Sheet music search made easy
Search within results:
Delivery Method
Instruments
Genres
Price
Saxophone
20473 result(s) found
List results in: Detailed View | Thumbnail View
Sort results by: Price | Release Date | Popularity | Title
Results per page: 10 | 24 | 50
Symphonic Proclamation by David Gillingham. For Concert Band (Piccolo, Flute 1-2, Oboe 1-2, Bassoon 1-2, Clarinet in Bb 1-3, Bass Clarinet, Alto Saxophone 1-2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1-3, Horn in F 1-4, Trombone 1-3, Euphonium, Tuba, Timpani, Percussion 1 (snare drum, bass drum), Percussi). Grade 4. Score and parts. Duration 5:50. Published by C. Alan Publications (CN.06010). One of Gillingham's earliest works for band, "Symphonic Proclamation" is a high-energy overture that would be perfect as an opener or a closer on your next concert. Flourishes in the woodwinds and fanfares in the brass coupled with a catchy melody will make this memorable for all.
$128.80

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Euphonium, Percussion, Timpani, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Beasts & Monsters Suite by Gary Ziek. For Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1/2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bass Clarinet, Bassoon 1/2, Soprano Saxophone, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, F Horn 1/2, F Horn 3/4, Tro). Grade 5. Score and parts. Duration 14:00. Published by C. Alan Publications (CN.06680). I. PegasusII. NaiadsIII. SatyrsIV. SirensV. Furies.
$128.80

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Soprano Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Fandango. (Trumpet & Trombone Feature). By Joseph Turrin (1947-). For Soloist(s) with Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Eb Clarinet, Clarinet 1, Clarinet 2/3, Bass Clarinet, Bb Contrabass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Solo Trumpet, Solo Trombone, Trumpet 1, Trumpet 2/3, Horn 1/2, Horn 3/4, Trom). Grade 4. Score and parts. Duration 6:00. Published by C. Alan Publications (CN.06810). Written on commission in 2000 for the University of New Mexico Wind Symphony for Philip Smith and Joseph Alessi.This six-minute piece explores the rhythmic, melodic and syncopated elements of the Spanish fandango dance form (A lively dance in triple time for two dancers). The work divides itself into three sections:The first is a combination of lively melodic and articulated interplay between the trumpet, trombone and wind symphony.There is a stately chorale in the woodwinds that opens section two. The trombone adds itself to this material culminating in a short cadenza leading into the third section.Section three is a basic recap of the opening material, but this time the soloists work the themes into a canon. There is a brief return of the chorale, this time for full ensemble, and then a fast coda reiterating the work's various rhythmic elements.- Joseph Turrin.
$128.80

Instruments: Flute, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, Double Bass, B-Flat Trumpet, Trombone, Woodwinds, Clarinet, Saxophone, Brass, Strings, Trumpet
Aerodynamics by David Gillingham. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Clarinet 1, Clarinet 2, Clarinet 3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet 1, Trumpet 2/3, Horn 1/2, Horn 3/4, Trombone 1/2, Trombone 3, Euphonium, Tuba, Piano, Timpani (4). Grade 4. Score and parts. Duration 8:30. Published by C. Alan Publications (CN.08390). Aerodynamics was commissioned by the members of the Sinclair Community College Community Bands, conducted by Kenneth Kohlenberg, on the occasion of their Twenty-fifth Anniversary Season. Since the event coincides with the 100th Anniversary of the invention of flight by the Wright Brothers, I thought it would be appropriate to compose a work that honors that occasion. The result is a work that is entirely celebratory in nature, celebrating man's technological invention and creativity. It is cast in six sections: 1) Invention, 2) Dayton, Ohio, 1903, 3) The Wright Brothers, 4) Construction, 5) Flight, and 6) Celebration. Each of these sections intentionally alludes to its programmatic content. In the first section, "Invention," there is a sense of the unknown and anticipation. Particularly noticeable are the wind noises that allude to "flight." The motivic material is taken from Scott Joplin's Weeping Willow Rag, written in 1903, the year of the first successful flight. Throughout the section the piano hints at the ragtime style and segues into the second section, "Dayton, 1903," where the second strain of the rag is played out on the piano, followed by the flute and alto saxophone playing the first strain. Hopefully, the listener will be aurally transformed into the year 1903, when ragtime was in vogue. The third section, "The Wright Brothers," unfolds a new and dramatic theme that captures the spirit and importance that the Wright Brothers brought to America with their invention of flight. The middle of this section is interrupted with the first strain of the "Weeping Willow Rag," followed by a reprise of the "Wright Brother's theme." "Construction" makes reference to the building of the airplane that would later prove successful in flight. The Wrights built the plane in the back of their bicycle shop in Dayton, Ohio. There is pounding on metal and wood and the constant ticking of time throughout the entire section and a smattering of motives from the "Weeping Willow Rag." The ensuing section is a musical depiction of the first successful "flight". The wind noise returns along with ascending and descending chromatic passages in the woodwinds and brass. Underscoring the section are hints of the "Wright Brother's theme." The section grows in texture and strength and segues into the final section, "Celebration," where the "Wright Brother's theme" returns in a glorious and celebratory fashion and drives to a resounding conclusion.-DRG.
$128.80

