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Sir Godfrey Kneller's March by Gordon Jacob (1895-1986). For Concert Band (Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe*, Eb Clarinet*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet*, Bb Bass Clarinet, 1st Bassoon, 2nd Bassoon*, 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone, Bb Tenor Saxophone, Eb Barit). Band Music. Grade 4.5. Score only. Duration 5:10. Published by C. Alan Publications (CN.S11174). Kneller Hall is a famous mansion, set in beautiful grounds near Twickenham, London which now serves as the training establishment for Directors of Music for the British Army and overseas forces.A feature of the programme is the outdoor summer concerts, attended by distinguished visitors and local residents.Gordon Jacob was so inspired at one such an occasion in 1976 that he wrote this march "to convey to all at Kneller Hall my admiration and gratitude for their encouragement of my music over many years," as he put it shortly afterwards.The manuscript was overlooked until brought to light by a previous Director of Music of Kneller Hall, Lt. Col. Rodney Bashford and was published to celebrate the centenary of the composer's birth.
$10.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Tenor Saxophone, Bassoon, Woodwinds, Clarinet, Saxophone
Genres: 20th Century, Classical
Fantasia on an English Folk Song by Gordon Jacob (1895-1986). For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Eb Clarinet, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Eb Alto Clarinet, Bb Bass Clarinet, Bassoon 1/2, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet/Cornet 1/2, Bb Trumpet/Cornet 3, Horn in F 1, Horn). Band Music. Grade 4. Score. Duration 5:30. Published by C. Alan Publications (CN.S11008). Gordon Jacob, like many of his British contemporaries, drew freely on the English folk song tradition. With its clear melodic lines and characteristic scoring in 'families" of instruments, the "Fantasia on an English Folk Song" once again demonstrates Jacob's mastery of the concert band.
$15.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Cornet, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: 20th Century, Folk Songs, Classical, Folk
A Downland Suite by John Ireland (1879-1962). For Concert Band (Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe*, Eb Clarinet*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet*, Bb Bass Clarinet, 1st Bassoon, 2nd Bassoon*, 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone, Bb Tenor Saxophone, Eb Barit). Band Music. Grade 5. Band score. Duration 16:30. Published by C. Alan Publications (CN.S11006). "A Downland Suite" is one of a pair of works Ireland wrote for brass band (the other being "Comedy Overture") in the 1930s. Both were commissioned by the National Brass Band Championships of Great Britain, and this piece was completed in 1932. Ray Steadman-Allen's skillful arrangement was published in 1985.Interestingly, the composer himself "freely adapted" the Elegy and Minuet for String Orchestra and the adaptation of the outer movements for strings was undertaken some years later by Geoffrey Bush, one of Ireland's many eminent composer pupils."A Downland Suite" is structured classically, revealing itself in the loose "sonata form" of the Prelude, the song-like Elegy, the Minuet with formal repeats and full Trio, and a last movement which utilizes the Rondo framework of a recurring theme reappearing in different keys. But within this classical form are unsettling elements.The tonal relationships between movements of the suite becomes more remote as the work progresses. The first movement is in C Minor, the second in Eb Major, the third in Bb Major (with a Trio in Bb Minor) and the last opens in G Minor and ends with blazing fanfares in G Major, a long way from the sombre mood of the opening.The phrase structure of the Minuet is sometimes unexpected: an 8-bar phrase opens, but Ireland mirrors it with a 9-bar phrase! In fact, throughout the work, the music reaches over bar-lines, phrases are extended, and strong beats displaced.Tight thematic unity between movements gives the work its cohesion. The Elegy melody provides the kernel and the rising fourth interval is seminal. Ireland gives us our clue by repeating the Elegy theme in the last movement. In fact, the opening Rondo theme is virtually the Elegy (but played four times as fast) and the Minuet is the Elegy theme in inversion.The interval of the fourth (sometimes manifested as a falling fifth) is emphasized throughout the first movement. Add to this the octave leaps, the pillars around which the Prelude is constructed, which find their way into the Rondo as the opening accompaniment, and the mature composer's high art of achieving unity within diversity of structure and style is revealed.
$15.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Tenor Saxophone, Bassoon, Woodwinds, Clarinet, Saxophone
Genres: 20th Century, Classical
