in the middle of the last line of the hymn. Following a grand pause, the last three notes of the hymn are stated by the horns and low brass.- David R. GIllingham.
$138.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, English Horn, B-Flat Trumpet, Trombone, Woodwinds, Clarinet, Saxophone, Trumpet, Brass
Heritage of Faith. (with SATB Choir). By David Gillingham. For Choir with Concert Band (Piccolo, Flute 1/2, Oboe, Bassoon 1/2, Clarinet 1, Clarinet 2/3, Bass Clarinet, Eb Contrabass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet 1, Trumpet 2/3, Horn 1/2, Horn 3/4, Trombone 1/2, Bass Trombone, Euphonium, Tuba, SATB). Grade 4. Score and parts. Duration 9:05. Published by C. Alan Publications (CN.06500). Quoting three hymns from the Heritage of Faith:When in Our Music God is Glorified(Engleberg)All Creatures of Our God and King(Lasst Uns Erfreuen)Lift High the Cross(Crucifer)Commissioned byMeyer MusicTo Honor the Grand Rapids Christian School AssociationAt the Dedication of the Center for Arts and WorshipFebruary 23, 2003Grand Rapids Christian High School Combined Choirs and Wind EnsembleJohn K. Blakemore, ConductorGrand Rapids, Michigan.
$138.00

Instruments: Choir, Flute, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, Double Bass, B-Flat Trumpet, Bass Trombone, Euphonium, Tuba, Vocal, Woodwinds, Clarinet, Saxophone, Brass, Strings, Trumpet, Trombone
Double Star. (Clarinet & Piano Feature). By David Gillingham. For Soloist(s) with Concert Band (Flute 1/Piccolo, Flutes 2, Oboe, Bassoon, Solo Bb Clarinet, Bb Clarinets 1/2, Bass Clarinet, Alto Saxophone, Horn in F 1/2, Horn in F 3/4, Bb Trumpets 1/2, Trombone, Bass Trombone, Euphonium, Tuba, String Bass, Solo Piano, Timpani, Percussion 1 (crotales,). Grade 6. Score and parts. Duration 18:50. Published by C. Alan Publications (CN.06520). Double Star was commissioned by Gary Green and the University of Miami Wind Ensemble to celebrate his friendship with Ellen Rowe (pianist), Maggie Donaghue and myself. The work, therefore, celebrates humanity, especially in the goodness we achieve and the friendship we acquire through the art of music. The title of the work comes from the astronomical phenomenon by the same name, "two stars that are gravitationally bound and hence move in an elliptical orbit around the common center of mass." www.skywatch.com Certainly we can count Ellen Rowe and Maggie Donaghue as two "stars" who are gravitationally bound to the world of music.Each movement paints a musical picture of the type of light that I have imagined would be radiated by these stars. The first movement, Bright Light, is cast in sonata form preceded by a slow introduction. Two moods are fluctuated in the movement corresponding to two interpretations of "bright, " one being somewhat inhibiting, and the other being joyful. The first theme group represents the former and second theme group represents the latter. The second movement, Warm Light, is set in simple song form featuring the alto saxophone. All that is good with the world and humanity is reflected in this movement through lyrical line and rich harmony. The final movement, Heavenly Light, is the most celebratory in that it radiates joy and elation. I imagine the light in this movement to be akin to what those with near-death experiences have seen and felt. The movement is cast in a sonata-rondo design with the first theme group featuring modal and chromatic mediant progressions. Motivic material from the second movement is used in the second theme group and makes a dramatic reprise in the coda.- DRG.
$138.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Bassoon, Horn, Double Bass, B-Flat Trumpet, Bass Trombone, Euphonium, Percussion, Timpani, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Strings, Trumpet, Trombone
Dance Toccata by Frederick Speck. Arranged by Geoffrey Brand. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Contrabass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1/2, F Horn 3/4, Trombone 1/2, Trombone 3, Euphonium, Tuba, Timpani,). Grade 5. Score and parts. Duration 10:10. Published by C. Alan Publications (CN.07940). Commissioned by, and dedicated to, Garwood Whaley and the Bishop Ireton Wind Ensemble, Dance Toccata combines continuous rhythmic motion, varied textures and colors, and motives imbued with strong dance-like features in a work that is energetic and bold. Though the underlying current of pulsation is hardly ever interrupted, there are also layers of relaxed, undulating melodic materials suspended above the pulsation to create a contrasting lyricism in the work. The first example of such lyricism is heard in a series of canonic entries featuring solo statements by the oboe, clarinet and alto saxophones.The structure of the work resembles a broad arch with a coda. Just past the midpoint of the work, the lyrical statement returns in the woodwind and brass instruments, providing a brief sense of relaxation, as if the music is winding down from the rhythmic persistence with which it so strongly identifies. Throughout the course of the work, there is a dialogue and an intentional ambiguity between major and minor sonorities, which ultimately becomes more strongly major near the conclusion. As the music presses forward into the coda, layers that remind the listener of all the prominent materials of the work are present. Past this point, the music becomes increasingly extroverted, spirited and joyful as it surges toward release.- Frederick Speck.
$138.00