Instruments: Piano, Flute, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Euphonium, Percussion, Timpani, Tuba, Piano and Keyboard, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
New Millennium, Different World, New Beginnings by Roger Cichy. For Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1/English Horn, Oboe 2, Bassoon 1, Bassoon 2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bass Clarinet, Bb Contrabass Clarinet, Eb Alto Saxophone 1/2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2,). Grade 5. Score and parts. Duration 10:00. Published by C. Alan Publications (CN.09470). "New Millennium, Different World, New Beginnings" is designed to be a musical timepiece reflecting significant events of the beginning of the twenty-first century. The opening movement, New Millennium, begins with an exploding brass and percussion fanfare symbolizing a new time in modern history. The music evokes the awe and magnitude of a new era as the year 2000 arrives in sequential order from time zone to time zone and celebration to celebration. The rumble of the percussion suggests the images of the spectacular fireworks displays that lit up the skies of many major cities worldwide. The second half of the movement paints a mosaic of celebrations. This section of the movement also develops into a ritual-like celebration as various cultures celebrate, in their own way, the beginning of a new millennium.The second movement, Different World, is a sobering look at the emotions and images of the aftermath of September 11, 2001, a day that created, in many people's minds, a different world. The most compelling scenes of post 9/11 to the composer were that of family members and friends frantically searching for loved ones only to have their hopes diminish day by day. For many, the long search ended in the painful realization that their loved one had perished in this horrible tragedy. The middle section of this movement includes a meditative melody the composer uses as a hymn reflecting faded hope. The emotion of the music eventually portrays a section of anger which, in turn, is rotated into a meditative prayer for the victims who have died and a hope for greater peace in this world.Despite human tragedy, humankind has always looked ahead for hope in the idea this world can be made better. The final movement, New Beginnings, reflects the acts of goodwill and generosity that, in their own individual ways, can and will have a positive impact on modern society. It is through these acts of munificence that we, as a prosperous people, can make a significant difference and provide a better life for the sake of all humankind. It is never too late for new beginnings from one generation of humankind to the next.In particular, this movement is a celebration of the generosity and goodwill of Donna and Marvin Schwartz, who have given unselfishly of themselves to create a new beginning for Emory University in the form of a new performing arts center. Composer Roger Cichy has incorporated the word-rhythm "Don-na and Mar-vin Schwartz" (a 7-syllable grouping) as the underlying nucleus throughout this movement. The beginning section of this movement highlights a melody based on a 7/8 meter. Further in the piece, the meter changes to 7/4 (still incorporating the rhythmic pulse of seven) and fuses a variety of cultural musical styles to create a sort of collage of cultural dynamics.
$128.80

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, English Horn, Double Bass, B-Flat Trumpet, Woodwinds, Clarinet, Saxophone, Strings, Trumpet, Brass
Danzas Brillantes by Aldo Rafael Forte. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1/2, Bb Trumpet 3/4, F Horn 1/3, F Horn 2/4, Trombone 1, 2, 3, Bass Trombone, Euphonium, (Baritone T.C.),). Band Music. Grade 4. Score and parts. Duration 8:05. Published by C. Alan Publications (CN.10100). "Danzas Brillantes" is a three-movement work for band. The composition was commissioned by Stephen E. Panoff and the Tallwood High School Symphonic Band of Virgina Beach in memory of Maria S. Diaz, a superb horn player and 2000 graduate of Tallwood High School who died tragically in a car accident in August 2001. The composition was composed as a celebration of her life and a monument to her ceaseless spirit while applauding the achievement of this great ensemble which she loved so much. Maria gave a phenomenal performance of my virtuoso work "Movement for Horn and Band" in May 2000. I was very taken with her awesome artistry. Therefore, I am honored to have been chosen by Maria's parents to compose a piece in her memory.-Aldo Rafael Forte.
$128.80