Sword Dancer. (Oboe Feature). By Catherine McMichael. For Soloist(s) with Concert Band (Piccolo, Flute 1/2, Oboe, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Bass Clarinet in Bb, Bassoon, Contrabassoon, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Oboe Solo, Trumpet in Bb 1, Trumpet in Bb 2/3, Horn in F 1, Horn in F 2, ). Band Music. Grade 4. Score only. Duration 8:00. Published by C. Alan Publications (CN.10171). Commissioned byThe Andover High School Symphony BandBloomfield Hills, MI, Robert H. Ambrose, ConductorDedicated to the Memory ofDr. Robert H. Ambrose, M.D.1925-1994.
$12.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: 20th Century, Classical
Cape Breton Postcard by Catherine McMichael. For Concert Band (Piccolo, Flute 1/2, Oboe, Bassoon, Clarinet in Bb 1/2/3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2, Trumpet in Bb 3, Horn in F 1/2, Trombone 1/2, Euphonium, (Baritone T.C.), Tuba, Timpani, Per). Band Music. Grade 3. Score only. Duration 7:00. Published by C. Alan Publications (CN.10091). What is it about Cape Breton? What makes the people so strong and their music so keen? In 1497 the first Europeans led by the famed explorer John Cabot arrived on Cape Breton, which is now part of Nova Scotia, Canada. Cabot's discovery of the island led to its gradual settlement by Scots, Irish, French and English. The mid 1700s brought major changes to Scotland with the end of the Highland Clan System. Contemplating a grim future in their homeland, many Scots left for new opportunity in Cape Breton. Cape Breton has since become a stronghold of Gaelic culture, some say more deeply Scottish than Scotland. This fierce blend of daring, edgy courage, pathos and energy has become distilled to a fine, strong spirit in the music played by Bretonians from then until now. Music from Cape Breton is Celtic times twenty!The three movements of Cape Breton Postcard are meant to portray the integral bond between the land and the soul: Dawn, Mist and Thunder are all intrinsic to the Cape Breton environment. The Mist is derived from a melody for solo fiddle called "Arisaig Mist" by Wilfred Gillis, a Canadian composer, and used by permission of Cranford Publications of Cape Breton Island. That haunting melody was the starting point for the concept of the entire piece. All other melodies are original to this work but inspired by much listening to music from Cape Breton.Cape Breton Postcard was commissioned by the Hill Country Middle School Bands in Austin, Texas, Cheryl Floyd and Chuck Fisher, directors. The commission was funded by the Baylor University School of Music, Dr. Kevin Sedatole, conductor, and the Stevenson family. The piece was premiered by the Hill Country Middle School Band on May 24, 2005 at the Westlake High School Auditorium with the composer present. The orchestra adaptation was premiered by the Midland (MI) Community Orchestra, Robert Ralston, conductor on February 19, 2006.
$12.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Euphonium, Percussion, Timpani, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: 20th Century, Classical
Spirit of the Shannon. (Flute Feature). By Catherine McMichael. For Soloist(s) with Concert Band (Flute 1/2, Oboe 1/2, Bassoon 1/2, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2/3, Horn in F 1, Horn in F 2, Trombone 1/2, Bass Trombone, Euph). Band Music. Grade 3. Score only. Duration 4:30. Published by C. Alan Publications (CN.10081). Celtic in style, this one movement concerto for flute is in three sections: lively, lovely and really, really fast! The accompaniment is accessible by an intermediate level band.
$12.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Bass Trombone, Woodwinds, Clarinet, Saxophone, Brass, Trumpet, Trombone
Genres: 20th Century, Classical
Tu Pauperum Refugium by Josquin des Prez (1440-1521). Arranged by G. Brock. For Concert Band (flute 1/2, oboe, clarinet in Bb 1-3, bass clarinet, bassoon, alto saxophone 1/2, tenor saxophone, baritone saxophone, trumpet in Bb 1/2, horn in F 1/2, trombone 1/2, euphonium, string bass, tuba). Grade 3. Score only. Duration 4:00. Published by C. Alan Publications (CN.09141). Based on Josquin Desprez's motet Tu Pauperum Refugium, this work begins with soul-settling chords, then moves off into the complex polyphony Josquin perfected 500 years ago. A beautiful arrangement for band.
$10.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, Double Bass, B-Flat Trumpet, Trombone, Euphonium, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Strings, Trumpet
Genres: Renaissance, Classical
Pax by Catherine McMichael. For Concert Band (Flute 1/2, Oboe, Bassoon, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Bass Clarinet, Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1/2, Trumpet in Bb 3, Horn in F 1/2, Horn in F 3/4, Trombone 1/2, Bariton). Grade 2. Score only. Duration 3:20. Published by C. Alan Publications (CN.09111). "Pax," originally in McMichael's "Rose Quartet" for piano and string trio, is melodic, moving and instantly appealing to listeners and performers alike. With a superb musical journey, it will enhance any concert. A memorable tune with a dramatic flare.
$10.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: 20th Century, Classical