Instruments: Flute, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, Double Bass, B-Flat Trumpet, Trombone, Euphonium, Percussion, Timpani, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Strings, Trumpet
Dawn Refrains at Arlington by James A. Hirt. Arranged by Desmond Walker. For Concert Band (Piccolo 1/2, Flute 1 (3 players), Flute 2 (3 players), Oboe 1, Oboe 2, English Horn, Bassoon 1, Bassoon 2, Clarinet in Eb, Clarinet in Bb 1 (2 players), Clarinet in Bb II (3 players), Clarinet in Bb III (3 players), Bass Clarinet in Bb, Alto Saxophone 1/2). Grade 5. Score and parts. Duration 13:00. Published by C. Alan Publications (CN.09880). Commissioned by the Cleveland Institute of Music and Case Western Reserve University Bands, Gary M. Ciepluch - Director.The composition is intended as an expression of gratitude and honor for all the courageous Americans who have sacrificed to defend and protect freedom. This single movement composition has four main sections which are subtitled:I. Count the LossII. Freedom RemainsIII. But Not ForgottenIV. Solemn March of HonorEach section is intended to embody a specific mood or image associated with this austere national monument. The seemingly endless ocean of graves at Arlington National Cemetery is a reminder of the overwhelming cost of freedom.- James A. Hirt.
$138.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Bassoon, English Horn, Woodwinds, Clarinet, Saxophone
Dances from Morning of the Year by Geoffrey Brand. Arranged by Geoffrey Brand. For Concert Band (Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe*, English Horn, Eb Clarinet, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet, Bb Bass Clarinet, 1st Bassoon, 2nd Bassoon*, 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone, Bb Tenor Saxopho). Band Music. Maestro Band Series. Grade 5. Score and parts. Duration 12:30. Published by C. Alan Publications (CN.R10177). Holst's original version of 'The Morning of the Year' was written in 1926-27 as a choral ballet. It was the first work to be commissioned by the music department of the BBC. The first concert performance was on 17 March 1927 at the Royal Albert Hall, London conducted by the composer.In 1979 Colin Matthews and Imogen Holst edited this concert version with the approval of the publisher and G&I Holst Ltd. The chorus has been left out and several of the dances have been shortened. Some additional percussion was introduced to suggest the sounds the dancers would have provided in a stage performance.Geoffrey Brand arranged the work for concert band in 1995 with permission from G&I Holst Ltd.
$138.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Tenor Saxophone, Bassoon, English Horn, Woodwinds, Clarinet, Saxophone
Euphonium Concerto. (Euphonium Feature). By Gareth Wood. For Soloist(s) with Concert Band (Solo Euphonium, Piccolo, Flute 1, Flute 2, Oboe 1, Oboe 2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Eb Alto Clarinet, Bb Bass Clarinet, Bassoon 1, Bassoon 2, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Corne). Band Music. Grade 5. Score and parts. Duration 16:00. Published by C. Alan Publications (CN.R10262). Gareth Wood's 3-movement (fast-slow-fast) concerto is a tour-de-force that showcases the euphonium's best qualities, full realizing it's lyrical potential while also demonstrating it's fast-tonguing capabilities.
$138.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, B-Flat Trumpet, Euphonium, Woodwinds, Clarinet, Saxophone, Trumpet, Brass
Genres: Classical
Crazy Diamonds Shining. (Soprano Saxophone or Clarinet Feature). By Pete Meechan. For Soloist(s) with Concert Band (Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe, English Horn, 1st Bassoon, 2nd Bassoon, Contrabassoon, Eb Clarinet, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet, Bb Bass Clarinet, Contrabass Clarinet, Soprano Saxophone, 1st Alto ). Band Music. Grade 5. Score and parts. Published by C. Alan Publications (CN.R10263). A modern, improvisatory work that utilizes contemporary harmonies and techniques. Written for the modern-day soloist and a band looking for a challenge.
$138.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Soprano Saxophone, Bassoon, English Horn, Double Bass, Woodwinds, Clarinet, Saxophone, Strings
Slide Ride. (Trombone Feature). By Gregory Danner. For Soloist(s) with Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, SOLO TROMBONE, Bb Trumpet 1, Bb Trumpet 2/3, Horn 1/3, Horn 2/4, Trombone 1/2, Trombone 3, Euph). Band Music. Grade 4. Score and parts. Duration 5:40. Published by C. Alan Publications (CN.11430). Slide Ride is an energetic work that shows off both the technical and lyrical capabilities of the trombone, while throwing in a few tongue in cheek references to that less polite side of the instrument. The piece is a modified rondo, moving quickly back and forth between styles before arriving at a triumphant conclusion. Slide Ride was written for trombonist Joshua Hauser and the Tennessee Tech Symphony Band.
$138.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Country Dances by Gregory Danner. For Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1/2, English Horn, E-flat Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Bass Clarinet, Bassoon 1/2, Contrabassoon, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet 1, Trumpet 2, Trumpet 3, Horn 1/2, Horn 3/4). Band Music. Pioneer Band Series. Grade 4. Score and parts. Duration 16:25. Published by C. Alan Publications (CN.11800). The country dance, or "contradance" has a rich tradition in America. Although related to the more familiar square dance, the style is markedly different. Rather than the square set of four couples, any number of couples arranged in lines make up a contradance. The music of the contradance is mostly traditional tunes, with roots in the British Isles and New England.It is this music - the jigs, hornpipes, waltzes, schottisches, and fiddler's reels - that brings the beauty and excitement to the dance. The tuneful melodies, rustic harmonies, and invigorating rhythms are truly a part of our American heritage.- Greg Danner.
$138.00

Instruments: Flute, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, English Horn, B-Flat Trumpet, Woodwinds, Clarinet, Saxophone, Trumpet, Brass