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Bass Trombone, Euphonium, Woodwinds, Clarinet, Saxophone, Brass, Trumpet, Trombone
Interpretations by Roger Cichy. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Bb Bass Clarinet, Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2, Trumpet in Bb 3, Horn in F 1, Horn in F 2, Tro). Band Music. Platinum Band Series. Grade 4. Score and parts. Duration 9:30. Published by C. Alan Publications (CN.10440). "Interpretations" was conceived as a collaborative arts project by composer Roger Cichy for the Mount St. Charles Academy in Woonsocket, Rhode Island. This commission was designed to encompass several of the arts by drawing on the fine arts, music, and dance within the academy. Mr. Cichy's composition, therefore, is a musical 'interpretation' based on four selected student art pieces, hence the title. Following the completion of the musical 'interpretations,' the academy's dance department choreographed dances based on the newly composed music. "Interpretations" was premiered by projecting the original student artwork on a large screen as the wind ensemble and dance ensembles performed the work live.The opening movement, 'Mask,' based on a three-dimensional black and white mask, reflects the bipolar elements incorporated in its design. Here Cichy uses the brass and percussion in angular melodies, dramatic rhythms, and vertical harmonies to illustrate one aspect of the mask. A lyrical and subdued texture is created by the woodwind section along with subtle percussion to act as the opposing pole.The indicated style for 'Shrouded Figure,' "Sinister yet mysterious," easily describes the character of this movement. Cichy draws on several compositional techniques to enhance the mystery of the unidentified figure in the art piece.The movement titled 'Popped Corn' depicts a single kernel of popcorn as it lies with its energy spent on the burst, now in a motionless state. The music for this movement incorporates a lazy blues style to imitate the lifeless dimensions of the still-life art piece.'Self Portrait' (of the artist, not the composer) contains an array of colors and geometric patterns culminating in an image of a face. In this movement, Cichy's use of irregular meters and quick tempos transposes the energy and impulse created by the artwork.The artwork upon which this composition is based was created by the following student artists:David Corner, MaskElizabeth Zeibig, Shrouded FigureGreer Monaghan, Popped CornMarassa Streniste, Self Portrait.
$128.80

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Horn, B-Flat Trumpet, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: Latin
Okaoka by Christopher Marshall. For Concert Band (Piccolo, Flute 1, 2, 3, Oboe, Bassoon, Clarinet in Bb 1, 2, 3, Bass Clarinet, Alto Saxophone 1, 2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, 2, 3, Horn in F 1, 2, Trombone 1, 2, Bass Trombone, Euphonium, Tuba, String Bass, Timpani, Percussion ). Band Music. Platinum Band Series. Grade 4. Score and parts. Duration 5:30. Published by C. Alan Publications (CN.10970). This music is inspired by my memories of the unique sights and sounds of the Pacific Islands of Samoa, where I lived and worked for three years (1989-1992).Okaoka! (pronounced 'awkaAWka') is a Samoan exclamation of surprise -- something like "Wow!" in English. Most Samoan dance is accompanied by song and this one is built on the light-hearted song "Okaoka La'u Honey" where the singer compares his lover to some of the most sought-after and exotic foods availble in Samoa at the turn of the 20th century.The music starts in a reflective mood, as if the singer is trying to recall the words of the song. Then flowing lines suggest a single dancer performing the graceful, dignified movements of the 'siva sa'o', or formal dance. Gradually more and more dancers join in, excitement builds, and the music becomes an expression of unrestrained exuberance.Then, as in a dream, the sounds and images of the dancers dissolve in the fragrant calm of the night.
$128.80