Lewis and Clark by Catherine McMichael. For Concert Band (Flute 1/2, Oboe, Bassoon, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, 2, 3, Horn in F 1/2, Trombone 1/2, Baritone, (Baritone T.C.), Tuba, Timpani, Percussion 1 [2 players] (snare drum, bass). Grade 3. Score only. Duration 2:15. Published by C. Alan Publications (CN.09051). Using the folk songs "New Rigged Ship" and "Jefferson & Liberty," the exciting story of the Lewis and Clark expedition launches a musical journey of discovery and exploration.
$10.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Percussion, Timpani, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: 20th Century, Classical
Chamber Symphony No. 2 for Bassoon (Bassoon Feature). By Daniel McCarthy. Arranged by A. Dancy. Chamber Ensemble. For Solo Bassoon, Chamber Winds & Percussion (solo bassoon, flute, oboe, soprano saxophone, clarinet in Bb, bass clarinet, bassoon, horn in F, percussion (maracas, temple blocks, suspended cymbal, tam tam, bongos, castanets, triangle), marimba (4.5-octave), double bass). Medium difficult. Score only. Duration 16:00. Published by C. Alan Publications (CN.05861). Chamber Symphony No. 2 for Bassoon and Winds was commissioned for Barrick Stees by the Michigan State University Bands, John Whitwell, Conductor. This piece follows the format of McCarthy's Chamber Symphony (No. 1) for Marimba and Winds, a virtuosic composition for solo instrument and chamber ensemble that has more musically involved accompaniment than implied by the term "concerto."Daniel McCarthy met Barrick Stees as a colleague at the Interlochen Summer Arts Festival (Interlochen Arts Camp, Interlochen, Michigan) in the summer of 1995. Since that time, McCarthy and Stees have worked together on numerous recording and performance projects - most recently, the recording of another commissioned work of McCarthy's by Stees, All the West Was Moving (Centaur Records: Barrick Stees and The Arianna String Quartet).For Chamber Symphony No. 2, McCarthy prefers the multi-movement format, six movements of varying lengths. Similar to some of Beethoven's late string quartets, McCarthy uses two shorter movements as introductions to others, namely the two "Interludes." The outer two movements are programmatic, whereas the interior movements are much more classically conceived.Movement 1: "Stomp and Buc Dance"Having grown up in Northern Michigan, McCarthy has a special affinity for the autumn season. Several of his teachers from the Interlochen Academy (where McCarthy graduated in 1974) are avid hunters. The deer-hunting season for many in northern Michigan is sacred. One hears of the so-called "deer camps" where hunters have wild parties (far enough from their hunting sites as to not "spook" the animals).McCarthy imagines Deer, Buck, and Elk parties at the end of hunting season, when the animals, after another season of successfully avoiding the hunters' bullets and arrows, dance wildly around their own camp fires, drinking deer-beer and mocking the hunters in the dim fire light.Movement 2: "Interlude""Interlude" introduces a softer, darker, less humorous music than the first movement. It offers a transition to a much less programmatic third movement in comparison to the first.Movement 3: "Mechanique""Mechanique" is a study in angular intervals for the solo bassoon. The rhythmic animation in the solo with the motoric doublebass and marimba accompaniments give the music a mechanical sound that is (perhaps) associated with an etude.Movement 4: "Interlude: Creep"The second "Interlude," this time with the subtitle: "Creep" is inspired by the second movement of J. S. Bach's Suite No. 3 in D Major (Air on the G String). The inspiration for this interlude is textural: a long, sustained melody in the treble above a punctuated, quasi-jazz pizzicato bass and marimba bass line that "creeps" and crawls its way beneath the ensemble. It is the only movement without the bassoon solo.Movement 5: "Static"A somewhat improvisational, rhapsodic sounding piece, "Static" is a study in repeated notes and fast tonguing for the wind instruments. The "static" repetition of pitches creates a percussive effect that is juxtaposed with a mosaic of wide-interval motives.Movement 6: "Fire, Dance, and Wahbekanetta"This movement, like the first, is about wild-eyed, nocturnal parties in Michigan's northern wood. In 1969, the composer attended the National Music Camp as a trumpet player and later, the Interlochen Arts Academy from 1970-1974. He later joined the faculty of Interlochen Arts Camp in 1995. McCarthy was born very near Interlochen, in a small village of Onekoma on Portage Lake. The summer is the time for the composer to return to the land of his youth, a chance to escape the rigors of academe, to be with friends. Memories.
$20.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Soprano Saxophone, Horn, Double Bass, Percussion, Marimba, Woodwinds, Clarinet, Saxophone, Brass, Strings
Genres: Classical
Piece. (Saxophone Alto Mib et Piano). By Gabriel Faure (1845-1924). For E-flat alto saxophone and piano. Published by Alphonse Leduc (AH.AL16152). ISBN 9790046161520.
$10.75

