I'm In The Mood For Love by Charlie Parker with Strings. Arranged by Joe Lippman. For jazz ensemble with alto saxophone solo. Swing. Medium. Score and parts. Published by Jazz Lines Publications (JL.JLP-8029). This arrangement was done by Joe Lippman for the second studio session that Charlie Parker did featuring strings (1950). The instrumentation on this one includes 4 violin parts, 2 viola parts as well as French horn and oboe. The oboe doubles English horn briefly but an alternate parts that avoids this double has been included. There was no guitar part; however, we have added one as an option. This has been completely edited and engraved from the original score and parts. Harp pedaling has been included.

They Can't Take That Away From Me by Charlie Parker with Strings. Arranged by Joe Lippman. For jazz ensemble with alto saxophone solo. Swing. Medium-Difficult. Score and parts. Published by Jazz Lines Publications (JL.JLP-8043). This arrangement was done by Joe Lippman for the second studio session that Charlie Parker did featuring strings (1950). The instrumentation on this one includes 4 violin parts, 2 viola parts as well as French horn and oboe. The oboe doubles English horn briefly but an alternate parts that avoids this double has been included. There was no guitar part; however, we have added one as an option. This has been completely edited and engraved from the original score and parts. Harp pedaling has been included.

Night Train by Count Basie. Arranged by Roy Philippe. For jazz big band (2 alto saxophones, 2 tenor saxophones, baritone saxophone, 4 trumpets, 4 trombones, guitar, piano, bass, drums). Ranges: Trumpet 1 to F6, Trombone 1 to Ab4. Swing. Medium. Score and parts. Published by Jazz Lines Publications (JL.JLP-8898). Roy Phillippe composed this arrangement of Night Train for the Count Basie band to feature tenor saxophone legend Jimmy Forrest. The arrangement was filmed live for the Last of the Blue Devils movie. This chart is not difficult to play. Here is a great opportunity to feature your tenor sax player on a instantly recognizable song.

By Norah Jones. Arranged by Paul Murtha. For jazz ensemble (vocal solo, alto sax 1, alto sax 2, tenor sax 1, tenor sax 2 (opt.), baritone sax, trumpet 1, trumpet 2, trumpet 3, trumpet 4 (opt.), trombone 1, trombone 2, trombone 3 (opt.), trombone 4 (opt.), guitar, piano, bass, drums). Hal Leonard Vocal Solo/Jazz Ensemble Series. Pop Vocal and Jazz. Grade 3. Conductor's score and set of performance parts. Published by Hal Leonard

((Alto Sax Feature)). By Thelonious Monk. Arranged by Mike Tomaro. Jazz Ensemble Library. Grade 4. Published by Hal Leonard

More than 35 years after his death Ben Webster's music remains fresh, contemporary and original; his distinctive sound still enchants and engages at each listening. The American tenor saxophonist came to Europe in 1964, at the relatively late age of 55, and never returned to the States. Webster had previously put off coming to Europe because of his intense fear of flying but when he finally arrived he was soon crowned King of Tenors by the thousands of fans who gave him their love and respect. Although he longed for his musical roots in the US he never went back; not only because of his fear of flying - he liked being in Europe. This 8CD box set has more than 10 hours of Ben Webster's music including previously unreleased tracks. The sessions were recorded mainly between 1964 and 1973 in Europe, mostly in Scandinavia, and include live recordings from festivals, clubs and radio and television broadcasts. They feature Webster at Copenhagen's famous Montmartre club and other Danish locations as well as sessions from his renowned month-long residency at London's Ronnie Scott's (his first job in Europe). Completing the set are recordings from Finland, Sweden, Belgium, Germany and several tracks recorded before he left New York. Webster is heard in various settings - from trios to big bands - in the company of contemporaries including Teddy Wilson, Clark Terry, Buck Clayton and Dexter Gordon. The booklet is illustrated with some great photos of Webster and gives a very personal insight from his closest friends and associates into his life and loves, his music and the colourful anecdotes that arose everywhere this remarkable musician went.

The Easy Winners (For Saxophone Ensemble). By Scott Joplin (1868-1917). Arranged by Johan van der Linden. For Saxophone Ensemble. Solo Pieces. Published by Molenaar Edition (ML.060874700).

Good Time Charlie by Lennie Niehaus. For jazz ensemble (featuring: saxophone section). Jazz Journey Series. Moderate Swing. Medium. Score and Set of Parts. Duration 4:50. Published by Kendor Music Inc (KN.61265). Why not give your saxophone section some time in the spotlight with this moderate swing original from former Stan Kenton saxophonist/arranger Lennie Niehaus? Unison melodies, harmonized solis, and an open chorus for any and all members of the saxophone section are just a few features of this solidly scored chart for advancing groups. A guitar chord chart by Jim Greeson is included in each set.

Blues on the Slide (Trombone Feature). By Stuart Johnson. Arranged by Geoffrey Brand. For Soloist(s) with Concert Band (Flute 1, Flute 2, Oboe, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Bassoon, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet/Cornet 1, Bb Trumpet/Cornet 2, Horn in F 1, Horn in F 2, Trombone 1 (solo or soli), Trombon). Band Music. Grade 2.5. Score and parts. Duration 3:40. Published by C. Alan Publications (CN.R10080). Shades of New Orleans Jazz here! Stuart Johnson's slow, regular stomp provides an ideal background against which your trombonist can shine.

King's Blues March arranged by Marcel Saurer. For 5 Saxophones (S(A)A(T)A(T)TB) & Chorus. Swiss import. Grade 4. Score and parts. Published by Editions Marc Reift (MA.EMR-13960).