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, Double Bass, B-Flat Trumpet, Bass Trombone, Euphonium, Percussion, Timpani, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Strings, Trumpet, Trombone
Genres: Latin
Limerick Daydreams by Nathan Daughtrey. For Concert Band (Piccolo, Flute 1/2, Oboe 1, Oboe 2/English Horn, Bassoon, Bb Clarinet 1, Bb Clarinet 2/3, Bass Clarinet, Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2/3, F Horn 1/3, F Horn 2/4, Trombone 1/2, Trombone ). Band Music. Grade 5. Score and parts. Duration 11:45. Published by C. Alan Publications (CN.11060). Originally dedicated to Dr. Cort McClaren and the UNCG Percussion Ensemble, Limerick Daydreams was the 2nd Place Winner of the 2005 Percussive Arts Society International Composition Contest. The 12-minute work, now scored for full symphonic band with six percussion and piano, is based on the Irish reel Highway to Limerick. The work opens rather mysteriously with fragments of the tune thrown about the ensemble and echoes of the bodhran (a traditional Irish drum) emulated by a dampened bass drum. A raucous drumming section ensues and gives way to the first full presentation of the reel in the flutes. What follows is a series of melodic, rhythmic, and harmonic transformations of the Irish tune--some quite playful, some beautifully melancholy, and some majestically resolute.--NHD.
$128.80

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, English Horn, B-Flat Trumpet, Trombone, Woodwinds, Clarinet, Saxophone, Trumpet, Brass
Pandemonium by Roger Cichy. Arranged by M. McDermott. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Bass Clarinet in Bb, Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2, Trumpet in Bb 3, Horn in F 1/2). Band Music. Platinum Band Series. Grade 4. Score and parts. Duration 6:40. Published by C. Alan Publications (CN.11070). The word 'pandemonium,' invented by 17th Century English author John Milton, first appeared in his literary work Paradise Lost. Little would Milton have known that his word creation would be used so commonly in the 21st Century. With significant events occurring in contemporary times such as 9/11, the Pacific tsunami, and hurricane Katrina, the word pandemonium has been commonly attached to the state of riotous uproar, chaos and mass confusion.With an array of meanings, the word can be defined as: wild lawlessness, utter chaos, a place or scene of uproar or chaos, and more astringently as: the abode of all the demons or even, the capitol of hell. (Note the word 'demon' in the center of the word.)Beyond these definitions, the word can be used in a more personal context and describe a state of being that occurs in our individual lives upon being presented with tragic or startling news--a feeling of confusion and uncertainly. At other times, individuals may feel pandemonium when referring to their busy and overwhelming lifestyles. In yet a different and starker perspective, some individuals believe that demons can possess our lives at times and create a state of pandemonium within one's being.Commissioned by the Western/Northwestern divisions of the College Band Directors National Association, Roger Cichy's composition Pandemonium attempts to paint a wide array of meanings of the term. At times, the music may suggest catastrophic events that that have turned into pandemonium; other times the music may reflect a more subtle disposition and imply pandemonium on an individual level. Sometimes the music is intended to sound confusing and unsettling or eerie and uncertain. Moments also exist when the music sounds riotous or even martial. During one segment of the piece, Cichy has composed a sort of "march of the demons." In another segment, Cichy refers to it as "the dance of the evil spirits."The interpretation of what one hears is purely up to the listener. This is not meant to be programmatic music, Cichy states. "You are given certain qualities of sound, melody and musical impressions during each segment and you must choose your own definition.".
$128.80

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: Latin
Loon-Wolf. (Tuba Feature). By Daniel McCarthy. For Soloist(s) with Concert Band (Flute 1/2, Oboe 1/2, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Bass Clarinet, Bassoon, Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone, Baritone Saxophone, Horn in F 1, Horn in F 2, Trumpet in Bb 1, Trumpet in Bb 2, Trumpet in Bb 3, Trombo). Band Music. Grade 4. Score and parts. Duration 7:15. Published by C. Alan Publications (CN.11120). "Loon-Wolf" is a tour-de-force for tuba and band that features the delicate balance of jazz fusion and serious contemporary music that we have come to expect from Daniel McCarthy.
$128.80