Instruments: Piano Accompaniment, Alto Saxophone, Piano, Piano and Keyboard, Saxophone, Woodwinds
Genres: 20th Century, Classical
2 Miniatures, Op. 145. (No. 1: Souvenir De L'Ami Lointain Saxophone Mib Piano). By Alexander Gretchaninoff (1864-1956). For Eb saxophone and piano. Published by Alphonse Leduc (AH.AL19175). ISBN 9790046191756.
$11.35

Instruments: Piano Accompaniment, Saxophone, Piano, Piano and Keyboard, Woodwinds
Genres: 20th Century, Slavic, Classical, World
2 Miniatures, Op. 145. (No. 2: Phantasme Saxophone Mib et Piano). By Alexander Gretchaninoff (1864-1956). For Eb saxophone and piano. Published by Alphonse Leduc (AH.AL19176). ISBN 9790046191763.
$10.75

Instruments: Piano Accompaniment, Saxophone, Piano, Piano and Keyboard, Woodwinds
Genres: 20th Century, Slavic, Classical, World
Classique Saxophone Mib, No. 002. (Petite Valse). By Ludwig van Beethoven (1770-1827) and Marcel Mule (1901-2001). For Eb saxophone. Published by Alphonse Leduc (AH.AL19512). ISBN 9790046195129.
$10.75

Instruments: Saxophone, Woodwinds
Genres: Classical Period, Classical
Classique Saxophone Mib, No. 012. (Bourgeois Gentilhomme: Menuet). By Jean-Baptiste Lully (1632-1687) and Marcel Mule (1901-2001). For Eb saxophone. Published by Alphonse Leduc (AH.AL19537). ISBN 9790046195372.
$10.75

Instruments: Saxophone, Woodwinds
Genres: Baroque Period, Classical
Petit Negre. (Saxophone Mib et Piano). By Claude Debussy (1862-1918). For E-flat saxophone and piano. Published by Alphonse Leduc (AH.AL19555). ISBN 9790046195556.
$13.50

Instruments: Piano Accompaniment, Saxophone, Piano, Piano and Keyboard, Woodwinds
Genres: Impressionism, 20th Century, Classical
Classique Saxophone Mib, No. 034. (Air Tendre et Courante). By Jean-Baptiste Lully (1632-1687) and Marcel Mule (1901-2001). For Eb saxophone. Published by Alphonse Leduc (AH.AL19591). ISBN 9790046195914.
$10.75

Instruments: Saxophone, Woodwinds
Genres: Baroque Period, Classical
Classique Saxophone Mib, No. 045. (Le Temple De La Gloire: Gavotte). By Jean-Philippe Rameau (1683-1764) and Marcel Mule (1901-2001). For Eb saxophone. Published by Alphonse Leduc (AH.AL19602). ISBN 9790046196027.
$10.75

Instruments: Saxophone, Woodwinds
Genres: Baroque Period, Opera, Classical, Miscellaneous
Classique Saxophone Mib, No. 055. (Scenes D'Enfants: Reverie). By Robert Schumann and Marcel Mule (1901-2001). For Eb saxophone. Published by Alphonse Leduc (AH.AL19654). ISBN 9790046196546.
$10.75

Instruments: Saxophone, Woodwinds
Genres: Romantic Period, Classical
Classique Saxophone Mib, No. 061. (Gavottes). By George Frideric Handel (1685-1759) and Marcel Mule (1901-2001). For Eb saxophone. Published by Alphonse Leduc (AH.AL19659). ISBN 9790046196591.
$10.75

Instruments: Saxophone, Woodwinds
Genres: Baroque Period, Classical
Classique Saxophone Sib, No. 078. (Chanson Du Printemps). By Felix Bartholdy Mendelssohn (1809-1847) and Marcel Mule (1901-2001). For Bb saxophone. Published by Alphonse Leduc (AH.AL19752). ISBN 9790046197529.
$12.90

Instruments: Saxophone, Woodwinds
Genres: Classical
Classique Saxophone Sib, No. 077. (Phaeton: Passacaille et Passepied). By Jean-Baptiste Lully (1632-1687) and Marcel Mule (1901-2001). For Bb saxophone. Published by Alphonse Leduc (AH.AL19756). ISBN 9790046197567.
$10.75

Instruments: Saxophone, Woodwinds
Genres: Baroque Period, Classical
Classique Saxophone Mib, No. 060. (Romances Sans Paroles, No. 3). By Felix Bartholdy Mendelssohn (1809-1847) and Marcel Mule (1901-2001). For Eb saxophone. Published by Alphonse Leduc (AH.AL19798). ISBN 9790046197987.
$12.90

Instruments: Saxophone, Woodwinds
Genres: Classical
Petit Negre. (4 Saxophones/Partition et Parties). By Claude Debussy (1862-1918) and Marcel Mule (1901-2001). For 4 saxophones. Score and parts. Published by Alphonse Leduc (AH.AL20232). ISBN 9790046202322.
$19.55

Instruments: Saxophone, Woodwinds
Genres: Impressionism, 20th Century, Classical