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Desert Flower by Jere Hutcheson. For Concert Band (Piccolo, Flute 1, Flute 2, Flute 3, Oboe 1, Oboe 2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Bassoon 1, Bassoon 2, Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, F H). Band Music. Grade 5. Score and parts. Duration 11:15. Published by C. Alan Publications (CN.11470). Make no doubt about it, the Balinese Gamelan Orchestra, with its rich metallic timbres, was in the back of my mind as I conjured Desert Flower. My initial step was to compose a short score for percussion alone. As I considered the full score, it seemed completely natural to allow the wind instruments to embellish the melodic lines of the percussion instruments. The percussion section, then, provides the backbone, the figured bass as it were, for the winds. The winds add a variety of articulations and phrasings to the original lines and occasionally introduce their own motives. The resultant texture is often referred to as heterophony. The main body of the work is framed by a passage of deep wind sonority, which underlies a somewhat fragile, but anxious, melodic voice assigned to the xylophone.--Jere Hutcheson.
$128.80

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, B-Flat Trumpet, Woodwinds, Clarinet, Saxophone, Trumpet, Brass
Welcome to Holland by Steven Barton. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, English Horn, Bassoon 1/2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2/3, Horn 1/3, Horn 2/4, Trombone 1, Trombone 2, Bass Tr). Band Music. Grade 4. Score and parts. Duration 10:00. Published by C. Alan Publications (CN.11770). Welcome to Holland is a tone poem that tells a specific story. It is composed in five main sections: I. Conception and Anticipation; II. Celebration of Birth, Hopes, and Dreams; III. Lullaby for the Newborn; IV. Grief and Devastation; and V. Rediscovery of Hope and Love.The themes of the first three sections are very simple and childlike, centering on the universal innocence of the interval of the minor third. Harmonies are likewise simple, functional, and non-complex in an effort to reflect the basic and simple desires of all parents for their unborn children. In the midst of all of these happy and contented feelings is the foreshadowing of the unseen and unexpected event about to unfold. The number 21 figures prominently in this work, which begins with a 21-bar phrase. The 21st measure provides the first hint that something is amiss. This is all unnoticed in the excitement and joy of birth.The lullaby is reflective of the deep love of a new life and the calm that is unsuspecting of the coming storm. It is the last such moment of pure peace and contentment. The grief and devastation at the news that things are not as they seemed is as real as the shock of the death of a loved one, only now the loved one lost is the long-cherished dreams and expectations. This section is introduced by the sound of a heart that is not beating, as it should, with a rush of blood through incomplete ventricular walls. The chaos that ensues is that of parents trying to understand and trying to cope, finally leading to physical and emotional exhaustion.The final section begins with a slow awakening to new possibilities, the realization that positives can arise from a morass of negatives and that those seemingly insurmountable negatives might be conquered by the unconditional love of a newborn. Finally, a new set of dreams and expectations is discovered, obviously different from the first, but just as exciting. The return of the Celebration and Lullaby themes demonstrates the merger of the old hopes and dreams with the new. Reality is never far away, as is shown by the metric bump in the twenty-first measure of this section, and one never completely forgets that the road is now a different one. However, there is always hope in the future with new goals to achieve and victories to be won. As the Special Olympics Oath says, "Let me win. If I cannot win, let me be brave in the attempt."- Steven Barton.
$128.80

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, English Horn, B-Flat Trumpet, Trombone, Woodwinds, Clarinet, Saxophone, Trumpet, Brass
Three Dances of Enchantment by Luigi Zaninelli. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, English Horn, Solo Clarinet in Bb 1/2, Clarinet in Bb 1, Clarinet in Bb 2/3, Bass Clarinet in Bb, Contralto Clarinet in Eb, Alto Saxophone in Eb 1, Alto Saxophone in Eb 2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1,). Band Music. Grade 5. Score and parts. Duration 11:00. Published by C. Alan Publications (CN.11880). Three Dances of Enchantment is a suite of three dances inspired by personal experiences in my life that, through the years, continue to resonate in my memory.I. The Via Veneto is a musical reminiscence of those "dolce vita" days I spent on one of Rome's most fashionable streets. Here, as a young film composer, I watched and learned, with great fascination, about the world of Italian film-making.II. She Walks Through the Fair is a haunting, bittersweet melody that I discovered on my visit to Ireland. Dedicated to Kylie Charra Keene.III. The Feast of Saint Rocco is a joyous Italian-American celebration dedicated to Saint Rocco held every summer in my hometown of Raritan, New Jersey. It was here, in my father's arms at the age of five, that I first experienced the vibrant, bold tartness of an Italian band. It was loud and so wonderful!
$128.80

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, English Horn, B-Flat Trumpet, Woodwinds, Clarinet, Saxophone, Trumpet, Brass
Sails of Time by David Gillingham. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Clarinet in Bb 1, Clarinet in Bb 2/3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2/3, Horn in F 1/2, Horn in F 3/4, Trombone 1/2, Bass Trombone, Euphoni). Band Music. Grade 5. Score and parts. Duration 10:00. Published by C. Alan Publications (CN.13040). Sails of Time was commissioned by Kingsway International and was written to celebrate the rich history of Sydney, Australia, and to honor the beauty of grandeur of this magnificent city identified by the icon of the sails of its famous Opera House.The work is bound together by two main melodic ideas consisting of the Australian folksong, Click Go the Shears, and an original theme, Sails of Time, after the title. The work begins with the tolling of the "bells of time" followed by a drone of the "didgeridoo" played by the tubas, representing the indigenous aboriginal people who fished the waters of the Sydney harbor for 50,000 years prior to its settlement. Above the drone, a distant solo piccolo and muted trumpet play phrases from the popular Australian folksong, Click Go the Shears. Woodwind trills along with a piano ostinato announce the arrival of British convicts in 1788. Low brass and woodwinds play the folksong, Bound for South Australia, ominously in Bb minor. This is followed by a "Prisoner Walk", emulating the monotonous daily routine of the prisoners who were the first inhabitants of Sydney. They sing a blues-like tune to break the monotony as they shuffle along in shackled feet. (Listen for the constant clash of the chain.) The section escalates to a conclusion and segues into gentle breezes of keyboard percussion and rustling flutes leading to the first presentation of the Sails of Time theme played by horns, alto saxophones and oboes. The theme represents the hope for a much brighter future for the fledging settlement of Sydney. The section settles down to stillness and a distant piccolo and muted trumpet again play motives from Click Go the Shears.A vibrant percussive interlude leads to a presentation of Click Go the Shears by piccolo and bass clarinet followed by echoing of motives between the ensembles within the massed band. The "growing pains" of Sydney are reflected by a sequence of motives from the Sails of Time theme which rise to a pinnacle in C major by the massed band only to be interrupted by a mournful section in F# minor. In this section, one is reminded of the "unruly society" in the early years of the city of Sydney. An oboe solo sorrowfully sings the tale on a motive extracted from the Sails of Time. Cascading woodwinds and keyboard percussion interrupt and, once again, provide hope to the negative situation and grow to a fugal exposition on the theme from Click Go the Shears. The sure-footed counterpoint and energy evidence the city's "gold and growth" era. The section segues to a sparkling and energetic percussion interlude which transitions to a joyful rendition of the Sails of Time accompanied by the driving rhythm Click Go the Shears. The "bells of time" interrupt to remind one of the city's roots with the drone of the didgeridoo. Distant solo piccolo and muted trumpet echo motives of Click Go the Shears one last time. The work ends triumphantly with a final statement by both themes.Sails of Time was written to be performed as a massed band divided into three ensembles, premiered in the Sydney Opera House in Sydney, Australia. However, the work can be easily performed by one concert band. The massed band set up is pictured above where Ensemble 1 is on the main stage and Ensemble 2 and Ensemble 3 are positioned to the right and left of the stage, respectively. This set up enables a sort of antiphonal effect between the participating ensembles. All of the percussion should be set up on stage with Ensemble 1. Because there will be multiple percussion players, it is suggested that the duties be divided evenly between the players for the performance. The score and parts indicate which ensembles play throughout the piece and where the "massed band" is to play. There are two off-stage players required for this work: piccolo (back stage left) and trumpet (back stage right).
$128.80

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Bass Trombone, Woodwinds, Clarinet, Saxophone, Brass, Trumpet, Trombone
Song of Lir by Carroll, Fergal (B. 1969). For Wind Symphony or Band (32 players): 2+1, 2, , 4+1, 2 - AATBt saxophone - 4, 3, 3+1, 1 - timpani, percussion(3). Original Works. Maecenas Millenium. Score and set of parts. Composed 2004. Duration 7 minutes. Published by Maecenas (MT.C0086-SET).
$128.80

Instruments: Saxophone, Percussion, Timpani, Woodwinds
Genres: Classical
16 Warm-Ups for Band by Derek Bourgeois (1941-). For Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1, Oboe 2, Eb Clarinet, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bass Clarinet, Bassoon, Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, Horn in F 1, Ho). Band Music. Grade 3. Score and parts. Duration 20:00. Published by C. Alan Publications (CN.16240). 1. Allegro molto, espressivo e legato2. Andante3. Adagio4. Tempo de menuetto5. Moderato6. Andantino7. Allegro moderato8. Grave9. Allegro leggiero10. Lento molto espressivo11. Moderato molto espressivo e legato12. Allegro moderato13. Allegro moderato14. Adagio semplice e sempre legato15. Allegro moderato16. Allegro maestoso.
$128.80

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: 20th Century, Classical
Transitions (Solo Percussion Feature). By Josh Gottry. Arranged by Barry Kopetz. For Soloist(s) with Concert Band (Solo Percussion (vibraphone, 4.3 octave marimba, snare drum, bongos, 4 concert toms), Flute 1-2, Oboe 1-2, Bb Clarinet 1-3, Bass Clarinet, Bassoon 1-2, Alto Saxophone 1-2, Tenor Saxophone, Baritone Saxophone, F Horn 1-4, Bb Trumpet 1-3, Trombone 1-2, Bass). Grade 5. Score and parts. Duration 13:00. Published by C. Alan Publications (CN.17070). The concept behind Transitions is that of a single day and the gradual shifts and changes within it. There are three distinct but related segments reflected in the piece: "Dawn, Day, and Dusk"; these form uninterrupted movements in a slow-fast-slow format. Within the faster middle movement is a percussion cadenza. The melodic and harmonic content of Transitions is based almost entirely on the B half-whole octatonic scale. The opening pitches in the solo vibraphone form the primary motive of the work and bring continuity to the piece as a whole. After the first statement, this motive is immediately restated in the ensemble's percussion section, later used as punctuation tones in the cadenza, and finally restated in retrograde in the final measures of the work, again in the solo vibraphone, as an indication of the inevitable connection to the start of a new day. This concerto is truly an exciting and challenging work for the soloist including virtuosic material on both pitched and non-pitched percussion instruments. This work will captivate any audience with its musical contrasts and fascinate them with the visually stimulating choreography in the soloist's performance.
$128.80

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Percussion, Marimba, Vibraphone, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
March Carillon by Howard Hanson (1896-1981). Arranged by Erik W. G. Leidzen. Concert Band. For Db Piccolo, C Piccolo, Flute I, Flute II, Oboe I, Oboe II, Eb Clarinet, Bb Clarinet I, Bb Clarinet II, Bb Clarinet III, Eb Alto Clarinet, Bb Bass Clarinet, Bassoon I, Bassoon II, Eb Alto Saxophone I, Eb Alto Saxophone II, Eb Baritone Saxophone, Bb Tenor S. Contemporary. Score and Set of Parts. Standard notation. Opus 19, Number 2. 4 + 5 pages. Published by Theodore Presser Company (PR.115270230). With Standard notation. contemporary.
$128.75

Instruments: Piccolo, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Bassoon, Flute, Woodwinds, Clarinet, Saxophone
Genres: 20th Century, Classical
Romance by Max Bruch (1838-1920). Arranged by Diana Mols. For viola (alto saxophone) and concert band. Baton Music Instrumental Series. For Viola (or Alto Saxophone). Grade 3. Full score and parts. Duration 8:30. Published by Baton Music (BF.BM373-SET). German composer Max Bruch was an enthusiastic exponent of music for solo string instruments. His Romance in F for Viola and Orchestra has long occupied a permanent place in the viola repertoire, whether in lessons or on the concert stage. In this arrangement the viola part also can also be played by an alto saxophone.
$127.50

Instruments: Alto Saxophone, Viola, Saxophone, Woodwinds, Strings
"Brasser" Overture by Malcolm Binney (1944-). For Wind Symphony or Band (39 players): 2+1, 2, 6+1+Eb, 2 - AATBt saxophone - 4, 5, 3+euphonium, 2 - timpani, percussion(6), double bass. Overture; Original Works. Maecenas Millenium. Grade 5. Score and set of parts. Composed 1997. Duration 6 minutes. Published by Maecenas (MT.C0038-SET).
$126.96

Instruments: Saxophone, Double Bass, Euphonium, Percussion, Timpani, Woodwinds, Strings, Brass
Genres: Classical
Missa Gaia (Earth Mass) - Score and Parts. (A Mass in Celebration of Mother Earth). By Paul Winter. By Jim Scott, Kim Oler, Paul Winter, Paul Halley, and Oscar Castro-Neves. For Soprano Saxophone, Oboe/English Horn, Cello, Piano, Organ, Guitar, Bass and Percussion (IPAKS). Choral. Instrumental Score and Parts. Published by Hal Leonard (HL.8745156). ISBN 1423456165. 11.5x17 inches. Originally performed by the Paul Winter Consort, Missa Gaia is a contemporary ecumenical and ecological Mass celebrating the Earth. The work features the Consort's trademark lyrical melodies with dynamic rhythms from African, Brazilian and American gospel traditions, incorporating Mass and biblical texts and interweaving the voices of wolf, whale and harp seals. This publication contains newly edited and revised versions of the choral movements, set for mixed choir and keyboard with optional instrumental accompaniment, enabling Missa Gaia to be performed in both liturgical settings and concert halls. Publications available: SATB score, Sound Cues CD (animal voices) and Instrumental Score and Parts for Soprano Sax, Oboe/English Horn, Cello, Piano, Organ, Guitar, Bass and Percussion. Total Performance Time: Approx. 36 minutes.
$125.00

Instruments: Choir, Piano, Guitar, Organ, Oboe, Soprano Saxophone, English Horn, Cello, Percussion, Vocal, Piano and Keyboard, Woodwinds, Saxophone, Strings
Genres: Earth Day, Celebrations
Lift High the Cross arranged by Lloyd Larson. For B-flat instrument, cello, flute, oboe, percussion, trumpet, violin. Hymntune. Lent & Easter Musicals. Easter, Hymntune, Sacred. Instrumental parts. Musicals. Published by Hope Publishing Company (HP.8365). With Musicals. Easter, Hymntune, Sacred. Lloyd Larson has crafted this versatile cantata to be sung during the Lenten Season, highlighting Palm Sunday through the Easter resurrection, in this 30-35 minute musical journey. Options to omit either the Palm Sunday selection or the Easter anthem are provided. This journey to the cross is filled with passionate and intimate worship moments using texts by contemporary hymn and song writers. It conveys a powerful message filled with eternal hope and the challenge to "Lift high the cross, the love of Christ proclaim!" The accompaniment may be provided by piano alone, chamber orchestra or an accompaniment CD. The instrumentation, arranged by Mark Kellner, contains a Conductor's Score and parts for: Flute, Oboe, Horn in F, Trumpet in B-flat, Percussion, Violin, Cello, Bass Guitar, and Synthesizer String Reduction.
$125.00

Instruments: Flute, Clarinet, Oboe, Saxophone, Violin, Cello, B-Flat Trumpet, Flugelhorn, Percussion, Woodwinds, Strings, Trumpet, Brass
Genres: Christian, Easter, Religious, Celebrations
Big Jig. (An Irish Radio-Fantasy). By Thierry Besancon. For wind band (piccolo, 2 flutes, 2 oboes, english horn, 2 bassoons, contrabassoon, Eb clarinet, 3 Bb clarinets, bass clarinet, 2 alto sax, tenor sax, bariton sax, 6 horns, 6 trumpets, 2 trombones, bass trombone, 2 euphoniums, 2 tubas, 4 celli, contrabass, harp, piano, ). Contemporary. Parts. Composed 2007. Duration 13'. Published by Editions BIM (ET.OV5C).
$125.00

Instruments: Piano, Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Tenor Saxophone, Bassoon, English Horn, Double Bass, Harp, B-Flat Trumpet, Bass Trombone, Euphonium, Tuba, Piano and Keyboard, Woodwinds, Clarinet, Saxophone, Strings, Trumpet, Brass, Trombone
Genres: Irish, St. Patrick's Day, World, Celebrations